TY  - JOUR
A1  - Christmann, Tim
T1  - Grenzerfahrung, Grenzüberschreitung, Grenzüberwindung: Das Falkland/Malvinas Malvinas-Trauma in Lola Arias’ Film Teatro de Guerra (2018)
T2  - promptus - Würzburger Beiträge zur Romanistik
N2  - This article will examine the cinematic approach to the trauma of the Falklands/Malvinas War in Lola Ariasʼ film Teatro de Guerra (AR/ES, 2018). The armed conflict between Ar-gentina and Great Britain in 1982 can be understood as a traumatic liminal experience, whose artistic reception pushes conventional aesthetics to their limits and calls for innova-tive representational strategies. Based on a cultural studies approach to the Falklands/Mal-vinas War as a collective trauma, this contribution will highlight selected moments of aes-thetic border crossing in Teatro de Guerra, by which the film succeeds in transcending boundaries between former enemies of the war.
KW  - trauma
KW  - documentary film
KW  - cultural memory
KW  - Falklands War
KW  - Malvinas
Y1  - 2021
UR  - https://opus.bibliothek.uni-wuerzburg.de/frontdoor/index/index/docId/30557
UR  - https://nbn-resolving.org/urn:nbn:de:bvb:20-opus-305577
SN  - 2364-6705
VL  - 7
ER  -