@article{BobineauHesselbach2017,
  author    = {Bobineau, Julien and Hesselbach, Robert},
  title     = {Interview mit Prof. Dr. Elissa Pustka},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172927},
  pages     = {7-17},
  year      = {2017},
  abstract  = {Interview mit Prof. Dr. Elissa Pustka},
  language  = {de}
}
@article{Hennemann2017,
  author    = {Hennemann, Anja},
  title     = {«ainda {\´e} nova a m{\´u}sica, i think» Zur Code-Alternation in portugiesischen online-Diskursen},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172882},
  pages     = {107-125},
  year      = {2017},
  abstract  = {The present paper is concerned with the use of English cognitive verbs like think, mean and guess as well as with fixed expressions that contain these verbs like guess what (?) or think about it in Portuguese online discourses. In the qualitative analysis of examples retrieved from the Corpus do Portugu{\^e}s (Web/Dialects) I mainly focus on the syntactic behavior of the expressions under survey, also comparing their use and function in the English language. In the final part of the paper I reflect about possible reasons of the employment of English elements in Portuguese conversation.},
  language  = {de}
}
@article{Duerner2017,
  author    = {D{\"u}rner, Benedikt},
  title     = {Der lyrische Triebt{\"a}ter Andr{\´e} Pieyre de Mandiargues Gewalt und Erotik im Gedichtband L'{\^A}ge de craie},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172876},
  pages     = {83-105},
  year      = {2017},
  abstract  = {The surrealists are not the only influence on the literary efforts of Andr{\´e} Pieyre de Mandiargues - but it's this influence that makes his oeuvre capable for an analysis based on Freudian theories. This way of an analysis is even more appropriate knowing that two of Mandiargues' main and favourite themes - the eroticism and the violence - coincide with the Freudian life and destruction drive. Analysing the two poems Les filles des gobes and Les ruines de l'amour from the volume of poems L'{\^A}ge de craie, it's these two paradigms that are clearly recognizable: Mandiargues' symbolism reveals the duality of the domination by desires.},
  language  = {de}
}
@article{Book2017,
  author    = {Book, Bettina},
  title     = {Komplements{\"a}tze im Spanischen},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172869},
  pages     = {67-80},
  year      = {2017},
  abstract  = {This paper discusses complementation strategies in Spanish, focusing on a specific construction most speakers are not aware of: the complementation clause preceded by the verb conocer. Not being a typical complement-taking verb, conocer surprises with a stable and persistent presence throughout the centuries, from Old Spanish to Modern Spanish. After giving an introduction into the field of complementation clauses and one of its main focus of study, grammatical mood, this study uses empirical data from the corpus programs CORDE, CREA and CORPES XXI to show the usage and prevalence of the construction in question. In doing so, this analysis gives a quantitative insight, exemplifying the results with several examples from all ages.},
  language  = {de}
}
@article{Berneiser2017,
  author    = {Berneiser, Tobias},
  title     = {Lissabonner Navigationen. Literarische Nautik und heterotopischer Stadtdiskurs in Jos{\´e} Cardoso Pires' Lisboa - Livro de Bordo},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172859},
  pages     = {39-64},
  year      = {2017},
  abstract  = {This article seeks to analyse urban representation in Jos{\´e} Cardoso Pires's Lisboa - Livro de Bordo (1997), a book dedicated to the author's home city Lisbon, by focusing on its prevailing nautical and maritime imagery. This imagery as well as its tendency to design Lisbon as a city-ship shall be examined with regard to spatial construction in the Livro de Bordo. Urban sailing as well as the recurrent representations of the Portuguese capital's spaces as heterotopias will be interpreted as approaches to subvert institutional and homogenic discourses on Lisbon.},
  language  = {de}
}
@article{Winter2016,
  author    = {Winter, Ursula},
  title     = {Literarisierung von Musik als Intermedialit{\"a}tsph{\"a}nomen. Exemplarische Betrachtung der oratorischen Rezeption Dantes und Goethes bei Wolf-Ferrari und Berlioz},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161690},
  pages     = {281-306},
  year      = {2016},
  abstract  = {This article deals with the reception of Dante and Goethe in Ermanno Wolf-Ferrari's and Hector Berlioz's compositions La Vita Nuova and La Damnation de Faust. Although Dante Alighieri's Vita Nova and Johann Wolfgang von Goethe's Faust belong to completely different genres and epochs, the texts provide the basis for the oratorio-style works from the Romantic era, which justifies a comparative analysis of the latter. The examined reductions, extensions, modifications and rearrangements of the texts in the libretti - which were compiled almost entirely by the composers themselves - as well as the instrumental parts and the use and functions of the orchestra, the choir and the soloists, portray the intermedia relations between literature and music in the selected compositions. The chosen examples will show that the common idea of setting literature to music and the translation studies concept of intersemiotic translation are not appropriate for all literature-based pieces of music, as the analysis of both works demonstrates that with regard to vocal music a distinction should be made between the musicalization of literature and the literarization of music.},
  subject      = {Musik},
  language  = {de}
}
@article{Suslenkova2016,
  author    = {Suslenkova, Anastasiya},
  title     = {Diskursanalytische Untersuchungen der politischen Rede in Italien am Beispiel der ausgew{\"a}hlten Reden von Silvio Berlusconi und Matteo Renzi},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161681},
  pages     = {241-279},
  year      = {2016},
  abstract  = {The present study is concerned with a critical discourse analysis of the speeches of the Italian politicians Silvio Berlusconi and Matteo Renzi in different situations. The aim of the study was to find out how historical and speech contexts influence discourse structures and argumentations, and if any similar speech patterns or speech strategies were used. The results show that both politicians in many cases tend to utilize similar speech patterns to achieve different aims; each of them shows a preference for particular words, structures and strategies. It is noteworthy that one of the important differences between speeches of Berlusconi and Renzi is the use of various speech strategies. While Renzi uses these strategies to create an image of himself as a young and honest politician, Berlusconi makes use of them to defend himself or attack his opponents.},
  subject      = {Diskursanalyse},
  language  = {de}
}
@article{Schoepe2016,
  author    = {Sch{\"o}pe, Kai},
  title     = {Unaufh{\"o}rliches Suchen - Gaddas Roman Quer pasticciaccio brutto de via Merulana als carmen perpetuum},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161673},
  pages     = {193-222},
  year      = {2016},
  abstract  = {Gadda's novel Quer Pasticciaccio brutto de Via Merulana tells the tale of two crimes committed in Rome in the 1920s. The search for the perpetrators turns into a pasticciaccio brutto (an awful mess), challenging the reader with its linguistic complexity and a myriad of references to history and culture; the large number of allusions to antiquity is particularly striking. References to Virgil's Aeneid and to Rome's mythical past do not constitute a mere transfer, but document a creative approach of transformational nature. Deformation and inversion are part of this process, changing the μορφή not only in formal terms, but also within the plot itself. These transformations of both form and content are read as Metamorphoses and analysed in comparison to Ovid's homonymous work. The perpetual, never-ending quest for truth in Gadda's novel necessitates a perpetual, never-ending narrative, which is conceptually related to Ovid's carmen perpetuum.},
  subject      = {Gadda, Carlo Emilio : Quer pasticciaccio brutto de Via Merulana},
  language  = {de}
}
@article{Scholz2016,
  author    = {Scholz, Janek},
  title     = {Eine K{\"u}nstlerkooperation 'al{\´e}m das fronteiras' - Banda desenhada de l{\´i}ngua portuguesa},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161662},
  pages     = {225-239},
  year      = {2016},
  abstract  = {Economic, academic or artistic cooperation among actors of different countries or disciplines offers numerous new perspectives, but it also confronts the ones profiting from it with several challenges. First, identity has to be firmly established, which requires intercultural skills, such as role-distance, empathy and tolerance for ambiguities. Secondly, a third space is required in which meaning can be newly negotiated to make the partnership succeed. This paper proposes that even within one and the same language-group, one can speak of intercultural communication. A particular collaboration between Portuguese-speaking comic artists will be introduced, raising questions of the conditions necessary to make such a cooperation work. Answers will be provided according to the decisions the artists made in their publications.},
  subject      = {Kooperation},
  language  = {de}
}
@article{Kloster2016,
  author    = {Kloster, Kerstin},
  title     = {Der K{\"o}rper als Einschreibungsfl{\"a}che des weiblichen Ged{\"a}chtnisses. Eine Analyse der m{\"u}ndlichen {\"U}berlieferung in Le livre d'Emma von Marie-C{\´e}lie Agnant},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161645},
  pages     = {153-168},
  year      = {2016},
  abstract  = {Women in Caribbean culture traditionally occupy the role of guardians of collective memory, as tellers of stories, legends and myths. Through oral tradition, they transfer the cultural and family knowledge from one generation of women to the next. We will offer an analysis of oral transmission as a way of preserving a memory of women in Le livre d'Emma (2001) by the Qu{\´e}bec author of Haitian origin, Marie-C{\´e}lie Agnant. We will primarily analyze the transformation of communicative memory into cultural memory, following the distinction by Jan Assmann. We will interpret the oral transfer as a possibility to stabilize, to legitimize female memory and to inscribe it into the female body.},
  subject      = {Agnant, Marie-C{\´e}lie : Le livre d'Emma},
  language  = {de}
}