@phdthesis{Koenig2000,
  author    = {K{\"o}nig, Almut},
  title     = {Henneberger Urbare},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-2270},
  school      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2000},
  abstract  = {Die Dissertation besteht aus zwei Teilen, einer Edition der Akten Amt R{\"o}mhild Nr. 319, 320, 321 und 323 aus dem Th{\"u}ringischen Staatsarchiv Meiningen und der Beschreibung des Textsorte "Urbar" am Beispiel der in den Akten enthaltenen Urbare. Beiden Teilen geht ein Abschnitt voraus, in dem die Editionsprinzipien und der textlinguistische Forschungsansatz diskutiert und begr{\"u}ndet werden. In der Textsortenbeschreibung werden Situation, Struktur sowie Textfunktion, Textthema und Textinhalt der Henneberger Urbare untersucht. Unter der {\"U}berschrift "Situation" werden die Urbare vorgestellt. Beschrieben wird der historische, geografische und dialektgeografische Kontext sowie die {\"a}ußeren Merkmale; die {\"U}berlieferungs- Wirkungsgeschichte, Kommunikationspartner und der Handlungsbereich der Urbare werden erschlossen. Wortschatz, Satzbau und Textaufbau der Urbare werden im Kapitel "Struktur" untersucht. Im Kapitel "Textfunktion, Textthema und Textinhalt" wird der Frage nachgegangen, welche Schreiberintentionen aus den Quellen zu erschließen sind, was das Thema der Urbare ist und mit welchen Inhalten dieses Thema gef{\"u}llt wird. Im Editionsteil werden die Editionsgrunds{\"a}tze dargelegt. Beschrieben wird der Aufbau der Edition, die Umsetzung der Handschrift in Maschinenschrift und der Aufbau des Apparates. Abgeschlossen wird die Arbeit durch die Edition der Akten.},
  subject      = {Henneberg <Grafschaft>},
  language  = {de}
}
@phdthesis{Lan2023,
  author    = {Lan, Yangyang},
  title     = {Bamboo-branch Songs (\({zhuzhici}\)) of Shandong Province: Lyrical Records of Local Life, Traveling and Local History},
  doi       = {10.25972/OPUS-32868},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-328687},
  school      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2023},
  abstract  = {This dissertation presents a comprehensive exploration of the bamboo branch song (zhuzhici 竹枝詞), a classical Chinese poetry genre. One of the defining features of the bamboo branch song genre is its emphasis on all aspects of local culture. As a result, these poems typically have a specific focus on a particular place. This dissertation takes the bamboo branch songs of Shandong Province as its primary subject. The dissertation is divided into two parts. The first section focuses on a cultural study of the bamboo branch song genre. By examining the genre, this dissertation concludes that the bamboo branch song is a genre of vernacular poetry in imperial China. The language has a vernacular style, and the content has a clear focus on local affairs. The subsequent section delves into the Bamboo Branch Songs of Shandong Province, with almost 2,000 poems collected from different sources. From everyday routines to customs, travel culture, and historical episodes, the poems cover a wide range of topics, offering a detailed glimpse into the various facets of the region's society. Women play a significant role in the poems about social life in Bamboo Branch Songs of Shandong Province. They were often the central figures in the ceremonies of festivals, and their behaviour was given special attention. The bamboo branch song genre has an internal character as a form of travel writing. The poems were usually written by authors who had made observations on their journeys. This dissertation delves into the travel culture of the capital Ji'nan, through the lens of bamboo branch songs, providing valuable insights into the region. Another common motif of bamboo branch songs is history. Some nostalgic poems deal with local historical sites, events, legends and personalities. This dissertation finds that these poems contain unique historical information with a microcosmic and individual perspective.},
  language  = {en}
}