@unpublished{VolkmannBockSeibtetal.2012, author = {Volkmann, Armin and Bock, Sina and Seibt, Daniela and K{\"u}mmet, Sonja and Weiß, Michael and Dietz, Elisabeth and Huss, Patrick and Heer, Anna and El Hassan, Naitelqadi}, title = {Geisteswissenschaft und Geografische Informationssysteme (GIS): Erstellung von Kartierungen mit kommerzieller und Open Source Software im Vergleich}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-74470}, year = {2012}, abstract = {Der Einsatz von Geographischen Informationssystemen (GIS) bietet auch f{\"u}r die Geisteswissenschaften zahlreiche Ans{\"a}tze zur Generierung von neuem Wissen. Die GIS-Software ist jedoch unterschiedlich geeignet f{\"u}r geisteswissenschaftliche Fragestellungen. Getestet wurden daher zwei kommerzielle und vier Open Source GIS-Programme: MapInfo, ArcGIS, Quantum GIS, gvSIG, DIVA-GIS und SAGA. MapInfo zeichnet sich besonders f{\"u}r GIS-Anf{\"a}nger durch seine große Benutzerfreundlichkeit aus. Jedoch sind die Anschaffungskosten recht hoch. ArcGIS weist den gr{\"o}ßten Nutzungsumfang auf, wobei jedoch keine oder kaum eine „intuitive" Nutzung m{\"o}glich ist. Zudem sind die laufenden Kosten durch aufw{\"a}ndige Abo-Lizenzvertr{\"a}ge besonders hoch. Quantum GIS ist eine freie Software, die benutzerfreundlich ist und auch Anf{\"a}ngern einen leichten Einstieg erm{\"o}glicht. Hunderte Erweiterungen machen Quantum GIS sehr leistungsstark und universal einsetzbar. gvSIG ist nicht ganz leicht zu bedienen, da zudem die Dokumentation nur fragmentarisch vorliegt. Der große Funktionsumfang macht es jedoch zu einem vollwertigen GIS, wenn auch manch erg{\"a}nzende Funktion fehlt. DIVA-GIS erm{\"o}glicht einen schnellen Einstieg durch seine gute Dokumentation. Man gelangt jedoch recht bald an die Grenzen des Nutzungsumfangs durch die eingeschr{\"a}nkte Funktionalit{\"a}t. SAGA hingegen erf{\"u}llte alle hier gestellten Anforderungen, sodass es, trotz der geringeren Anzahl von Erweiterungen, zusammen mit Quantum GIS als Open Source eine echte Alternative zu kommerziellen GIS-Programmen darstellt.}, subject = {Geoinformationssystem}, language = {de} } @incollection{Schoenbeck2019, author = {Sch{\"o}nbeck, Sebastian}, title = {Return to the Fable: Rethinking a Genre Neglected in Animal Studies and Ecocriticism}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177966}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {111-125}, year = {2019}, abstract = {No abstract available.}, language = {en} } @inproceedings{OPUS4-17720, title = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, editor = {Middelhoff, Frederike and Sch{\"o}nbeck, Sebastian and Borgards, Roland and Gersdorf, Catrin}, edition = {1. Auflage}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, issn = {978-3-7930-9928-4}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177209}, pages = {359}, year = {2019}, abstract = {Texts, Animals, Environments. Zoopoetics and Ecopoetics probes the multiple links between ecocriticism and animal studies, assessing the relations between animals, environments and poetics. While ecocriticism usually relies on a relational approach to explore phenomena related to the environment or ecology more broadly, animal studies tends to examine individual or species-specific aspects. As a consequence, ecocriticism concentrates on ecopoetical, animal studies on zoopoetical elements and modes of representation in literature (and the arts more generally). Bringing key concepts of ecocriticism and animal studies into dialogue, the volume explores new ways of thinking about and reading texts, animals, and environments - not as separate entities but as part of the same collective.}, language = {en} } @incollection{Guesken2019, author = {G{\"u}sken, Jessica}, title = {Blooming Flowers, Fish in Water, Amphibians, and Apes: Herder's Environmental Aesthetics of Nature}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178026}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {175-188}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Meis2019, author = {Meis, Verena}, title = {"The jellyfish must have precedence!": The Diaphanous Animal as an Optical Medium}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178039}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {189-199}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Goodbody2019, author = {Goodbody, Axel}, title = {Wolves and Wolf Men as Literary Tropes and Figures of Thought: Eco- and Zoopoetic Perspectives on Jiang Rong's Wolf Totem and Other Wolf Narratives}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178122}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {307-324}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Noeth2019, author = {N{\"o}th, Winfried}, title = {Peirce on the Continuity between Human and Nonhuman Minds}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177988}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {139-155}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{CazabanMazerolles2019, author = {Cazaban-Mazerolles, Marie}, title = {Narrating le vivant: the Zoe-Poetical Hypothesis}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177818}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {71-81}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Kling2019, author = {Kling, Alexander}, title = {Action, Framework, and the Poetics of "Co-Making": A Testing Device for Ecological Narratives}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177943}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {83-95}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Buehler2019, author = {B{\"u}hler, Benjamin}, title = {Other Environments: Ecocriticism and Science Fiction (Lem, Ballard, Dath)}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177973}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {127-138}, year = {2019}, abstract = {No abstract available.}, language = {en} }