@article{RablAlonsoRodriguezBrehmetal.2020,
  author    = {Rabl, Dominik and Alonso-Rodr{\´i}guez, Aura M. and Brehm, Gunnar and Fiedler, Konrad},
  title     = {Trait variation in moths mirrors small-scaled ecological gradients in a tropical forest landscape},
  series = {Insects},
  volume    = {11},
  journal   = {Insects},
  number    = {9},
  issn      = {2075-4450},
  doi       = {10.3390/insects11090612},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-213016},
  year      = {2020},
  abstract  = {Along environmental gradients, communities are expected to be filtered from the regional species pool by physical constraints, resource availability, and biotic interactions. This should be reflected in species trait composition. Using data on species-rich moth assemblages sampled by light traps in a lowland rainforest landscape in Costa Rica, we show that moths in two unrelated clades (Erebidae-Arctiinae; Geometridae) are much smaller-sized in oil palm plantations than in nearby old-growth forest, with intermediate values at disturbed forest sites. In old-growth forest, Arctiinae predominantly show aposematic coloration as a means of anti-predator defense, whereas this trait is much reduced in the prevalence in plantations. Similarly, participation in M{\"u}llerian mimicry rings with Hymenoptera and Lycidae beetles, respectively, is rare in plantations. Across three topographic types of old-growth forests, community-weighted means of moth traits showed little variation, but in creek forest, both types of mimicry were surprisingly rare. Our results emphasize that despite their mobility, moth assemblages are strongly shaped by local environmental conditions through the interplay of bottom-up and top-down processes. Assemblages in oil palm plantations are highly degraded not only in their biodiversity, but also in terms of trait expression.},
  language  = {en}
}
@phdthesis{Ravasio2020,
  author    = {Ravasio, Paola},
  title     = {Black Costa Rica. Pluricentrical Belonging in Afra-Costa Rican Poetry},
  edition   = {1. Auflage},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  isbn      = {978-3-95826-140-2},
  doi       = {10.25972/WUP-978-3-95826-141-9},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-202981},
  school      = {W{\"u}rzburg University Press},
  pages     = {iii, 264},
  year      = {2020},
  abstract  = {Black Costa Rica: Pluricentrical Belonging in Afra-Costa Rican Poetry engages the lyric of Eulalia Bernard (Lim{\´o}n, Costa Rica *1935), Shirley Campbell (San Jos{\´e}, Costa Rica *1965), and Dlia McDonald (Col{\´o}n, Panam{\´a} *1965) by a historically backwards-looking perspective that explores a pluricentrical sense of belonging. This concept refers mainly to plural centers of cultural and historical identifications along a glocal sociohistorical continuum stretched across the multifold aspects of the nation~diaspora dynamic/s. The literary analysis traces the coming of age of the Afro-Costa Rican community in these women's poetry as a local manifestation of global phenomena concerning diaspora/s, the dialectics of race and nation, and processes of assimilation and of marginalization. The dissertation asks, fundamentally, how does their poetry reveal a historical imagination referring both to a national specificity while simultaneously expressing identification with socio-historical processes in the circum-Caribbean region? What are the poetic themes and which the lyrical forms that constitute a myriad of local and global aspects regarding the coming of age of the Afro-Costa Rican community? Departing from these premises, the dissertation tells a story of the past by addressing the ways in which the glocal is deployed through specific figures of speech. Based on the study of what I have termed a modernized-nature oxymoron in McDonald, a skin-history metonymy in Campbell, and code-switching in Bernard, spatial and racial configurations as well as linguistic identity are here addressed as features of a trifold historical imagination yielding pluricentrical belonging. The oxymoron tells of an outernational past (diasporic) while the metonymy declaims a supranational one (global); multilingualism instead points to an infranational historical imagination ('non'-Costa Rican). By way of a close reading, the dissertation tells the recent story of the country's past in the form of a three layered stor(y)ing of spatially-, meta-historically-, and multilingually-defined imaginings of Black Costa Rica.},
  subject      = {Lyrik},
  language  = {en}
}