@article{KirchmeierMeierottJung2023, author = {Kirchmeier, Peter and Meierott, Lenz and Jung, Klaus}, title = {Taraxacum sect. Borealia Hand.-Mazz. in den Alpen}, series = {Forum Geobotanicum}, volume = {11}, journal = {Forum Geobotanicum}, issn = {1867-9315}, doi = {10.3264/FG.2023.1230}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-347512}, pages = {35-56}, year = {2023}, abstract = {The presence of Taraxacum microspecies of the section Borealia in the European Alps has been known from France, Suisse, Austria, Italy and Slowenia. The five known species are Taraxacum gallicum, T. handelii, T. kraettlii, T. mazzettii and T. melzerianum. From 2004 up to 2014 these localities have been visited. Detailed examinations of many collections make it possible to add characteristics and precise the descriptions and correct mistakes, eliminate ambiguities and fill gaps in the original descriptions. Numerous photos, drawings and a new determination key will make the access to the section Borealia easier. A new species of section Borealia, T. cimae-gallinae, from the mountain H{\"u}hnerspiel near Sterzing (Italy, South Tyrol) is described. The habitats of the Borealia in the alpine level are mostly gravel floors on wind-swept ridges or on summit levelings. The environment of Borealia-species is threatened by ski tourism or by the changes from global warming.}, subject = {Pflanzen}, language = {de} } @article{Schneider2022, author = {Schneider, Melanie}, title = {« [C]'est absurde d'{\^e}tre bloqu{\´e} sur une autoroute » - Das Motiv des Staus in der zeitgen{\"o}ssischen romanischen Literatur}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329807}, pages = {165-180}, year = {2022}, abstract = {Due to an ever-increasing number of automobiles on the roads, automobility fails more and more to fulfil its promise of free individual mobility, leading to traffic density and congestions of unprecedented proportions. However, those conditions seem to possess an aesthetic potential which we seek to analyze in terms of literature. Therefore, we are going to look on three novels from Romance-language areas: Julio Cort{\´a}zar's short story La autopista del sur (1966), Carlo Lucarelli's novel Autosole (1998) and Gr{\´e}goire Gauchet's novel Les robinsons de l'autoroute (2018). First, we will analyze the nature of deceleration/congestion by referring to human geographer Tim Cresswell's concept of friction. Second, we will examine recurring motifs linked to the deceleration/congestion in all novels before taking a closer look at Gauchet's novel where the friction not only applies to traffic but also to human relationships. The aim is to look at different literary representations of an everyday experience like traffic congestion and to see how literature deals with such an occurrence.}, language = {de} } @article{Nabi2022, author = {Nabi, Haifaa}, title = {La Naus{\´e}e : Salut par l'art ou par les autres ?}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329799}, pages = {145-163}, year = {2022}, abstract = {In this article dedicated to Jean-Paul Sartre's first novel La Naus{\´e}e, we analyze how the idea of conversion to art grows in the imagination of the hero, Antoine Roquentin. Furthermore we show that all the narrative actions in the novel are based on the hero's communicational interaction with the other characters. This lonely person who complains in his diary about social exclusion, yet he converts to art not through his reflections, but through communica-ting with the other characters. Also, many critical studies on La Naus{\´e}e have considered jazz music that the hero listens to in a caf{\´e} as the critical moment of his conversion. In our opinion this reflects juste one phase of a connected sequence of events through which the hero passes from a state of relational negativity and existential alienation to a state of openness, achieved again mainly by the virtue of other characters.}, language = {fr} } @article{Kreiner2022, author = {Kreiner, Lea}, title = {Das Genus im Sprachvergleich: Genuszuweisung bei substantivischen Lehnw{\"o}rtern im Deutschen und Spanischen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329784}, pages = {123-143}, year = {2022}, abstract = {This article examines principles of gender assignment in the German and Spanish language and in this way tries to answer the question of why loanwords are preferably assigned a particular gender and what criteria motivate this choice. After introducing some general aspects about gender as well as some important properties of the German and Spanish gender systems, this paper compares several formal (morphological and phonological) and semantic rules regarding gender assignment. Despite large structural differences between the languages, the comparison shows that the assignment rules prove to be in a sense cross-lingual, which do not only testify to the assumption but also the validity of an underlying system of rules.}, language = {de} } @article{Henk2022, author = {Henk, Lars Thorben}, title = {{\´E}douard Louis' «J'accuse». Ein sp{\"a}tmoderner Adept Zolas?}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329777}, pages = {105-120}, year = {2022}, abstract = {French history of literature is undoubtedly characterized by a tradition of social criticism portraying the working class' misery that can be traced back at least to the 19th century. Among these depictions, Zola's novels have a prominent position. This is, among other aspects, due to their pretended scientific foundation and their pretentious claims to be scientific studies. The contemporary author {\´E}douard Louis situates himself in this tradition of Zola's naturalism. This invites us to examine the interrelation between Zola and Louis more closely. Based on the common ground of scientific foundation, scientific ambition and social commitment pursued in their novels, it will be demonstrated that Louis is a late-modern Zola whose milieu and character descriptions follow in detail Zola's constructions.}, language = {de} } @article{Harjus2022, author = {Harjus, Jannis}, title = {El aliento xeneize: Eine diskurslinguistische Analyse von Fanges{\"a}ngen der Anh{\"a}nger des argentinischen Clubs Boca Juniors}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329768}, pages = {85-103}, year = {2022}, abstract = {In this contribution, chants of the followers of the Argentine football team Boca Juniors are analyzed with regard to possible identity constructions and othering. The results of the corpus-driven discourse-linguistic analysis demonstrate in particular metaphors and topoi that can be highlighted as a constitutive part of the discursive construction of a Boca Juniors supporters' identity and the otherings of River Plate hinchas. Through the use of certain metaphors and determined lexical fields that clearly call for acts of violence, a masculine ethos is discursively constructed among Bocas own followers, which goes far beyond comparable insulting and cheering chants of comparable European football teams.}, language = {de} } @article{Haidacher2022, author = {Haidacher, Bernhard}, title = {The concept of confix in German, French, and Italian - a comparative study}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329756}, pages = {63-83}, year = {2022}, abstract = {Despite some critical voices, in German linguistics the concept of confix can meanwhile be considered as an established morpheme category. Schmidt (1987) introduced the term into German to describe bound morphemes that are lexical, but not inflectable. Since the 2000s, an increasing number of publications deal with the phenomenon and the term has begun to enter linguistic reference works as well. In French, the situation is completely different due to the structure of the language (poor in compounds and mostly post-determinative). Although the term and the concept have originall y been coined by the French structuralist Andr{\´e} Martinet ([1961] \(^3\)1980 ), the denomination itself is barely present in Romance linguistics. French researchers usually take different approaches to discuss the phenomenon (e.g., neoclassical compounds, constructed lexemes). In Italian, the denominations confisso/ confissazione are first used by De Mauro (1999), who adopts both the term and concept directly from Martinet; moreover, they can be found in some contributions on word formation and lexicology (e.g., Adamo/Della Valle 2008). Nevertheless, the Italian termino-logy remains heterogeneous, with some researchers still using the terms prefissoide/suffissoide coined by Migliorini (1963). As I will show by comparing the languages in question, the terminology and the concept of confixes vary greatly between Romance and Germanic languages.}, language = {en} } @article{Cristalli2022, author = {Cristalli, Marco Antonio}, title = {Ein Mann ohne Ehrgeiz, Konturen und Tatendrang - Parodierung von M{\"a}nnlichkeitsnormen in Jean-Philippe Toussaints Monsieur (1986)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329747}, pages = {37-60}, year = {2022}, abstract = {The nameless protagonist of the postmodern novel Monsieur, written by Belgian author Jean-Philippe Toussaint, can be described as a rather strange man. He lacks ambition, a drive for action and seems to be unfit for daily life. He constantly fails to accomplish his predestined role as a real man, as for instance to pay the bill for dinner when dating a woman. The scope of the present paper is to analyse, on the one hand, how this novel deconstructs hegemonial concepts of masculinity but, on the other hand, is in itself also a parody of the latter.}, language = {de} } @article{Gottschlich2023, author = {Gottschlich, G{\"u}nter}, title = {Hieracium rotundatum subsp. silvae-bavaricae, eine neue Hieracium-Sippe aus dem Bayerischen Wald (Deutschland)}, series = {Forum Geobotanicum}, volume = {11}, journal = {Forum Geobotanicum}, issn = {1867-9315}, doi = {10.3264/FG.2023.0912}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-327145}, pages = {8-14}, year = {2023}, abstract = {Hieracium rotundatum subsp. silvae-bavaricae is described as new for science and illustrated. The new subspecies belongs to a group of species (H. rotundatum, H. transylvanicum) whose main distribution is in the Balkans. The changeful nomenclatural history of the species name is described. Diagnostic features to distinguish the growth habit-similar species H. murorum, H. rotundatum and H. transylvanicum are discussed. Particular attention is drawn to the importance of the development of the basic leaf cycle. Contrary to previous knowledge, the northwestern distribution limit of H.rotundatum extends now to southeastern Bavaria. During the search for H. rotundatum a morphologically conspicuous subspecies of H. rotundatum could be detected, which is described here as new.}, subject = {Habichtskraut}, language = {de} } @article{Haveman2023, author = {Haveman, Rense}, title = {Phytosociological notes on hedges in South Ayrshire, Scotland}, series = {Forum Geobotanicum}, volume = {11}, journal = {Forum Geobotanicum}, issn = {1867-9315}, doi = {10.3264/FG.2023.0420}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-312634}, pages = {1-7}, year = {2023}, abstract = {On the basis of four relev{\´e}es of hedges around Straiton en Dailly in South Ayrshire, Scotland, some features of hedges are discussed. On the basis of the brambles, the vegetation of these hedges can be assigned to the Pruno-Rubion sprengelii, which comprises the bramble scrubs of circumneutral and nutrient rich soils in West Europe (Haveman et al. 2017, Haveman \& de Ronde 2019). Until now, this alliance was thought to be restricted to the northwestern edge of the European continent, but based on these relev{\´e}es and the known distribution area of Rubus nemoralis and Rubus polyanthemus, both characteristic for the Pruno-Rubion sprengelii, large parts of North England and Scotland have to be included in the distribution area of the alliance. The Pruno-Rubion sprengelii is optimally developed in rather narrow structures, like hedges, which are pruned every year. Here, brambles and herbs alike can grow with and under the shrubs, facilitated by the light that reaches large parts of the ground. Where the economic base of hedges perishes, they are not longer maintained, and the shrubs can grow out to their natural proportions. This changes the amount of light reaching the surface in the inner parts of the thicket, changing the competition between the species. The brambles as well as the herbs are displaced to the outer edges of the scrub, and the vegetation "dissociates" in a high-growing scrub, a fore-mantle ("cuff") with brambles, and a fringe with perennial herbs. These elements can hardly ever be assigned to the Pruno-Rubion anymore. The Pruno-Rubion sprengelii in optima forma is a scrub in which the three elements (shrubs, brambles, and herbs) grow closely intertwined. This is rarely found in natural landscapes, and thus the alliance is a typical element of the old farmer landscape. What is more: the typical species of the alliance, like Rubus nemoralis and R. polyanthemus, could only evolve after the landscape was opened by farmers in the last six millennia (Matzke-Hajek 1997), giving way to Rubus ulmifolius to expand its distribution area. This caused an explosion of hybrids which stabilised through apomixis into the wealth of Rubus species inhibiting the West European landscape nowadays (Sochor et al. 2015). Many of these species have their original home in a man-made landscape. Therefore, the Pruno-Rubion sprengelii can be characterised as a "farmers alliance" pur sang.}, subject = {Brombeere}, language = {en} } @article{Kraft2010, author = {Kraft, Stephan}, title = {Eine Revisionsverhandlung : Der zerbrochene Krug und K{\"o}nig {\"O}dipus}, series = {Euphorion}, volume = {104}, journal = {Euphorion}, number = {2}, edition = {accepted version}, issn = {0014-2328}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-321456}, pages = {175-197}, year = {2010}, abstract = {No abstract available.}, language = {de} } @article{Vatter2022, author = {Vatter, Christoph}, title = {Interview mit Prof. Dr. Christoph Vatter}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305703}, pages = {1-13}, year = {2022}, abstract = {Interview mit Prof. Dr. Christoph Vatter}, language = {de} } @article{Scholz2021, author = {Scholz, Janek}, title = {S{\´e}rgio Zimbas Covid-19-Karikaturen im Kontext {\"o}ffentlicher Gesundheitsf{\"u}rsorge in Mosambik}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305692}, pages = {133-155}, year = {2021}, abstract = {The article deals with the educational comics of the Mozambican artist S{\´e}rgio Zimba, especially in the context of the current pandemic situation caused by Covid-19. First, comics from and comic research on Africa will be presented, especially in their repercussion within the German-language comics landscape. This will be followed by a discussion of the special situation in lusophone Africa, exemplified and illustrated by the works of the Mozambican cartoonist S{\´e}rgio Zimba. The article closes with a brief comparison of Zimba's work with the cartoons of S{\´e}rgio Pi{\c{c}}arra from Angola, to better classify the artist's work.}, language = {de} } @article{Klamp2021, author = {Klamp, Yannic}, title = {Alma und {\´a}nima in spanisch-zapotekischen Evangelisierungswerken: die Translation des Konzepts Seele im kolonialen Missionskontext (Neu-Spanien, 16.-18. Jh.)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305681}, pages = {111-130}, year = {2021}, abstract = {The arrival of the Spanish in present-day Oaxaca, Mexico, led to manifold communicative challenges and was the origin of the first written documents in the local indigenous languages. This paper focuses on Spanish-Zapotec translations produced by Christian missionaries during the colonial period. In this context, it aims to investigate the expression of the concept of soul in their catechisms and confesionarios by analyzing chronologically how different authors apply the Spanish synonyms alma and {\´a}nima. On the one hand, we can observe some similar tendencies in central Mexican documents for the early colonial period so that we can assume that the corpus was influenced by Nahuatl translations. On the other hand, there is an independent development in Spanish-Zapotec translations not only regarding the target text but also the source text.}, language = {de} } @article{Kneifel2021, author = {Kneifel, Malte}, title = {Futur-Formen und ihre Funktionen im Portugu{\^e}s Arcaico}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305673}, pages = {91-109}, year = {2021}, abstract = {This article aims to trace the development of different verb forms that express future tense of Old Portuguese from the 13th to the 15th century by analyzing a historical text corpus. During this period, Portuguese future tense could be expressed through one synthetical as well as two analytical morphological verb constructions. Adapting an analytic model formerly employed by the Mexican researcher Concepci{\´o}n Company Company for an investigation of similar future tense forms in Old Spanish, this article seeks to point out that the use of the different verb forms in Portuguese followed distinct functions regarding aspects of both information structure as well as modality.}, language = {de} } @article{Henk2021, author = {Henk, Lars Thorben}, title = {«We're on the road to nowhere» - Felwine Sarrs narrativer Weg in die Afrotopie}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305662}, pages = {73-90}, year = {2021}, abstract = {According to the Senegalesian scholar Felwine Sarr who conceives an African utopia in his programmatic essay Afrotopia (2016), this Afrotopos has already germinated in contemporary African literature. However, it still needs to be enquired to what extent the narrated topos of the street in Sarr's own anthology 105 Rue Carnot (2011) has already realized the Afrotopos. In order to respond to this question, we would like to mobilise Michel Foucault's concept of heterotopia, which elaborates on the interactions between truth production/knowledge, power and space, and permits us to conceive of «les lieux utopiques» (Foucault 2005: 40) as actually locatable on the map and real other places outside of all places (cf. Foucault 1994: 755). Thus, in the street, a different relationship between global North and South is founded, which becomes legible as an African «utopie localis{\´e}e» (Foucault 2005: 41) that Sarr calls for in Afrotopia (2016).}, language = {de} } @article{Dittmann2021, author = {Dittmann, Lara A.}, title = {Sprach- und Kommunikationsnuancen in literarischen Interspeziesbegegnungen - Juan Ram{\´o}n Jim{\´e}nezʼ Platero y yo (1914/1917) und Thomas Manns Herr und Hund (1919)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305658}, pages = {55-71}, year = {2021}, abstract = {The encounter with non-human animals has always been a major preoccupation in the (philosophical) quest of understanding the human (condition). Of course, they are not only present in literary texts, but also in other media such as music and art. We consider ourselves aware of their selves, natures and skills as well as their sensory perceptions. Indeed, the ways we interact with non-human animals in everyday life and in the fictional world, how we perceive, think and talk about them as well as how we communicate with them are often related to our own self-perceptions in the social collective and in social-historical discourse. If we take a closer look at literary interspecies relations, we can detect clear shades in language and communication. Based on the approaches of Human-Animal Studies, this article deals with those nuances regarding animal-human encounters in Juan Ram{\´o}n Jim{\´e}nez' Platero y yo (1914/1917) and Thomas Mann's Herr und Hund (1919) in a comparative perspective. In addition to this, a special focus is placed on the effect these elements can have on (inter)acting literary subjects as well as on extra-textual recipients.}, language = {de} } @article{deCringis2021, author = {de Cringis, Patricia}, title = {100 Jahre Vokalschw{\"a}chung in den tierras altas: historische Perspektiven eines (zu) wenig beachteten Aussprachemerkmal}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305638}, pages = {35-52}, year = {2021}, abstract = {This paper deals with the origin of the hundred-year old theory of tierras bajas and tierras altas, focusing on the description of vowel weakening within that theory developed in 1921 by Henr{\´i}quez Ure{\~n}a. I argue that the early conception of vowel weakening and its dialectal distribution has strongly influenced the kind of research we have been conducting about this phonetic feature to this day. The aim of this study therefore, is to sharpen our understanding of the former zeitgeist of research and to stimulate further big data-based studies on vowel weakening overcoming the traditional dialectal division of tierras bajas and tierras altas.}, language = {de} } @article{Christmann2021, author = {Christmann, Tim}, title = {Grenzerfahrung, Grenz{\"u}berschreitung, Grenz{\"u}berwindung: Das Falkland/Malvinas Malvinas-Trauma in Lola Arias' Film Teatro de Guerra (2018)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305577}, pages = {17-33}, year = {2021}, abstract = {This article will examine the cinematic approach to the trauma of the Falklands/Malvinas War in Lola Ariasʼ film Teatro de Guerra (AR/ES, 2018). The armed conflict between Ar-gentina and Great Britain in 1982 can be understood as a traumatic liminal experience, whose artistic reception pushes conventional aesthetics to their limits and calls for innova-tive representational strategies. Based on a cultural studies approach to the Falklands/Mal-vinas War as a collective trauma, this contribution will highlight selected moments of aes-thetic border crossing in Teatro de Guerra, by which the film succeeds in transcending boundaries between former enemies of the war.}, language = {de} } @article{Bergengruen2019, author = {Bergengruen, Maximilian}, title = {Auslese, Neusortierung, Extraworte. Zur Poetik von Idylle und Satire in Jean Pauls "Leben des Quintus Fixlein" und "Des Quintus Fixlein Leben"}, series = {Jahrbuch der Jean Paul Gesellschaft}, volume = {54}, journal = {Jahrbuch der Jean Paul Gesellschaft}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-303171}, pages = {147-161}, year = {2019}, abstract = {No abstract available.}, language = {de} } @article{Bergengruen2020, author = {Bergengruen, Maximilian}, title = {Wiederlesen, Korrigieren, Annotieren. Zum Verh{\"a}ltnis von Neuauflage und Fortsetzung bei Moscherosch, Grimmelshausen, Beer und Reuter}, series = {Simpliciana}, volume = {42}, journal = {Simpliciana}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-303236}, pages = {107-129}, year = {2020}, abstract = {No abstract available.}, language = {de} } @article{Toepfer2012, author = {Toepfer, Regina}, title = {Spielregeln f{\"u}r das {\"U}berleben: Dietrich von Bern im "Nibelungenlied" und in der "Nibelungenklage"}, series = {Zeitschrift f{\"u}r deutsches Altertum und deutsche Literatur}, volume = {141}, journal = {Zeitschrift f{\"u}r deutsches Altertum und deutsche Literatur}, number = {3}, issn = {0044-2518}, doi = {10.3813/zfda-2012-0011}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-303049}, pages = {310-334}, year = {2012}, abstract = {Ankn{\"u}pfend an Jan Dirk M{\"u}llers Studie 'Spielregeln f{\"u}r den Untergang' fragt der Beitrag nach jenen Verhaltensweisen im 'Nibelungenlied', mit denen die Katastrophe h{\"a}tte verhindert werden k{\"o}nnen. Im Zentrum des Beitrags steht Dietrich von Bern, der wiederholt Handlungsalternativen aufzeigt, die eine andere Entwicklung des Geschehens erm{\"o}glicht h{\"a}tten. Seine Spielregeln f{\"u}r ein {\"U}berleben funktionieren nur deshalb nicht, weil der Herr der Amelungen in der nibelungischen Welt keine Mitspieler findet, die sich dauerhaft an seine Regeln halten. Nach der Katastrophe werden seine Maximen jedoch best{\"a}tigt und anerkannt, wie die zeitgen{\"o}ssischen Reflexionen im Umfeld des Epos zeigen. In der ʻNibelungenklageʼ wird nicht nur r{\"u}ckblickend das Fehlverhalten einzelner Figuren getadelt, sondern erm{\"o}glichen die Anweisungen Dietrichs auch ein Weiterleben und die Gestaltung k{\"u}nftigen Geschehens. Um diese These zu st{\"u}tzen, werden zun{\"a}chst die f{\"u}r Dietrich relevanten Episoden des 'Nibelungenlieds' in chronologischer Folge untersucht und die jeweiligen Handlungsmaximen bestimmt, anschließend die Bedeutung und Bewertung seiner Spielregeln in der 'Klage' untersucht. Flankierend werden auch die Werke der historischen Dietrichepik herangezogen.}, subject = {Nibelungenlied}, language = {de} } @article{Toepfer2015, author = {Toepfer, Regina}, title = {Medi{\"a}vistik f{\"u}r das 21. Jahrhundert: Die App ‚Frankfurt im Mittelalter. Auf den Spuren des Passionsspiels von 1492' aus fachwissenschaftlicher Perspektive}, series = {Zeitschrift f{\"u}r deutsches Altertum und deutsche Literatur}, volume = {144}, journal = {Zeitschrift f{\"u}r deutsches Altertum und deutsche Literatur}, number = {2}, publisher = {S. Hirzel}, address = {Stuttgart}, issn = {0044-2518}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-298447}, pages = {274-280}, year = {2015}, abstract = {Der Beitrag stellt das didaktische Konzept und das digitale Produkt eines medi{\"a}vistischen Lehrprojekts der Goethe-Universit{\"a}t Frankfurt vor. In einem auf zwei Semester angelegten ‚Schreibforschungsseminar' setzten sich Studierende wissenschaftlich mit der lokalen Spieltradition im sp{\"a}ten Mittelalter auseinander und entwickelten einen Stadtrundgang in zw{\"o}lf Stationen f{\"u}r eine App, die Geschichten rund um das ‚Frankfurter Passionsspiels' von 1493 erz{\"a}hlt. Was bei der Vermittlung fachspezifischer Inhalte an ein fachfremdes Publikum zu beachten ist, wird thematisiert und an der H{\"o}rstation zur Frankfurter Nikolaikirche ‚Die Ratsherren und das Letzte Abendmahl' exemplarisch vorgef{\"u}hrt.}, subject = {Medi{\"a}vistik}, language = {de} } @article{MuessigKochColladosCuadradoetal.2022, author = {M{\"u}ssig, Stephan and Koch, Vanessa M. and Collados Cuadrado, Carlos and Bachmann, Julien and Thommes, Matthias and Barr, Ma{\"i}ssa K. S. and Mandel, Karl}, title = {Spray-Drying and Atomic Layer Deposition: Complementary Tools toward Fully Orthogonal Control of Bulk Composition and Surface Identity of Multifunctional Supraparticles}, series = {Small Methods}, volume = {6}, journal = {Small Methods}, number = {1}, doi = {10.1002/smtd.202101296}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-262521}, year = {2022}, abstract = {Spray-drying is a scalable process enabling one to assemble freely chosen nanoparticles into supraparticles. Atomic layer deposition (ALD) allows for controlled thin film deposition of a vast variety of materials including exotic ones that can hardly be synthesized by wet chemical methods. The properties of coated supraparticles are defined not only by the nanoparticle material chosen and the nanostructure adjusted during spray-drying but also by surface functionalities modified by ALD, if ALD is capable of modifying not only the outer surfaces but also surfaces buried inside the porous supraparticle. Simultaneously, surface accessibility in the porous supraparticles must be ensured to make use of all functionalized surfaces. In this work, iron oxide supraparticles are utilized as a model substrate as their magnetic properties enable the use of advanced magnetic characterization methods. Detailed information about the structural evolution upon individual ALD cycles of aluminium oxide, zinc oxide and titanium dioxide are thereby revealed and confirmed by gas sorption analyses. This demonstrates a powerful and versatile approach to freely designing the functionality of future materials by combination of spray-drying and ALD.}, language = {en} } @article{Toepfer2009, author = {Toepfer, Regina}, title = {‚inn vnserer sprach von new gleich erst geboren': Deutsche Homer-Rezeption und fr{\"u}hneuzeitliche Poetologie}, series = {Euphorion: Zeitschrift f{\"u}r Literaturgeschichte}, volume = {103}, journal = {Euphorion: Zeitschrift f{\"u}r Literaturgeschichte}, number = {2}, edition = {accepted version}, issn = {0014-2328}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-289732}, pages = {103-130}, year = {2009}, abstract = {Die erste deutsche Homer-{\"U}bersetzung zeugt nicht nur von der typisch humanistischen Wertsch{\"a}tzung antiker Autoren, sondern stellt einen genuinen Beitrag zur Entwicklung fr{\"u}hneuzeitlicher Poetologie dar. Durch die Verwendung rhetorischer und metrischer Mittel sowie durch die logische Begr{\"u}ndung kausaler und temporaler Zusammenh{\"a}nge setzt Simon Schaidenreisser eigene Akzente, die die deutsche Odyssee von der lateinischen Vorlage und dem griechischen Pr{\"a}text unterscheiden. Das in der Vorrede angegebene Ziel seiner {\"U}bersetzung, die deutsche Sprache und Literatur zu bereichern, hat Schaidenreisser zweifellos erreicht.}, subject = {Rezeption}, language = {de} } @article{Kraft2000, author = {Kraft, Stephan}, title = {H{\"o}fischer Barockroman und gelehrter Traktat : Gratwanderungen zwischen honn{\^e}tet{\´e} und Pedanterie}, series = {Zeitspr{\"u}nge}, volume = {4}, journal = {Zeitspr{\"u}nge}, number = {3}, publisher = {Vittorio Klostermann}, address = {Frankfurt am Main}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-282570}, pages = {211-229}, year = {2000}, abstract = {Kein Abstract verf{\"u}gbar}, subject = {Anton Ulrich / Octavia}, language = {de} } @article{Toepfer2009, author = {Toepfer, Regina}, title = {Implizite Performativit{\"a}t: Zum medialen Status des Donaueschinger Passionsspiels}, series = {Beitr{\"a}ge zur Geschichte der deutschen Sprache und Literatur}, volume = {131}, journal = {Beitr{\"a}ge zur Geschichte der deutschen Sprache und Literatur}, number = {1}, issn = {0005-8076}, doi = {10.1515/bgsl.2009.006}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-277942}, pages = {106-132}, year = {2009}, abstract = {This article focuses on the mediality of the Donaueschinger passion play, oscillating between textuality and performativity, rituality and theatrality. It argues that the play is composed as a reading text, regarding the speech, style and the narrative, poetological and exegetical character of its stage directions. In spite of its being intended to be read the passion play exhibits theatralic and liturgical elements, that allow to identify its literary genre. The detailed description of d{\´e}cor and actions on stage and even of the audience helps to imagine a performance, that exceeds the textual status of the manuscript. The text's performative dimension invites the reader to participate in contemplating Christ's passion and in worshiping him.}, subject = {Performativit{\"a}t}, language = {de} } @article{SchischlevskijCordtsGuentheretal.2021, author = {Schischlevskij, Pavel and Cordts, Isabell and G{\"u}nther, Ren{\´e} and Stolte, Benjamin and Zeller, Daniel and Schr{\"o}ter, Carsten and Weyen, Ute and Regensburger, Martin and Wolf, Joachim and Schneider, Ilka and Hermann, Andreas and Metelmann, Moritz and Kohl, Zacharias and Linker, Ralf A. and Koch, Jan Christoph and Stendel, Claudia and M{\"u}schen, Lars H. and Osmanovic, Alma and Binz, Camilla and Klopstock, Thomas and Dorst, Johannes and Ludolph, Albert C. and Boentert, Matthias and Hagenacker, Tim and Deschauer, Marcus and Lingor, Paul and Petri, Susanne and Schreiber-Katz, Olivia}, title = {Informal caregiving in amyotrophic lateral sclerosis (ALS): a high caregiver burden and drastic consequences on caregivers' lives}, series = {Brain Sciences}, volume = {11}, journal = {Brain Sciences}, number = {6}, issn = {2076-3425}, doi = {10.3390/brainsci11060748}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-240981}, year = {2021}, abstract = {Amyotrophic lateral sclerosis (ALS) is a fatal neurodegenerative disease that causes progressive autonomy loss and need for care. This does not only affect patients themselves, but also the patients' informal caregivers (CGs) in their health, personal and professional lives. The big efforts of this multi-center study were not only to evaluate the caregivers' burden and to identify its predictors, but it also should provide a specific understanding of the needs of ALS patients' CGs and fill the gap of knowledge on their personal and work lives. Using standardized questionnaires, primary data from patients and their main informal CGs (n = 249) were collected. Patients' functional status and disease severity were evaluated using the Barthel Index, the revised Amyotrophic Lateral Sclerosis Functional Rating Scale (ALSFRS-R) and the King's Stages for ALS. The caregivers' burden was recorded by the Zarit Burden Interview (ZBI). Comorbid anxiety and depression of caregivers were assessed by the Hospital Anxiety and Depression Scale. Additionally, the EuroQol Five Dimension Five Level Scale evaluated their health-related quality of life. The caregivers' burden was high (mean ZBI = 26/88, 0 = no burden, ≥24 = highly burdened) and correlated with patients' functional status (r\(_p\) = -0.555, p < 0.001, n = 242). It was influenced by the CGs' own mental health issues due to caregiving (+11.36, 95\% CI [6.84; 15.87], p < 0.001), patients' wheelchair dependency (+9.30, 95\% CI [5.94; 12.66], p < 0.001) and was interrelated with the CGs' depression (r\(_p\) = 0.627, p < 0.001, n = 234), anxiety (r\(_p\) = 0.550, p < 0.001, n = 234), and poorer physical condition (r\(_p\) = -0.362, p < 0.001, n = 237). Moreover, female CGs showed symptoms of anxiety more often, which also correlated with the patients' impairment in daily routine (r\(_s\) = -0.280, p < 0.001, n = 169). As increasing disease severity, along with decreasing autonomy, was the main predictor of caregiver burden and showed to create relevant (negative) implications on CGs' lives, patient care and supportive therapies should address this issue. Moreover, in order to preserve the mental and physical health of the CGs, new concepts of care have to focus on both, on not only patients but also their CGs and gender-associated specific issues. As caregiving in ALS also significantly influences the socioeconomic status by restrictions in CGs' work lives and income, and the main reported needs being lack of psychological support and a high bureaucracy, the situation of CGs needs more attention. Apart from their own multi-disciplinary medical and psychological care, more support in care and patient management issues is required.}, language = {en} } @article{Kraft2000, author = {Kraft, Stephan}, title = {"...saß auf einer roten Bank, die gr{\"u}n angestrichen war. "Tr{\"u}gerischer Mond und die Irref{\"u}hrung des Lesers als Element der Romanpoetik im "Steinernen Herzen". Eine Replik}, series = {Bargfelder Bote}, volume = {249}, journal = {Bargfelder Bote}, publisher = {edition text+kritik}, address = {M{\"u}nchen}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-257752}, pages = {3-7}, year = {2000}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @article{Kraft2012, author = {Kraft, Stephan}, title = {Zwischen anverwandt und anverwandelt: Familienkonzepte in Grimmelshausens "Simplicissimus Teutsch"}, series = {Simpliciana}, volume = {XXXIV}, journal = {Simpliciana}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-252805}, pages = {259-277}, year = {2012}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @article{Prifti2021, author = {Prifti, Elton}, title = {Interview mit Prof. Dr. Elton Prifti}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-251395}, pages = {5-14}, year = {2021}, abstract = {Interview mit Prof. Dr. Elton Prifti}, language = {de} } @article{vonRoeder2020, author = {von Roeder, Alena}, title = {Salvador als Opfer seiner eigenen Triebe im Film Los girasoles ciegos. Die filmische Darstellung der Fokalisierung unter psychoanalytischer Betrachtung}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244303}, pages = {177-196}, year = {2020}, abstract = {This paper analyzes the mental development of the main character Salvador in the Spanish movie Los girasoles ciegos (2008) by Jos{\´e} Luis Cuerda, based on the camera perspective and focalization, as well as the three-instance model according to Sigmund Freud. For this purpose, screen captures from the movie are examined to see how Salvador's loss of control is pictured. This is applied to Freud's three-instance model to prove the takeover of the Id. Throughout the whole movie, the inner conflict between his Ego and Id, i.e. his life as a deacon versus his life as a soldier, is present. The whole process of the breakdown of his mental state is revealed through the camera perspective and visual focalization.}, language = {de} } @article{Richter2020, author = {Richter, Verena}, title = {Das Mittelmeer als pluraler Erinnerungsraum im franz{\"o}sischen Essayfilm: zu Jean-Daniel Pollets M{\´e}diterran{\´e}e (1963)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244292}, pages = {155-175}, year = {2020}, abstract = {The present article aims to examine images of the Mediterranean Sea in Jean-Daniel Pollet's essay film M{\´e}diterran{\´e}e (1963), with a particular focus on its representation as a multifaceted space of cultural memory. After some preliminary observations on the relation between the essay film as a genre and images of the Mediterranean, I shall, on the one hand, have a look at the semantic processes through which the film builds up a recognizable image of the Great Sea. On the other hand, however, I will argue that, at the same time, M{\´e}diterran{\´e}e calls this signifying process into question by representing the sea as a space of cultural memory understood as a space of becoming and of deferral of meaning.}, language = {de} } @article{Luetzelberger2020, author = {L{\"u}tzelberger, Florian}, title = {Federico Garc{\´i}a Lorcas Trilog{\´i}a dram{\´a}tica de la tierra espa{\~n}ola als Knotenpunkt von Kontinuit{\"a}t und Wandel von der Antike bis zu Netflix: Tradition, Adaption, Innovation, Inspiration}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244280}, pages = {131-153}, year = {2020}, abstract = {To this day, Lorca's most popular plays, the Trilog{\´i}a dram{\´a}tica de la tierra espa{\~n}ola, are considered to be among the most widely read texts of twentieth century Spanish literature. By combining elements from Antiquity with classic and modern features of Spanish theatre and placing them in new functional contexts, the author succeeds in creating an innovative theatre of sociocritical nature in times of political repression. This article analyses several of these innovations and aims to demonstrate the influence Lorca's Tragedias rurales still have on today's literature and culture. Simon Stone's play Yerma (2017) and the Netflix series Las Chicas del Cable (2017-2020) are approached here with this purpose.}, language = {de} } @article{Leschzyk2020, author = {Leschzyk, Dinah}, title = {Corona-Kommunikation. Wie Jair Bolsonaro die Wissenschaft diskreditiert und Verschw{\"o}rungstheorien befeuert}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244271}, pages = {107-129}, year = {2020}, abstract = {This article deals with discursive and argumentative strategies used by Brazilian President Jair Bolsonaro to bring science in discredit during the 2020's COVID-19-pandemic. Based on official statements and Tweets launched over the crisis the Discourse-Historical Approach is applied to make strategies brought into play by Bolsonaro visible. While the President declares scientific advice such as distancing and quarantine as ineffective, he recommends the use of hydroxychloroquine as well as old fashioned prayers for staying safe and healthy. He evokes that there are «fake news» and «partners of paralysis», to which he responds by demasking and bringing the one and only truth towards «the people». The analysis points out that Bolsonaro is downplaying the virus and the risk of transmission and puts the economy ahead of health. His supporters as a consequence tend to ignore the WHO recommendations how to behave during the pandemic.}, language = {de} } @article{KochFroehlich2020, author = {Koch-Fr{\"o}hlich, Melanie}, title = {S'inventer {\`a} partir de l'autre : Les Origines d'Amin Maalouf}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244268}, pages = {69-84}, year = {2020}, abstract = {The present article examines the narrative modes in which Lebanese author Amin Maalouf investigates his roots in Origines a hybrid work which stands in contrast with his previous essays and fictions as to its (auto)biographical dimension. Resembling what Dominique Viart and Bruno Vercier in their analysis of predominant themes and narrative strategies in contemporary French literature name «r{\´e}cit de filiation», Maalouf's quest for his familial past explores the concept of intergenerational transmission of memory. However, despite this individual postmemorial approach, Maalouf's intimate writing is intrinsically linked with the complex history of the Ottoman Empire and therefore with collective narratives of war, diasporic identities, and migration relating to the present time or the recent past.}, language = {fr} } @article{Hesselbach2020, author = {Hesselbach, Robert}, title = {<> - A Corpus-based Approach of Official French, Italian, and Spanish Social Media Discourse in the Light of the Coronavirus Crisis}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244251}, pages = {45-66}, year = {2020}, abstract = {France, Italy, and Spain are three Romance-speaking countries which - at least in Europe - have been affected to a very high degree by the consequences of the Corona pandemic. This paper examines discursive strategies on social media (Twitter and Facebook) by the three heads of government/state of the aforementioned countries - namely Emmanuel Macron (France), Giuseppe Conte (Italy), and Pedro S{\´a}nchez (Spain)- from a corpuslinguistic point of view. For this purpose, a corpus was created which contains all Twitter and Facebook messages posted by these heads of government/state from the beginning of February until the end of April 2020. By applying corpus-linguistic methods we find that all three politicians consciously use social media to sensitize, inform, and - in view of a dramatic pandemic situation - unite their respective populations behind them.}, language = {en} } @article{Koehler2020, author = {K{\"o}hler, Britta}, title = {A Room of One's Own : Weiblichkeit, Schreiben und kollektive Erfahrung in Elena Ferrantes Tetralogie L'amica geniale (2011-2014) und Annie Ernaux' Les Ann{\´e}es (2008)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244246}, pages = {87-104}, year = {2020}, abstract = {With her famous suggestion to «give her [the woman] a room of her own and five hundred a year, let her speak her mind» from 1929, Virginia Woolf verbalized a core issue of female writing by hinting at the socioeconomic circumstances and domestic obligations of most women - valid at her times, but still today. Both Elena Ferrante and Annie Ernaux discuss, in their respective novels, the topics of being women in the particular sociocultural landscape (in Italy and, respectively, in France) after World War II and up to these days, the themes of marriage and motherhood, employment and especially (female) authorship. This article aims to show in a close reading of both Ferrante and Ernaux that the two writers play with the literary form of the (auto-)biography on a diegetic, but also extradiegetic level, while formulating at the same time a collective work that embraces the experience of womanhood but circumvents the hazard of a merely subjective and sensitive writing, as female writing has sometimes been claimed to be.}, language = {de} } @article{Dunkel2021, author = {Dunkel, Franz G.}, title = {Sieben neue Arten aus dem Schweizer Ranunculus auricomus-Komplex}, series = {Forum Geobotanicum}, volume = {10}, journal = {Forum Geobotanicum}, issn = {1867-9315}, doi = {10.3264/FG.2021.0825}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-243782}, pages = {1-27}, year = {2021}, abstract = {Die Arten des Schweizer Ranunculus-auricomus-Komplexes sind nur zu einem Teil bekannt. Zur vollst{\"a}ndigeren Erfassung des Komplexes wurden Exkursionen in die s{\"u}dwestliche und {\"o}stliche Schweiz unternommen. Es wurden sieben neue Arten entdeckt, die hier beschrieben und abgebildet sind. Ihre Taxonomie und Gef{\"a}hrdung wird diskutiert. R. chalarocarpus W. Koch ex Dunkel ist bereits bei Koch provisorisch erw{\"a}hnt, R. clavicornis Dunkel wird nun g{\"u}ltig beschrieben. Beide Arten sind aufgrund ihres Vorkommens in Auw{\"a}ldern und feuchten Laubw{\"a}ldern stark gef{\"a}hrdet, R. clavicornis sogar fast ausgestorben. Der neu beschriebene R. thurgoviae kommt im Osten der Schweiz vor (Kanton Thurgau). Die bislang bekannte Verbreitung von R. allobrogorum Dunkel, R. crenulatus Dunkel, R. genevensis Dunkel und R. lineatus ist fast vollst{\"a}ndig auf den Kanton Genf beschr{\"a}nkt. Die Arten des Ranunculus auricomus-Komplexes sind ein sensibler Indikator f{\"u}r Ver{\"a}nderungen der Vegetation und Umwelt und sollten diesbez{\"u}glich deutlich mehr Gewicht bekommen.}, subject = {Ranunculus}, language = {de} } @article{Woersdoerfer2019, author = {W{\"o}rsd{\"o}rfer, Anna Isabell}, title = {Hexen Revival. Produktive B{\´e}cquer Rezeption und Gattungsspezifik in Jugendbuch und TV Serie}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221900}, pages = {153-184}, year = {2019}, abstract = {This article exemplifies Gunter Grimm's concept of productive reception by analyzing C{\´e}sar Fern{\´a}ndez Garc{\´i}a's young adult novel La {\´u}ltima bruja de Trasmoz (2009) and the episode Tiempo de hechizos (2017) of the TV series El ministerio del tiempo as two modern works which artistically and creatively deal with Gustavo Adolfo B{\´e}cquer's Cartas desde mi celda (1864). The study is based on the core assumption that the choice of genre greatly influences the treatment of motives such as the perception of nature and the idea of dreams, as well as the image of the witch. While B{\´e}cquer's letters, which focus on the rural people's superstition, present the witch of Aragonese folklore, the modern examples portray two of her fantastic counterparts: the novel depicts its magical protagonist as an evil supernatural being, whereas the TV episode of the science fiction series shows the witch as a time traveller and a victim.}, language = {de} } @article{Prohl2019, author = {Prohl, Tanja}, title = {Ins{\´e}curit{\´e} linguistique im Franz{\"o}sischen? Eine Untersuchung nichtstandardsprachlicher Lexik auf Basis eines YouTube Korpus}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221886}, pages = {135-150}, year = {2019}, abstract = {When it comes to linguistic norms in France, one standard will be immediately evoked - le bon usage. This version of traditional French is taught at school and has been serving as a model ever since the French Revolution. Yet - and maybe as a counter-reaction to such strict and prescriptive norm - there exists a multitude of alternative forms, especially with regard to the lexis, which are marked by different registers or styles. Thus, the French language is characterized by lexical doublets in the transition area between standard and familier. A varied terminology in the description of styles in dictionaries as well as a stigmatisation of the nonstandard lead to speaker insecurities and to a general devaluation of the parallel vocabulary. What are the consequences of this in speech behaviour? Is there a remarkable difference between speech behaviour and prescriptive norm? Do speakers show any sign of linguistic insecurity when using nonstandard structures? The research issue will be addressed by means of a qualitative analysis of videoblogs from French YouTubers.}, language = {de} } @article{PalaciosEspinoza2019, author = {Palacios Espinoza, Romina Irene}, title = {Schmerzhafte Erotik: kranke K{\"o}rper und sexueller Genuss in El {\´u}ltimo cuerpo de {\´U}rsula von Patricia de Souza}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221877}, pages = {117-132}, year = {2019}, abstract = {This article is dedicated to the analysis of the body, which is staged as sick and painful. El {\´u}ltimo cuerpo de {\´U}rsula by Peruvian author Patricia de Souza is characterized by the connection between body, pain perception and eroticism. Illness and paralysis play a fundamental role in the narrative because they cause the recomposition of the ego, which leads the protagonist, {\´U}rsula Res, to perceive and reflect the fragmentation of her identity and the increasing distance from her body. Through approaches to pain and disability, the expressiveness of the narrativized eroticism of this text, based on an obedient relationship to the body, is revealed.}, language = {de} } @article{Nenadovic2019, author = {Nenadovic, Ana}, title = {Performing Feminism, Autobiography, and Testimony. Feminist Rap in Latin America.}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221850}, pages = {95-114}, year = {2019}, abstract = {This article focuses on selected Latin American female rap artists (Anita Tijoux, Rebeca Lane, and the duo Krudas Cubensi), and the way they perform feminism, autobiography and testimony through their lyrics and performances. The analysis concentrates on the synergies between the texts themselves, the official music videos shared on YouTube and the background music. It aims to demonstrate that only such a synergistic approach to rap allows a profound understanding of its particularities and its contributions to feminist discourses and spaces for feminist testimony in the current rise of both right-wing politics and feminist movements on the continent.}, language = {en} } @article{Kuehne2019, author = {K{\"u}hne, Ina}, title = {Die Konstruktion von M{\"a}nnlichkeitsbildern in der katalanischen Literatur zum Ersten Spanisch Marokkanischen Krieg (1859/1860)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221847}, pages = {77-92}, year = {2019}, abstract = {This article explores the construction of Catalan masculinity and Catalan identity in literature on the Spanish-Moroccan War of 1859/60. During the war, an immense amount of patriotic literature in Catalan language was published in Catalonia, in which the authors glorified the deeds of the Catalan general Joan Prim i Prats and of the Catalan volunteers who fought in the war. The article aims to illustrate, on the basis of the analysis of poems, theatre plays, patriotic songs, reports and chronicles written by Catalan authors, the importance of the First Spanish-Moroccan War for the development of Catalan identity. It attempts as well to demonstrate that the authors used the literature about the war to diffuse a specific Catalan ideal of masculinity and to stylize General Prim and the volunteers into national heroes, who embodied the strength of the Catalan cultural nation, since the Catalan community needed new idols after a long time of political and cultural decline caused by the centralist policies of the Spanish state. The Catalan ideal of masculinity was utilized to differentiate the Catalans from the other Spaniards whose masculinity was considered to be in decadence by the other European nations.}, language = {de} } @article{Harjus2019, author = {Harjus, Linda}, title = {Top down Initiated Medial Linguistic Politics : A Normative Inquiry into the Application of Andalusian Varieties Conducted by the Radio Channel Canal Fiesta Radio}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221836}, pages = {59-75}, year = {2019}, abstract = {This contribution deals with the phonetic heterogeneity of spoken Spanish in Andalusia in the sector of public auditory media, specifically in the program !'Anda Levanta! of Canal Fiesta Radio. First, we take into consideration Article 10 of the Statute of the Autonomy of Andalusia, which enhances the protection, promotion, study, and prestige of the Andalusian modalities and its respective variety (cf. Parlamento de Andaluc{\´i}a 2007: 13). Second, we refer to the Libro de Estilo, a mandatory guide for presenters of public audiovisual media in Andalusia since 2014. The results of the qualitative analysis indicate divergences between the presenters and their audience with regard to their use of phonetic characteristics typical of the Andalusian varieties: where the presenters tend to avoid the salient aspects of the varieties, the audience employs a range of phonetic characteristics typical for Andalusian varieties, including some of the characteristics that are considered less prestigious.}, language = {en} } @article{Hagen2019, author = {Hagen, Clemens}, title = {Ver y ser visto: Intelectualidad y falsa erudici{\´o}n en La Regenta}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221822}, pages = {39-56}, year = {2019}, abstract = {Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clar{\´i}n» have constantly referred to the unmasking of society's hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimar{\´a}n and S. Berm{\´u}dez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta.}, language = {es} } @article{Gallo2020, author = {Gallo, Lorenzo}, title = {Nomenclatural adjustments and typifications in the genus Phedimus (Crassulaceae)}, series = {Forum Geobotanicum}, volume = {9}, journal = {Forum Geobotanicum}, issn = {1867-9315}, doi = {10.3264/FG.2020.0616}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-206347}, pages = {70-73}, year = {2020}, abstract = {This paper deals with the taxonomical position and the nomenclature of two taxa belonging to the genus Sedum (Crassulaceae), today treated as Phedimus, namely Sedum middendorffianum Maxim var. diffusum Praeger and Sedum oppositifolium Sims. The correct taxonomical application of names is based on the nomenclatural types designated here.}, subject = {Sedum oppositifolium}, language = {en} } @article{Dunkel2020, author = {Dunkel, Franz G.}, title = {Ranunculus sarntheinianus Dunkel, spec. nova, eine neue Art aus dem Ranunculus-auricomus-Komplex - seit 135 Jahren im Oberen Inntal bei Innsbruck}, series = {Forum geobotanicum}, volume = {9}, journal = {Forum geobotanicum}, issn = {1867-9315}, doi = {10.3264/FG.2020.0115}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-198183}, pages = {60-65}, year = {2020}, abstract = {F{\"u}r das Vorkommen einer Ranunculus auricomus-Sippe im Oberen Inntal bei Innnsbuck, Nordtirol, {\"O}sterreich, existieren belegte Nachweise seit 135 Jahren. Diese Sippe sammelte L. Sarnthein am 08.06.1884, J. Murr 1887 bei Flaurling. Von beiden Aufsammlungen befinden sich Belege im Tiroler Landesmuseum (Herbarium Ferdinandeum Innsbruck; IBF). Trotz Trockenlegung der Sumpfwiesen und Eutrophierung des Biotops kommt die Art noch aktuell in einem kleinen Nasswiesenrest vor. Sie wird hier als R. sarntheinianus Dunkel beschrieben, abgebildet und ihre Taxonomie wird diskutiert. Der mutmaßlich letzte Wuchsort ist vom Aussterben bedroht. Eine graphische Darstellung soll bei Artbestimmung und Auffinden neuer Wuchsorte behilflich sein.}, subject = {Hahnenfuß}, language = {de} } @article{Gottschlich2020, author = {Gottschlich, G{\"u}nter}, title = {Synopse der f{\"u}r Deutschland nachgewiesenen Arten und Unterarten der Gattung Hieracium s. l. (Hieracium s. str. und Pilosella), aufgeschl{\"u}sselt nach Vorkommen in den einzelnen Bundesl{\"a}ndern}, series = {Forum geobotanicum}, volume = {9}, journal = {Forum geobotanicum}, issn = {1867-9315}, doi = {10.3264/FG.2020.0114}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-198175}, pages = {1-59}, year = {2020}, abstract = {Eine Liste der 205 Arten und 1561 Unterarten der Gattung Hieracium s. l. , die in Deutschland, aufgeschl{\"u}sselt nach Bundesl{\"a}ndern vorkommen, wird vorgestellt. Da die meisten infraspezifischen Namen unter Hieracium publiziert wurden und um die Zahl der invaliden Namen unter Pilosella in der Liste zu minimieren, wird auf eine Aufteilung in Hieracium und Pilosella verzichtet. Durch Farbmarkierungen wird gekennzeichnet, welche Unterart urspr{\"u}nglich aus einem Bundesland beschrieben wurde bzw. ob ein Syntypus aus einem Bundesland stammt.}, subject = {Habichtskraut}, language = {de} } @article{KochMeloPfeifer2019, author = {Koch, Christian and Melo-Pfeifer, S{\´i}lvia}, title = {Entrevista com Prof. Dr. S{\´i}lvia Melo-Pfeifer (mit deutscher {\"U}bersetzung)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-192260}, pages = {7-37}, year = {2019}, abstract = {Interview mit Prof. Dr. S{\´i}lvia Melo-Pfeifer}, language = {mul} }