@incollection{Ali2022, author = {Ali, Zuraina}, title = {A Case Study of the Basic Learners' Struggles in Guessing from Context to Retain Words Learned}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-117}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296529}, publisher = {W{\"u}rzburg University Press}, pages = {117-124}, year = {2022}, abstract = {Guessing meaning from context is a challenging strategy for Second Language Learners (SLLs). In using the strategy, research found that poor students or low proficiency learners struggled in their attempts to use it. Mainly, it was reported that it was due to their vocabulary knowledge was limited. In another aspect, retaining vocabulary learnt is also important. Such is essential since learning vocabulary does not mean knowing the definition only. Yet, learners must also be able to use the vocabulary as they engage in language skills such as reading, writing, speaking and listening. The study aims at finding the hindrances faced among poor students' using contextual clues in retaining vocabulary. The study employed a case study to collect data from two basic students studying at a tertiary level. The study found that their hindrances in guessing meaning contexts were due to their being confused in guessing meaning when reading a sentence. Also, it was found that they were not able to find clues since they lacked vocabulary to guess correctly. The study implied that guessing meaning from context required sizeable vocabulary knowledge. Therefore, more training is necessary to assist basic learners in being successful in guessing from contexts.}, language = {en} } @article{ApostolidisGkarpousisKoch2017, author = {Apostolidis -Gkarpousis, Alexandros and Koch, Christian}, title = {Convergences et divergences dans les articles «Langage» de Louis de Jaucourt et «Langue» de Nicolas Beauz{\´e}e. Une comparaison de deux articles de l'Encyclop{\´e}die de Diderot et D'Alembert}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172843}, pages = {19-36}, year = {2017}, abstract = {The two articles of «Langage» and «Langue», published in 1765 in the 9th volume of the great French Encyclop{\´e}die by Diderot and D'Alembert, treat some essential philosophical questions on the human ability of communication with linguistic signs. Nevertheless, as the two authors Jaucourt and Beauz{\´e}e did not share completely identic points of view, the comparative lecture of both articles reveals a complementary perspective, particularly relating to the origin of language as a divine gift or humans' creation for communicative needs. A further aspect of divergence concerns the textual composition of the article « Langage » as a structured informative text, and the article « Langue » as a long and freely composed writing including personal remarks by the author. The following article deals with the potential of approaches to the Encyclop{\´e}die in modern linguistics, concretely demonstrated in the comparative analysis of these two articles.}, language = {fr} } @article{Augustin2015, author = {Augustin, Jenny}, title = {?'Diversa, democr{\´a}tica y moderna? La imagen transmitida de la Real Academia Espa{\~n}ola en el discurso actual. Una mirada panor{\´a}mica}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139449}, pages = {29-57}, year = {2015}, abstract = {In 2013, three hundred years had passed since the foundation of the Real Academia Espa{\~n}ola (RAE). The celebrations accompanying this anniversary were extended across the year and came to a closure with the publication of the 23rd edition of the Diccionario de la lengua espa{\~n}ola in 2014. Spanish media followed the above-mentioned festivities with a detailed coverage. The purpose of this article is to study the image of the RAE conveyed through the media and the Internet, which can be subsumed under the three terms 'diverse, democratic and modern'. This form of representation is put into a broader context by considering the linguistic politics pursued by the RAE and the Asociaci{\´o}n de Academias de la Lengua Espa{\~n}ola (ASALE) under the keyword of panhispanism. Finally, a closer look is taken at El buen uso del espa{\~n}ol, a student manual published by the RAE and the ASALE in 2013, in relation to panhispanism and prescriptivism.}, subject = {Real Academia Espa{\~n}ola}, language = {es} } @article{Berneiser2017, author = {Berneiser, Tobias}, title = {Lissabonner Navigationen. Literarische Nautik und heterotopischer Stadtdiskurs in Jos{\´e} Cardoso Pires' Lisboa - Livro de Bordo}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172859}, pages = {39-64}, year = {2017}, abstract = {This article seeks to analyse urban representation in Jos{\´e} Cardoso Pires's Lisboa - Livro de Bordo (1997), a book dedicated to the author's home city Lisbon, by focusing on its prevailing nautical and maritime imagery. This imagery as well as its tendency to design Lisbon as a city-ship shall be examined with regard to spatial construction in the Livro de Bordo. Urban sailing as well as the recurrent representations of the Portuguese capital's spaces as heterotopias will be interpreted as approaches to subvert institutional and homogenic discourses on Lisbon.}, language = {de} } @incollection{Bezan2019, author = {Bezan, Sarah}, title = {A Darwinism of the Muck and Mire: Decomposing the Eco- and Zoopoetics of Stephen Collis' and Jordan Scott's decomp}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178074}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {241-251}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{Book2017, author = {Book, Bettina}, title = {Komplements{\"a}tze im Spanischen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172869}, pages = {67-80}, year = {2017}, abstract = {This paper discusses complementation strategies in Spanish, focusing on a specific construction most speakers are not aware of: the complementation clause preceded by the verb conocer. Not being a typical complement-taking verb, conocer surprises with a stable and persistent presence throughout the centuries, from Old Spanish to Modern Spanish. After giving an introduction into the field of complementation clauses and one of its main focus of study, grammatical mood, this study uses empirical data from the corpus programs CORDE, CREA and CORPES XXI to show the usage and prevalence of the construction in question. In doing so, this analysis gives a quantitative insight, exemplifying the results with several examples from all ages.}, language = {de} } @incollection{Borgards2019, author = {Borgards, Roland}, title = {The Beetle Is in the Eye of the Beholder: Animal Ecologies, Situated Poetics and the Poetry of Annette von Droste-H{\"u}lshoff}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177957}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {99-109}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{Brunke2016, author = {Brunke, Dirk}, title = {Der nationalepische Pionier Esteban Echeverr{\´i}a. Ein Beitrag zur Entstehungsgeschichte des romantischen epischen Gedichts in Hispanoamerika}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161592}, pages = {25-51}, year = {2016}, abstract = {This article concentrates on the Argentine author Esteban Echeverr{\´i}a who is known as the founding father of Romanticism in the River Plate region. The author of this article intends to show that the importance of Echeverr{\´i}a for the development of Argentine national literature goes beyond the spreading of Romanticist aesthetics. Especially his poem La cautiva (1837) has been regarded as the national epic poem of Argentina because it represents national landscape and the early days of national history. However, as the classification of this narrative poem as the national epic poem already indicates, Echeverr{\´i}a also contributed to the presence of this prestigious genre at the River Plate region. By investigating Echeverr{\´i}a's less known verse texts - namely the texts which were read by all Romantics but which have been neglected by literary studies so far - this article illustrates that Echeverr{\´i}a gave decisive impulses for the presence of the epic poem at the River Plate.}, subject = {Echeverr{\´i}a, Esteban}, language = {de} } @incollection{Brunner2015, author = {Brunner, Alexandra}, title = {Die Fragilit{\"a}t der Identit{\"a}tsentw{\"u}rfe im Zeichen einer Krise der Repr{\"a}sentation im (post-)modernen Roman Lateinamerikas}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152280}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {379-396}, year = {2015}, abstract = {No abstract available.}, subject = {Roman}, language = {de} } @article{Buch2016, author = {Buch, Marina-Rafaela}, title = {Madame Chrysanth{\`e}me (1887) et Japoneries d'automne (1889) de Pierre Loti entre japonisme et exotisme d{\´e}senchant{\´e}}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161603}, pages = {53-75}, year = {2016}, abstract = {The novel Madame Chrysanth{\`e}me (1887) and the essays collected in Japoneries d'automne (1889) written by French travel author Pierre Loti offer a paradoxical view of Japan during the Meiji period. In both travel writings, the author is torn between aesthetic japonism - which spread all over Europe at the end of the 19th century - and exotic expectations, i.e. the picturesque fascination of the Other. The latter, however, remains unsatisfied throughout his stay. In both writings, Pierre Loti provides an insight into Japan that entirely reflects the spirit of his time. Thereby, he contributes to an image of Japan, which will long remain vivid in the Occident. Contemporaries perceive Loti's representation of Japan as a realistic testimony, tinged with both sensory impressions and his highly ambiguous feelings towards the distant country, which in the end remained incomprehensible to him.}, subject = {Loti, Pierre}, language = {fr} } @incollection{Buehler2019, author = {B{\"u}hler, Benjamin}, title = {Other Environments: Ecocriticism and Science Fiction (Lem, Ballard, Dath)}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177973}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {127-138}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{CazabanMazerolles2019, author = {Cazaban-Mazerolles, Marie}, title = {Narrating le vivant: the Zoe-Poetical Hypothesis}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177818}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {71-81}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{CazajousAuge2019, author = {Cazajous-Aug{\´e}, Claire}, title = {The Traces Animals Leave: A Zoopoetic Study of Rick Bass' "Antlers"}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178097}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {269-278}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Chakraborty2023, author = {Chakraborty, Adreeta}, title = {Political and Cultural Negotiations with Feminism in India: A Perspective}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-51}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305866}, publisher = {W{\"u}rzburg University Press}, pages = {51-58}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @incollection{Chaturvedi2023, author = {Chaturvedi, Ridhi}, title = {Female Suicidality and Its Cultural Aspects: Watching the "Living Dead" in Deepa Mehta's Water}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-129}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305927}, publisher = {W{\"u}rzburg University Press}, pages = {129-147}, year = {2023}, abstract = {No abstract available.}, subject = {Film}, language = {en} } @incollection{Chetvertak2022, author = {Chetvertak, Іevgeniia}, title = {Cyber aggression in the stance of communicative approach}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-1}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296152}, publisher = {W{\"u}rzburg University Press}, pages = {1-9}, year = {2022}, abstract = {The article deals with the notion of internet aggression (cyber aggression). It considers the mentioned term from both psychological and communicative approaches. The paper also provides detailed analyses of the cyber aggression in political discourse. The provided ex-amples are taken from the speeches of politicians during the time of Covid pandemic. The author also identifies several types of cyber aggression.}, language = {en} } @article{Christmann2021, author = {Christmann, Tim}, title = {Grenzerfahrung, Grenz{\"u}berschreitung, Grenz{\"u}berwindung: Das Falkland/Malvinas Malvinas-Trauma in Lola Arias' Film Teatro de Guerra (2018)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305577}, pages = {17-33}, year = {2021}, abstract = {This article will examine the cinematic approach to the trauma of the Falklands/Malvinas War in Lola Ariasʼ film Teatro de Guerra (AR/ES, 2018). The armed conflict between Ar-gentina and Great Britain in 1982 can be understood as a traumatic liminal experience, whose artistic reception pushes conventional aesthetics to their limits and calls for innova-tive representational strategies. Based on a cultural studies approach to the Falklands/Mal-vinas War as a collective trauma, this contribution will highlight selected moments of aes-thetic border crossing in Teatro de Guerra, by which the film succeeds in transcending boundaries between former enemies of the war.}, language = {de} } @article{Cristalli2022, author = {Cristalli, Marco Antonio}, title = {Ein Mann ohne Ehrgeiz, Konturen und Tatendrang - Parodierung von M{\"a}nnlichkeitsnormen in Jean-Philippe Toussaints Monsieur (1986)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329747}, pages = {37-60}, year = {2022}, abstract = {The nameless protagonist of the postmodern novel Monsieur, written by Belgian author Jean-Philippe Toussaint, can be described as a rather strange man. He lacks ambition, a drive for action and seems to be unfit for daily life. He constantly fails to accomplish his predestined role as a real man, as for instance to pay the bill for dinner when dating a woman. The scope of the present paper is to analyse, on the one hand, how this novel deconstructs hegemonial concepts of masculinity but, on the other hand, is in itself also a parody of the latter.}, language = {de} } @article{Cunha2015, author = {Cunha, Concei{\c{c}}{\~a}o}, title = {captar - cap(i)tar, facto - fato: Variation und Wandel bei Plosivsequenzen im Portugiesischen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139454}, pages = {59-89}, year = {2015}, abstract = {The present study is concerned with the production and perception of the stop consonant clusters /pt/ and /kt/ as well as CVC-Sequences /pVt/ and /kVt/ in European and Brazilian Portuguese (EP and BP, respectively). European and Brazilian Portuguese have the same syllable structure (Bisol 1999: 731, Mateus/d'Andrade 2000: 39), but are postlexically affected by contrary phenomena. After the occurence of phonological processes such as vowel reduction and deletion in European clusters and vowel epenthesis in Brazilian consonant clusters, the difference between lexical consonant clusters and CVC-sequences would be diminished in both varieties, so that EP would realize both as CC, while BP would realize both as CVC. In order to test whether clusters and CVC-sequences can be distinguished in production and perception, we discuss a physiological experiment and a perceptual study with participants of both varieties. The results show less overlap in BP than in EP. The reason for which is seen in the perception of intervocalic epenthetic elements even in lexical clusters in BP and more consonant clusters in EP.}, language = {de} } @article{deCringis2021, author = {de Cringis, Patricia}, title = {100 Jahre Vokalschw{\"a}chung in den tierras altas: historische Perspektiven eines (zu) wenig beachteten Aussprachemerkmal}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305638}, pages = {35-52}, year = {2021}, abstract = {This paper deals with the origin of the hundred-year old theory of tierras bajas and tierras altas, focusing on the description of vowel weakening within that theory developed in 1921 by Henr{\´i}quez Ure{\~n}a. I argue that the early conception of vowel weakening and its dialectal distribution has strongly influenced the kind of research we have been conducting about this phonetic feature to this day. The aim of this study therefore, is to sharpen our understanding of the former zeitgeist of research and to stimulate further big data-based studies on vowel weakening overcoming the traditional dialectal division of tierras bajas and tierras altas.}, language = {de} } @incollection{Demello2019, author = {Demello, Margo}, title = {The Rabbits of Okunoshima: How Feral Rabbits Alter Space, Create Relationships, and Communicate with People and Each Other}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178064}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {231-239}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{Dittmann2021, author = {Dittmann, Lara A.}, title = {Sprach- und Kommunikationsnuancen in literarischen Interspeziesbegegnungen - Juan Ram{\´o}n Jim{\´e}nezʼ Platero y yo (1914/1917) und Thomas Manns Herr und Hund (1919)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305658}, pages = {55-71}, year = {2021}, abstract = {The encounter with non-human animals has always been a major preoccupation in the (philosophical) quest of understanding the human (condition). Of course, they are not only present in literary texts, but also in other media such as music and art. We consider ourselves aware of their selves, natures and skills as well as their sensory perceptions. Indeed, the ways we interact with non-human animals in everyday life and in the fictional world, how we perceive, think and talk about them as well as how we communicate with them are often related to our own self-perceptions in the social collective and in social-historical discourse. If we take a closer look at literary interspecies relations, we can detect clear shades in language and communication. Based on the approaches of Human-Animal Studies, this article deals with those nuances regarding animal-human encounters in Juan Ram{\´o}n Jim{\´e}nez' Platero y yo (1914/1917) and Thomas Mann's Herr und Hund (1919) in a comparative perspective. In addition to this, a special focus is placed on the effect these elements can have on (inter)acting literary subjects as well as on extra-textual recipients.}, language = {de} } @incollection{Driscoll2019, author = {Driscoll, K{\´a}ri}, title = {"Il n'y a pas de chats": Feline Absence and/as the Space of Zoopoetics}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178019}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {159-174}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Duerbeck2019, author = {D{\"u}rbeck, Gabriele}, title = {Empathy, Violence, and Guilt in a Girl-Chimp Experiment: An Analysis of Human-Animal Relations in Karen Joy Fowler's Novel We Are Completely Beside Ourselves (2013)}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178131}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {325-337}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{EibensteinerKoch2018, author = {Eibensteiner, Lukas and Koch, Christian}, title = {El uso de los tiempos del pasado en espa{\~n}ol como lengua extranjera: Una comparaci{\´o}n de aprendientes escolares austriacos con pol{\´i}glotas rom{\´a}nicos}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187955}, pages = {21-42}, year = {2018}, abstract = {The normative use of past tenses is supposed to be a big challenge for learners of Spanish. Although they might understand the grammatical chapter in theory, adequate past tense use in spontaneous oral production is not guaranteed. Morphological errors, overgeneralizations of tenses and interferences with other languages characterize the interlanguage of the learners. Based on two corpuses, we analyse how the past tense use differs between secondary school students from Austria and Romance polyglots. Qualitative and quantitative analyses show that polyglot speakers surpass the secondary school students in some areas such as the distinction of verbal aspect. However, the students tend less to use the perfecto compuesto in an inadequate way in narration.}, subject = {Vergangenheitstempus}, language = {es} } @incollection{Fajen2015, author = {Fajen, Robert}, title = {Ein Salon im Untergrund. Caylus' \(M{\´e}moires\) \(de\) \(l'Acad{\´e}mie\) \(des\) \(Colporteurs\) und die Erkundung der literarischen Peripherie im Zeitalter der Aufkl{\"a}rung}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152210}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {235-258}, year = {2015}, abstract = {No abstract available.}, language = {de} } @article{Fliege2016, author = {Fliege, Daniel}, title = {Le d{\´e}go{\^u}t du cadavre. Une comparaison entre la repr{\´e}sentation du corps mort dans le De Miseria Condicionis Humane d'Innocent III et dans son adaptation fran{\c{c}}aise Double lay de fragilit{\´e} humaine d'Eustache Deschamps}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161616}, pages = {77-97}, year = {2016}, abstract = {The study uses the category of disgust in order to analyse the representation of the human body and the corpse in one of the most influential medieval treatises, the De Miseria Condicionis Humanae (1195) written by Pope Innocent III, and its little known old French adaptation Double lay de fragilit{\´e} humaine (1383) by Eustache Deschamps. Analysing how both use disgust as an aesthetic means, which appeals to emotions and turns off reason, helps to point out the pedagogical and moral function of the texts. The comparison between them shows that Deschamps stays faithful to his Latin model, but that he nevertheless has to make certain modifications in order to adapt the prose text into a lyrical form. Furthermore, this approach clearly elucidates what differences there are between the conceptions of the human body and death in the two texts, revealing at the same time divergent theological points of view.}, subject = {Ekel}, language = {fr} } @incollection{Folger2015, author = {Folger, Robert}, title = {«Maistrece de tous ses sens»: Christine de Pizans \(Livre\) \(de\) \(la\) \(cit{\´e}\) \(des\) \(dames\) als mentale Maschine}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152104}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {125-145}, year = {2015}, abstract = {No abstract available.}, subject = {Christine, de Pisan : Le livre de la cit{\´e} des dames}, language = {de} } @incollection{Goodbody2019, author = {Goodbody, Axel}, title = {Wolves and Wolf Men as Literary Tropes and Figures of Thought: Eco- and Zoopoetic Perspectives on Jiang Rong's Wolf Totem and Other Wolf Narratives}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178122}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {307-324}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Gorenstein2019, author = {Gorenstein, Dan}, title = {Ants and Battlefields, Beetles and Landscapes: Rudiments for a Naturalistic Reading of Ernst J{\"u}nger's Interwar Essays through the Lens of His Later Entomological Hermeneutics}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178043}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {201-215}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Guesken2019, author = {G{\"u}sken, Jessica}, title = {Blooming Flowers, Fish in Water, Amphibians, and Apes: Herder's Environmental Aesthetics of Nature}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178026}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {175-188}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{Hagen2019, author = {Hagen, Clemens}, title = {Ver y ser visto: Intelectualidad y falsa erudici{\´o}n en La Regenta}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221822}, pages = {39-56}, year = {2019}, abstract = {Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clar{\´i}n» have constantly referred to the unmasking of society's hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimar{\´a}n and S. Berm{\´u}dez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta.}, language = {es} } @article{Haidacher2022, author = {Haidacher, Bernhard}, title = {The concept of confix in German, French, and Italian - a comparative study}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329756}, pages = {63-83}, year = {2022}, abstract = {Despite some critical voices, in German linguistics the concept of confix can meanwhile be considered as an established morpheme category. Schmidt (1987) introduced the term into German to describe bound morphemes that are lexical, but not inflectable. Since the 2000s, an increasing number of publications deal with the phenomenon and the term has begun to enter linguistic reference works as well. In French, the situation is completely different due to the structure of the language (poor in compounds and mostly post-determinative). Although the term and the concept have originall y been coined by the French structuralist Andr{\´e} Martinet ([1961] \(^3\)1980 ), the denomination itself is barely present in Romance linguistics. French researchers usually take different approaches to discuss the phenomenon (e.g., neoclassical compounds, constructed lexemes). In Italian, the denominations confisso/ confissazione are first used by De Mauro (1999), who adopts both the term and concept directly from Martinet; moreover, they can be found in some contributions on word formation and lexicology (e.g., Adamo/Della Valle 2008). Nevertheless, the Italian termino-logy remains heterogeneous, with some researchers still using the terms prefissoide/suffissoide coined by Migliorini (1963). As I will show by comparing the languages in question, the terminology and the concept of confixes vary greatly between Romance and Germanic languages.}, language = {en} } @article{Harjus2022, author = {Harjus, Jannis}, title = {El aliento xeneize: Eine diskurslinguistische Analyse von Fanges{\"a}ngen der Anh{\"a}nger des argentinischen Clubs Boca Juniors}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329768}, pages = {85-103}, year = {2022}, abstract = {In this contribution, chants of the followers of the Argentine football team Boca Juniors are analyzed with regard to possible identity constructions and othering. The results of the corpus-driven discourse-linguistic analysis demonstrate in particular metaphors and topoi that can be highlighted as a constitutive part of the discursive construction of a Boca Juniors supporters' identity and the otherings of River Plate hinchas. Through the use of certain metaphors and determined lexical fields that clearly call for acts of violence, a masculine ethos is discursively constructed among Bocas own followers, which goes far beyond comparable insulting and cheering chants of comparable European football teams.}, language = {de} } @article{Harjus2019, author = {Harjus, Linda}, title = {Top down Initiated Medial Linguistic Politics : A Normative Inquiry into the Application of Andalusian Varieties Conducted by the Radio Channel Canal Fiesta Radio}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221836}, pages = {59-75}, year = {2019}, abstract = {This contribution deals with the phonetic heterogeneity of spoken Spanish in Andalusia in the sector of public auditory media, specifically in the program !'Anda Levanta! of Canal Fiesta Radio. First, we take into consideration Article 10 of the Statute of the Autonomy of Andalusia, which enhances the protection, promotion, study, and prestige of the Andalusian modalities and its respective variety (cf. Parlamento de Andaluc{\´i}a 2007: 13). Second, we refer to the Libro de Estilo, a mandatory guide for presenters of public audiovisual media in Andalusia since 2014. The results of the qualitative analysis indicate divergences between the presenters and their audience with regard to their use of phonetic characteristics typical of the Andalusian varieties: where the presenters tend to avoid the salient aspects of the varieties, the audience employs a range of phonetic characteristics typical for Andalusian varieties, including some of the characteristics that are considered less prestigious.}, language = {en} } @article{Henk2021, author = {Henk, Lars Thorben}, title = {«We're on the road to nowhere» - Felwine Sarrs narrativer Weg in die Afrotopie}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305662}, pages = {73-90}, year = {2021}, abstract = {According to the Senegalesian scholar Felwine Sarr who conceives an African utopia in his programmatic essay Afrotopia (2016), this Afrotopos has already germinated in contemporary African literature. However, it still needs to be enquired to what extent the narrated topos of the street in Sarr's own anthology 105 Rue Carnot (2011) has already realized the Afrotopos. In order to respond to this question, we would like to mobilise Michel Foucault's concept of heterotopia, which elaborates on the interactions between truth production/knowledge, power and space, and permits us to conceive of «les lieux utopiques» (Foucault 2005: 40) as actually locatable on the map and real other places outside of all places (cf. Foucault 1994: 755). Thus, in the street, a different relationship between global North and South is founded, which becomes legible as an African «utopie localis{\´e}e» (Foucault 2005: 41) that Sarr calls for in Afrotopia (2016).}, language = {de} } @article{Henk2022, author = {Henk, Lars Thorben}, title = {{\´E}douard Louis' «J'accuse». Ein sp{\"a}tmoderner Adept Zolas?}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329777}, pages = {105-120}, year = {2022}, abstract = {French history of literature is undoubtedly characterized by a tradition of social criticism portraying the working class' misery that can be traced back at least to the 19th century. Among these depictions, Zola's novels have a prominent position. This is, among other aspects, due to their pretended scientific foundation and their pretentious claims to be scientific studies. The contemporary author {\´E}douard Louis situates himself in this tradition of Zola's naturalism. This invites us to examine the interrelation between Zola and Louis more closely. Based on the common ground of scientific foundation, scientific ambition and social commitment pursued in their novels, it will be demonstrated that Louis is a late-modern Zola whose milieu and character descriptions follow in detail Zola's constructions.}, language = {de} } @article{Hennemann2016, author = {Hennemann, Anja}, title = {El marcador (yo) pienso (que) y sus diferentes funciones}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161627}, pages = {99-120}, year = {2016}, abstract = {In this paper, the different uses and functions of (yo) pienso (que) are analysed. The examples demonstrate that (yo) pienso (que) fulfils various functions. It is used as a marker of cognitive attitude concerning the proposition (that is, the speaker expresses his validative attitude or an inference), as a pragmatic marker or as a cognitive particle. In this study, we introduce the term 'cognitive particle' in order to describe the use of (yo) pienso (que) when its use serves to gain time in processing the enunciation or to structure the speaker's thoughts. The empirical data are on the one hand retrieved from the corpus programme CREA, of debates and interviews focusing on peninsular Spanish, and on the other hand from GlossaNet, more precisely from the newspapers El Pa{\´i}s and El Mundo. This analysis is a qualitative one because we do not focus on the frequency of the different functions. Instead, we want to illustrate the various functions (yo) pienso (que) fulfils.}, subject = {Diskursmarker}, language = {es} } @article{Hennemann2017, author = {Hennemann, Anja}, title = {«ainda {\´e} nova a m{\´u}sica, i think» Zur Code-Alternation in portugiesischen online-Diskursen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172882}, pages = {107-125}, year = {2017}, abstract = {The present paper is concerned with the use of English cognitive verbs like think, mean and guess as well as with fixed expressions that contain these verbs like guess what (?) or think about it in Portuguese online discourses. In the qualitative analysis of examples retrieved from the Corpus do Portugu{\^e}s (Web/Dialects) I mainly focus on the syntactic behavior of the expressions under survey, also comparing their use and function in the English language. In the final part of the paper I reflect about possible reasons of the employment of English elements in Portuguese conversation.}, language = {de} } @article{Hertrampf2015, author = {Hertrampf, Marina Ortrud M.}, title = {De la M{\`e}re Patrie {\`a} «l'am{\`e}re-patrie». D{\´e}sir{\´e} Razafinjatos literarisches Bild der franz{\"o}sischen 'Kolonialheimat' vor und nach der Unabh{\"a}ngigkeit Madagaskars}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139461}, pages = {91-111}, year = {2015}, abstract = {French-Madagascan colonial history is full of dark chapters. After Madagascar's independence the French general public forgot the country very quickly. In Malagasies collective memory, the wounds of colonial injustice are still open even if they are generally considered as fady ('tabooʼ). D{\´e}sir{\´e} Razafinjato is the first Malagasy author writing in French who dares to approach the difficult relations between Malagasy-French and indigenous Malagasy as well as between indigenous Francophiles and indigenous anti-French nationalists. In his tale «Tahiry. From Madagascar to the Algerian djebel, the bitter-fatherland», the narrator speaks about the painful loss of any fatherland for all those Malagasy who during the War of Algeria got involved as French soldiers. Indeed, it is the sad history of the despoliation of an ideal Motherland on the French side and of the refusal of membership in an ancestral fatherland on the Malagasy side. What remains for those ancient French-Malagasy combatants is the feeling of a 'bitter-fatherlandʼ and the feeling of living in 'between everywhereʼ in some kind of 'non-fatherlandʼ.}, language = {de} } @article{Hesselbach2020, author = {Hesselbach, Robert}, title = {<> - A Corpus-based Approach of Official French, Italian, and Spanish Social Media Discourse in the Light of the Coronavirus Crisis}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244251}, pages = {45-66}, year = {2020}, abstract = {France, Italy, and Spain are three Romance-speaking countries which - at least in Europe - have been affected to a very high degree by the consequences of the Corona pandemic. This paper examines discursive strategies on social media (Twitter and Facebook) by the three heads of government/state of the aforementioned countries - namely Emmanuel Macron (France), Giuseppe Conte (Italy), and Pedro S{\´a}nchez (Spain)- from a corpuslinguistic point of view. For this purpose, a corpus was created which contains all Twitter and Facebook messages posted by these heads of government/state from the beginning of February until the end of April 2020. By applying corpus-linguistic methods we find that all three politicians consciously use social media to sensitize, inform, and - in view of a dramatic pandemic situation - unite their respective populations behind them.}, language = {en} } @article{Hettmann2015, author = {Hettmann, Sandra}, title = {«Explotan las im{\´a}genes y un altoparlante con su lengua». Surrealistische Dis/Kontinuit{\"a}ten bei Luciana Romano: Bebilderungen im Gedichtraum durch Foto{\"a}sthetik und Dynamiken des Wortbildes}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139473}, pages = {113-142}, year = {2015}, abstract = {This article seeks to analyse the volume of poems Vapor de foto (2006) written by the young contemporary poet Luciana Romano from Buenos Aires. Romano is also an activist of the politically engaged artist collective Etc{\´e}tera… founded in the late nineties. Her poetry reveals a certain correlation with the aesthetics of the actions and interventions developed by Etc{\´e}tera… in the streets and public spaces not only of Argentina but also of Europe. Furthermore, the creation of Vapor de foto is based on the collective's experiences and practices. Using a methodological approach that combines close reading and a cultural and socio-critical focus, several poems will be exemplarily analysed in order to examine the interrelation between Romano's style of writing and her activism. Assuming that her poetry, as well as the work of Etc{\´e}tera…, belongs to a postdictatorial contemporary aesthetics characterized by the complex interplay between dadaistic and surrealistic dis/continuities, this article will focus on the analysis of different forms of relations between text and image.}, language = {de} } @article{Ibrahim2017, author = {Ibrahim, Amira}, title = {L'orientalisme fran{\c{c}}ais : d{\´e}finition et histoire}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172899}, pages = {127-145}, year = {2017}, abstract = {The history of intellectual and cultural contact between West and East is very complicated and contradictory. A long time ago, eastern culture attracted the attention of many writers, orientalists and researchers, who headed east not only to study and describe the fascinating eastern civilizations, but also to analyze their different literary, historical and scientific aspects. The new mysterious but exciting environment inspired the orientalists to record and describe what they experienced regarding the architecture, the nature and the people. The attractive eastern natural views which are distinguishable from the monotonous western environment - especially after the industrial revolution - helped them to find new prospects. The East has been coming into focus since the middle ages, when the church campaigns started to study Islam as the prevalent religion in this area. The orientalist motivations were not only religious, but also followed economic, colonial and scientific agenda, which lead to a plethora of specialized research, stories, novels and analytical studies. A close look at the orientalists' works will provide us with an overview of eastern civilization. Therefore, their works are considered as a mirror reflecting their point of view to the east and the north of Africa, especially to pharaonic Egypt. The orientalists who travelled to the east and expressed their passion to this old civilization in their writings influenced the literary movement deeply. But what do we mean by the term orientalism? Edward Sa{\"i}d has defined this term in different ways. Sa{\"i}d presented and interpreted it as a way of thinking, a historical phenomenon. Defining orientalism has become a problem indeed, and now it is carrying a number of meanings which do not match. Therefore, the aim of the study is to bring into focus the most important definitions of the term orientalism from the late 17th to the mid-20th century.}, language = {fr} } @article{IsselDombertWiedersLoheac2016, author = {Issel-Dombert, Sandra and Wieders-Loh{\´e}ac, Aline}, title = {«Nous multiplierons les chansons, les concerts, les spectacles». L'argumentation de Fran{\c{c}}ois Hollande face aux attaques terroristes du 13 novembre}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161637}, pages = {123-151}, year = {2016}, abstract = {After the terrorist attacks on November 13th, the French public, the whole of Europe and many parts of the world were waiting for president Fran{\c{c}}ois Hollande to address his fellow "citoyens". Being the most important political figure - both by constitution and by influence on public discourse - the president's words bear great importance for the subsequent debate and interpretation of the events. Therefore, the question arises: How did the president shape the debate in the hours and days after the attacks? To answer this question, we have identified typical structures in Hollande's rhetorical reaction to the attacks, performing a topos as well as a keyword analysis of the speeches the president held within two weeks after November 13th. In a contrastive analysis we have compared Hollande's speeches to the Europarl Corpus. Using the software programme sketch engine, we have filtered out the 100 most frequent keywords and classified them into semantic fields (data-driven approach). All in all, terrorism, action and nation/identity are the three predominant semantic fields, whereas references to victimhood barely appear. These findings are congruent with the results of our topos analysis that reveals a predominance of argumentative structures that form a strong main topos of resilience, emphasising the greatness of France and its people and culture, calling to action and avoiding any tendencies of resignation.}, subject = {Hollande, Fran{\c{c}}ois}, language = {fr} } @incollection{KellenRibeiroWengDeToni2022, author = {Kellen Ribeiro Weng, Ana and De Toni, Plinio Marco}, title = {Differences and Similarities between the Fields of Bilingualism and Second Language Acquisition}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-19}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296447}, publisher = {W{\"u}rzburg University Press}, pages = {19-24}, year = {2022}, abstract = {No abstract available.}, language = {en} } @incollection{Khapai2023, author = {Khapai, YS Sochuiwon Priscilla}, title = {Rethinking the Culture of Education with Raymond Williams}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-33}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305854}, publisher = {W{\"u}rzburg University Press}, pages = {33-44}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @article{Klamp2021, author = {Klamp, Yannic}, title = {Alma und {\´a}nima in spanisch-zapotekischen Evangelisierungswerken: die Translation des Konzepts Seele im kolonialen Missionskontext (Neu-Spanien, 16.-18. Jh.)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305681}, pages = {111-130}, year = {2021}, abstract = {The arrival of the Spanish in present-day Oaxaca, Mexico, led to manifold communicative challenges and was the origin of the first written documents in the local indigenous languages. This paper focuses on Spanish-Zapotec translations produced by Christian missionaries during the colonial period. In this context, it aims to investigate the expression of the concept of soul in their catechisms and confesionarios by analyzing chronologically how different authors apply the Spanish synonyms alma and {\´a}nima. On the one hand, we can observe some similar tendencies in central Mexican documents for the early colonial period so that we can assume that the corpus was influenced by Nahuatl translations. On the other hand, there is an independent development in Spanish-Zapotec translations not only regarding the target text but also the source text.}, language = {de} } @incollection{Kling2019, author = {Kling, Alexander}, title = {Action, Framework, and the Poetics of "Co-Making": A Testing Device for Ecological Narratives}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177943}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {83-95}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{Kloster2016, author = {Kloster, Kerstin}, title = {Der K{\"o}rper als Einschreibungsfl{\"a}che des weiblichen Ged{\"a}chtnisses. Eine Analyse der m{\"u}ndlichen {\"U}berlieferung in Le livre d'Emma von Marie-C{\´e}lie Agnant}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161645}, pages = {153-168}, year = {2016}, abstract = {Women in Caribbean culture traditionally occupy the role of guardians of collective memory, as tellers of stories, legends and myths. Through oral tradition, they transfer the cultural and family knowledge from one generation of women to the next. We will offer an analysis of oral transmission as a way of preserving a memory of women in Le livre d'Emma (2001) by the Qu{\´e}bec author of Haitian origin, Marie-C{\´e}lie Agnant. We will primarily analyze the transformation of communicative memory into cultural memory, following the distinction by Jan Assmann. We will interpret the oral transfer as a possibility to stabilize, to legitimize female memory and to inscribe it into the female body.}, subject = {Agnant, Marie-C{\´e}lie : Le livre d'Emma}, language = {de} } @article{Kneifel2021, author = {Kneifel, Malte}, title = {Futur-Formen und ihre Funktionen im Portugu{\^e}s Arcaico}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305673}, pages = {91-109}, year = {2021}, abstract = {This article aims to trace the development of different verb forms that express future tense of Old Portuguese from the 13th to the 15th century by analyzing a historical text corpus. During this period, Portuguese future tense could be expressed through one synthetical as well as two analytical morphological verb constructions. Adapting an analytic model formerly employed by the Mexican researcher Concepci{\´o}n Company Company for an investigation of similar future tense forms in Old Spanish, this article seeks to point out that the use of the different verb forms in Portuguese followed distinct functions regarding aspects of both information structure as well as modality.}, language = {de} }