@article{Woersdoerfer2015,
  author    = {W{\"o}rsd{\"o}rfer, Anna Isabell},
  title     = {Vom 'bon sauvage' zum franz{\"o}sischen Ritter par excellence. Die 'Mati{\`e}re de Bretagne' als Streitobjekt konkurrierender Erinnerungskulturen in Jean-Pierre Claris de Florians Mittelalternovelle Bliomb{\´e}ris (1784).},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139518},
  pages     = {229-251},
  year      = {2015},
  abstract  = {While French Enlightenment seems philosophically dominated by a pejorative idea of the medieval past as the 'Dark Ages', this is only one conception among others. This article focuses on a different, a positive, representation of the Middle Ages in eighteenth-century literature, analyzing the chivalric novella Bliomb{\´e}ris (1784) by Jean-Pierre Claris de Florian. On the one hand, the eponymous hero is considered a 'noble savage' who develops into an ideal knight by education and successful learning - two central ideas of the Enlightenment period. On the other hand, the study shows how the medieval topic of the Mati{\`e}re de Bretagne, exclusively required by English literature for a long time, is finally regained by the French and is reintegrated into their national memory.},
  language  = {de}
}
@article{Woersdoerfer2019,
  author    = {W{\"o}rsd{\"o}rfer, Anna Isabell},
  title     = {Hexen Revival. Produktive B{\´e}cquer Rezeption und Gattungsspezifik in Jugendbuch und TV Serie},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221900},
  pages     = {153-184},
  year      = {2019},
  abstract  = {This article exemplifies Gunter Grimm's concept of productive reception by analyzing C{\´e}sar Fern{\´a}ndez Garc{\´i}a's young adult novel La {\´u}ltima bruja de Trasmoz (2009) and the episode Tiempo de hechizos (2017) of the TV series El ministerio del tiempo as two modern works which artistically and creatively deal with Gustavo Adolfo B{\´e}cquer's Cartas desde mi celda (1864). The study is based on the core assumption that the choice of genre greatly influences the treatment of motives such as the perception of nature and the idea of dreams, as well as the image of the witch. While B{\´e}cquer's letters, which focus on the rural people's superstition, present the witch of Aragonese folklore, the modern examples portray two of her fantastic counterparts: the novel depicts its magical protagonist as an evil supernatural being, whereas the TV episode of the science fiction series shows the witch as a time traveller and a victim.},
  language  = {de}
}
@incollection{Wolfzettel2015,
  author    = {Wolfzettel, Friedrich},
  title     = {« H{\"o}hle, die tiefste, sch{\"u}tzt » (Faust II). {\"U}berlegungen zur Signatur von H{\"o}hle und Grotte seit der Aufkl{\"a}rung},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152223},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {259-279},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {H{\"o}hle <Motiv>},
  language  = {de}
}
@article{Winter2016,
  author    = {Winter, Ursula},
  title     = {Literarisierung von Musik als Intermedialit{\"a}tsph{\"a}nomen. Exemplarische Betrachtung der oratorischen Rezeption Dantes und Goethes bei Wolf-Ferrari und Berlioz},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161690},
  pages     = {281-306},
  year      = {2016},
  abstract  = {This article deals with the reception of Dante and Goethe in Ermanno Wolf-Ferrari's and Hector Berlioz's compositions La Vita Nuova and La Damnation de Faust. Although Dante Alighieri's Vita Nova and Johann Wolfgang von Goethe's Faust belong to completely different genres and epochs, the texts provide the basis for the oratorio-style works from the Romantic era, which justifies a comparative analysis of the latter. The examined reductions, extensions, modifications and rearrangements of the texts in the libretti - which were compiled almost entirely by the composers themselves - as well as the instrumental parts and the use and functions of the orchestra, the choir and the soloists, portray the intermedia relations between literature and music in the selected compositions. The chosen examples will show that the common idea of setting literature to music and the translation studies concept of intersemiotic translation are not appropriate for all literature-based pieces of music, as the analysis of both works demonstrates that with regard to vocal music a distinction should be made between the musicalization of literature and the literarization of music.},
  subject      = {Musik},
  language  = {de}
}
@article{vonRoeder2020,
  author    = {von Roeder, Alena},
  title     = {Salvador als Opfer seiner eigenen Triebe im Film Los girasoles ciegos. Die filmische Darstellung der Fokalisierung unter psychoanalytischer Betrachtung},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244303},
  pages     = {177-196},
  year      = {2020},
  abstract  = {This paper analyzes the mental development of the main character Salvador in the Spanish movie Los girasoles ciegos (2008) by Jos{\´e} Luis Cuerda, based on the camera perspective and focalization, as well as the three-instance model according to Sigmund Freud. For this purpose, screen captures from the movie are examined to see how Salvador's loss of control is pictured. This is applied to Freud's three-instance model to prove the takeover of the Id. Throughout the whole movie, the inner conflict between his Ego and Id, i.e. his life as a deacon versus his life as a soldier, is present. The whole process of the breakdown of his mental state is revealed through the camera perspective and visual focalization.},
  language  = {de}
}
@article{Vatter2022,
  author    = {Vatter, Christoph},
  title     = {Interview mit Prof. Dr. Christoph Vatter},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305703},
  pages     = {1-13},
  year      = {2022},
  abstract  = {Interview mit Prof. Dr. Christoph Vatter},
  language  = {de}
}
@article{Suslenkova2016,
  author    = {Suslenkova, Anastasiya},
  title     = {Diskursanalytische Untersuchungen der politischen Rede in Italien am Beispiel der ausgew{\"a}hlten Reden von Silvio Berlusconi und Matteo Renzi},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161681},
  pages     = {241-279},
  year      = {2016},
  abstract  = {The present study is concerned with a critical discourse analysis of the speeches of the Italian politicians Silvio Berlusconi and Matteo Renzi in different situations. The aim of the study was to find out how historical and speech contexts influence discourse structures and argumentations, and if any similar speech patterns or speech strategies were used. The results show that both politicians in many cases tend to utilize similar speech patterns to achieve different aims; each of them shows a preference for particular words, structures and strategies. It is noteworthy that one of the important differences between speeches of Berlusconi and Renzi is the use of various speech strategies. While Renzi uses these strategies to create an image of himself as a young and honest politician, Berlusconi makes use of them to defend himself or attack his opponents.},
  subject      = {Diskursanalyse},
  language  = {de}
}
@incollection{Strosetzki2015,
  author    = {Strosetzki, Christoph},
  title     = {(Re-)pr{\"a}sentationen. Exzerpieren zwischen \(memoria\), \(imitatio\) und \(innovatio\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152116},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {147-164},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Exzerpt},
  language  = {de}
}
@incollection{Shtaltovna2022,
  author    = {Shtaltovna, Yuliya},
  title     = {Linguistic Democratization of the Modern English Language: Functional Parameters of English Youth Slang Neologisms},
  series = {Studies in Modern English},
  booktitle = {Studies in Modern English},
  editor    = {Lazebna, Nataliia and Kumar, Dinesh},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-199-0-105},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296514},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {105-115},
  year      = {2022},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Schoepe2016,
  author    = {Sch{\"o}pe, Kai},
  title     = {Unaufh{\"o}rliches Suchen - Gaddas Roman Quer pasticciaccio brutto de via Merulana als carmen perpetuum},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161673},
  pages     = {193-222},
  year      = {2016},
  abstract  = {Gadda's novel Quer Pasticciaccio brutto de Via Merulana tells the tale of two crimes committed in Rome in the 1920s. The search for the perpetrators turns into a pasticciaccio brutto (an awful mess), challenging the reader with its linguistic complexity and a myriad of references to history and culture; the large number of allusions to antiquity is particularly striking. References to Virgil's Aeneid and to Rome's mythical past do not constitute a mere transfer, but document a creative approach of transformational nature. Deformation and inversion are part of this process, changing the μορφή not only in formal terms, but also within the plot itself. These transformations of both form and content are read as Metamorphoses and analysed in comparison to Ovid's homonymous work. The perpetual, never-ending quest for truth in Gadda's novel necessitates a perpetual, never-ending narrative, which is conceptually related to Ovid's carmen perpetuum.},
  subject      = {Gadda, Carlo Emilio : Quer pasticciaccio brutto de Via Merulana},
  language  = {de}
}
@incollection{Schoenbeck2019,
  author    = {Sch{\"o}nbeck, Sebastian},
  title     = {Return to the Fable: Rethinking a Genre Neglected in Animal Studies and Ecocriticism},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177966},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {111-125},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Schaefer2017,
  author    = {Sch{\"a}fer, Elena},
  title     = {Veo veo. ?'Qu{\´e} ves? Durch H{\"o}r-Seh-Verstehen zu Mehrsprachigkeitskompetenz},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172946},
  pages     = {183-201},
  year      = {2017},
  abstract  = {Multilingualism is part of our everyday lives and has recently entered the medium of film. Based on the linguistic diversity of Spanish-speaking countries, the present paper explores multilingualism as a key competence of foreign language learning. Since film provides students with audiovisual access to multilingual situations, a selection of educational videos that form parts of German textbooks will be critically explored concerning the presentation of multilingual phenomena. The results will be discussed in order to contribute to the systematic acquisition of multilingual skills in the sense of language and cultural awareness during classroom learning.},
  language  = {de}
}
@article{Scholz2021,
  author    = {Scholz, Janek},
  title     = {S{\´e}rgio Zimbas Covid-19-Karikaturen im Kontext {\"o}ffentlicher Gesundheitsf{\"u}rsorge in Mosambik},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {7},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305692},
  pages     = {133-155},
  year      = {2021},
  abstract  = {The article deals with the educational comics of the Mozambican artist S{\´e}rgio Zimba, especially in the context of the current pandemic situation caused by Covid-19. First, comics from and comic research on Africa will be presented, especially in their repercussion within the German-language comics landscape. This will be followed by a discussion of the special situation in lusophone Africa, exemplified and illustrated by the works of the Mozambican cartoonist S{\´e}rgio Zimba. The article closes with a brief comparison of Zimba's work with the cartoons of S{\´e}rgio Pi{\c{c}}arra from Angola, to better classify the artist's work.},
  language  = {de}
}
@article{Scholz2016,
  author    = {Scholz, Janek},
  title     = {Eine K{\"u}nstlerkooperation 'al{\´e}m das fronteiras' - Banda desenhada de l{\´i}ngua portuguesa},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161662},
  pages     = {225-239},
  year      = {2016},
  abstract  = {Economic, academic or artistic cooperation among actors of different countries or disciplines offers numerous new perspectives, but it also confronts the ones profiting from it with several challenges. First, identity has to be firmly established, which requires intercultural skills, such as role-distance, empathy and tolerance for ambiguities. Secondly, a third space is required in which meaning can be newly negotiated to make the partnership succeed. This paper proposes that even within one and the same language-group, one can speak of intercultural communication. A particular collaboration between Portuguese-speaking comic artists will be introduced, raising questions of the conditions necessary to make such a cooperation work. Answers will be provided according to the decisions the artists made in their publications.},
  subject      = {Kooperation},
  language  = {de}
}
@article{Schneider2022,
  author    = {Schneider, Melanie},
  title     = {« [C]'est absurde d'{\^e}tre bloqu{\´e} sur une autoroute » - Das Motiv des Staus in der zeitgen{\"o}ssischen romanischen Literatur},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329807},
  pages     = {165-180},
  year      = {2022},
  abstract  = {Due to an ever-increasing number of automobiles on the roads, automobility fails more and more to fulfil its promise of free individual mobility, leading to traffic density and congestions of unprecedented proportions. However, those conditions seem to possess an aesthetic potential which we seek to analyze in terms of literature. Therefore, we are going to look on three novels from Romance-language areas: Julio Cort{\´a}zar's short story La autopista del sur (1966), Carlo Lucarelli's novel Autosole (1998) and Gr{\´e}goire Gauchet's novel Les robinsons de l'autoroute (2018). First, we will analyze the nature of deceleration/congestion by referring to human geographer Tim Cresswell's concept of friction. Second, we will examine recurring motifs linked to the deceleration/congestion in all novels before taking a closer look at Gauchet's novel where the friction not only applies to traffic but also to human relationships. The aim is to look at different literary representations of an everyday experience like traffic congestion and to see how literature deals with such an occurrence.},
  language  = {de}
}
@incollection{Saundarya2023,
  author    = {Saundarya,},
  title     = {Food Cultures: Dynamics of Caste, Gender, Religion, and Class in India},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-101},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305901},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {101-111},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{Roy2023,
  author    = {Roy, Abhilasha},
  title     = {Countercultures around the World: A Postcolonial Reading of Paul Gilroy's The Black Atlantic},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-7},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305829},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {7-19},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{Roloff2015,
  author    = {Roloff, Volker},
  title     = {Repr{\"a}sentation, Inszenierung und Rollenspiel. Anmerkungen zum Theater und \(theatrum\) \(mundi\) bei Sartre},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152279},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {361-377},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Sartre, Jean-Paul},
  language  = {de}
}
@incollection{Rishi2023,
  author    = {Rishi, Tushar},
  title     = {Marxism and Contemporary Cultural Studies},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-79},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305882},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {79-85},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{Rigby2019,
  author    = {Rigby, Kate},
  title     = {"Piping in their honey dreams": Towards a Creaturely Ecopoetics},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178108},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {281-293},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Richter2020,
  author    = {Richter, Verena},
  title     = {Das Mittelmeer als pluraler Erinnerungsraum im franz{\"o}sischen Essayfilm: zu Jean-Daniel Pollets M{\´e}diterran{\´e}e (1963)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244292},
  pages     = {155-175},
  year      = {2020},
  abstract  = {The present article aims to examine images of the Mediterranean Sea in Jean-Daniel Pollet's essay film M{\´e}diterran{\´e}e (1963), with a particular focus on its representation as a multifaceted space of cultural memory. After some preliminary observations on the relation between the essay film as a genre and images of the Mediterranean, I shall, on the one hand, have a look at the semantic processes through which the film builds up a recognizable image of the Great Sea. On the other hand, however, I will argue that, at the same time, M{\´e}diterran{\´e}e calls this signifying process into question by representing the sea as a space of cultural memory understood as a space of becoming and of deferral of meaning.},
  language  = {de}
}
@article{Rauchhaus2017,
  author    = {Rauchhaus, Moritz},
  title     = {Topo-Analyse hin zur Ewigkeit: Catherine Pozzi zwischen Journal und Peau d'{\^A}me},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172938},
  pages     = {165-180},
  year      = {2017},
  abstract  = {Peau d'{\^A}me has often been regarded as an enigmatic and mysterious text which prevented a broad attention and interpretation since its posthumous publication in 1935. But putting the perspective on Pozzi's Journal, particularly during the years 1920 and 1921, allows us to discover a significant intertextuality between both of them. Catherine Pozzi's perception of space in her every day writing does not differ from her philosophical work, since for her the concepts of center and periphery do not form a strict dichotomy. It becomes superfluous in a world without limits. The perception and philosophy of Catherine Pozzi tends to go beyond the boundaries of space which allows us, as readers of these two forms of writing, to comprehend her vision of a spatial and temporal eternity.},
  language  = {de}
}
@article{Prohl2019,
  author    = {Prohl, Tanja},
  title     = {Ins{\´e}curit{\´e} linguistique im Franz{\"o}sischen? Eine Untersuchung nichtstandardsprachlicher Lexik auf Basis eines YouTube Korpus},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221886},
  pages     = {135-150},
  year      = {2019},
  abstract  = {When it comes to linguistic norms in France, one standard will be immediately evoked - le bon usage. This version of traditional French is taught at school and has been serving as a model ever since the French Revolution. Yet - and maybe as a counter-reaction to such strict and prescriptive norm - there exists a multitude of alternative forms, especially with regard to the lexis, which are marked by different registers or styles. Thus, the French language is characterized by lexical doublets in the transition area between standard and familier. A varied terminology in the description of styles in dictionaries as well as a stigmatisation of the nonstandard lead to speaker insecurities and to a general devaluation of the parallel vocabulary. What are the consequences of this in speech behaviour? Is there a remarkable difference between speech behaviour and prescriptive norm? Do speakers show any sign of linguistic insecurity when using nonstandard structures? The research issue will be addressed by means of a qualitative analysis of videoblogs from French YouTubers.},
  language  = {de}
}
@article{Prifti2021,
  author    = {Prifti, Elton},
  title     = {Interview mit Prof. Dr. Elton Prifti},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {7},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-251395},
  pages     = {5-14},
  year      = {2021},
  abstract  = {Interview mit Prof. Dr. Elton Prifti},
  language  = {de}
}
@incollection{Preuss2019,
  author    = {Preuss, Matthias},
  title     = {How to Disappear Completely: Poetics of Extinction in Max Frisch's Man in the Holocene},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178081},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {253-268},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Posthumus2019,
  author    = {Posthumus, Stephanie},
  title     = {Eco-Animal Assemblages in Contemporary French Thought},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177807},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {55-69},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Petričić2015,
  author    = {Petričić, Mihaila},
  title     = {Traduciring Comedy. An Analysis of Two English Translations of Enrique Gaspar y Rimbau's El anacron{\´o}pete},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139483},
  pages     = {145-160},
  year      = {2015},
  abstract  = {In Enrique Gaspar y Rimbau's 1887 science fiction novel El anacron{\´o}pete, comedy presents itself in a variety of guises. One of the central comic elements of the book is the playful way in which the lower class characters, namely the maid Juana and the soldier Pendencia, engage with language. This article will compare Gaspar's El anacron{\´o}pete with two of its official translations, Leyla Rouhi's The Anacron{\´o}pete and Yolanda Molina-Gavil{\´a}n and Andrea Bell's The Time Ship: A Chrononautical Journey, in order to ascertain to what extent the Spanish author's comic touch is preserved in the English translations of Juana's and Pendencia's speech. The maid's and the soldier's use of double meaning, the mondegreen, and code-switching will be the specific focus of our analysis. We will see that, as Salman Rushdie claims, although «[i]t is normally supposed that something always gets lost in translation […] something can also be gained» (1991: 17).},
  language  = {en}
}
@article{PalaciosEspinoza2019,
  author    = {Palacios Espinoza, Romina Irene},
  title     = {Schmerzhafte Erotik: kranke K{\"o}rper und sexueller Genuss in El {\´u}ltimo cuerpo de {\´U}rsula von Patricia de Souza},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221877},
  pages     = {117-132},
  year      = {2019},
  abstract  = {This article is dedicated to the analysis of the body, which is staged as sick and painful. El {\´u}ltimo cuerpo de {\´U}rsula by Peruvian author Patricia de Souza is characterized by the connection between body, pain perception and eroticism. Illness and paralysis play a fundamental role in the narrative because they cause the recomposition of the ego, which leads the protagonist, {\´U}rsula Res, to perceive and reflect the fragmentation of her identity and the increasing distance from her body. Through approaches to pain and disability, the expressiveness of the narrativized eroticism of this text, based on an obedient relationship to the body, is revealed.},
  language  = {de}
}
@incollection{O'Key2019,
  author    = {O'Key, Dominic},
  title     = {W. G. Sebald's Zoopoetics: Writing after Nature},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178052},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {217-227},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Noeth2019,
  author    = {N{\"o}th, Winfried},
  title     = {Peirce on the Continuity between Human and Nonhuman Minds},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177988},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {139-155},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Nitsch2015,
  author    = {Nitsch, Wolfram},
  title     = {Bodenlose Eloquenz. L{\"u}gnerfiguren in der Kom{\"o}die},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152148},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {201-216},
  year      = {2015},
  abstract  = {No abstract available.},
  language  = {de}
}
@incollection{Neumeister2015,
  author    = {Neumeister, Sebastian},
  title     = {Identit{\"a}tsbildung und Repr{\"a}sentation in der Neuen Welt: Mexiko 1680},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152168},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {217-234},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Identit{\"a}tsentwicklung},
  language  = {de}
}
@article{Nenadovic2019,
  author    = {Nenadovic, Ana},
  title     = {Performing Feminism, Autobiography, and Testimony. Feminist Rap in Latin America.},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221850},
  pages     = {95-114},
  year      = {2019},
  abstract  = {This article focuses on selected Latin American female rap artists (Anita Tijoux, Rebeca Lane, and the duo Krudas Cubensi), and the way they perform feminism, autobiography and testimony through their lyrics and performances. The analysis concentrates on the synergies between the texts themselves, the official music videos shared on YouTube and the background music. It aims to demonstrate that only such a synergistic approach to rap allows a profound understanding of its particularities and its contributions to feminist discourses and spaces for feminist testimony in the current rise of both right-wing politics and feminist movements on the continent.},
  language  = {en}
}
@article{Nabi2022,
  author    = {Nabi, Haifaa},
  title     = {La Naus{\´e}e : Salut par l'art ou par les autres ?},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329799},
  pages     = {145-163},
  year      = {2022},
  abstract  = {In this article dedicated to Jean-Paul Sartre's first novel La Naus{\´e}e, we analyze how the idea of conversion to art grows in the imagination of the hero, Antoine Roquentin. Furthermore we show that all the narrative actions in the novel are based on the hero's communicational interaction with the other characters. This lonely person who complains in his diary about social exclusion, yet he converts to art not through his reflections, but through communica-ting with the other characters. Also, many critical studies on La Naus{\´e}e have considered jazz music that the hero listens to in a caf{\´e} as the critical moment of his conversion. In our opinion this reflects juste one phase of a connected sequence of events through which the hero passes from a state of relational negativity and existential alienation to a state of openness, achieved again mainly by the virtue of other characters.},
  language  = {fr}
}
@article{Mounga2017,
  author    = {Mounga, Bauvarie},
  title     = {Strat{\´e}gies narratives et violence dans le roman post-colonial africain : le cas de la technique du fragmentaire dans Le Pleurer-rire d'Henri Lop{\`e}s},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172916},
  pages     = {149-162},
  year      = {2017},
  abstract  = {After independence, in the sixties, sub-Saharan Africa including Francophone, saw moving to the head of his governments, dictatorial powers. Henri Lop{\`e}s translated this in his work by a formal violence. We will study in this paper, the violence employed by the Congolese novelist in Le Pleurer-rire (1982): the technique of fragmentary. Our work is structured in three parts: the presentation of formal violence in Le Pleurer-rire, manifestations of postcolonial political system in this novel and the operation of the technique of fragmentary.},
  language  = {fr}
}
@incollection{Moe2019,
  author    = {Moe, Aaron M.},
  title     = {Holding on to Proteus; or, Toward a Poetics of Gaia},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177796},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {41-53},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Mencke2018,
  author    = {Mencke, Johanna},
  title     = {Multimodalit{\"a}t als strategisches Framing - Die mediale Selbstinszenierung von Marion Mar{\´e}chal-Le Pen (FN) in den sozialen Netzwerken},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {4},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-173990},
  pages     = {93-134},
  year      = {2018},
  abstract  = {The present study focuses on Marion Mar{\´e}chal-Le Pen's self-representation on social media. Despite her youth, the niece of the party's chairwoman and granddaughter of its founder is a distinguished member of the French radical right-wing populist and nationalist party Front National. The corpus-based analysis of her digital presence on Twitter, Instagram and Facebook on which this paper is based shows a specific use of linguistic and multimodal resources as a means of strategic framing of political content. In particular, an analysis of Mar{\´e}chal-Le Pen's use of searchable hashtags and @mentions referring to different political and non-political actors reveals it as a strategy of polarization between a constructed us and a negatively connoted them.},
  language  = {de}
}
@incollection{Meis2019,
  author    = {Meis, Verena},
  title     = {"The jellyfish must have precedence!": The Diaphanous Animal as an Optical Medium},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178039},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {189-199},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{McHugh2019,
  author    = {McHugh, Susan},
  title     = {Cross-Pollinating: Indigenous Frictions and Honeybee Fictions},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178113},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {295-306},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Matzat2015,
  author    = {Matzat, Wolfgang},
  title     = {Der Wandel des fr{\"u}hneuzeitlichen Gesellschaftsmodells in Lope de Vegas \(Villano\) \(en\) \(su\) \(rinc{\´o}n\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152127},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {165-186},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Vega Carpio, Lope F{\´e}lix de : El villano en su rinc{\´o}n},
  language  = {de}
}
@incollection{Mantraraj2023,
  author    = {Mantraraj, Sudeeti Geeta},
  title     = {Strategies for Survival and Resources for Resistance},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-171},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305948},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {171-180},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{Maniruzzaman2022,
  author    = {Maniruzzaman, Md.},
  title     = {Blended Learning in the New Normal: EFL Student and Teacher Perceptions and Reactions},
  series = {Studies in Modern English},
  booktitle = {Studies in Modern English},
  editor    = {Lazebna, Nataliia and Kumar, Dinesh},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-199-0-81},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296508},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {81-104},
  year      = {2022},
  abstract  = {To reopen educational institutions and return to the classroom, we all need to modify how we act to successfully face the challenges of the new normal resulting from the COVID-19 pandemic and entailing our insights into and the after-effects of the pandemic. More specifically, the new normal might encompass online education we are getting used to during the pandemic and the age-old onsite education as well. Thoughtfully integrated, online and onsite learning combine to create blended learning. However, the pertinent literature reveals that English as a foreign language (EFL) students and teachers differently perceive and react to blended learning in diverse contexts. This study was designed to explore student and teacher perceptions of and reactions to blended learning in the Department of English, Jahangirnagar University in the new normal. Fifty undergraduates of EFL and eight teachers of the department participated in the study. To collect data from them, the Student Questionnaire and the Teacher Questionnaire were used. And the data were processed by applying the SPSS programme module. The findings revealed that the majority of the students and the teachers had mostly positive perceptions of blended learning, although the former did not have sufficient exposure to online learning and the latter lacked adequate insights into online teaching. Further, both the students and the teachers expressed mostly positive reactions to blended learning in the new normal, though the former deemed online examinations inadequately smooth and reliable, and the latter had insufficient experience of online instruction and assessment. The study categorically recommends reforming the curriculum, adopting relevant instructional strategies, developing suitable materials, customizing the assessment, integrating and installing technology, training the teachers, upskilling the students for blended learning, improving the infrastructure, and adjusting the management.},
  language  = {en}
}
@article{Luetzelberger2020,
  author    = {L{\"u}tzelberger, Florian},
  title     = {Federico Garc{\´i}a Lorcas Trilog{\´i}a dram{\´a}tica de la tierra espa{\~n}ola als Knotenpunkt von Kontinuit{\"a}t und Wandel von der Antike bis zu Netflix: Tradition, Adaption, Innovation, Inspiration},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244280},
  pages     = {131-153},
  year      = {2020},
  abstract  = {To this day, Lorca's most popular plays, the Trilog{\´i}a dram{\´a}tica de la tierra espa{\~n}ola, are considered to be among the most widely read texts of twentieth century Spanish literature. By combining elements from Antiquity with classic and modern features of Spanish theatre and placing them in new functional contexts, the author succeeds in creating an innovative theatre of sociocritical nature in times of political repression. This article analyses several of these innovations and aims to demonstrate the influence Lorca's Tragedias rurales still have on today's literature and culture. Simon Stone's play Yerma (2017) and the Netflix series Las Chicas del Cable (2017-2020) are approached here with this purpose.},
  language  = {de}
}
@incollection{LutStarenkova2022,
  author    = {Lut, Kateryna and Starenkova, Hanna},
  title     = {The Relationship between Language, Culture, and Development of Society},
  series = {Studies in Modern English},
  booktitle = {Studies in Modern English},
  editor    = {Lazebna, Nataliia and Kumar, Dinesh},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-199-0-63},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296484},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {63-72},
  year      = {2022},
  abstract  = {The paper analyses specific characteristics of language that influence the development of culture and societies. The problem of the connection between language and culture has occupied the minds of many famous scientists: some believe that language is a part of the culture as a whole; others think that language is only a form of cultural expression. Undoubtedly, language constitutes a vital component of the cultural background underlying social development. Language is an essential means of communication and interaction. However, language is at the same time sovereign about culture as a whole and can be separate from culture or compared to culture as an equal element (i.e., that language is neither a form nor a component of culture).},
  language  = {en}
}
@incollection{LubbunguMoongaMuyunietal.2022,
  author    = {Lubbungu, Jive and Moonga, Ireen and Muyuni, Audrey and Zimba, Samson},
  title     = {English Language Variation: Creation of Zambian English (ZamEnglish)},
  series = {Studies in Modern English},
  booktitle = {Studies in Modern English},
  editor    = {Lazebna, Nataliia and Kumar, Dinesh},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-199-0-53},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296477},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {53-61},
  year      = {2022},
  abstract  = {In the present chapter, an attempt has been made to discuss the need to create Zambian English to address English language variations in Zambia. No language in the world can remain the same after interacting with other languages. The present chapter intends to propose and support the idea of using 'Zambian English' for both formal and informal business. Such a measure would create the communicative competence that the majority of the Zambians have always longed for. In Zambia, the purpose of using English language office is to deliberate day to day's business. On the contrary, this has been found to be an obstacle to those who lack principles of command in the language usage, but are able to construct sentences for communicative purposes yet are deprived in international interactions. The views expressed in this chapter are those of the language experts who were engaged in a conver� sation with regard to the possibility of creating what would be known as Zambian English (ZamEnglish).},
  language  = {en}
}
@article{Leschzyk2020,
  author    = {Leschzyk, Dinah},
  title     = {Corona-Kommunikation. Wie Jair Bolsonaro die Wissenschaft diskreditiert und Verschw{\"o}rungstheorien befeuert},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244271},
  pages     = {107-129},
  year      = {2020},
  abstract  = {This article deals with discursive and argumentative strategies used by Brazilian President Jair Bolsonaro to bring science in discredit during the 2020's COVID-19-pandemic. Based on official statements and Tweets launched over the crisis the Discourse-Historical Approach is applied to make strategies brought into play by Bolsonaro visible. While the President declares scientific advice such as distancing and quarantine as ineffective, he recommends the use of hydroxychloroquine as well as old fashioned prayers for staying safe and healthy. He evokes that there are «fake news» and «partners of paralysis», to which he responds by demasking and bringing the one and only truth towards «the people». The analysis points out that Bolsonaro is downplaying the virus and the risk of transmission and puts the economy ahead of health. His supporters as a consequence tend to ignore the WHO recommendations how to behave during the pandemic.},
  language  = {de}
}
@article{Kuehne2019,
  author    = {K{\"u}hne, Ina},
  title     = {Die Konstruktion von M{\"a}nnlichkeitsbildern in der katalanischen Literatur zum Ersten Spanisch Marokkanischen Krieg (1859/1860)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221847},
  pages     = {77-92},
  year      = {2019},
  abstract  = {This article explores the construction of Catalan masculinity and Catalan identity in literature on the Spanish-Moroccan War of 1859/60. During the war, an immense amount of patriotic literature in Catalan language was published in Catalonia, in which the authors glorified the deeds of the Catalan general Joan Prim i Prats and of the Catalan volunteers who fought in the war. The article aims to illustrate, on the basis of the analysis of poems, theatre plays, patriotic songs, reports and chronicles written by Catalan authors, the importance of the First Spanish-Moroccan War for the development of Catalan identity. It attempts as well to demonstrate that the authors used the literature about the war to diffuse a specific Catalan ideal of masculinity and to stylize General Prim and the volunteers into national heroes, who embodied the strength of the Catalan cultural nation, since the Catalan community needed new idols after a long time of political and cultural decline caused by the centralist policies of the Spanish state. The Catalan ideal of masculinity was utilized to differentiate the Catalans from the other Spaniards whose masculinity was considered to be in decadence by the other European nations.},
  language  = {de}
}
@article{Koehler2020,
  author    = {K{\"o}hler, Britta},
  title     = {A Room of One's Own : Weiblichkeit, Schreiben und kollektive Erfahrung in Elena Ferrantes Tetralogie L'amica geniale (2011-2014) und Annie Ernaux' Les Ann{\´e}es (2008)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244246},
  pages     = {87-104},
  year      = {2020},
  abstract  = {With her famous suggestion to «give her [the woman] a room of her own and five hundred a year, let her speak her mind» from 1929, Virginia Woolf verbalized a core issue of female writing by hinting at the socioeconomic circumstances and domestic obligations of most women - valid at her times, but still today. Both Elena Ferrante and Annie Ernaux discuss, in their respective novels, the topics of being women in the particular sociocultural landscape (in Italy and, respectively, in France) after World War II and up to these days, the themes of marriage and motherhood, employment and especially (female) authorship. This article aims to show in a close reading of both Ferrante and Ernaux that the two writers play with the literary form of the (auto-)biography on a diegetic, but also extradiegetic level, while formulating at the same time a collective work that embraces the experience of womanhood but circumvents the hazard of a merely subjective and sensitive writing, as female writing has sometimes been claimed to be.},
  language  = {de}
}
@incollection{Kushch2022,
  author    = {Kushch, Elina},
  title     = {The aphoristic potential of presidential rhetoric of G. Bush Jr.},
  series = {Studies in Modern English},
  booktitle = {Studies in Modern English},
  editor    = {Lazebna, Nataliia and Kumar, Dinesh},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-199-0-25},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296456},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {25-39},
  year      = {2022},
  abstract  = {This research paper concentrates on the analysis of the aphoristic potential of G. W. Bush's presidential rhetoric. Aphorisms are the most ancient laconic forms of expressing original and completed thoughts which reveal the peculiarity of their authors' world perception and worldview. From this perspective, these units can serve as the means of values codification. Repeatability and widespread use of aphorisms in various communications contribute to transmitting the values and ideas between the generations. Political aphorisms, which are a combination of aphoristic expressions from political communication and discourse, play an important role in this process. The authors of these expressions are not only politicians, but also philosophers, historians, writers, celebrities of different nationalities and generations. Presidential rhetoric is an integral and significant part of political discourse. The use of aphorisms as the means of codification of national and common human values in President G. W. Bush's formal addresses and speeches is intentional. It makes them concise and original, influential and convincing. Aphoristic expressions denoting common human values show the ideas and beliefs of their authors, as well as the politician, about life, justice, equality, freedom, faith, family. Aphorisms defining national values become the means of updating concepts of democracy, unity and diversity, freedom and security, success, and opportunity to fulfill one's potential in American society. The distinctive feature of G.W. Bush's rhetoric is the frequent use of aphorisms whose authors are the Founding Fathers.},
  language  = {en}
}
@article{Kurth2018,
  author    = {Kurth, Sarah},
  title     = {La semi{\´o}tica escenogr{\´a}fica en Todo lo dem{\´a}s (2016), de Natalia Almada},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {4},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187979},
  pages     = {71-91},
  year      = {2018},
  abstract  = {In the wake of the general tendency towards slow cinema which has been evolving in Mexican cinema, cinematographic devices have gained importance not only with regard to the construction of a persuasive narrative but also in terms of the aesthetic constitution of the movie itself. Not only is this observation evident in the absence of camera movements but also in the semiotic depth of mise en sc{\`e}ne resulting from this circumstance. Natalia Almada's movie Todo lo dem{\´a}s (2016) provides an impressive example of both the repercussions of this technique in the representation of loneliness as well as the suggestive power of the scenographical composition. Hence, the ensuing analysis of those scenes referring to water is to elucidate the semiotics of mise en sc{\`e}ne and its influence on the representation of the main character and the repetitive routine constricting her freedom.},
  language  = {es}
}