@book{Monheim2019,
  author    = {Monheim, Rolf},
  title     = {Innenstadtintegrierte Einkaufszentren. Chancen und Risiken f{\"u}r eine nachhaltige Stadtentwicklung},
  publisher = {Verlag MetaGIS Fachbuch},
  address   = {Mannheim},
  isbn      = {978-3-947475-14-8},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-180793},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {viii, 369},
  year      = {2019},
  abstract  = {Innerst{\"a}dtische Shoppingcenter stehen immer wieder im Kreuzfeuer gegens{\"a}tzlicher Bewertungen. Dieser Band diskutiert ein breites Spektrum relevanter Gesichtspunkte von Angebot und Nachfrage. Er will die Vielfalt der Beurteilungskriterien aufzeigen, die im Hinblick auf eine nachhaltige Stadtentwicklung f{\"u}r oder gegen Shoppingcenter sprechen, und zu einer intensiveren Besch{\"a}ftigung mit den spezifischen {\"o}rtlichen Verh{\"a}ltnissen anregen. Neben den Sortimenten, Verkaufsfl{\"a}chen, Ladenmieten und architektonischen Konzepten werden die Herkunft, T{\"a}tigkeiten und Einstellungen der Besucher von Innenst{\"a}dten und Einkaufszentren ber{\"u}cksichtigt. Einen wichtigen Faktor f{\"u}r die Nachhaltigkeit bilden zudem die Entscheidungsabl{\"a}ufe. Entgegen den oft pauschalen Annahmen {\"u}ber die Auswirkungen innenst{\"a}dtischer Einkaufszentren zeigen empirische Erhebungen, dass die Chancen und Risiken entscheidend vom Einzelfall abh{\"a}ngen. Die meisten Center sind weitgehend in die Lebenswirklichkeit der Innenst{\"a}dte integriert. Die Untersuchungsans{\"a}tze und Interpretation der Befunde unterliegen den divergierenden Interessen der Beteiligten bzw. Betroffenen: H{\"a}ndler, Immobilieneigent{\"u}mer, B{\"u}rger, Politiker und Verwaltung bzw. Planung auf lokaler, regionaler und {\"u}berregionaler Ebene. Dies muss bei den planungs- und gesellschaftspolitischen Folgerungen ber{\"u}cksichtigt werden. Eindeutige Aussagen {\"u}ber Wirkungszusammenh{\"a}nge sind kaum m{\"o}glich, da sich Innenst{\"a}dte mit den gesellschaftlichen und {\"o}konomischen Rahmenbedingungen wandeln, so aktuell durch den expandierenden Online-Handel. Es ist eine Illusion zu glauben, bei Verhinderung einer Centeransiedlung bliebe alles beim Alten (das keineswegs gut sein muss) bzw. eine Centeransiedlung k{\"o}nnten bestehende Probleme von Innenst{\"a}dten ohne weiteres l{\"o}sen. Bei angemessenen Konzepten bestehen betr{\"a}chtliche Synergiepotenziale zwischen Centern und Innenst{\"a}dten f{\"u}r eine nachhaltige Stadtentwicklung, die allerdings nicht immer in angemessenem Umfang genutzt werden.},
  subject      = {Innenstadt},
  language  = {de}
}
@incollection{Schoenbeck2019,
  author    = {Sch{\"o}nbeck, Sebastian},
  title     = {Return to the Fable: Rethinking a Genre Neglected in Animal Studies and Ecocriticism},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177966},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {111-125},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Zonneveld2019,
  author    = {Zonneveld, Ben J. M.},
  title     = {The DNA weights per nucleus (genome size) of more than 2350 species of the Flora of The Netherlands, of which 1370 are new to science, including the pattern of their DNA peaks},
  series = {Forum Geobotanicum},
  volume    = {8},
  journal   = {Forum Geobotanicum},
  issn      = {1867-9315},
  doi       = {10.3264/FG.2019.1022},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-189724},
  pages     = {24-78},
  year      = {2019},
  abstract  = {Besides external characteristics and reading a piece of DNA (barcode), the DNA weight per nucleus (genome size) via flow cytometry is a key value to detect species and hybrids and determine ploidy. In addition, the DNA weight appears to be related to various properties, such as the size of the cell and the nucleus, the duration of mitosis and meiosis and the generation time. Sometimes it is even possible to distinguish between groups or sections, which can lead to new classification of the genera. The variation in DNA weight is also useful to analyze biodiversity, genome evolution and relationships between related taxa. Moreover, it is important to know how large a genome is before one determines the base sequence of the DNA of a plant. Flow cytometry is also important for understanding fundamental processes in plants such as growth and development and recognizing chimeras. In the literature, DNA weight measurements are usually limited to one genus and often only locally (Siljak et al. 2010; Bai et al. 2012). In this study, however, it was decided to investigate all vascular plants from one country. This can also contribute to the protection of rare plants. This study is the first flora in the world whose weight of DNA per nucleus and peak patterns has been determined. More than 6400 plants, representing more than 2350 (sub)species (more than 90\%) have been collected, thanks to the help of almost 100 volunteers of Floristisch Onderzoek Nederland (Floron). Multiple specimens of many species have therefore been measured, preferably from different populations, in some cases more than fifty. For 1370 species, these values were not previously published. Moreover, a good number of the remaining 45\% are new for The Netherlands. In principle, each species has a fixed weight of DNA per nucleus. It has also been found that, especially between the genera, there are strong differences in the number of peaks that determine the DNA weight, from one to five peaks. This indicates that in a plant or organ there are sometimes nuclei with multiples of its standard DNA weight (multiple ploidy levels). It is impossible to show graphs of more than 2350 species. Therefore, we have chosen to show the peak pattern in a new way in a short formula. Within most genera there are clear differences in the DNA weights per nucleus between the species, in some other genera the DNA weight is hardly variable. Based on about twenty genera that were previously measured completely in most cases ('t Hart et al. 2003: Veldkamp and Zonneveld 2011; Soes et al. 2012; Dirkse et al. 2014, 2015; Verloove et al. 2017; Zonneveld [et al.] 2000-2018), it can be noted that even if all species of a genus have the same number of chromosomes, there can still be a difference of up to three times in the weight of the DNA. Therefore, a twice larger DNA weight does not have to indicate four sets of chromosomes. Finally, this research has also found clues to examine further the current taxonomy of a number of species or genera.},
  subject      = {Pflanzen},
  language  = {en}
}
@article{Bergengruen2019,
  author    = {Bergengruen, Maximilian},
  title     = {Auslese, Neusortierung, Extraworte. Zur Poetik von Idylle und Satire in Jean Pauls "Leben des Quintus Fixlein" und "Des Quintus Fixlein Leben"},
  series = {Jahrbuch der Jean Paul Gesellschaft},
  volume    = {54},
  journal   = {Jahrbuch der Jean Paul Gesellschaft},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-303171},
  pages     = {147-161},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {de}
}
@incollection{Toepfer2019,
  author    = {Toepfer, Regina},
  title     = {Dietlinds Wahrheitssuche: Grundz{\"u}ge einer nibelungischen Hermeneutik},
  series = {13. und 14. P{\"o}chlarner Heldenliedgespr{\"a}ch: Die Nibelungenklage. R{\"u}diger von Bechelaren},
  booktitle = {13. und 14. P{\"o}chlarner Heldenliedgespr{\"a}ch: Die Nibelungenklage. R{\"u}diger von Bechelaren},
  publisher = {Fassbaender},
  address   = {Wien},
  isbn      = {978-3-902575-83-8},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-303054},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {167-193},
  year      = {2019},
  abstract  = {Ankn{\"u}pfend an Joachim Bumkes Beobachtungen zum Produktionszusammenhang von ›Nibelungenlied‹ und ›Nibelungenklage‹ schl{\"a}gt die Autorin vor, die ›Klage‹ nicht l{\"a}nger als einen weltanschaulichen Gegenentwurf oder ein moralisches Lehrst{\"u}ck, sondern als den Versuch einer Wahrheitssuche zu lesen. Statt die Katastrophe als unvermeidbar hinzunehmen, verfolgten der Erz{\"a}hler wie die Figuren ein dezidiert rationales Anliegen: sie wollten das Untergangsgeschehen verstehen. Daher sei die ›Klage‹ nicht als simplifizierende Deutung des Epos zu werten, sondern als Entwurf eines hermeneutischen Modells. Diese These wird am Gespr{\"a}chsverhalten der Frauen von Bechelaren belegt. Der Aufsatz beginnt mit grunds{\"a}tzlichen {\"U}berlegungen zum Verh{\"a}ltnis von Hermeneutik und Heldenepik, wobei die medi{\"a}vistischen Anschlussm{\"o}glichkeiten an die Theorien Schleiermachers und Gadamers hervorgehoben werden. Danach wird der Aufenthalt der Boten in Bechelaren analysiert, als Dietlind versucht, die Wahrheit {\"u}ber das Geschehen am Hunnenhof herauszufinden. Interpretiert man R{\"u}digers Tochter als Modellfigur, l{\"a}sst sich der hermeneutische Ansatz auf das gesamte Werk {\"u}bertragen, was zu einer literaturwissenschaftlichen Neubewertung der vielgeschm{\"a}hten ›Nibelungenklage‹ f{\"u}hrt.},
  subject      = {Klage (Epos)},
  language  = {de}
}
@incollection{Bergengruen2019,
  author    = {Bergengruen, Maximilian},
  title     = {»Machtwort[e]«: »Schlichtes Rechttun« als »Grundsatz« des Erz{\"a}hlens bei Heinrich von Kleist (Kohlhaas, Erdbeben, Findling)},
  series = {Konformieren. Festschrift f{\"u}r Michael Niehaus},
  booktitle = {Konformieren. Festschrift f{\"u}r Michael Niehaus},
  publisher = {Synchron Wissenschaftsverlag der Autoren},
  address   = {Heidelberg},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-303214},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {67-96},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {de}
}
@incollection{Bergengruen2019,
  author    = {Bergengruen, Maximilian},
  title     = {Teufelszeug und Heiligenlegenden. Zur enzyklop{\"a}dischen Verbindung von Steganographie und Hagiographie in der Baldanders-Episode von Grimmelshausens Simplicissimus Teutsch},
  series = {Enzyklop{\"a}disches Erz{\"a}hlen und vormoderne Romanpoetik (1400 -1700)},
  booktitle = {Enzyklop{\"a}disches Erz{\"a}hlen und vormoderne Romanpoetik (1400 -1700)},
  publisher = {Harrassowitz Verlag},
  address   = {Wiesbaden},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-303296},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {323-340},
  year      = {2019},
  abstract  = {No abstact available.},
  language  = {de}
}
@article{Hagen2019,
  author    = {Hagen, Clemens},
  title     = {Ver y ser visto: Intelectualidad y falsa erudici{\´o}n en La Regenta},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221822},
  pages     = {39-56},
  year      = {2019},
  abstract  = {Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clar{\´i}n» have constantly referred to the unmasking of society's hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimar{\´a}n and S. Berm{\´u}dez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta.},
  language  = {es}
}
@incollection{Guesken2019,
  author    = {G{\"u}sken, Jessica},
  title     = {Blooming Flowers, Fish in Water, Amphibians, and Apes: Herder's Environmental Aesthetics of Nature},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178026},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {175-188},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Woersdoerfer2019,
  author    = {W{\"o}rsd{\"o}rfer, Anna Isabell},
  title     = {Hexen Revival. Produktive B{\´e}cquer Rezeption und Gattungsspezifik in Jugendbuch und TV Serie},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221900},
  pages     = {153-184},
  year      = {2019},
  abstract  = {This article exemplifies Gunter Grimm's concept of productive reception by analyzing C{\´e}sar Fern{\´a}ndez Garc{\´i}a's young adult novel La {\´u}ltima bruja de Trasmoz (2009) and the episode Tiempo de hechizos (2017) of the TV series El ministerio del tiempo as two modern works which artistically and creatively deal with Gustavo Adolfo B{\´e}cquer's Cartas desde mi celda (1864). The study is based on the core assumption that the choice of genre greatly influences the treatment of motives such as the perception of nature and the idea of dreams, as well as the image of the witch. While B{\´e}cquer's letters, which focus on the rural people's superstition, present the witch of Aragonese folklore, the modern examples portray two of her fantastic counterparts: the novel depicts its magical protagonist as an evil supernatural being, whereas the TV episode of the science fiction series shows the witch as a time traveller and a victim.},
  language  = {de}
}
@article{Prohl2019,
  author    = {Prohl, Tanja},
  title     = {Ins{\´e}curit{\´e} linguistique im Franz{\"o}sischen? Eine Untersuchung nichtstandardsprachlicher Lexik auf Basis eines YouTube Korpus},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221886},
  pages     = {135-150},
  year      = {2019},
  abstract  = {When it comes to linguistic norms in France, one standard will be immediately evoked - le bon usage. This version of traditional French is taught at school and has been serving as a model ever since the French Revolution. Yet - and maybe as a counter-reaction to such strict and prescriptive norm - there exists a multitude of alternative forms, especially with regard to the lexis, which are marked by different registers or styles. Thus, the French language is characterized by lexical doublets in the transition area between standard and familier. A varied terminology in the description of styles in dictionaries as well as a stigmatisation of the nonstandard lead to speaker insecurities and to a general devaluation of the parallel vocabulary. What are the consequences of this in speech behaviour? Is there a remarkable difference between speech behaviour and prescriptive norm? Do speakers show any sign of linguistic insecurity when using nonstandard structures? The research issue will be addressed by means of a qualitative analysis of videoblogs from French YouTubers.},
  language  = {de}
}
@incollection{Meis2019,
  author    = {Meis, Verena},
  title     = {"The jellyfish must have precedence!": The Diaphanous Animal as an Optical Medium},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178039},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {189-199},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Goodbody2019,
  author    = {Goodbody, Axel},
  title     = {Wolves and Wolf Men as Literary Tropes and Figures of Thought: Eco- and Zoopoetic Perspectives on Jiang Rong's Wolf Totem and Other Wolf Narratives},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178122},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {307-324},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Noeth2019,
  author    = {N{\"o}th, Winfried},
  title     = {Peirce on the Continuity between Human and Nonhuman Minds},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177988},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {139-155},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{CazabanMazerolles2019,
  author    = {Cazaban-Mazerolles, Marie},
  title     = {Narrating le vivant: the Zoe-Poetical Hypothesis},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177818},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {71-81},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Kling2019,
  author    = {Kling, Alexander},
  title     = {Action, Framework, and the Poetics of "Co-Making": A Testing Device for Ecological Narratives},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177943},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {83-95},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Buehler2019,
  author    = {B{\"u}hler, Benjamin},
  title     = {Other Environments: Ecocriticism and Science Fiction (Lem, Ballard, Dath)},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177973},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {127-138},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Borgards2019,
  author    = {Borgards, Roland},
  title     = {The Beetle Is in the Eye of the Beholder: Animal Ecologies, Situated Poetics and the Poetry of Annette von Droste-H{\"u}lshoff},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177957},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {99-109},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Preuss2019,
  author    = {Preuss, Matthias},
  title     = {How to Disappear Completely: Poetics of Extinction in Max Frisch's Man in the Holocene},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178081},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {253-268},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Driscoll2019,
  author    = {Driscoll, K{\´a}ri},
  title     = {"Il n'y a pas de chats": Feline Absence and/as the Space of Zoopoetics},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178019},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {159-174},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Gorenstein2019,
  author    = {Gorenstein, Dan},
  title     = {Ants and Battlefields, Beetles and Landscapes: Rudiments for a Naturalistic Reading of Ernst J{\"u}nger's Interwar Essays through the Lens of His Later Entomological Hermeneutics},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178043},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {201-215},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Rigby2019,
  author    = {Rigby, Kate},
  title     = {"Piping in their honey dreams": Towards a Creaturely Ecopoetics},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178108},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {281-293},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{O'Key2019,
  author    = {O'Key, Dominic},
  title     = {W. G. Sebald's Zoopoetics: Writing after Nature},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178052},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {217-227},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{CazajousAuge2019,
  author    = {Cazajous-Aug{\´e}, Claire},
  title     = {The Traces Animals Leave: A Zoopoetic Study of Rick Bass' "Antlers"},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178097},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {269-278},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Bezan2019,
  author    = {Bezan, Sarah},
  title     = {A Darwinism of the Muck and Mire: Decomposing the Eco- and Zoopoetics of Stephen Collis' and Jordan Scott's decomp},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178074},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {241-251},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Demello2019,
  author    = {Demello, Margo},
  title     = {The Rabbits of Okunoshima: How Feral Rabbits Alter Space, Create Relationships, and Communicate with People and Each Other},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178064},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {231-239},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{KochMeloPfeifer2019,
  author    = {Koch, Christian and Melo-Pfeifer, S{\´i}lvia},
  title     = {Entrevista com Prof. Dr. S{\´i}lvia Melo-Pfeifer (mit deutscher {\"U}bersetzung)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-192260},
  pages     = {7-37},
  year      = {2019},
  abstract  = {Interview mit Prof. Dr. S{\´i}lvia Melo-Pfeifer},
  language  = {mul}
}
@incollection{Middelhoff2019,
  author    = {Middelhoff, Frederike},
  title     = {(Not) Speaking for Animals and the Environment: Zoopoetics and Ecopoetics in Yoko Tawada's Memoirs of a Polar Bear},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178142},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {339-354},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{McHugh2019,
  author    = {McHugh, Susan},
  title     = {Cross-Pollinating: Indigenous Frictions and Honeybee Fictions},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178113},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {295-306},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Duerbeck2019,
  author    = {D{\"u}rbeck, Gabriele},
  title     = {Empathy, Violence, and Guilt in a Girl-Chimp Experiment: An Analysis of Human-Animal Relations in Karen Joy Fowler's Novel We Are Completely Beside Ourselves (2013)},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178131},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {325-337},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Posthumus2019,
  author    = {Posthumus, Stephanie},
  title     = {Eco-Animal Assemblages in Contemporary French Thought},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177807},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {55-69},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Moe2019,
  author    = {Moe, Aaron M.},
  title     = {Holding on to Proteus; or, Toward a Poetics of Gaia},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177796},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {41-53},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Nenadovic2019,
  author    = {Nenadovic, Ana},
  title     = {Performing Feminism, Autobiography, and Testimony. Feminist Rap in Latin America.},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221850},
  pages     = {95-114},
  year      = {2019},
  abstract  = {This article focuses on selected Latin American female rap artists (Anita Tijoux, Rebeca Lane, and the duo Krudas Cubensi), and the way they perform feminism, autobiography and testimony through their lyrics and performances. The analysis concentrates on the synergies between the texts themselves, the official music videos shared on YouTube and the background music. It aims to demonstrate that only such a synergistic approach to rap allows a profound understanding of its particularities and its contributions to feminist discourses and spaces for feminist testimony in the current rise of both right-wing politics and feminist movements on the continent.},
  language  = {en}
}
@article{PalaciosEspinoza2019,
  author    = {Palacios Espinoza, Romina Irene},
  title     = {Schmerzhafte Erotik: kranke K{\"o}rper und sexueller Genuss in El {\´u}ltimo cuerpo de {\´U}rsula von Patricia de Souza},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221877},
  pages     = {117-132},
  year      = {2019},
  abstract  = {This article is dedicated to the analysis of the body, which is staged as sick and painful. El {\´u}ltimo cuerpo de {\´U}rsula by Peruvian author Patricia de Souza is characterized by the connection between body, pain perception and eroticism. Illness and paralysis play a fundamental role in the narrative because they cause the recomposition of the ego, which leads the protagonist, {\´U}rsula Res, to perceive and reflect the fragmentation of her identity and the increasing distance from her body. Through approaches to pain and disability, the expressiveness of the narrativized eroticism of this text, based on an obedient relationship to the body, is revealed.},
  language  = {de}
}
@article{Kuehne2019,
  author    = {K{\"u}hne, Ina},
  title     = {Die Konstruktion von M{\"a}nnlichkeitsbildern in der katalanischen Literatur zum Ersten Spanisch Marokkanischen Krieg (1859/1860)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221847},
  pages     = {77-92},
  year      = {2019},
  abstract  = {This article explores the construction of Catalan masculinity and Catalan identity in literature on the Spanish-Moroccan War of 1859/60. During the war, an immense amount of patriotic literature in Catalan language was published in Catalonia, in which the authors glorified the deeds of the Catalan general Joan Prim i Prats and of the Catalan volunteers who fought in the war. The article aims to illustrate, on the basis of the analysis of poems, theatre plays, patriotic songs, reports and chronicles written by Catalan authors, the importance of the First Spanish-Moroccan War for the development of Catalan identity. It attempts as well to demonstrate that the authors used the literature about the war to diffuse a specific Catalan ideal of masculinity and to stylize General Prim and the volunteers into national heroes, who embodied the strength of the Catalan cultural nation, since the Catalan community needed new idols after a long time of political and cultural decline caused by the centralist policies of the Spanish state. The Catalan ideal of masculinity was utilized to differentiate the Catalans from the other Spaniards whose masculinity was considered to be in decadence by the other European nations.},
  language  = {de}
}
@article{Harjus2019,
  author    = {Harjus, Linda},
  title     = {Top down Initiated Medial Linguistic Politics : A Normative Inquiry into the Application of Andalusian Varieties Conducted by the Radio Channel Canal Fiesta Radio},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221836},
  pages     = {59-75},
  year      = {2019},
  abstract  = {This contribution deals with the phonetic heterogeneity of spoken Spanish in Andalusia in the sector of public auditory media, specifically in the program !'Anda Levanta! of Canal Fiesta Radio. First, we take into consideration Article 10 of the Statute of the Autonomy of Andalusia, which enhances the protection, promotion, study, and prestige of the Andalusian modalities and its respective variety (cf. Parlamento de Andaluc{\´i}a 2007: 13). Second, we refer to the Libro de Estilo, a mandatory guide for presenters of public audiovisual media in Andalusia since 2014. The results of the qualitative analysis indicate divergences between the presenters and their audience with regard to their use of phonetic characteristics typical of the Andalusian varieties: where the presenters tend to avoid the salient aspects of the varieties, the audience employs a range of phonetic characteristics typical for Andalusian varieties, including some of the characteristics that are considered less prestigious.},
  language  = {en}
}