@article{Kiesler2014,
  author    = {Kiesler, Reinhard},
  title     = {Anja Overbeck / Wolfgang Schweickard / Harald V{\"o}lker (edd.), Lexikon, Variet{\"a}t, Philologie: Romanistische Studien. G{\"u}nter Holtus zum 65. Geburtstag, Berlin, De Gruyter, 2011, XLIV + 824 p.},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {130},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {4},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2014-0108},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195505},
  pages     = {1165 -- 1170},
  year      = {2014},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {en}
}
@article{Reber2014,
  author    = {Reber, Elisabeth},
  title     = {Constructing evidence at Prime Minister's Question Time: An analysis of the grammar, semantics and pragmatics of the verb see},
  series = {Intercultural Pragmatics},
  volume    = {11},
  journal   = {Intercultural Pragmatics},
  number    = {3},
  issn      = {1613-365X},
  doi       = {10.1515/ip-2014-0017},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195549},
  pages     = {357 -- 387},
  year      = {2014},
  abstract  = {Abstract Constructing evidence constitutes a practice to establish the speaker's authority at Prime Minister's Question Time (PMQT), a weekly half-hour session in the British House of Commons. Here the verb see constitutes a resource for both the questioning Leader of the Opposition (LO) and Members of Parliament (MP) as well as for the responding Prime Minister (PM) to claim first-hand perceptual experience. This paper takes an integrated approach, offering a combined analysis of the grammatical formatting, semantics and pragmatics of the verb see in the context of evidential moves at PMQT. It shows how the verb see is functional in referring to the perceptual basis of a claim made and how its grammatical formatting is reflective of the contingencies of the local interactional context. The analysis is grounded in 32 sessions of PMQT (ca. 16 hrs of video-recordings). The results can be summarised as follows: 1) The evidential function of the verb is achieved through its context-specific grammatical formatting and semantics. 2) The reference to the perceptual basis of a claim evoked by see may co-occur with epistemic qualification and evaluative expressions. 3) The formatting of the verb may be indexical of the political relationship between the questioner and the responding PM.},
  language  = {en}
}
@article{Kiesler2013,
  author    = {Kiesler, Reinhard},
  title     = {Pour une typologie des phrases complexes},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {129},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {3},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2013-0064},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195562},
  pages     = {608 -- 628},
  year      = {2013},
  abstract  = {AbstractUne tradition grammaticale largement r{\´e}pandue distingue trois types de relations entre propositions, donc trois types de phrases complexes: les propositions juxtapos{\´e}es, les propositions coordonn{\´e}es et les phrases hypotaxiques. Riegel et al. (2009) ajoutent en outre les phrases avec incise ou incidente comme quatri{\`e}me type. Les grammaires et trait{\´e}s d{\´e}crivent les diff{\´e}rentes sortes de coordination (copulative, disjonctive, adversative, causale et cons{\´e}cutive) et de subordination (compl{\´e}tive, relative et circonstancielle). Pourtant, jusqu'{\`a} pr{\´e}sent il n'existe pas, {\`a} ce qu'il semble, de description plus d{\´e}taill{\´e}e, ni des divers degr{\´e}s de l'hypotaxe et de la parataxe d'une part, ni des diff{\´e}rentes combinaisons de structures hypotaxiques et parataxiques d'autre part. Le but de cet article est donc de proposer une typologie plus compl{\`e}te des phrases complexes sur la base d'un petit corpus de r{\´e}f{\´e}rence. Cette typologie distinguera, d'un c{\^o}t{\´e}, divers degr{\´e}s de phrases parataxiques homog{\`e}nes et de phrases parataxiques h{\´e}t{\´e}rog{\`e}nes et, de l'autre c{\^o}t{\´e}, des phrases hypotaxiques simples et des phrases hypotaxiques multiples.},
  language  = {fr}
}
@article{Koch2016,
  author    = {Koch, Christian},
  title     = {Et amen. No? Sul carattere testuale dell'idioletto poliglotta della figura di Salvatore nel romanzo Il nome della rosa di Umberto Eco},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161658},
  pages     = {171-190},
  year      = {2016},
  abstract  = {This article deals with the outstanding linguistic character of Salvatore in Umberto Eco's novel Il nome della rosa. The first section is a critical review on problems and potentials of linguistic analyses of fictional texts, especially of those which have been written in uncommon or inexistent languages. The text-based analysis of Salvatore's polyglot idiolect shows that this is more than a simple and confused mixture of Latin, German, and some Romance dialects and languages. Based on the linguistic concepts of intertextuality, frame-dependent text styles, and diaphasic variety several language choices in Salvatore may be explained in a new way. The analysis of four concrete text fragments also envisions the possibilities of a deeper comprehension of Salvatore's utterances through attentive context reading.},
  subject      = {Eco, Umberto : Il nome della rosa},
  language  = {it}
}
@article{Pordzik2017,
  author    = {Pordzik, Ralph},
  title     = {George Orwell's Imperial Bestiary: Totemism, Animal Agency and Cross-Species Interaction in "Shooting an Elephant", Burmese Days and "Marrakech"},
  series = {Anglia},
  volume    = {135},
  journal   = {Anglia},
  number    = {3},
  issn      = {1865-8938},
  doi       = {10.1515/ang-2017-0045},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194200},
  pages     = {440-466},
  year      = {2017},
  abstract  = {This essay argues that Orwell's representation of animals as companion species offers a strikingly new, as-yet largely neglected view of animal agency and interiority in his work. In "Shooting an Elephant", Burmese Days and "Marrakech", the writer's focus on the social reject is supplemented by a marked sense of community implying human tragedy yet framing it within precariously situated human-animal, colonial or urban-imperial transitions that visualise animals as agents of change and co-shaping species interdependent with the lives of the humans that utilize and domineer them. Animals are required whenever Orwell aspires to shift from isolation to communality, from the self-conscious outsider to the larger realm of ideas framing the world in which his characters strive to overstep the accepted lines of social performance and conformity. Read in and around disciplinary structures of rationalization, Orwell's animals appear to secure themselves, quite paradoxically, a place within the normative anthropocentric framework excluding them. They extend beyond anthropomorphising or allegorical modes of description and open up bio-political perspectives within and across regimes of knowledge and empathy. Orwell's writings thus present a challenge to the culturally accredited fantasy of human exceptionalism, collapsing any epistemic space between humans and animals and burying the idea of sustaining radical species distinction.},
  language  = {en}
}
@article{Huettner2017,
  author    = {Huettner, Sabrina},
  title     = {Nelson Pressley. American Playwriting and the Anti-Political Prejudice: Twentieth- and Twenty-First Century Perspectives. Basingstoke: Palgrave Macmillan, 2014, ix + 185 pp, \$69.99.},
  series = {Journal of Contemporary Drama in English},
  volume    = {5},
  journal   = {Journal of Contemporary Drama in English},
  number    = {1},
  issn      = {2195-0164},
  doi       = {10.1515/jcde-2017-0019},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194210},
  pages     = {217-222},
  year      = {2017},
  abstract  = {No abstract available},
  language  = {en}
}
@article{Schulze2015,
  author    = {Schulze, Daniel},
  title     = {The Passive Gaze and Hyper-Immunised Spectators: The Politics of Theatrical Live-Broadcasting},
  series = {Journal of Contemporary Drama in English},
  volume    = {3},
  journal   = {Journal of Contemporary Drama in English},
  number    = {2},
  issn      = {2195-0164},
  doi       = {10.1515/jcde-2015-0024},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195091},
  pages     = {315-326},
  year      = {2015},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{GoldschmittHesselbach2019,
  author    = {Goldschmitt, Stefanie and Hesselbach, Robert},
  title     = {Sprachliche Unsicherheit bei unregelm{\"a}ßigen Superlativbildungen im Spanischen},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {135},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {3},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2019-0056},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194235},
  pages     = {643-662},
  year      = {2019},
  abstract  = {This paper deals with the interrelation between the concept of linguistic insecurity described by Labov (1966) and the irregular formation of Spanish superlatives based on Latin roots such as paup{\´e}rrimo, celeb{\´e}rrimo etc. instead of the analogue formation pobr{\´i}simo or celebr{\´i}simo. After a brief overview on the frequency of these forms and their alleged regular equivalents in Spanish corpora, a closer look is taken on the speakers' internal and external aspects of linguistic (in)security. Finally, it is shown by an acceptability test that there are forms on -{\´e}rrim*, which are not exclusively restricted to the norma culta in Spanish.},
  language  = {de}
}
@article{Hesselbach2016,
  author    = {Hesselbach, Robert},
  title     = {Reinhard Kiesler (18. Januar 1960-9. September 2015)},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {132},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {1},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2016-0027},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194927},
  pages     = {354 -- 355},
  year      = {2016},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}
@article{Poetters2015,
  author    = {P{\"o}tters, Wilhelm},
  title     = {\(Spagna\) in Dantes poetischer Kosmologie},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  journal   = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152077},
  pages     = {49-74},
  year      = {2015},
  abstract  = {Verstreut {\"u}ber den ganzen Text der G{\"o}ttlichen Kom{\"o}die kommen verschiedene geographische Namen vor, die sich auf Spanien beziehen. In mehreren dieser F{\"a}lle hat Dante die im w{\"o}rtlichen Schriftsinn verwendeten toponymischen Zeichen als Elemente hermetisch wirkender Aussagen und damit offenbar als Indizien einer verborgenen Botschaft konzipiert. Zum Nachweis dieser These soll in den folgenden Betrachtungen erkundet werden, welche Funktion den im wissenschaftlichen Weltbild des Dichters verankerten spanischen Land- und St{\"a}dtenamen in der Komposition des Epos zukommt. Damit m{\"o}chte ich meinem Kollegen und Freund Gerhard Penzkofer f{\"u}r die vielen anregenden Gespr{\"a}che danken, die wir - in den Jahren der gemeinsamen T{\"a}tigkeit in der W{\"u}rzburger Romanistik - vor allem {\"u}ber cosas de Espa{\~n}a f{\"u}hren konnten. Da der vorliegende Band unter den von seiner Lehre inspirierten Leitbegriffen Kommunikation und Repr{\"a}sentation steht, bietet es sich am Schluss an, die beiden Konzepte mit den vom Dichter diskutierten Termini sensus litteralis und sensus allegoricus in Beziehung zu setzen.},
  subject      = {Spanien},
  language  = {de}
}