@article{Kiesler2014, author = {Kiesler, Reinhard}, title = {Anja Overbeck / Wolfgang Schweickard / Harald V{\"o}lker (edd.), Lexikon, Variet{\"a}t, Philologie: Romanistische Studien. G{\"u}nter Holtus zum 65. Geburtstag, Berlin, De Gruyter, 2011, XLIV + 824 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {130}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, issn = {1865-9063}, doi = {10.1515/zrp-2014-0108}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195505}, pages = {1165 -- 1170}, year = {2014}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {en} } @article{Reber2014, author = {Reber, Elisabeth}, title = {Constructing evidence at Prime Minister's Question Time: An analysis of the grammar, semantics and pragmatics of the verb see}, series = {Intercultural Pragmatics}, volume = {11}, journal = {Intercultural Pragmatics}, number = {3}, issn = {1613-365X}, doi = {10.1515/ip-2014-0017}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195549}, pages = {357 -- 387}, year = {2014}, abstract = {Abstract Constructing evidence constitutes a practice to establish the speaker's authority at Prime Minister's Question Time (PMQT), a weekly half-hour session in the British House of Commons. Here the verb see constitutes a resource for both the questioning Leader of the Opposition (LO) and Members of Parliament (MP) as well as for the responding Prime Minister (PM) to claim first-hand perceptual experience. This paper takes an integrated approach, offering a combined analysis of the grammatical formatting, semantics and pragmatics of the verb see in the context of evidential moves at PMQT. It shows how the verb see is functional in referring to the perceptual basis of a claim made and how its grammatical formatting is reflective of the contingencies of the local interactional context. The analysis is grounded in 32 sessions of PMQT (ca. 16 hrs of video-recordings). The results can be summarised as follows: 1) The evidential function of the verb is achieved through its context-specific grammatical formatting and semantics. 2) The reference to the perceptual basis of a claim evoked by see may co-occur with epistemic qualification and evaluative expressions. 3) The formatting of the verb may be indexical of the political relationship between the questioner and the responding PM.}, language = {en} } @misc{Karremann2014, author = {Karremann, Isabel}, title = {April London.The Cambridge Introduction to the Eighteenth-Century Novel. Cambridge Introductions to Literature. Cambridge: Cambridge University Press, 2012, 260 pp., \$ 26.99 pb.}, series = {Anglia}, volume = {132}, journal = {Anglia}, number = {3}, issn = {1865-8938}, doi = {10.1515/ang-2014-0064}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195307}, pages = {611-615}, year = {2014}, abstract = {No abstract available.}, language = {en} } @misc{Gwosdek2014, author = {Gwosdek, Hedwig}, title = {Nicholas Orme. English School Exercises, 1420-1530. Studies and Texts 181. Toronto: Pontifical Institute of Mediaeval Studies, 2013, xi + 441 pp., \$ 95.00.}, series = {Anglia}, volume = {132}, journal = {Anglia}, number = {3}, issn = {1865-8938}, doi = {10.1515/ang-2014-0063}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195318}, pages = {607-610}, year = {2014}, abstract = {No abstract available.}, language = {en} } @phdthesis{Chikezie2017, author = {Chikezie, Aloysius Cheta}, title = {THE VALUE OF WORK IN NIGERIA with Reference to Laborem Exercens}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-147592}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2017}, abstract = {Work is seen by many thinkers as the fundamental dimension of man`s existence on earth. Through work, he provides his basic necessities on earth and co-operate with God in the work of creation. He received this mandate to work from the very beginning of creation by God. In carrying out this mandate, man every human being reflects the very action of the creator of the Universe. God worked and intended that man who is created in His image and likeness continues the work of creation by working. Even though Man suffers and sweats through work and yet, in spite of all this toil-perhaps in a sense because of it - work is a good thing for man. It is not only good in the sense that it is useful or something to enjoy; it is also good as being something worthy, that is to say something that corresponds to man's dignity that expresses this dignity and increases it. This project examines man as a creature called to work and born into work. It is true that through work, man provides himself and his family with the basic necessities of life and everyday needs for the reason he charges wages for his sweat. Work goes beyond and should exceed the boundaries of the material benefit that comes out of it to the satisfaction and fulfilment for the very purpose we should work. The modern society has attached so much importance to money and material possession, the question then is how do we go along working in the spirit of improvement and renewal of the earth? The modern man understands work only as a means of making his daily bread. For this reason, he engages himself in an occupation that he has little or no interest in. He ends up quarrelling everyday with the people that he or she is supposed to serve through work. The result is low work output and waste of talents and the society loses an opportunity for improvement as every creature is supposed to contribute uniquely. A good example is Nigeria, Africa's most populous nation with a population estimate of about over 170,000,000 people and the sixth Oil producing Nation.}, subject = {Nigeria}, language = {en} } @article{Pordzik2017, author = {Pordzik, Ralph}, title = {George Orwell's Imperial Bestiary: Totemism, Animal Agency and Cross-Species Interaction in "Shooting an Elephant", Burmese Days and "Marrakech"}, series = {Anglia}, volume = {135}, journal = {Anglia}, number = {3}, issn = {1865-8938}, doi = {10.1515/ang-2017-0045}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194200}, pages = {440-466}, year = {2017}, abstract = {This essay argues that Orwell's representation of animals as companion species offers a strikingly new, as-yet largely neglected view of animal agency and interiority in his work. In "Shooting an Elephant", Burmese Days and "Marrakech", the writer's focus on the social reject is supplemented by a marked sense of community implying human tragedy yet framing it within precariously situated human-animal, colonial or urban-imperial transitions that visualise animals as agents of change and co-shaping species interdependent with the lives of the humans that utilize and domineer them. Animals are required whenever Orwell aspires to shift from isolation to communality, from the self-conscious outsider to the larger realm of ideas framing the world in which his characters strive to overstep the accepted lines of social performance and conformity. Read in and around disciplinary structures of rationalization, Orwell's animals appear to secure themselves, quite paradoxically, a place within the normative anthropocentric framework excluding them. They extend beyond anthropomorphising or allegorical modes of description and open up bio-political perspectives within and across regimes of knowledge and empathy. Orwell's writings thus present a challenge to the culturally accredited fantasy of human exceptionalism, collapsing any epistemic space between humans and animals and burying the idea of sustaining radical species distinction.}, language = {en} } @article{Huettner2017, author = {Huettner, Sabrina}, title = {Nelson Pressley. American Playwriting and the Anti-Political Prejudice: Twentieth- and Twenty-First Century Perspectives. Basingstoke: Palgrave Macmillan, 2014, ix + 185 pp, \$69.99.}, series = {Journal of Contemporary Drama in English}, volume = {5}, journal = {Journal of Contemporary Drama in English}, number = {1}, issn = {2195-0164}, doi = {10.1515/jcde-2017-0019}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194210}, pages = {217-222}, year = {2017}, abstract = {No abstract available}, language = {en} } @misc{Karremann2016, author = {Karremann, Isabel}, title = {Hans-Peter Wagner. An Introduction to British and Irish Fiction: Renaissance to Romanticism. Trier: Wissenschaftlicher Verlag Trier, 2014, 262 pp., 60 illustr., € 29.50.}, series = {Anglia}, volume = {134}, journal = {Anglia}, number = {4}, issn = {1865-8938}, doi = {10.1515/ang-2016-0078}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194309}, pages = {711-715}, year = {2016}, abstract = {No abstract available.}, language = {en} } @misc{Schulze2014, author = {Schulze, Daniel}, title = {Josephine Machon. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave, 2013, xix + 324 pp., € 22,30.}, series = {Journal of Contemporary Drama in English}, volume = {2}, journal = {Journal of Contemporary Drama in English}, number = {2}, issn = {2195-0164}, doi = {10.1515/jcde-2014-0037}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194050}, pages = {356-360}, year = {2014}, abstract = {No abstract available.}, language = {en} } @article{Schulze2015, author = {Schulze, Daniel}, title = {The Passive Gaze and Hyper-Immunised Spectators: The Politics of Theatrical Live-Broadcasting}, series = {Journal of Contemporary Drama in English}, volume = {3}, journal = {Journal of Contemporary Drama in English}, number = {2}, issn = {2195-0164}, doi = {10.1515/jcde-2015-0024}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195091}, pages = {315-326}, year = {2015}, abstract = {No abstract available.}, language = {en} }