@incollection{Strosetzki2015,
  author    = {Strosetzki, Christoph},
  title     = {(Re-)pr{\"a}sentationen. Exzerpieren zwischen \(memoria\), \(imitatio\) und \(innovatio\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152116},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {147-164},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Exzerpt},
  language  = {de}
}
@article{Suslenkova2016,
  author    = {Suslenkova, Anastasiya},
  title     = {Diskursanalytische Untersuchungen der politischen Rede in Italien am Beispiel der ausgew{\"a}hlten Reden von Silvio Berlusconi und Matteo Renzi},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161681},
  pages     = {241-279},
  year      = {2016},
  abstract  = {The present study is concerned with a critical discourse analysis of the speeches of the Italian politicians Silvio Berlusconi and Matteo Renzi in different situations. The aim of the study was to find out how historical and speech contexts influence discourse structures and argumentations, and if any similar speech patterns or speech strategies were used. The results show that both politicians in many cases tend to utilize similar speech patterns to achieve different aims; each of them shows a preference for particular words, structures and strategies. It is noteworthy that one of the important differences between speeches of Berlusconi and Renzi is the use of various speech strategies. While Renzi uses these strategies to create an image of himself as a young and honest politician, Berlusconi makes use of them to defend himself or attack his opponents.},
  subject      = {Diskursanalyse},
  language  = {de}
}
@article{Thalhammer2017,
  author    = {Thalhammer, Johanna},
  title     = {L'art de bien chanter und Von der Kunst zierlich zu singen und zu spielen - Eine kontrastive Analyse von Texten der musikalischen Fachsprache im 18. Jahrhundert anhand von Ausz{\"u}gen aus Code de musique pratique, Rameau (1760) und Der vollkommene Capellmeister, Mattheson (1739)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172958},
  pages     = {203-224},
  year      = {2017},
  abstract  = {This article is an analysis and a comparison of German and French special language of music in the 18th century, more precisely about the terms used to describe the activity of singing. The analysis is based on two treatises about music theory. The first writing, Der Vollkommene Capellmeister, was written by Johann Mattheson in 1739 and the second, Code de musique pratique by Jean-Philippe Rameau was published in 1760. Both texts contain a chapter which gives explanations how to sing. The treatises include different types of technical words: specific terms easy identified as special language terms like names of ornaments in the music, special verbs standing for singing, and words and anaphors to describe tonality and dynamics. By having a look on the terms of music language, the influence of Italian and French words on German vocabulary of music becomes obvious. The vocabulary is often similar in both languages, but not always defined as a part of the special language of music.},
  language  = {de}
}
@article{Uzunkaya2015,
  author    = {Uzunkaya, H{\"u}meyra},
  title     = {Pr{\"a}positionalphrasen mit der Pr{\"a}position de im Franz{\"o}sischen - Struktur und Realisierungsformen},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139506},
  pages     = {195-226},
  year      = {2015},
  abstract  = {This paper investigates the linguistic properties of prepositional phrases containing de in the French language by means of a comprehensive compilation of possible formal realizations, for which examples are provided out of a chosen sample text. Special attention will be paid to the most frequently-cited formal realization, namely the combination of a preposition and a noun phrase. The corresponding forms will be divided into two classes, one with nominal phrases containing a phonetically realized or at least an underlying determiner, and one with nominal phrases in which no determiner is assumed to occur. This distinction will shed light on some of the difficulties that can arise in the assignment of the elements to either category due to the special interaction between the preposition de and the French system of determiners.},
  language  = {de}
}
@article{Vatter2022,
  author    = {Vatter, Christoph},
  title     = {Interview mit Prof. Dr. Christoph Vatter},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305703},
  pages     = {1-13},
  year      = {2022},
  abstract  = {Interview mit Prof. Dr. Christoph Vatter},
  language  = {de}
}
@incollection{Ventarola2015,
  author    = {Ventarola, Barbara},
  title     = {Pluralisierung, Inversion, Utopie. Doppelb{\"o}dige Exemplarit{\"a}t im \(Libro\) \(de\) \(buen\) \(amor\) des Arcipreste de Hita},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152089},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {75-103},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Ruiz, Juan : Libro de buen amor},
  language  = {de}
}
@article{vonRoeder2020,
  author    = {von Roeder, Alena},
  title     = {Salvador als Opfer seiner eigenen Triebe im Film Los girasoles ciegos. Die filmische Darstellung der Fokalisierung unter psychoanalytischer Betrachtung},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244303},
  pages     = {177-196},
  year      = {2020},
  abstract  = {This paper analyzes the mental development of the main character Salvador in the Spanish movie Los girasoles ciegos (2008) by Jos{\´e} Luis Cuerda, based on the camera perspective and focalization, as well as the three-instance model according to Sigmund Freud. For this purpose, screen captures from the movie are examined to see how Salvador's loss of control is pictured. This is applied to Freud's three-instance model to prove the takeover of the Id. Throughout the whole movie, the inner conflict between his Ego and Id, i.e. his life as a deacon versus his life as a soldier, is present. The whole process of the breakdown of his mental state is revealed through the camera perspective and visual focalization.},
  language  = {de}
}
@incollection{Wehr2015,
  author    = {Wehr, Christian},
  title     = {Die Kommunikation und das Ungesagte. Verdr{\"a}ngung und postdiktatoriale Geschichtskonstruktion in \(La\) \(historia\) \(oficial\) (1985) von Luis Puenzo},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152299},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {397-415},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Puenzo, Luis},
  language  = {de}
}
@article{Winter2016,
  author    = {Winter, Ursula},
  title     = {Literarisierung von Musik als Intermedialit{\"a}tsph{\"a}nomen. Exemplarische Betrachtung der oratorischen Rezeption Dantes und Goethes bei Wolf-Ferrari und Berlioz},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161690},
  pages     = {281-306},
  year      = {2016},
  abstract  = {This article deals with the reception of Dante and Goethe in Ermanno Wolf-Ferrari's and Hector Berlioz's compositions La Vita Nuova and La Damnation de Faust. Although Dante Alighieri's Vita Nova and Johann Wolfgang von Goethe's Faust belong to completely different genres and epochs, the texts provide the basis for the oratorio-style works from the Romantic era, which justifies a comparative analysis of the latter. The examined reductions, extensions, modifications and rearrangements of the texts in the libretti - which were compiled almost entirely by the composers themselves - as well as the instrumental parts and the use and functions of the orchestra, the choir and the soloists, portray the intermedia relations between literature and music in the selected compositions. The chosen examples will show that the common idea of setting literature to music and the translation studies concept of intersemiotic translation are not appropriate for all literature-based pieces of music, as the analysis of both works demonstrates that with regard to vocal music a distinction should be made between the musicalization of literature and the literarization of music.},
  subject      = {Musik},
  language  = {de}
}
@misc{WinterFroemel2021,
  author    = {Winter-Froemel, Esme},
  title     = {Ulrich Detges (2. April 1958-7. Februar 2021)},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {137},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {4},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2021-0071},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-250801},
  pages     = {1299 -- 1302},
  year      = {2021},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}