@incollection{Greiner2015,
  author    = {Greiner, Thorsten},
  title     = {„Trouver une langue". Rimbauds Kritik an Baudelaire und das Problem der Repr{\"a}sentation des Absoluten in \(Une\) \(Saison\) \(en\) \(enfer\) und den \(Illuminations\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152247},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {303-329},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Rimbaud, Arthur : Une saison en enfer},
  language  = {de}
}
@incollection{Meis2019,
  author    = {Meis, Verena},
  title     = {"The jellyfish must have precedence!": The Diaphanous Animal as an Optical Medium},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178039},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {189-199},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Rigby2019,
  author    = {Rigby, Kate},
  title     = {"Piping in their honey dreams": Towards a Creaturely Ecopoetics},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178108},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {281-293},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Driscoll2019,
  author    = {Driscoll, K{\´a}ri},
  title     = {"Il n'y a pas de chats": Feline Absence and/as the Space of Zoopoetics},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178019},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {159-174},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Henk2022,
  author    = {Henk, Lars Thorben},
  title     = {{\´E}douard Louis' «J'accuse». Ein sp{\"a}tmoderner Adept Zolas?},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329777},
  pages     = {105-120},
  year      = {2022},
  abstract  = {French history of literature is undoubtedly characterized by a tradition of social criticism portraying the working class' misery that can be traced back at least to the 19th century. Among these depictions, Zola's novels have a prominent position. This is, among other aspects, due to their pretended scientific foundation and their pretentious claims to be scientific studies. The contemporary author {\´E}douard Louis situates himself in this tradition of Zola's naturalism. This invites us to examine the interrelation between Zola and Louis more closely. Based on the common ground of scientific foundation, scientific ambition and social commitment pursued in their novels, it will be demonstrated that Louis is a late-modern Zola whose milieu and character descriptions follow in detail Zola's constructions.},
  language  = {de}
}
@article{Augustin2015,
  author    = {Augustin, Jenny},
  title     = {?'Diversa, democr{\´a}tica y moderna? La imagen transmitida de la Real Academia Espa{\~n}ola en el discurso actual. Una mirada panor{\´a}mica},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139449},
  pages     = {29-57},
  year      = {2015},
  abstract  = {In 2013, three hundred years had passed since the foundation of the Real Academia Espa{\~n}ola (RAE). The celebrations accompanying this anniversary were extended across the year and came to a closure with the publication of the 23rd edition of the Diccionario de la lengua espa{\~n}ola in 2014. Spanish media followed the above-mentioned festivities with a detailed coverage. The purpose of this article is to study the image of the RAE conveyed through the media and the Internet, which can be subsumed under the three terms 'diverse, democratic and modern'. This form of representation is put into a broader context by considering the linguistic politics pursued by the RAE and the Asociaci{\´o}n de Academias de la Lengua Espa{\~n}ola (ASALE) under the keyword of panhispanism. Finally, a closer look is taken at El buen uso del espa{\~n}ol, a student manual published by the RAE and the ASALE in 2013, in relation to panhispanism and prescriptivism.},
  subject      = {Real Academia Espa{\~n}ola},
  language  = {es}
}
@article{Henk2021,
  author    = {Henk, Lars Thorben},
  title     = {«We're on the road to nowhere» - Felwine Sarrs narrativer Weg in die Afrotopie},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {7},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305662},
  pages     = {73-90},
  year      = {2021},
  abstract  = {According to the Senegalesian scholar Felwine Sarr who conceives an African utopia in his programmatic essay Afrotopia (2016), this Afrotopos has already germinated in contemporary African literature. However, it still needs to be enquired to what extent the narrated topos of the street in Sarr's own anthology 105 Rue Carnot (2011) has already realized the Afrotopos. In order to respond to this question, we would like to mobilise Michel Foucault's concept of heterotopia, which elaborates on the interactions between truth production/knowledge, power and space, and permits us to conceive of «les lieux utopiques» (Foucault 2005: 40) as actually locatable on the map and real other places outside of all places (cf. Foucault 1994: 755). Thus, in the street, a different relationship between global North and South is founded, which becomes legible as an African «utopie localis{\´e}e» (Foucault 2005: 41) that Sarr calls for in Afrotopia (2016).},
  language  = {de}
}
@article{IsselDombertWiedersLoheac2016,
  author    = {Issel-Dombert, Sandra and Wieders-Loh{\´e}ac, Aline},
  title     = {«Nous multiplierons les chansons, les concerts, les spectacles». L'argumentation de Fran{\c{c}}ois Hollande face aux attaques terroristes du 13 novembre},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161637},
  pages     = {123-151},
  year      = {2016},
  abstract  = {After the terrorist attacks on November 13th, the French public, the whole of Europe and many parts of the world were waiting for president Fran{\c{c}}ois Hollande to address his fellow "citoyens". Being the most important political figure - both by constitution and by influence on public discourse - the president's words bear great importance for the subsequent debate and interpretation of the events. Therefore, the question arises: How did the president shape the debate in the hours and days after the attacks? To answer this question, we have identified typical structures in Hollande's rhetorical reaction to the attacks, performing a topos as well as a keyword analysis of the speeches the president held within two weeks after November 13th. In a contrastive analysis we have compared Hollande's speeches to the Europarl Corpus. Using the software programme sketch engine, we have filtered out the 100 most frequent keywords and classified them into semantic fields (data-driven approach). All in all, terrorism, action and nation/identity are the three predominant semantic fields, whereas references to victimhood barely appear. These findings are congruent with the results of our topos analysis that reveals a predominance of argumentative structures that form a strong main topos of resilience, emphasising the greatness of France and its people and culture, calling to action and avoiding any tendencies of resignation.},
  subject      = {Hollande, Fran{\c{c}}ois},
  language  = {fr}
}
@incollection{Folger2015,
  author    = {Folger, Robert},
  title     = {«Maistrece de tous ses sens»: Christine de Pizans \(Livre\) \(de\) \(la\) \(cit{\´e}\) \(des\) \(dames\) als mentale Maschine},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152104},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {125-145},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Christine, de Pisan : Le livre de la cit{\´e} des dames},
  language  = {de}
}
@article{Hettmann2015,
  author    = {Hettmann, Sandra},
  title     = {«Explotan las im{\´a}genes y un altoparlante con su lengua». Surrealistische Dis/Kontinuit{\"a}ten bei Luciana Romano: Bebilderungen im Gedichtraum durch Foto{\"a}sthetik und Dynamiken des Wortbildes},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139473},
  pages     = {113-142},
  year      = {2015},
  abstract  = {This article seeks to analyse the volume of poems Vapor de foto (2006) written by the young contemporary poet Luciana Romano from Buenos Aires. Romano is also an activist of the politically engaged artist collective Etc{\´e}tera… founded in the late nineties. Her poetry reveals a certain correlation with the aesthetics of the actions and interventions developed by Etc{\´e}tera… in the streets and public spaces not only of Argentina but also of Europe. Furthermore, the creation of Vapor de foto is based on the collective's experiences and practices. Using a methodological approach that combines close reading and a cultural and socio-critical focus, several poems will be exemplarily analysed in order to examine the interrelation between Romano's style of writing and her activism. Assuming that her poetry, as well as the work of Etc{\´e}tera…, belongs to a postdictatorial contemporary aesthetics characterized by the complex interplay between dadaistic and surrealistic dis/continuities, this article will focus on the analysis of different forms of relations between text and image.},
  language  = {de}
}
@article{Hennemann2017,
  author    = {Hennemann, Anja},
  title     = {«ainda {\´e} nova a m{\´u}sica, i think» Zur Code-Alternation in portugiesischen online-Diskursen},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172882},
  pages     = {107-125},
  year      = {2017},
  abstract  = {The present paper is concerned with the use of English cognitive verbs like think, mean and guess as well as with fixed expressions that contain these verbs like guess what (?) or think about it in Portuguese online discourses. In the qualitative analysis of examples retrieved from the Corpus do Portugu{\^e}s (Web/Dialects) I mainly focus on the syntactic behavior of the expressions under survey, also comparing their use and function in the English language. In the final part of the paper I reflect about possible reasons of the employment of English elements in Portuguese conversation.},
  language  = {de}
}
@incollection{Wolfzettel2015,
  author    = {Wolfzettel, Friedrich},
  title     = {« H{\"o}hle, die tiefste, sch{\"u}tzt » (Faust II). {\"U}berlegungen zur Signatur von H{\"o}hle und Grotte seit der Aufkl{\"a}rung},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152223},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {259-279},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {H{\"o}hle <Motiv>},
  language  = {de}
}
@article{Schneider2022,
  author    = {Schneider, Melanie},
  title     = {« [C]'est absurde d'{\^e}tre bloqu{\´e} sur une autoroute » - Das Motiv des Staus in der zeitgen{\"o}ssischen romanischen Literatur},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329807},
  pages     = {165-180},
  year      = {2022},
  abstract  = {Due to an ever-increasing number of automobiles on the roads, automobility fails more and more to fulfil its promise of free individual mobility, leading to traffic density and congestions of unprecedented proportions. However, those conditions seem to possess an aesthetic potential which we seek to analyze in terms of literature. Therefore, we are going to look on three novels from Romance-language areas: Julio Cort{\´a}zar's short story La autopista del sur (1966), Carlo Lucarelli's novel Autosole (1998) and Gr{\´e}goire Gauchet's novel Les robinsons de l'autoroute (2018). First, we will analyze the nature of deceleration/congestion by referring to human geographer Tim Cresswell's concept of friction. Second, we will examine recurring motifs linked to the deceleration/congestion in all novels before taking a closer look at Gauchet's novel where the friction not only applies to traffic but also to human relationships. The aim is to look at different literary representations of an everyday experience like traffic congestion and to see how literature deals with such an occurrence.},
  language  = {de}
}
@article{Sorrenti2015,
  author    = {Sorrenti, Elisa},
  title     = {Zweitspracherwerb und Interlanguage. Eine empirische Untersuchung zur deutschen Wortstellung bei L1-Italienisch-Sprechern mit L2-Deutsch},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139498},
  pages     = {163-191},
  year      = {2015},
  abstract  = {Much research on first language (L1) acquisition carried out in the last decades has proven that language acquisition is based on a biological endowment, the language faculty, which is triggered by the exposure to linguistic data. The language acquisition process undergoes similar stages in the same time span, independently of the specific language. Non-native acquisition differs from L1 acquisition, as the speaker already has an internal grammar with all parameters set. Transfer should therefore take place, bringing the learner to analyse the new input according to the properties of the L1, but a reanalysis is possible because of the availability of UG (Schwartz/Sprouse 1996). This article explores a syntactic domain, namely the properties of the functional categories constraining the verb position in main and subordinate clauses, by means of empirical data from Italian L1-speakers acquiring German as a second language (L2). It will be shown that the interlanguage grammars reflect properties of L1 and that resetting can be achieved, although optionality still exists and full convergence to the target language cannot be guaranteed.},
  language  = {de}
}
@unpublished{Kiesler1994,
  author    = {Kiesler, Reinhard},
  title     = {Zum Stand der Forschung auf dem Gebiete der franz{\"o}sischen Umgangssprache (1994)},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-103365},
  pages     = {77 S.},
  year      = {1994},
  abstract  = {Der Artikel gibt einen {\"U}berblick {\"u}ber die Forschungen zur franz{\"o}sischen Umgangssprache von den Anf{\"a}ngen bis etwa 1992 in vier Abschnitten: 1. Die Anf{\"a}nge, 2. die Sprachschichtenforschung, 3. die Beitr{\"a}ge von Soziolinguistik und Variet{\"a}tenlinguistik und 4. die Arbeiten der "Gegenwart" um 1990. Eine Zusammenfassung und eine ausf{\"u}hrliche Bibliographie schließen den Forschungsbericht ab. Ber{\"u}cksichtigt werden alle sprachlichen Ebenen von der Aussprache {\"u}ber den Wortschatz bis zur Grammatik. Wo es angebracht erscheint, sind Hinweise auf Arbeiten zu anderen Umgangssprachen angef{\"u}hrt.},
  subject      = {Franz{\"o}sisch},
  language  = {de}
}
@article{Brinkmann2022,
  author    = {Brinkmann, Lisa Marie},
  title     = {Zum Sprachkontakt Maya und Spanisch: Empirische Studien zur kontaktinduzierten Grammatikalisierung im Maya},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329734},
  pages     = {15-35},
  year      = {2022},
  abstract  = {The aim of this article is to document the outcomes of language contact between Yucatecan Maya and Mexican Spanish. In order to do so, two theories are applied to newly assembled data, gathered during a field study in 2019 in YucaThe aim of this article is to document the outcomes of language contact between Yucatecan Maya and Mexican Spanish. In order to do so, two theories are applied to newly assembled data, gathered during a field study in 2019 in Yucat{\´a}n: The Interface Hypothesis (Sorace 2011) and Heine/Kuteva's contact-induced grammaticalization (2003). The village Xoc{\´e}n in which the field study was conducted is characterized by monolingualism in Maya as well as bilingualism in Spanish and Maya. Data was collected to investigate the influence of Spanish on Mayan morphology, especially on the use of the subjunctive. I propose that the data can best be explained by combining the Interface Hypothesis with Heine/Kutevas's (2003) approach.t{\´a}n: The Interface Hypothesis (Sorace 2011) and Heine/Kuteva's cThe aim of this article is to document the outcomes of language contact between Yucatecan Maya and Mexican Spanish. In order to do so, two theories are applied to newly assembled data, gathered during a field study in 2019 in Yucat{\´a}n: The Interface Hypothesis (Sorace 2011) and Heine/Kuteva's contact-induced grammaticalization (2003). The village Xoc{\´e}n in which the field study was conducted is characterized by monolingualism in Maya as well as bilingualism in Spanish and Maya. Data was collected to investigate the influence of Spanish on Mayan morphology, especially on the use of the subjunctive. I propose that the data can best be explained by combining the Interface Hypothesis with Heine/Kutevas's (2003) approach.ontact-induced grammaticalization (2003). The village Xoc{\´e}n in which the field study was conducted is characterized by monolingualism in Maya as well as bilingualism in Spanish and Maya. Data was collected to investigate the influence of Spanish on Mayan morphology, especially on the use of the subjunctive. I propose that the data can best be explained by combining the Interface Hypothesis with Heine/Kutevas's (2003) approach.},
  language  = {de}
}
@incollection{Heisters2023,
  author    = {Heisters, Anne},
  title     = {Women as Other? - Women and Other},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-59},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305875},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {59-72},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Feminismus},
  language  = {en}
}
@incollection{Goodbody2019,
  author    = {Goodbody, Axel},
  title     = {Wolves and Wolf Men as Literary Tropes and Figures of Thought: Eco- and Zoopoetic Perspectives on Jiang Rong's Wolf Totem and Other Wolf Narratives},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178122},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {307-324},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Schoenfeld2023,
  author    = {Sch{\"o}nfeld, Sophie},
  title     = {Western Constructions of Disability and Local Systems of Knowledge: A Look at the Problematic Aspects of Intercultural Work},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-113},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305910},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {113-128},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Behinderung},
  language  = {en}
}
@incollection{O'Key2019,
  author    = {O'Key, Dominic},
  title     = {W. G. Sebald's Zoopoetics: Writing after Nature},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178052},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {217-227},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Woersdoerfer2015,
  author    = {W{\"o}rsd{\"o}rfer, Anna Isabell},
  title     = {Vom 'bon sauvage' zum franz{\"o}sischen Ritter par excellence. Die 'Mati{\`e}re de Bretagne' als Streitobjekt konkurrierender Erinnerungskulturen in Jean-Pierre Claris de Florians Mittelalternovelle Bliomb{\´e}ris (1784).},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139518},
  pages     = {229-251},
  year      = {2015},
  abstract  = {While French Enlightenment seems philosophically dominated by a pejorative idea of the medieval past as the 'Dark Ages', this is only one conception among others. This article focuses on a different, a positive, representation of the Middle Ages in eighteenth-century literature, analyzing the chivalric novella Bliomb{\´e}ris (1784) by Jean-Pierre Claris de Florian. On the one hand, the eponymous hero is considered a 'noble savage' who develops into an ideal knight by education and successful learning - two central ideas of the Enlightenment period. On the other hand, the study shows how the medieval topic of the Mati{\`e}re de Bretagne, exclusively required by English literature for a long time, is finally regained by the French and is reintegrated into their national memory.},
  language  = {de}
}
@incollection{Kiesler2015,
  author    = {Kiesler, Reinhard},
  title     = {Verbalkomplexe im \(Jarama\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152256},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {331-343},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {S{\´a}nchez Ferlosio, Rafael : El Jarama},
  language  = {de}
}
@article{Hagen2019,
  author    = {Hagen, Clemens},
  title     = {Ver y ser visto: Intelectualidad y falsa erudici{\´o}n en La Regenta},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221822},
  pages     = {39-56},
  year      = {2019},
  abstract  = {Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clar{\´i}n» have constantly referred to the unmasking of society's hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimar{\´a}n and S. Berm{\´u}dez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta.},
  language  = {es}
}
@article{Schaefer2017,
  author    = {Sch{\"a}fer, Elena},
  title     = {Veo veo. ?'Qu{\´e} ves? Durch H{\"o}r-Seh-Verstehen zu Mehrsprachigkeitskompetenz},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172946},
  pages     = {183-201},
  year      = {2017},
  abstract  = {Multilingualism is part of our everyday lives and has recently entered the medium of film. Based on the linguistic diversity of Spanish-speaking countries, the present paper explores multilingualism as a key competence of foreign language learning. Since film provides students with audiovisual access to multilingual situations, a selection of educational videos that form parts of German textbooks will be critically explored concerning the presentation of multilingual phenomena. The results will be discussed in order to contribute to the systematic acquisition of multilingual skills in the sense of language and cultural awareness during classroom learning.},
  language  = {de}
}
@article{Schoepe2016,
  author    = {Sch{\"o}pe, Kai},
  title     = {Unaufh{\"o}rliches Suchen - Gaddas Roman Quer pasticciaccio brutto de via Merulana als carmen perpetuum},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161673},
  pages     = {193-222},
  year      = {2016},
  abstract  = {Gadda's novel Quer Pasticciaccio brutto de Via Merulana tells the tale of two crimes committed in Rome in the 1920s. The search for the perpetrators turns into a pasticciaccio brutto (an awful mess), challenging the reader with its linguistic complexity and a myriad of references to history and culture; the large number of allusions to antiquity is particularly striking. References to Virgil's Aeneid and to Rome's mythical past do not constitute a mere transfer, but document a creative approach of transformational nature. Deformation and inversion are part of this process, changing the μορφή not only in formal terms, but also within the plot itself. These transformations of both form and content are read as Metamorphoses and analysed in comparison to Ovid's homonymous work. The perpetual, never-ending quest for truth in Gadda's novel necessitates a perpetual, never-ending narrative, which is conceptually related to Ovid's carmen perpetuum.},
  subject      = {Gadda, Carlo Emilio : Quer pasticciaccio brutto de Via Merulana},
  language  = {de}
}
@misc{WinterFroemel2021,
  author    = {Winter-Froemel, Esme},
  title     = {Ulrich Detges (2. April 1958-7. Februar 2021)},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {137},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {4},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2021-0071},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-250801},
  pages     = {1299 -- 1302},
  year      = {2021},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}
@misc{Kiesler2013,
  author    = {Kiesler, Reinhard},
  title     = {Travaux de Linguistique 59 (2009) (Themenheft: Architecture δια et variabilit{\´e} en langue, ed. Rika Van Deyck), 163 p.},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {129},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {4},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2013-0142},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195339},
  pages     = {1189-1194},
  year      = {2013},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}
@article{Petričić2015,
  author    = {Petričić, Mihaila},
  title     = {Traduciring Comedy. An Analysis of Two English Translations of Enrique Gaspar y Rimbau's El anacron{\´o}pete},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139483},
  pages     = {145-160},
  year      = {2015},
  abstract  = {In Enrique Gaspar y Rimbau's 1887 science fiction novel El anacron{\´o}pete, comedy presents itself in a variety of guises. One of the central comic elements of the book is the playful way in which the lower class characters, namely the maid Juana and the soldier Pendencia, engage with language. This article will compare Gaspar's El anacron{\´o}pete with two of its official translations, Leyla Rouhi's The Anacron{\´o}pete and Yolanda Molina-Gavil{\´a}n and Andrea Bell's The Time Ship: A Chrononautical Journey, in order to ascertain to what extent the Spanish author's comic touch is preserved in the English translations of Juana's and Pendencia's speech. The maid's and the soldier's use of double meaning, the mondegreen, and code-switching will be the specific focus of our analysis. We will see that, as Salman Rushdie claims, although «[i]t is normally supposed that something always gets lost in translation […] something can also be gained» (1991: 17).},
  language  = {en}
}
@article{Rauchhaus2017,
  author    = {Rauchhaus, Moritz},
  title     = {Topo-Analyse hin zur Ewigkeit: Catherine Pozzi zwischen Journal und Peau d'{\^A}me},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172938},
  pages     = {165-180},
  year      = {2017},
  abstract  = {Peau d'{\^A}me has often been regarded as an enigmatic and mysterious text which prevented a broad attention and interpretation since its posthumous publication in 1935. But putting the perspective on Pozzi's Journal, particularly during the years 1920 and 1921, allows us to discover a significant intertextuality between both of them. Catherine Pozzi's perception of space in her every day writing does not differ from her philosophical work, since for her the concepts of center and periphery do not form a strict dichotomy. It becomes superfluous in a world without limits. The perception and philosophy of Catherine Pozzi tends to go beyond the boundaries of space which allows us, as readers of these two forms of writing, to comprehend her vision of a spatial and temporal eternity.},
  language  = {de}
}
@article{Harjus2019,
  author    = {Harjus, Linda},
  title     = {Top down Initiated Medial Linguistic Politics : A Normative Inquiry into the Application of Andalusian Varieties Conducted by the Radio Channel Canal Fiesta Radio},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221836},
  pages     = {59-75},
  year      = {2019},
  abstract  = {This contribution deals with the phonetic heterogeneity of spoken Spanish in Andalusia in the sector of public auditory media, specifically in the program !'Anda Levanta! of Canal Fiesta Radio. First, we take into consideration Article 10 of the Statute of the Autonomy of Andalusia, which enhances the protection, promotion, study, and prestige of the Andalusian modalities and its respective variety (cf. Parlamento de Andaluc{\´i}a 2007: 13). Second, we refer to the Libro de Estilo, a mandatory guide for presenters of public audiovisual media in Andalusia since 2014. The results of the qualitative analysis indicate divergences between the presenters and their audience with regard to their use of phonetic characteristics typical of the Andalusian varieties: where the presenters tend to avoid the salient aspects of the varieties, the audience employs a range of phonetic characteristics typical for Andalusian varieties, including some of the characteristics that are considered less prestigious.},
  language  = {en}
}
@phdthesis{Chikezie2017,
  author    = {Chikezie, Aloysius Cheta},
  title     = {THE VALUE OF WORK IN NIGERIA with Reference to Laborem Exercens},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-147592},
  school      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2017},
  abstract  = {Work is seen by many thinkers as the fundamental dimension of man`s existence on earth. Through work, he provides his basic necessities on earth and co-operate with God in the work of creation. He received this mandate to work from the very beginning of creation by God. In carrying out this mandate, man every human being reflects the very action of the creator of the Universe. God worked and intended that man who is created in His image and likeness continues the work of creation by working. Even though Man suffers and sweats through work and yet, in spite of all this toil-perhaps in a sense because of it - work is a good thing for man. It is not only good in the sense that it is useful or something to enjoy; it is also good as being something worthy, that is to say something that corresponds to man's dignity that expresses this dignity and increases it. This project examines man as a creature called to work and born into work. It is true that through work, man provides himself and his family with the basic necessities of life and everyday needs for the reason he charges wages for his sweat. Work goes beyond and should exceed the boundaries of the material benefit that comes out of it to the satisfaction and fulfilment for the very purpose we should work. The modern society has attached so much importance to money and material possession, the question then is how do we go along working in the spirit of improvement and renewal of the earth? The modern man understands work only as a means of making his daily bread. For this reason, he engages himself in an occupation that he has little or no interest in. He ends up quarrelling everyday with the people that he or she is supposed to serve through work. The result is low work output and waste of talents and the society loses an opportunity for improvement as every creature is supposed to contribute uniquely. A good example is Nigeria, Africa's most populous nation with a population estimate of about over 170,000,000 people and the sixth Oil producing Nation.},
  subject      = {Nigeria},
  language  = {en}
}
@article{SenaratneMuehlbauerKiefletal.2023,
  author    = {Senaratne, Hansi and M{\"u}hlbauer, Martin and Kiefl, Ralph and C{\´a}rdenas, Andrea and Prathapan, Lallu and Riedlinger, Torsten and Biewer, Carolin and Taubenb{\"o}ck, Hannes},
  title     = {The Unseen — an investigative analysis of thematic and spatial coverage of news on the ongoing refugee crisis in West Africa},
  series = {ISPRS International Journal of Geo-Information},
  volume    = {12},
  journal   = {ISPRS International Journal of Geo-Information},
  number    = {4},
  issn      = {2220-9964},
  doi       = {10.3390/ijgi12040175},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-313607},
  year      = {2023},
  abstract  = {The fastest growing regional crisis is happening in West Africa today, with over 8 million people considered persons of concern. A culmination of identity politics, climate-driven disasters, and extreme poverty has led to this humanitarian crisis in the region and is exacerbated by a lack of political will and misplaced media attention. The current state of the art does not present sufficient investigations of the thematic and spatial coverage of news media of this crisis in this region. This paper studies the spatial coverage of this crisis as reported in the media, and the themes associated with those locations, based on a curated dataset. For the time frame 12 March to 15 September 2021, 2017 news articles related to the refugee crisis in West Africa were examined and manually coded based on (1) the geographical locations mentioned in each article; (2) the themes found in the articles in reference to a location (e.g., Relocation of people in Abuja). The dataset introduces a thematic dimension, as never achieved before, to the conflict-ridden areas in West Africa. A comparative analysis with UNHCR (United Nations High Commissioner for Refugees) data showed that 96.8\% of refugee-related locations in West Africa were not covered by news during the considered time frame. Contrastingly, 80.4\% of locations mentioned in the news do not appear in the UNHCR repository. Most news articles published during this time frame reported on Development aid or Political statements. Linear multiple regression analysis showed GDP per capita and political stability to be among the most influential determinants of news coverage.},
  language  = {en}
}
@incollection{CazajousAuge2019,
  author    = {Cazajous-Aug{\´e}, Claire},
  title     = {The Traces Animals Leave: A Zoopoetic Study of Rick Bass' "Antlers"},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178097},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {269-278},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{LutStarenkova2022,
  author    = {Lut, Kateryna and Starenkova, Hanna},
  title     = {The Relationship between Language, Culture, and Development of Society},
  series = {Studies in Modern English},
  booktitle = {Studies in Modern English},
  editor    = {Lazebna, Nataliia and Kumar, Dinesh},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-199-0-63},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296484},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {63-72},
  year      = {2022},
  abstract  = {The paper analyses specific characteristics of language that influence the development of culture and societies. The problem of the connection between language and culture has occupied the minds of many famous scientists: some believe that language is a part of the culture as a whole; others think that language is only a form of cultural expression. Undoubtedly, language constitutes a vital component of the cultural background underlying social development. Language is an essential means of communication and interaction. However, language is at the same time sovereign about culture as a whole and can be separate from culture or compared to culture as an equal element (i.e., that language is neither a form nor a component of culture).},
  language  = {en}
}
@incollection{Demello2019,
  author    = {Demello, Margo},
  title     = {The Rabbits of Okunoshima: How Feral Rabbits Alter Space, Create Relationships, and Communicate with People and Each Other},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178064},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {231-239},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Schulze2015,
  author    = {Schulze, Daniel},
  title     = {The Passive Gaze and Hyper-Immunised Spectators: The Politics of Theatrical Live-Broadcasting},
  series = {Journal of Contemporary Drama in English},
  volume    = {3},
  journal   = {Journal of Contemporary Drama in English},
  number    = {2},
  issn      = {2195-0164},
  doi       = {10.1515/jcde-2015-0024},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195091},
  pages     = {315-326},
  year      = {2015},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Kailich2022,
  author    = {Kailich, Franziska},
  title     = {The Introduction of English-induced neologisms in Spanish tweets: a case-study on covidiota},
  series = {Frontiers in Communication},
  volume    = {7},
  journal   = {Frontiers in Communication},
  issn      = {2297-900X},
  doi       = {10.3389/fcomm.2022.780340},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-274064},
  year      = {2022},
  abstract  = {This paper intends to trace the introduction of an English-induced, COVID-related neologism, covidiota, into the Spanish language. The study is based on a corpus of tweets, starting in March 2020. It examines several specific features which mark the word as a new, unfamiliar item, such as different ways of graphical highlighting, for example. On the other hand, the paper aims to detect possible indicators of an integration of covidiota into the Spanish language use in the tweet corpus compiled for this case study.},
  language  = {en}
}
@article{Haidacher2022,
  author    = {Haidacher, Bernhard},
  title     = {The concept of confix in German, French, and Italian - a comparative study},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329756},
  pages     = {63-83},
  year      = {2022},
  abstract  = {Despite some critical voices, in German linguistics the concept of confix can meanwhile be considered as an established morpheme category. Schmidt (1987) introduced the term into German to describe bound morphemes that are lexical, but not inflectable. Since the 2000s, an increasing number of publications deal with the phenomenon and the term has begun to enter linguistic reference works as well. In French, the situation is completely different due to the structure of the language (poor in compounds and mostly post-determinative). Although the term and the concept have originall y been coined by the French structuralist Andr{\´e} Martinet ([1961] \(^3\)1980 ), the denomination itself is barely present in Romance linguistics. French researchers usually take different approaches to discuss the phenomenon (e.g., neoclassical compounds, constructed lexemes). In Italian, the denominations confisso/ confissazione are first used by De Mauro (1999), who adopts both the term and concept directly from Martinet; moreover, they can be found in some contributions on word formation and lexicology (e.g., Adamo/Della Valle 2008). Nevertheless, the Italian termino-logy remains heterogeneous, with some researchers still using the terms prefissoide/suffissoide coined by Migliorini (1963). As I will show by comparing the languages in question, the terminology and the concept of confixes vary greatly between Romance and Germanic languages.},
  language  = {en}
}
@incollection{Borgards2019,
  author    = {Borgards, Roland},
  title     = {The Beetle Is in the Eye of the Beholder: Animal Ecologies, Situated Poetics and the Poetry of Annette von Droste-H{\"u}lshoff},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177957},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {99-109},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Kushch2022,
  author    = {Kushch, Elina},
  title     = {The aphoristic potential of presidential rhetoric of G. Bush Jr.},
  series = {Studies in Modern English},
  booktitle = {Studies in Modern English},
  editor    = {Lazebna, Nataliia and Kumar, Dinesh},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-199-0-25},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296456},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {25-39},
  year      = {2022},
  abstract  = {This research paper concentrates on the analysis of the aphoristic potential of G. W. Bush's presidential rhetoric. Aphorisms are the most ancient laconic forms of expressing original and completed thoughts which reveal the peculiarity of their authors' world perception and worldview. From this perspective, these units can serve as the means of values codification. Repeatability and widespread use of aphorisms in various communications contribute to transmitting the values and ideas between the generations. Political aphorisms, which are a combination of aphoristic expressions from political communication and discourse, play an important role in this process. The authors of these expressions are not only politicians, but also philosophers, historians, writers, celebrities of different nationalities and generations. Presidential rhetoric is an integral and significant part of political discourse. The use of aphorisms as the means of codification of national and common human values in President G. W. Bush's formal addresses and speeches is intentional. It makes them concise and original, influential and convincing. Aphoristic expressions denoting common human values show the ideas and beliefs of their authors, as well as the politician, about life, justice, equality, freedom, faith, family. Aphorisms defining national values become the means of updating concepts of democracy, unity and diversity, freedom and security, success, and opportunity to fulfill one's potential in American society. The distinctive feature of G.W. Bush's rhetoric is the frequent use of aphorisms whose authors are the Founding Fathers.},
  language  = {en}
}
@inproceedings{OPUS4-17720,
  title     = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  editor    = {Middelhoff, Frederike and Sch{\"o}nbeck, Sebastian and Borgards, Roland and Gersdorf, Catrin},
  edition   = {1. Auflage},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  issn      = {978-3-7930-9928-4},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177209},
  pages     = {359},
  year      = {2019},
  abstract  = {Texts, Animals, Environments. Zoopoetics and Ecopoetics probes the multiple links between ecocriticism and animal studies, assessing the relations between animals, environments and poetics. While ecocriticism usually relies on a relational approach to explore phenomena related to the environment or ecology more broadly, animal studies tends to examine individual or species-specific aspects. As a consequence, ecocriticism concentrates on ecopoetical, animal studies on zoopoetical elements and modes of representation in literature (and the arts more generally). Bringing key concepts of ecocriticism and animal studies into dialogue, the volume explores new ways of thinking about and reading texts, animals, and environments - not as separate entities but as part of the same collective.},
  language  = {en}
}
@book{AckermannKarremannMalhotraetal.2021,
  author    = {Ackermann, Zeno and Karremann, Isabel and Malhotra, Simi and Zaidi, Nishat},
  title     = {Terrains of Consciousness: Multilogical Perspectives on Globalization},
  edition   = {1. Auflage},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  isbn      = {978-3-95826-168-6},
  doi       = {10.25972/WUP-978-3-95826-169-3},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-243936},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {x, 150},
  year      = {2021},
  abstract  = {TERRAINS OF CONSCIOUSNESS emerges from an Indian-German-Swiss research collaboration. The book makes a case for a phenomenology of globalization that pays attention to locally situated socioeconomic terrains, everyday practices, and cultures of knowledge. This is exemplified in relation to three topics: - the tension between 'terrain' and 'territory' in Defoe's 'Robinson Crusoe' as a pioneering work of the globalist mentality (chapter 1) - the relationship between established conceptions of feminism and the concrete struggles of women in India since the 19th century (chapter 2) - the exploration of urban space and urban life in writings on India's capital - from Ahmed Ali to Arundhati Roy (chapter 3).},
  subject      = {Globalisierung},
  language  = {en}
}
@article{KochFroehlich2020,
  author    = {Koch-Fr{\"o}hlich, Melanie},
  title     = {S'inventer {\`a} partir de l'autre : Les Origines d'Amin Maalouf},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244268},
  pages     = {69-84},
  year      = {2020},
  abstract  = {The present article examines the narrative modes in which Lebanese author Amin Maalouf investigates his roots in Origines a hybrid work which stands in contrast with his previous essays and fictions as to its (auto)biographical dimension. Resembling what Dominique Viart and Bruno Vercier in their analysis of predominant themes and narrative strategies in contemporary French literature name «r{\´e}cit de filiation», Maalouf's quest for his familial past explores the concept of intergenerational transmission of memory. However, despite this individual postmemorial approach, Maalouf's intimate writing is intrinsically linked with the complex history of the Ottoman Empire and therefore with collective narratives of war, diasporic identities, and migration relating to the present time or the recent past.},
  language  = {fr}
}
@article{Scholz2021,
  author    = {Scholz, Janek},
  title     = {S{\´e}rgio Zimbas Covid-19-Karikaturen im Kontext {\"o}ffentlicher Gesundheitsf{\"u}rsorge in Mosambik},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {7},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305692},
  pages     = {133-155},
  year      = {2021},
  abstract  = {The article deals with the educational comics of the Mozambican artist S{\´e}rgio Zimba, especially in the context of the current pandemic situation caused by Covid-19. First, comics from and comic research on Africa will be presented, especially in their repercussion within the German-language comics landscape. This will be followed by a discussion of the special situation in lusophone Africa, exemplified and illustrated by the works of the Mozambican cartoonist S{\´e}rgio Zimba. The article closes with a brief comparison of Zimba's work with the cartoons of S{\´e}rgio Pi{\c{c}}arra from Angola, to better classify the artist's work.},
  language  = {de}
}
@book{OPUS4-28242,
  title     = {Studies in Modern English},
  editor    = {Lazebna, Nataliia and Kumar, Dinesh},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  isbn      = {978-3-95826-198-3},
  doi       = {10.25972/WUP-978-3-95826-199-0},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-282426},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {VIII, 125},
  year      = {2022},
  abstract  = {The book "Studies in Modern English" interprets English-language communication in the humanitarian paradigm of knowledge within the linguistic and psycho-sociocultural study of speech activity prioritizing cognitive and communicative paradigms. Digital discourse as the formation of new semiotic phenomena has crowned the rapid scientific and technological progress. Researchers' scientific achievements represented in the book are systemic and valid in terms of evidence-based narratives, which reflect the transformational horizon of information theory, communication theory, and theory of linguodidactics in modern English verbal, creative and digital environments. The book represents an integrated approach to the study of modern English as an open synergetic system, which requires a description of the relationship between verbal and nonverbal notions in digital space. The book integrates such innovative perspectives as the interaction of natural English and programming languages, cyber aggression as a communicative pattern in English-language digital discourse, ethics, and democratization of modern English language, relevant developments in the field of English language as a Foreign Language, and other related issues. A complex focus of the book in the realm of modern English-language communication concerns verbal and nonverbal notions analyzed in the context of socio-cultural and digital communicative spaces.},
  subject      = {Englischunterricht},
  language  = {en}
}
@article{Mounga2017,
  author    = {Mounga, Bauvarie},
  title     = {Strat{\´e}gies narratives et violence dans le roman post-colonial africain : le cas de la technique du fragmentaire dans Le Pleurer-rire d'Henri Lop{\`e}s},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172916},
  pages     = {149-162},
  year      = {2017},
  abstract  = {After independence, in the sixties, sub-Saharan Africa including Francophone, saw moving to the head of his governments, dictatorial powers. Henri Lop{\`e}s translated this in his work by a formal violence. We will study in this paper, the violence employed by the Congolese novelist in Le Pleurer-rire (1982): the technique of fragmentary. Our work is structured in three parts: the presentation of formal violence in Le Pleurer-rire, manifestations of postcolonial political system in this novel and the operation of the technique of fragmentary.},
  language  = {fr}
}
@incollection{Mantraraj2023,
  author    = {Mantraraj, Sudeeti Geeta},
  title     = {Strategies for Survival and Resources for Resistance},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-171},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305948},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {171-180},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{HornungGoldschmitt2015,
  author    = {Hornung, Christoph and Goldschmitt, Stefanie},
  title     = {Stadtbeschreibung und Weltlosigkeit der Sprache in Raymond Queneaus \(Zazie\) \(dans\) \(le\) \(m{\´e}tro\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152265},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {345-359},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Queneau, Raymond : Zazie dans le m{\´e}tro},
  language  = {de}
}
@article{GoldschmittHesselbach2019,
  author    = {Goldschmitt, Stefanie and Hesselbach, Robert},
  title     = {Sprachliche Unsicherheit bei unregelm{\"a}ßigen Superlativbildungen im Spanischen},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {135},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {3},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2019-0056},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194235},
  pages     = {643-662},
  year      = {2019},
  abstract  = {This paper deals with the interrelation between the concept of linguistic insecurity described by Labov (1966) and the irregular formation of Spanish superlatives based on Latin roots such as paup{\´e}rrimo, celeb{\´e}rrimo etc. instead of the analogue formation pobr{\´i}simo or celebr{\´i}simo. After a brief overview on the frequency of these forms and their alleged regular equivalents in Spanish corpora, a closer look is taken on the speakers' internal and external aspects of linguistic (in)security. Finally, it is shown by an acceptability test that there are forms on -{\´e}rrim*, which are not exclusively restricted to the norma culta in Spanish.},
  language  = {de}
}
@incollection{Hesselbach2015,
  author    = {Hesselbach, Robert},
  title     = {Sprache als Verf{\"u}hrungskunst - ein rhetorisch-pragmatischer Kommentar zur Figurenrede des Don Juan in Tirso de Molinas \(El\) \(burlador\) \(de\) \(Sevilla\) \(y\) \(convidado\) \(de\) \(piedra\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hronung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152137},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {187-199},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Tirso, de Molina : El burlador de Sevilla y convidado de piedra},
  language  = {de}
}
@article{Dittmann2021,
  author    = {Dittmann, Lara A.},
  title     = {Sprach- und Kommunikationsnuancen in literarischen Interspeziesbegegnungen - Juan Ram{\´o}n Jim{\´e}nezʼ Platero y yo (1914/1917) und Thomas Manns Herr und Hund (1919)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {7},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305658},
  pages     = {55-71},
  year      = {2021},
  abstract  = {The encounter with non-human animals has always been a major preoccupation in the (philosophical) quest of understanding the human (condition). Of course, they are not only present in literary texts, but also in other media such as music and art. We consider ourselves aware of their selves, natures and skills as well as their sensory perceptions. Indeed, the ways we interact with non-human animals in everyday life and in the fictional world, how we perceive, think and talk about them as well as how we communicate with them are often related to our own self-perceptions in the social collective and in social-historical discourse. If we take a closer look at literary interspecies relations, we can detect clear shades in language and communication. Based on the approaches of Human-Animal Studies, this article deals with those nuances regarding animal-human encounters in Juan Ram{\´o}n Jim{\´e}nez' Platero y yo (1914/1917) and Thomas Mann's Herr und Hund (1919) in a comparative perspective. In addition to this, a special focus is placed on the effect these elements can have on (inter)acting literary subjects as well as on extra-textual recipients.},
  language  = {de}
}
@incollection{AckermannSnyderKoerber2023,
  author    = {Ackermann, Zeno and Snyder-K{\"o}rber, MaryAnn},
  title     = {Series Foreword : JMU Cultural Studies - Strategies for Struggling with the Obvious},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-iii},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305801},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {iii-v},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@article{PalaciosEspinoza2019,
  author    = {Palacios Espinoza, Romina Irene},
  title     = {Schmerzhafte Erotik: kranke K{\"o}rper und sexueller Genuss in El {\´u}ltimo cuerpo de {\´U}rsula von Patricia de Souza},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221877},
  pages     = {117-132},
  year      = {2019},
  abstract  = {This article is dedicated to the analysis of the body, which is staged as sick and painful. El {\´u}ltimo cuerpo de {\´U}rsula by Peruvian author Patricia de Souza is characterized by the connection between body, pain perception and eroticism. Illness and paralysis play a fundamental role in the narrative because they cause the recomposition of the ego, which leads the protagonist, {\´U}rsula Res, to perceive and reflect the fragmentation of her identity and the increasing distance from her body. Through approaches to pain and disability, the expressiveness of the narrativized eroticism of this text, based on an obedient relationship to the body, is revealed.},
  language  = {de}
}
@misc{Goldschmitt2021,
  author    = {Goldschmitt, Stefanie},
  title     = {Sandra Issel-Dombert, Sprachgeschichte als Textsortengeschichte. Zur Linguistik der Beschwerde am Beispiel der «cahiers de dol{\´e}ances» (Analecta Romanica, 89), Frankfurt am Main, Vittorio Klostermann, 2019, XVI + 480 p.},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {137},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {4},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2021-0051},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-250823},
  pages     = {1216 -- 1221},
  year      = {2021},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}
@article{vonRoeder2020,
  author    = {von Roeder, Alena},
  title     = {Salvador als Opfer seiner eigenen Triebe im Film Los girasoles ciegos. Die filmische Darstellung der Fokalisierung unter psychoanalytischer Betrachtung},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244303},
  pages     = {177-196},
  year      = {2020},
  abstract  = {This paper analyzes the mental development of the main character Salvador in the Spanish movie Los girasoles ciegos (2008) by Jos{\´e} Luis Cuerda, based on the camera perspective and focalization, as well as the three-instance model according to Sigmund Freud. For this purpose, screen captures from the movie are examined to see how Salvador's loss of control is pictured. This is applied to Freud's three-instance model to prove the takeover of the Id. Throughout the whole movie, the inner conflict between his Ego and Id, i.e. his life as a deacon versus his life as a soldier, is present. The whole process of the breakdown of his mental state is revealed through the camera perspective and visual focalization.},
  language  = {de}
}
@misc{Kiesler2014,
  author    = {Kiesler, Reinhard},
  title     = {Sabine Bastian / Thierry Bulot / Elisabeth Burr (edd.), Sociolinguistique urbaine. Identit{\´e}s et mise en mots (Sprache - Kultur - Gesellschaft, 6), M{\"u}nchen, Meidenbauer, 2011, 161 p.},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {130},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {4},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2014-0097},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195517},
  pages     = {1083 -- 1086},
  year      = {2014},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}
@incollection{Schoenbeck2019,
  author    = {Sch{\"o}nbeck, Sebastian},
  title     = {Return to the Fable: Rethinking a Genre Neglected in Animal Studies and Ecocriticism},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177966},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {111-125},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Khapai2023,
  author    = {Khapai, YS Sochuiwon Priscilla},
  title     = {Rethinking the Culture of Education with Raymond Williams},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-33},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305854},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {33-44},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{Wohlfahrt2023,
  author    = {Wohlfahrt, Saskia},
  title     = {Rethinking Cultural Studies: From the Role of the Intellectual to Transnational Feminism},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-159},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305935},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {159-170},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{Roloff2015,
  author    = {Roloff, Volker},
  title     = {Repr{\"a}sentation, Inszenierung und Rollenspiel. Anmerkungen zum Theater und \(theatrum\) \(mundi\) bei Sartre},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152279},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {361-377},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Sartre, Jean-Paul},
  language  = {de}
}
@article{Hesselbach2016,
  author    = {Hesselbach, Robert},
  title     = {Reinhard Kiesler (18. Januar 1960-9. September 2015)},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {132},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {1},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2016-0027},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194927},
  pages     = {354 -- 355},
  year      = {2016},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}
@article{Uzunkaya2015,
  author    = {Uzunkaya, H{\"u}meyra},
  title     = {Pr{\"a}positionalphrasen mit der Pr{\"a}position de im Franz{\"o}sischen - Struktur und Realisierungsformen},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139506},
  pages     = {195-226},
  year      = {2015},
  abstract  = {This paper investigates the linguistic properties of prepositional phrases containing de in the French language by means of a comprehensive compilation of possible formal realizations, for which examples are provided out of a chosen sample text. Special attention will be paid to the most frequently-cited formal realization, namely the combination of a preposition and a noun phrase. The corresponding forms will be divided into two classes, one with nominal phrases containing a phonetically realized or at least an underlying determiner, and one with nominal phrases in which no determiner is assumed to occur. This distinction will shed light on some of the difficulties that can arise in the assignment of the elements to either category due to the special interaction between the preposition de and the French system of determiners.},
  language  = {de}
}
@misc{OPUS4-32981,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 8 (2022)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8/2022},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-08-6},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329813},
  year      = {2022},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  language  = {de}
}
@misc{OPUS4-30571,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 7 (2021)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {7/2021},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-06-2},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305711},
  year      = {2021},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  language  = {de}
}
@misc{OPUS4-24395,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 6 (2020)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6/2020},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-04-8},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-243951},
  year      = {2020},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  language  = {mul}
}
@misc{OPUS4-22096,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 5},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5/2019},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Callsen, Berit and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-04-8},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-220963},
  year      = {2019},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  subject      = {Literaturwissenschaft},
  language  = {mul}
}
@misc{OPUS4-18788,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 4 (2018)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {4/2018},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Callsen, Berit and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-03-1},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187883},
  year      = {2018},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  subject      = {Literaturwissenschaft},
  language  = {mul}
}
@misc{OPUS4-17281,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 3},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3/2017},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Callsen, Berit and Gold, Martina and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Meisnitzer, Benjamin and Ravasio, Paola},
  isbn      = {978-3-946101-02-4},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172810},
  year      = {2017},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  subject      = {Literaturwissenschaft},
  language  = {mul}
}
@misc{OPUS4-16124,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 2},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2/2016},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Callsen, Berit and Gold, Martina and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Meisnitzer, Benjamin and Ravasio, Paola},
  isbn      = {978-3-946101-01-7},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161247},
  year      = {2016},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  subject      = {Romanistik},
  language  = {mul}
}
@misc{OPUS4-13943,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 1},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1/2015},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Callsen, Berit and Gold, Martina and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Ravasio, Paola},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139436},
  year      = {2015},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  subject      = {Romanistik},
  language  = {de}
}
@article{Kiesler2013,
  author    = {Kiesler, Reinhard},
  title     = {Pour une typologie des phrases complexes},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {129},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {3},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2013-0064},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195562},
  pages     = {608 -- 628},
  year      = {2013},
  abstract  = {AbstractUne tradition grammaticale largement r{\´e}pandue distingue trois types de relations entre propositions, donc trois types de phrases complexes: les propositions juxtapos{\´e}es, les propositions coordonn{\´e}es et les phrases hypotaxiques. Riegel et al. (2009) ajoutent en outre les phrases avec incise ou incidente comme quatri{\`e}me type. Les grammaires et trait{\´e}s d{\´e}crivent les diff{\´e}rentes sortes de coordination (copulative, disjonctive, adversative, causale et cons{\´e}cutive) et de subordination (compl{\´e}tive, relative et circonstancielle). Pourtant, jusqu'{\`a} pr{\´e}sent il n'existe pas, {\`a} ce qu'il semble, de description plus d{\´e}taill{\´e}e, ni des divers degr{\´e}s de l'hypotaxe et de la parataxe d'une part, ni des diff{\´e}rentes combinaisons de structures hypotaxiques et parataxiques d'autre part. Le but de cet article est donc de proposer une typologie plus compl{\`e}te des phrases complexes sur la base d'un petit corpus de r{\´e}f{\´e}rence. Cette typologie distinguera, d'un c{\^o}t{\´e}, divers degr{\´e}s de phrases parataxiques homog{\`e}nes et de phrases parataxiques h{\´e}t{\´e}rog{\`e}nes et, de l'autre c{\^o}t{\´e}, des phrases hypotaxiques simples et des phrases hypotaxiques multiples.},
  language  = {fr}
}
@incollection{Chakraborty2023,
  author    = {Chakraborty, Adreeta},
  title     = {Political and Cultural Negotiations with Feminism in India: A Perspective},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-51},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305866},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {51-58},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{Ventarola2015,
  author    = {Ventarola, Barbara},
  title     = {Pluralisierung, Inversion, Utopie. Doppelb{\"o}dige Exemplarit{\"a}t im \(Libro\) \(de\) \(buen\) \(amor\) des Arcipreste de Hita},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152089},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {75-103},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Ruiz, Juan : Libro de buen amor},
  language  = {de}
}
@phdthesis{Himmel2021,
  author    = {Himmel, Marie-Christin},
  title     = {Phonetic and phonological variability in the L1 and L2 of late bilinguals: The case of /r/ and /l/},
  doi       = {10.25972/OPUS-23933},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-239335},
  school      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2021},
  abstract  = {A large body of research has shown that a late bilingual's L1 and L2 phonetic categories influence each other, yielding deviations from monolingual norms in the phonetics of both languages. Existing models of L2 sound acquisition (e.g., the Speech Learning Model; Flege, 1995, 2007) predict unified phonetic spaces which accommodate both L1 and L2 sound categories. Such connections between an L1 and an L2 are believed to lead to persistent non-nativelikeness in the L2, but also to divergence from the monolingual norm in the L1, as shown in numerous studies (e.g., Bergmann et al., 2016). In this dissertation, I focus on the differences in the sound patterns of a bilingual's languages which do not only emerge in the precise phonetic realizations of L1 sounds but also in language-specific distributional patterns that determine the realization of these sound categories in different phonetic contexts. Previous work in L1 attrition is limited to a small set of phonetic properties (especially VOT, e.g., Flege, 1987), variables beyond L2 transfer which are known to give rise to variable realizations have been neglected. Thus, little is known as to whether bilinguals' realizations of an L1 sound category in different phonetic contexts (e.g., position within a syllable) are subject to change in L1 attrition, and whether such changes arise due to long-term exposure to different distributional patterns of an equivalent L2 category. In this dissertation I address these gaps by exploring L1 attrition in the distributional and phonetic characteristics of liquids to shed light on the contribution of the L2 and the role of general phonetic and phonological variables to the processes that drive change in an L1. I investigate changes to phonetic properties and distributional patterns of rhoticity and /l/-allophony in the L1 of American-German late bilinguals, a language constellation which offers an instructive test case to investigate the causes of L1 attrition as well as the source from which changes due to L1 attrition emerge. Furthermore, changes to liquids can also shed light on the processes which drive sound change, gradience and variability due to various positional and phonetic factors (e.g., preceding vowel, syllable structure) in liquids across many native varieties of English. In particular, I explore the variable realization and distributional patterns of two sounds known to be subject to a considerable degree of gradience and variability, namely English /r/ and /l/, in American English-German late bilinguals. To that end, I present the results of a production study of 12 L2-dominant American English-German late bilinguals as well as a monolingual control group for each language. The speakers performed a variety of production tasks which were aimed to elicit the realization of (non)-rhoticity and /l/-(non-)allophony in both languages of the late bilinguals, English and German which were analyzed auditorily (/r/ only) and acoustically (/r/ and /l/). Although L1 attrition of rhotics and laterals has been investigated previously (e.g., de Leeuw, 2008; Ulbrich \& Ordin, 2014), the effect of contextual variables on L1 attrition and whether such variables also shape L1 attrition remains unexplored. The results of the auditory analyses of postvocalic /r/ revealed that the late bilinguals showed non-convergence with monolingual (non-)rhoticity in both of their languages by vocalizing postvocalic /r/ more frequently in their L1 (English) and failing to entirely suppress rhoticity in their L2 (German) leading up to a higher degree of rhoticity in their L2. While the loss of rhoticity in the bilingual's English was distributed along a spectrum of contextual constraints (e.g., type of pre-rhotic vowel and morpho-phonological environment) known to affect rhoticity in other English varieties, the non-targetlike productions of non-rhoticity (i.e., non-vocalized postvocalic /r/) in their L2, German, were not sensitive to the same contextual constraints. The acoustic analyses of the bilinguals' rhotic productions in English and German differed from the monolinguals in the acoustic correlates of rhoticity in pre-rhotic vowels where they showed reduced anticipatory F3-lowering (i.e., less /r/-colored vowels). I take my results to indicate that the bilinguals operate in two separate phonological grammars which approximate the respective L1 norm but show an increase of variability along constraints already present in each grammar. In contrast, the bilinguals' phonetic system seem shared between the two grammars. This leads to persistent L1-L2-interactions as the two grammars operate within the same phonetic space. Thus, the changes in L1 attrition are induced but not governed by the L2: Change to the L1 reflects constraints underlying the L1 as well as more general laws of phonetics and universal trajectories of language change. The lateral results revealed that just like in postvocalic /r/, the bilinguals showed non-convergence with the monolingual norm regarding the velarization of coda /l/ in both their languages. The changes to English laterals were sensitive to their positional context and more substantial for word-initial laterals than word-final laterals. Similarly, their German laterals were non-convergent with the monolinguals in two ways. Firstly, the bilinguals differed with regard to the acoustic specifications of their laterals, and secondly, the bilinguals failed to suppress the lateral allophony from their L1, leading to a non-targetlike allophonic pattern in their L2 laterals. I interpret the lateral results to lack evidence that the L1 allophonic rule was affected by the presence of an L2; nevertheless, L1 change emerged in the phonetic specifications of laterals. Furthermore, the bilinguals did not establish a nativelike allophonic pattern in their L2, leading to non-convergence in the allophonic distribution as well as the phonetic realization of German laterals. In this way, this dissertation provides evidence for L1 attrition in the distributional and the phonetic properties of liquids in the L1 of late bilinguals. In particular, the study presented in this dissertation provides evidence that L1 attrition is induced by the presence of a similar sound pattern in the L2. The pathway of attrition follows constraints not only underlyingly present in the L1 but also part of the universal laws of phonetics known to shape sound change. To explain these results, I draw from existing constraint grammars in phonological theory (such as Optimality Theory and Harmonic Grammar) to develop my Dynamic Constraints approach which allows the effects of external variables (e.g., L2 acquisition and its effect on the mind), and internal variables such as an increased likelihood of variability due to articulatory differences can be modeled using scaling factors which can interact with each other, the noise within the grammars, and the constraint weight itself. In this way, the model links previous findings on L1 attrition and its connections to diachronic and synchronic variability, offering insights into the links between the individual languages in a bilingual's mind.},
  subject      = {Zweisprachigkeit},
  language  = {en}
}
@article{Nenadovic2019,
  author    = {Nenadovic, Ana},
  title     = {Performing Feminism, Autobiography, and Testimony. Feminist Rap in Latin America.},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221850},
  pages     = {95-114},
  year      = {2019},
  abstract  = {This article focuses on selected Latin American female rap artists (Anita Tijoux, Rebeca Lane, and the duo Krudas Cubensi), and the way they perform feminism, autobiography and testimony through their lyrics and performances. The analysis concentrates on the synergies between the texts themselves, the official music videos shared on YouTube and the background music. It aims to demonstrate that only such a synergistic approach to rap allows a profound understanding of its particularities and its contributions to feminist discourses and spaces for feminist testimony in the current rise of both right-wing politics and feminist movements on the continent.},
  language  = {en}
}
@incollection{Noeth2019,
  author    = {N{\"o}th, Winfried},
  title     = {Peirce on the Continuity between Human and Nonhuman Minds},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177988},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {139-155},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Buehler2019,
  author    = {B{\"u}hler, Benjamin},
  title     = {Other Environments: Ecocriticism and Science Fiction (Lem, Ballard, Dath)},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177973},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {127-138},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Ruhe1995,
  author    = {Ruhe, Ernstpeter},
  title     = {Orienttr{\"a}ume und Europam{\"u}digkeit : Deutsche Algerienreisende im 19. Jahrhundert},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-102042},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  year      = {1995},
  abstract  = {No abstract available.},
  subject      = {Geschichte 1800-1900},
  language  = {de}
}
@article{Bach1989,
  author    = {Bach, Ulrich},
  title     = {Oral rhetoric in writings for a mixed literate and illiterate audience},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-47124},
  year      = {1989},
  abstract  = {No abstract available},
  language  = {en}
}
@misc{Gwosdek2014,
  author    = {Gwosdek, Hedwig},
  title     = {Nicholas Orme. English School Exercises, 1420-1530. Studies and Texts 181. Toronto: Pontifical Institute of Mediaeval Studies, 2013, xi + 441 pp., \$ 95.00.},
  series = {Anglia},
  volume    = {132},
  journal   = {Anglia},
  number    = {3},
  issn      = {1865-8938},
  doi       = {10.1515/ang-2014-0063},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195318},
  pages     = {607-610},
  year      = {2014},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Huettner2017,
  author    = {Huettner, Sabrina},
  title     = {Nelson Pressley. American Playwriting and the Anti-Political Prejudice: Twentieth- and Twenty-First Century Perspectives. Basingstoke: Palgrave Macmillan, 2014, ix + 185 pp, \$69.99.},
  series = {Journal of Contemporary Drama in English},
  volume    = {5},
  journal   = {Journal of Contemporary Drama in English},
  number    = {1},
  issn      = {2195-0164},
  doi       = {10.1515/jcde-2017-0019},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194210},
  pages     = {217-222},
  year      = {2017},
  abstract  = {No abstract available},
  language  = {en}
}
@incollection{CazabanMazerolles2019,
  author    = {Cazaban-Mazerolles, Marie},
  title     = {Narrating le vivant: the Zoe-Poetical Hypothesis},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177818},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {71-81},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Mencke2018,
  author    = {Mencke, Johanna},
  title     = {Multimodalit{\"a}t als strategisches Framing - Die mediale Selbstinszenierung von Marion Mar{\´e}chal-Le Pen (FN) in den sozialen Netzwerken},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {4},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-173990},
  pages     = {93-134},
  year      = {2018},
  abstract  = {The present study focuses on Marion Mar{\´e}chal-Le Pen's self-representation on social media. Despite her youth, the niece of the party's chairwoman and granddaughter of its founder is a distinguished member of the French radical right-wing populist and nationalist party Front National. The corpus-based analysis of her digital presence on Twitter, Instagram and Facebook on which this paper is based shows a specific use of linguistic and multimodal resources as a means of strategic framing of political content. In particular, an analysis of Mar{\´e}chal-Le Pen's use of searchable hashtags and @mentions referring to different political and non-political actors reveals it as a strategy of polarization between a constructed us and a negatively connoted them.},
  language  = {de}
}
@article{BaumgaertnerKernLevenetal.2021,
  author    = {Baumg{\"a}rtner, Ingrid and Kern, Manfred and Leven, Karl-Heinz and Toepfer, Regina},
  title     = {Mittelalter erschließen},
  series = {Das Mittelalter},
  volume    = {26},
  journal   = {Das Mittelalter},
  number    = {1},
  issn      = {0949-0345},
  doi       = {0.17885/heiup.1mial.2021.1.24310},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-299110},
  pages     = {68-86},
  year      = {2021},
  abstract  = {Research communication has been gaining public attention in recent years. Therefore, medievalists also need to focus on the transfer of their research topics to the public both within and outside the university. Based on current political demands calling for a change in communication culture, the article first of all deals theoretically with two different concepts of research communication, by distinguishing between forms of translation and those of popularization. Numerous public events, exhibitions, and cooperative projects with cities, schools, adult education centres, museums, and other educational institutions show that knowledge about the Middle Ages has been trans-mitted to interested laypersons for a long time. The authors see a particular challenge in the alterity of medieval culture, which at the same time provides an excellent opportunity for transferring research findings into society. The fascination with medieval materiality facilitates the transfer of knowledge by those disciplines that work with concrete objects, addressing issues of visuality and aesthetic experience. The article pinpoints conditions, strategies, and perspectives of successful research communication in medieval studies, and when focussing on cur-rent topics, the authors refer to concrete occasions and regional examples, showing why medieval research is still relevant today.},
  subject      = {Wissenschaftskommunikation},
  language  = {de}
}
@phdthesis{Medynska2015,
  author    = {Medynska, Thomas},
  title     = {Metaphorik in der ministeriellen Fragestunde in Parlamenten des Commonwealth of Nations - eine kontrastive Analyse unter spezieller Ber{\"u}cksichtigung von pragmatischen und interkulturellen Gesichtspunkten},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-112089},
  school      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2015},
  abstract  = {In demokratischen Regierungssystemen sind die Minister als Agenten der exekutiven Staatsgewalt gegen{\"u}ber dem Parlament f{\"u}r ihre Handlungen verantwortlich. Die ministerielle Fragestunde ist hierbei ein gewichtiges Kontollinstrument und Gegenstand der vorliegenden kontrastiven Metaphernanalyse unter spezieller Ber{\"u}cksichtigung von pragmatischen und kulturellen Gesichtspunkten. Neben einer Diskussion und Kontextualisierung kognitiver Metapherntheorien wird vor allem im Rahmen einer Korpusanalyse festgestellt, welche Quelldom{\"a}nen in diesem Diskursgenre quantitativ am h{\"a}ufigsten und qualitativ am bedeutsamsten f{\"u}r das zum Zeitpunkt der globalen Wirtschafts- und Finanzkrise relevante Makrotopik der Wirtschaftsrezession auftreten; außerdem welche interkulturellen Variationen und Konventionali{\"a}ten in den konzeptuellen Metaphern bestehen.},
  subject      = {Englisch},
  language  = {de}
}
@incollection{Kleinhans2015,
  author    = {Kleinhans, Martha},
  title     = {Maß und Exzess: Emotionalit{\"a}t in den Amor-Lauden des italienischen Mystikers Jacopone da Todi},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152093},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {105-124},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Jacopone, da Todi : Laude},
  language  = {de}
}
@incollection{Rishi2023,
  author    = {Rishi, Tushar},
  title     = {Marxism and Contemporary Cultural Studies},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-79},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305882},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {79-85},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@misc{Ellena2015,
  author    = {Ellena, Sandra},
  title     = {Maria Selig / Gerald Bernhard (edd.), Sprachliche Dynamiken. Das Italienische in Geschichte und Gegenwart (Studia Romanica et Linguistica, 34), Frankfurt am Main et al., Lang, 2011, 253 p.},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {131},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {4},
  publisher = {De Gruyter Mouton},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2015-0097},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195058},
  pages     = {1206-1212},
  year      = {2015},
  abstract  = {Rezension zu Maria Selig / Gerald Bernhard (edd.), Sprachliche Dynamiken. Das Italienische in Geschichte und Gegenwart (Studia Romanica et Linguistica, 34), Frankfurt am Main et al., Lang, 2011, 253 p.},
  language  = {de}
}
@article{Buch2016,
  author    = {Buch, Marina-Rafaela},
  title     = {Madame Chrysanth{\`e}me (1887) et Japoneries d'automne (1889) de Pierre Loti entre japonisme et exotisme d{\´e}senchant{\´e}},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161603},
  pages     = {53-75},
  year      = {2016},
  abstract  = {The novel Madame Chrysanth{\`e}me (1887) and the essays collected in Japoneries d'automne (1889) written by French travel author Pierre Loti offer a paradoxical view of Japan during the Meiji period. In both travel writings, the author is torn between aesthetic japonism - which spread all over Europe at the end of the 19th century - and exotic expectations, i.e. the picturesque fascination of the Other. The latter, however, remains unsatisfied throughout his stay. In both writings, Pierre Loti provides an insight into Japan that entirely reflects the spirit of his time. Thereby, he contributes to an image of Japan, which will long remain vivid in the Occident. Contemporaries perceive Loti's representation of Japan as a realistic testimony, tinged with both sensory impressions and his highly ambiguous feelings towards the distant country, which in the end remained incomprehensible to him.},
  subject      = {Loti, Pierre},
  language  = {fr}
}
@article{Ibrahim2017,
  author    = {Ibrahim, Amira},
  title     = {L'orientalisme fran{\c{c}}ais : d{\´e}finition et histoire},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172899},
  pages     = {127-145},
  year      = {2017},
  abstract  = {The history of intellectual and cultural contact between West and East is very complicated and contradictory. A long time ago, eastern culture attracted the attention of many writers, orientalists and researchers, who headed east not only to study and describe the fascinating eastern civilizations, but also to analyze their different literary, historical and scientific aspects. The new mysterious but exciting environment inspired the orientalists to record and describe what they experienced regarding the architecture, the nature and the people. The attractive eastern natural views which are distinguishable from the monotonous western environment - especially after the industrial revolution - helped them to find new prospects. The East has been coming into focus since the middle ages, when the church campaigns started to study Islam as the prevalent religion in this area. The orientalist motivations were not only religious, but also followed economic, colonial and scientific agenda, which lead to a plethora of specialized research, stories, novels and analytical studies. A close look at the orientalists' works will provide us with an overview of eastern civilization. Therefore, their works are considered as a mirror reflecting their point of view to the east and the north of Africa, especially to pharaonic Egypt. The orientalists who travelled to the east and expressed their passion to this old civilization in their writings influenced the literary movement deeply. But what do we mean by the term orientalism? Edward Sa{\"i}d has defined this term in different ways. Sa{\"i}d presented and interpreted it as a way of thinking, a historical phenomenon. Defining orientalism has become a problem indeed, and now it is carrying a number of meanings which do not match. Therefore, the aim of the study is to bring into focus the most important definitions of the term orientalism from the late 17th to the mid-20th century.},
  language  = {fr}
}
@article{Thalhammer2017,
  author    = {Thalhammer, Johanna},
  title     = {L'art de bien chanter und Von der Kunst zierlich zu singen und zu spielen - Eine kontrastive Analyse von Texten der musikalischen Fachsprache im 18. Jahrhundert anhand von Ausz{\"u}gen aus Code de musique pratique, Rameau (1760) und Der vollkommene Capellmeister, Mattheson (1739)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172958},
  pages     = {203-224},
  year      = {2017},
  abstract  = {This article is an analysis and a comparison of German and French special language of music in the 18th century, more precisely about the terms used to describe the activity of singing. The analysis is based on two treatises about music theory. The first writing, Der Vollkommene Capellmeister, was written by Johann Mattheson in 1739 and the second, Code de musique pratique by Jean-Philippe Rameau was published in 1760. Both texts contain a chapter which gives explanations how to sing. The treatises include different types of technical words: specific terms easy identified as special language terms like names of ornaments in the music, special verbs standing for singing, and words and anaphors to describe tonality and dynamics. By having a look on the terms of music language, the influence of Italian and French words on German vocabulary of music becomes obvious. The vocabulary is often similar in both languages, but not always defined as a part of the special language of music.},
  language  = {de}
}
@book{Harms2018,
  author    = {Harms, Dirk},
  title     = {Lyrik und Kunst, Musik und Lyrik. Der Einfluss von William Blake auf Van Morrison.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-163390},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2018},
  abstract  = {Diese Arbeit schildert auf der Basis einer Analyse der intermedialen Struktur der Werke zweier K{\"u}nstler aus unterschiedlichen Jahrhunderten die Transportierung eines mystischen Selbstverst{\"a}ndnisses, das als Tiefenstruktur der zugrundeliegenden Werke ausgemacht wird. Deshalb sieht diese Arbeit beide K{\"u}nstler als christliche Mystiker an, deren Weltbild keine grundlegenden Unterschiede aufweist. Dar{\"u}berhinaus wird {\"u}ber diese beiden Autoren versucht die kontrovers diskutierte Aktualit{\"a}t von Mystik in der Gegenwart herauszustellen. Zentraler Teil und Ausgangspunkt der Ergebnisse ist hierbei die Analyse eines mystischen Wertesystems, das sich in den Prophecies von William Blake finden l{\"a}sst und das sich in wesentlichen Punkten auf die Werke von Van Morrison {\"u}bertragen l{\"a}sst.},
  subject      = {Mystik},
  language  = {de}
}
@article{Winter2016,
  author    = {Winter, Ursula},
  title     = {Literarisierung von Musik als Intermedialit{\"a}tsph{\"a}nomen. Exemplarische Betrachtung der oratorischen Rezeption Dantes und Goethes bei Wolf-Ferrari und Berlioz},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161690},
  pages     = {281-306},
  year      = {2016},
  abstract  = {This article deals with the reception of Dante and Goethe in Ermanno Wolf-Ferrari's and Hector Berlioz's compositions La Vita Nuova and La Damnation de Faust. Although Dante Alighieri's Vita Nova and Johann Wolfgang von Goethe's Faust belong to completely different genres and epochs, the texts provide the basis for the oratorio-style works from the Romantic era, which justifies a comparative analysis of the latter. The examined reductions, extensions, modifications and rearrangements of the texts in the libretti - which were compiled almost entirely by the composers themselves - as well as the instrumental parts and the use and functions of the orchestra, the choir and the soloists, portray the intermedia relations between literature and music in the selected compositions. The chosen examples will show that the common idea of setting literature to music and the translation studies concept of intersemiotic translation are not appropriate for all literature-based pieces of music, as the analysis of both works demonstrates that with regard to vocal music a distinction should be made between the musicalization of literature and the literarization of music.},
  subject      = {Musik},
  language  = {de}
}
@article{Berneiser2017,
  author    = {Berneiser, Tobias},
  title     = {Lissabonner Navigationen. Literarische Nautik und heterotopischer Stadtdiskurs in Jos{\´e} Cardoso Pires' Lisboa - Livro de Bordo},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172859},
  pages     = {39-64},
  year      = {2017},
  abstract  = {This article seeks to analyse urban representation in Jos{\´e} Cardoso Pires's Lisboa - Livro de Bordo (1997), a book dedicated to the author's home city Lisbon, by focusing on its prevailing nautical and maritime imagery. This imagery as well as its tendency to design Lisbon as a city-ship shall be examined with regard to spatial construction in the Livro de Bordo. Urban sailing as well as the recurrent representations of the Portuguese capital's spaces as heterotopias will be interpreted as approaches to subvert institutional and homogenic discourses on Lisbon.},
  language  = {de}
}
@incollection{Shtaltovna2022,
  author    = {Shtaltovna, Yuliya},
  title     = {Linguistic Democratization of the Modern English Language: Functional Parameters of English Youth Slang Neologisms},
  series = {Studies in Modern English},
  booktitle = {Studies in Modern English},
  editor    = {Lazebna, Nataliia and Kumar, Dinesh},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-199-0-105},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296514},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {105-115},
  year      = {2022},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Ruhe1998,
  author    = {Ruhe, Ernstpeter},
  title     = {Les mots, l'amour, la mort : Les mythomorphoses d'Assia Djebar},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-107281},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  year      = {1998},
  abstract  = {No abstract available.},
  subject      = {Djebar, Assia},
  language  = {fr}
}
@article{Ruhe1995,
  author    = {Ruhe, Ernstpeter},
  title     = {Le texte autophage : l'ordre dans Le D{\´e}sordre de Rachid Boudjedra},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-101994},
  year      = {1995},
  abstract  = {No abstract available.},
  subject      = {Bū-Ǧadra, Rašīd},
  language  = {fr}
}
@article{Fliege2016,
  author    = {Fliege, Daniel},
  title     = {Le d{\´e}go{\^u}t du cadavre. Une comparaison entre la repr{\´e}sentation du corps mort dans le De Miseria Condicionis Humane d'Innocent III et dans son adaptation fran{\c{c}}aise Double lay de fragilit{\´e} humaine d'Eustache Deschamps},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161616},
  pages     = {77-97},
  year      = {2016},
  abstract  = {The study uses the category of disgust in order to analyse the representation of the human body and the corpse in one of the most influential medieval treatises, the De Miseria Condicionis Humanae (1195) written by Pope Innocent III, and its little known old French adaptation Double lay de fragilit{\´e} humaine (1383) by Eustache Deschamps. Analysing how both use disgust as an aesthetic means, which appeals to emotions and turns off reason, helps to point out the pedagogical and moral function of the texts. The comparison between them shows that Deschamps stays faithful to his Latin model, but that he nevertheless has to make certain modifications in order to adapt the prose text into a lyrical form. Furthermore, this approach clearly elucidates what differences there are between the conceptions of the human body and death in the two texts, revealing at the same time divergent theological points of view.},
  subject      = {Ekel},
  language  = {fr}
}
@article{Kurth2018,
  author    = {Kurth, Sarah},
  title     = {La semi{\´o}tica escenogr{\´a}fica en Todo lo dem{\´a}s (2016), de Natalia Almada},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {4},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187979},
  pages     = {71-91},
  year      = {2018},
  abstract  = {In the wake of the general tendency towards slow cinema which has been evolving in Mexican cinema, cinematographic devices have gained importance not only with regard to the construction of a persuasive narrative but also in terms of the aesthetic constitution of the movie itself. Not only is this observation evident in the absence of camera movements but also in the semiotic depth of mise en sc{\`e}ne resulting from this circumstance. Natalia Almada's movie Todo lo dem{\´a}s (2016) provides an impressive example of both the repercussions of this technique in the representation of loneliness as well as the suggestive power of the scenographical composition. Hence, the ensuing analysis of those scenes referring to water is to elucidate the semiotics of mise en sc{\`e}ne and its influence on the representation of the main character and the repetitive routine constricting her freedom.},
  language  = {es}
}
@article{Nabi2022,
  author    = {Nabi, Haifaa},
  title     = {La Naus{\´e}e : Salut par l'art ou par les autres ?},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329799},
  pages     = {145-163},
  year      = {2022},
  abstract  = {In this article dedicated to Jean-Paul Sartre's first novel La Naus{\´e}e, we analyze how the idea of conversion to art grows in the imagination of the hero, Antoine Roquentin. Furthermore we show that all the narrative actions in the novel are based on the hero's communicational interaction with the other characters. This lonely person who complains in his diary about social exclusion, yet he converts to art not through his reflections, but through communica-ting with the other characters. Also, many critical studies on La Naus{\´e}e have considered jazz music that the hero listens to in a caf{\´e} as the critical moment of his conversion. In our opinion this reflects juste one phase of a connected sequence of events through which the hero passes from a state of relational negativity and existential alienation to a state of openness, achieved again mainly by the virtue of other characters.},
  language  = {fr}
}