@article{Kiesler2014, author = {Kiesler, Reinhard}, title = {Anja Overbeck / Wolfgang Schweickard / Harald V{\"o}lker (edd.), Lexikon, Variet{\"a}t, Philologie: Romanistische Studien. G{\"u}nter Holtus zum 65. Geburtstag, Berlin, De Gruyter, 2011, XLIV + 824 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {130}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, issn = {1865-9063}, doi = {10.1515/zrp-2014-0108}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195505}, pages = {1165 -- 1170}, year = {2014}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {en} } @misc{Kiesler2014, author = {Kiesler, Reinhard}, title = {Sabine Bastian / Thierry Bulot / Elisabeth Burr (edd.), Sociolinguistique urbaine. Identit{\´e}s et mise en mots (Sprache - Kultur - Gesellschaft, 6), M{\"u}nchen, Meidenbauer, 2011, 161 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {130}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, issn = {1865-9063}, doi = {10.1515/zrp-2014-0097}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195517}, pages = {1083 -- 1086}, year = {2014}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @article{Reber2014, author = {Reber, Elisabeth}, title = {Constructing evidence at Prime Minister's Question Time: An analysis of the grammar, semantics and pragmatics of the verb see}, series = {Intercultural Pragmatics}, volume = {11}, journal = {Intercultural Pragmatics}, number = {3}, issn = {1613-365X}, doi = {10.1515/ip-2014-0017}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195549}, pages = {357 -- 387}, year = {2014}, abstract = {Abstract Constructing evidence constitutes a practice to establish the speaker's authority at Prime Minister's Question Time (PMQT), a weekly half-hour session in the British House of Commons. Here the verb see constitutes a resource for both the questioning Leader of the Opposition (LO) and Members of Parliament (MP) as well as for the responding Prime Minister (PM) to claim first-hand perceptual experience. This paper takes an integrated approach, offering a combined analysis of the grammatical formatting, semantics and pragmatics of the verb see in the context of evidential moves at PMQT. It shows how the verb see is functional in referring to the perceptual basis of a claim made and how its grammatical formatting is reflective of the contingencies of the local interactional context. The analysis is grounded in 32 sessions of PMQT (ca. 16 hrs of video-recordings). The results can be summarised as follows: 1) The evidential function of the verb is achieved through its context-specific grammatical formatting and semantics. 2) The reference to the perceptual basis of a claim evoked by see may co-occur with epistemic qualification and evaluative expressions. 3) The formatting of the verb may be indexical of the political relationship between the questioner and the responding PM.}, language = {en} } @article{Kiesler2013, author = {Kiesler, Reinhard}, title = {Pour une typologie des phrases complexes}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {129}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {3}, issn = {1865-9063}, doi = {10.1515/zrp-2013-0064}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195562}, pages = {608 -- 628}, year = {2013}, abstract = {AbstractUne tradition grammaticale largement r{\´e}pandue distingue trois types de relations entre propositions, donc trois types de phrases complexes: les propositions juxtapos{\´e}es, les propositions coordonn{\´e}es et les phrases hypotaxiques. Riegel et al. (2009) ajoutent en outre les phrases avec incise ou incidente comme quatri{\`e}me type. Les grammaires et trait{\´e}s d{\´e}crivent les diff{\´e}rentes sortes de coordination (copulative, disjonctive, adversative, causale et cons{\´e}cutive) et de subordination (compl{\´e}tive, relative et circonstancielle). Pourtant, jusqu'{\`a} pr{\´e}sent il n'existe pas, {\`a} ce qu'il semble, de description plus d{\´e}taill{\´e}e, ni des divers degr{\´e}s de l'hypotaxe et de la parataxe d'une part, ni des diff{\´e}rentes combinaisons de structures hypotaxiques et parataxiques d'autre part. Le but de cet article est donc de proposer une typologie plus compl{\`e}te des phrases complexes sur la base d'un petit corpus de r{\´e}f{\´e}rence. Cette typologie distinguera, d'un c{\^o}t{\´e}, divers degr{\´e}s de phrases parataxiques homog{\`e}nes et de phrases parataxiques h{\´e}t{\´e}rog{\`e}nes et, de l'autre c{\^o}t{\´e}, des phrases hypotaxiques simples et des phrases hypotaxiques multiples.}, language = {fr} } @misc{Karremann2014, author = {Karremann, Isabel}, title = {April London.The Cambridge Introduction to the Eighteenth-Century Novel. Cambridge Introductions to Literature. Cambridge: Cambridge University Press, 2012, 260 pp., \$ 26.99 pb.}, series = {Anglia}, volume = {132}, journal = {Anglia}, number = {3}, issn = {1865-8938}, doi = {10.1515/ang-2014-0064}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195307}, pages = {611-615}, year = {2014}, abstract = {No abstract available.}, language = {en} } @misc{Gwosdek2014, author = {Gwosdek, Hedwig}, title = {Nicholas Orme. English School Exercises, 1420-1530. Studies and Texts 181. Toronto: Pontifical Institute of Mediaeval Studies, 2013, xi + 441 pp., \$ 95.00.}, series = {Anglia}, volume = {132}, journal = {Anglia}, number = {3}, issn = {1865-8938}, doi = {10.1515/ang-2014-0063}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195318}, pages = {607-610}, year = {2014}, abstract = {No abstract available.}, language = {en} } @misc{Kiesler2013, author = {Kiesler, Reinhard}, title = {Travaux de Linguistique 59 (2009) (Themenheft: Architecture δια et variabilit{\´e} en langue, ed. Rika Van Deyck), 163 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {129}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, issn = {1865-9063}, doi = {10.1515/zrp-2013-0142}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195339}, pages = {1189-1194}, year = {2013}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @book{Harms2018, author = {Harms, Dirk}, title = {Lyrik und Kunst, Musik und Lyrik. Der Einfluss von William Blake auf Van Morrison.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-163390}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {2018}, abstract = {Diese Arbeit schildert auf der Basis einer Analyse der intermedialen Struktur der Werke zweier K{\"u}nstler aus unterschiedlichen Jahrhunderten die Transportierung eines mystischen Selbstverst{\"a}ndnisses, das als Tiefenstruktur der zugrundeliegenden Werke ausgemacht wird. Deshalb sieht diese Arbeit beide K{\"u}nstler als christliche Mystiker an, deren Weltbild keine grundlegenden Unterschiede aufweist. Dar{\"u}berhinaus wird {\"u}ber diese beiden Autoren versucht die kontrovers diskutierte Aktualit{\"a}t von Mystik in der Gegenwart herauszustellen. Zentraler Teil und Ausgangspunkt der Ergebnisse ist hierbei die Analyse eines mystischen Wertesystems, das sich in den Prophecies von William Blake finden l{\"a}sst und das sich in wesentlichen Punkten auf die Werke von Van Morrison {\"u}bertragen l{\"a}sst.}, subject = {Mystik}, language = {de} } @article{Koch2016, author = {Koch, Christian}, title = {Et amen. No? Sul carattere testuale dell'idioletto poliglotta della figura di Salvatore nel romanzo Il nome della rosa di Umberto Eco}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161658}, pages = {171-190}, year = {2016}, abstract = {This article deals with the outstanding linguistic character of Salvatore in Umberto Eco's novel Il nome della rosa. The first section is a critical review on problems and potentials of linguistic analyses of fictional texts, especially of those which have been written in uncommon or inexistent languages. The text-based analysis of Salvatore's polyglot idiolect shows that this is more than a simple and confused mixture of Latin, German, and some Romance dialects and languages. Based on the linguistic concepts of intertextuality, frame-dependent text styles, and diaphasic variety several language choices in Salvatore may be explained in a new way. The analysis of four concrete text fragments also envisions the possibilities of a deeper comprehension of Salvatore's utterances through attentive context reading.}, subject = {Eco, Umberto : Il nome della rosa}, language = {it} } @phdthesis{Chikezie2017, author = {Chikezie, Aloysius Cheta}, title = {THE VALUE OF WORK IN NIGERIA with Reference to Laborem Exercens}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-147592}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2017}, abstract = {Work is seen by many thinkers as the fundamental dimension of man`s existence on earth. Through work, he provides his basic necessities on earth and co-operate with God in the work of creation. He received this mandate to work from the very beginning of creation by God. In carrying out this mandate, man every human being reflects the very action of the creator of the Universe. God worked and intended that man who is created in His image and likeness continues the work of creation by working. Even though Man suffers and sweats through work and yet, in spite of all this toil-perhaps in a sense because of it - work is a good thing for man. It is not only good in the sense that it is useful or something to enjoy; it is also good as being something worthy, that is to say something that corresponds to man's dignity that expresses this dignity and increases it. This project examines man as a creature called to work and born into work. It is true that through work, man provides himself and his family with the basic necessities of life and everyday needs for the reason he charges wages for his sweat. Work goes beyond and should exceed the boundaries of the material benefit that comes out of it to the satisfaction and fulfilment for the very purpose we should work. The modern society has attached so much importance to money and material possession, the question then is how do we go along working in the spirit of improvement and renewal of the earth? The modern man understands work only as a means of making his daily bread. For this reason, he engages himself in an occupation that he has little or no interest in. He ends up quarrelling everyday with the people that he or she is supposed to serve through work. The result is low work output and waste of talents and the society loses an opportunity for improvement as every creature is supposed to contribute uniquely. A good example is Nigeria, Africa's most populous nation with a population estimate of about over 170,000,000 people and the sixth Oil producing Nation.}, subject = {Nigeria}, language = {en} } @article{Pordzik2017, author = {Pordzik, Ralph}, title = {George Orwell's Imperial Bestiary: Totemism, Animal Agency and Cross-Species Interaction in "Shooting an Elephant", Burmese Days and "Marrakech"}, series = {Anglia}, volume = {135}, journal = {Anglia}, number = {3}, issn = {1865-8938}, doi = {10.1515/ang-2017-0045}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194200}, pages = {440-466}, year = {2017}, abstract = {This essay argues that Orwell's representation of animals as companion species offers a strikingly new, as-yet largely neglected view of animal agency and interiority in his work. In "Shooting an Elephant", Burmese Days and "Marrakech", the writer's focus on the social reject is supplemented by a marked sense of community implying human tragedy yet framing it within precariously situated human-animal, colonial or urban-imperial transitions that visualise animals as agents of change and co-shaping species interdependent with the lives of the humans that utilize and domineer them. Animals are required whenever Orwell aspires to shift from isolation to communality, from the self-conscious outsider to the larger realm of ideas framing the world in which his characters strive to overstep the accepted lines of social performance and conformity. Read in and around disciplinary structures of rationalization, Orwell's animals appear to secure themselves, quite paradoxically, a place within the normative anthropocentric framework excluding them. They extend beyond anthropomorphising or allegorical modes of description and open up bio-political perspectives within and across regimes of knowledge and empathy. Orwell's writings thus present a challenge to the culturally accredited fantasy of human exceptionalism, collapsing any epistemic space between humans and animals and burying the idea of sustaining radical species distinction.}, language = {en} } @article{Huettner2017, author = {Huettner, Sabrina}, title = {Nelson Pressley. American Playwriting and the Anti-Political Prejudice: Twentieth- and Twenty-First Century Perspectives. Basingstoke: Palgrave Macmillan, 2014, ix + 185 pp, \$69.99.}, series = {Journal of Contemporary Drama in English}, volume = {5}, journal = {Journal of Contemporary Drama in English}, number = {1}, issn = {2195-0164}, doi = {10.1515/jcde-2017-0019}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194210}, pages = {217-222}, year = {2017}, abstract = {No abstract available}, language = {en} } @misc{Ellena2015, author = {Ellena, Sandra}, title = {Maria Selig / Gerald Bernhard (edd.), Sprachliche Dynamiken. Das Italienische in Geschichte und Gegenwart (Studia Romanica et Linguistica, 34), Frankfurt am Main et al., Lang, 2011, 253 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {131}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, publisher = {De Gruyter Mouton}, issn = {1865-9063}, doi = {10.1515/zrp-2015-0097}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195058}, pages = {1206-1212}, year = {2015}, abstract = {Rezension zu Maria Selig / Gerald Bernhard (edd.), Sprachliche Dynamiken. Das Italienische in Geschichte und Gegenwart (Studia Romanica et Linguistica, 34), Frankfurt am Main et al., Lang, 2011, 253 p.}, language = {de} } @misc{Karremann2016, author = {Karremann, Isabel}, title = {Hans-Peter Wagner. An Introduction to British and Irish Fiction: Renaissance to Romanticism. Trier: Wissenschaftlicher Verlag Trier, 2014, 262 pp., 60 illustr., € 29.50.}, series = {Anglia}, volume = {134}, journal = {Anglia}, number = {4}, issn = {1865-8938}, doi = {10.1515/ang-2016-0078}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194309}, pages = {711-715}, year = {2016}, abstract = {No abstract available.}, language = {en} } @misc{Goldschmitt2016, author = {Goldschmitt, Stefanie}, title = {Frank Jablonka, Processus et diff{\´e}rence en communication postcoloniale. Analyse de communication m{\´e}diatique d'expression espagnole au Maroc (Espaces discursifs, 114), Paris, L'Harmattan, 2014, 224 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {132}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {3}, issn = {1865-9063}, doi = {10.1515/zrp-2016-0066}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194115}, pages = {897-900}, year = {2016}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @misc{Schulze2014, author = {Schulze, Daniel}, title = {Josephine Machon. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave, 2013, xix + 324 pp., € 22,30.}, series = {Journal of Contemporary Drama in English}, volume = {2}, journal = {Journal of Contemporary Drama in English}, number = {2}, issn = {2195-0164}, doi = {10.1515/jcde-2014-0037}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194050}, pages = {356-360}, year = {2014}, abstract = {No abstract available.}, language = {en} } @article{Schulze2015, author = {Schulze, Daniel}, title = {The Passive Gaze and Hyper-Immunised Spectators: The Politics of Theatrical Live-Broadcasting}, series = {Journal of Contemporary Drama in English}, volume = {3}, journal = {Journal of Contemporary Drama in English}, number = {2}, issn = {2195-0164}, doi = {10.1515/jcde-2015-0024}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195091}, pages = {315-326}, year = {2015}, abstract = {No abstract available.}, language = {en} } @incollection{Schoenbeck2019, author = {Sch{\"o}nbeck, Sebastian}, title = {Return to the Fable: Rethinking a Genre Neglected in Animal Studies and Ecocriticism}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177966}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {111-125}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{GoldschmittHesselbach2019, author = {Goldschmitt, Stefanie and Hesselbach, Robert}, title = {Sprachliche Unsicherheit bei unregelm{\"a}ßigen Superlativbildungen im Spanischen}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {135}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {3}, issn = {1865-9063}, doi = {10.1515/zrp-2019-0056}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194235}, pages = {643-662}, year = {2019}, abstract = {This paper deals with the interrelation between the concept of linguistic insecurity described by Labov (1966) and the irregular formation of Spanish superlatives based on Latin roots such as paup{\´e}rrimo, celeb{\´e}rrimo etc. instead of the analogue formation pobr{\´i}simo or celebr{\´i}simo. After a brief overview on the frequency of these forms and their alleged regular equivalents in Spanish corpora, a closer look is taken on the speakers' internal and external aspects of linguistic (in)security. Finally, it is shown by an acceptability test that there are forms on -{\´e}rrim*, which are not exclusively restricted to the norma culta in Spanish.}, language = {de} } @incollection{Wehr2015, author = {Wehr, Christian}, title = {Die Kommunikation und das Ungesagte. Verdr{\"a}ngung und postdiktatoriale Geschichtskonstruktion in \(La\) \(historia\) \(oficial\) (1985) von Luis Puenzo}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152299}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {397-415}, year = {2015}, abstract = {No abstract available.}, subject = {Puenzo, Luis}, language = {de} } @article{Hesselbach2016, author = {Hesselbach, Robert}, title = {Reinhard Kiesler (18. Januar 1960-9. September 2015)}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {132}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {1}, issn = {1865-9063}, doi = {10.1515/zrp-2016-0027}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194927}, pages = {354 -- 355}, year = {2016}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @incollection{Greiner2015, author = {Greiner, Thorsten}, title = {„Trouver une langue". Rimbauds Kritik an Baudelaire und das Problem der Repr{\"a}sentation des Absoluten in \(Une\) \(Saison\) \(en\) \(enfer\) und den \(Illuminations\)}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152247}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {303-329}, year = {2015}, abstract = {No abstract available.}, subject = {Rimbaud, Arthur : Une saison en enfer}, language = {de} } @incollection{Hahn2015, author = {Hahn, Kurt}, title = {Cash und Crash, Spekulanten und S{\"u}ndenb{\"o}cke - Die gespenstische Kommunikation des Kapitals und die Krise der Repr{\"a}sentation in Juli{\´a}n Martels Roman \(La\) \(bolsa\)}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152239}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {281-302}, year = {2015}, abstract = {No abstract available.}, subject = {Mir{\´o}, Jos{\´e}}, language = {de} } @incollection{Fajen2015, author = {Fajen, Robert}, title = {Ein Salon im Untergrund. Caylus' \(M{\´e}moires\) \(de\) \(l'Acad{\´e}mie\) \(des\) \(Colporteurs\) und die Erkundung der literarischen Peripherie im Zeitalter der Aufkl{\"a}rung}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152210}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {235-258}, year = {2015}, abstract = {No abstract available.}, language = {de} } @incollection{Wolfzettel2015, author = {Wolfzettel, Friedrich}, title = {« H{\"o}hle, die tiefste, sch{\"u}tzt » (Faust II). {\"U}berlegungen zur Signatur von H{\"o}hle und Grotte seit der Aufkl{\"a}rung}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152223}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {259-279}, year = {2015}, abstract = {No abstract available.}, subject = {H{\"o}hle }, language = {de} } @incollection{Brunner2015, author = {Brunner, Alexandra}, title = {Die Fragilit{\"a}t der Identit{\"a}tsentw{\"u}rfe im Zeichen einer Krise der Repr{\"a}sentation im (post-)modernen Roman Lateinamerikas}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152280}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {379-396}, year = {2015}, abstract = {No abstract available.}, subject = {Roman}, language = {de} } @incollection{Neumeister2015, author = {Neumeister, Sebastian}, title = {Identit{\"a}tsbildung und Repr{\"a}sentation in der Neuen Welt: Mexiko 1680}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152168}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {217-234}, year = {2015}, abstract = {No abstract available.}, subject = {Identit{\"a}tsentwicklung}, language = {de} } @incollection{Roloff2015, author = {Roloff, Volker}, title = {Repr{\"a}sentation, Inszenierung und Rollenspiel. Anmerkungen zum Theater und \(theatrum\) \(mundi\) bei Sartre}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152279}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {361-377}, year = {2015}, abstract = {No abstract available.}, subject = {Sartre, Jean-Paul}, language = {de} } @incollection{Nitsch2015, author = {Nitsch, Wolfram}, title = {Bodenlose Eloquenz. L{\"u}gnerfiguren in der Kom{\"o}die}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152148}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {201-216}, year = {2015}, abstract = {No abstract available.}, language = {de} } @incollection{HornungGoldschmitt2015, author = {Hornung, Christoph and Goldschmitt, Stefanie}, title = {Stadtbeschreibung und Weltlosigkeit der Sprache in Raymond Queneaus \(Zazie\) \(dans\) \(le\) \(m{\´e}tro\)}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152265}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {345-359}, year = {2015}, abstract = {No abstract available.}, subject = {Queneau, Raymond : Zazie dans le m{\´e}tro}, language = {de} } @incollection{Kiesler2015, author = {Kiesler, Reinhard}, title = {Verbalkomplexe im \(Jarama\)}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152256}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {331-343}, year = {2015}, abstract = {No abstract available.}, subject = {S{\´a}nchez Ferlosio, Rafael : El Jarama}, language = {de} } @book{OPUS4-15202, title = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152021}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {415}, year = {2015}, abstract = {Diese Festschrift ehrt den Romanisten und Slawisten Gerhard Penzkofer anl{\"a}sslich seines 65. Geburtstags. Kolleginnen und Kollegen sowie Sch{\"u}lerinnen und Sch{\"u}ler, die Gerhard Penzkofer auf seinem bisherigen Weg unter anderem in M{\"u}nchen, Bamberg und W{\"u}rzburg sowohl fachlich als auch pers{\"o}nlich nahestanden, publizieren hier Beitr{\"a}ge, die von seinen Forschungen inspiriert sind. Im Zentrum dieser Untersuchungen, die den italienischen, franz{\"o}sischen und spanischen Sprachraum umschließen, steht das Verh{\"a}ltnis von Kommunikation und Repr{\"a}sentation. Dabei umfassen die Beitr{\"a}ge Aspekte, die historisch vom Mittelalter bis zum 20. Jahrhundert und thematisch von der mittelalterlichen Exempelsammlung bis zur postdiktatorialen Geschichtskonstruktion reichen.}, subject = {Kommunikation }, language = {de} } @unpublished{Hornung2013, author = {Hornung, Christoph}, title = {Die Minderheiten- und Außenseiterperspektive in Federico Garc{\´i}a Lorcas Poeta en Nueva York.}, series = {Minderheit(en): Fremd? Anders? Gleich?. Beitr{\"a}ge zum XXVII. Forum Junge Romanistik in Regensburg (15.-18. Juni 2011)}, journal = {Minderheit(en): Fremd? Anders? Gleich?. Beitr{\"a}ge zum XXVII. Forum Junge Romanistik in Regensburg (15.-18. Juni 2011)}, editor = {Blandfort, Julia and Mancas, Magdalena Silvia and Wiesinger, Evelyn}, publisher = {Lang}, address = {Frankfurt am Main}, doi = {10.3726/978-3-653-02742-6}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-148208}, pages = {79 -- 95}, year = {2013}, abstract = {Die Arbeit analysiert die Situation des lyrischen Ich in Federico Garc{\´i}a Lorcas Gedichtband Poeta en Nueva York hinsichtlich seiner Minderheiten- und Außenseiterperspektive.}, subject = {Garc{\´i}a Lorca, Federico}, language = {de} } @incollection{Ventarola2015, author = {Ventarola, Barbara}, title = {Pluralisierung, Inversion, Utopie. Doppelb{\"o}dige Exemplarit{\"a}t im \(Libro\) \(de\) \(buen\) \(amor\) des Arcipreste de Hita}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152089}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {75-103}, year = {2015}, abstract = {No abstract available.}, subject = {Ruiz, Juan : Libro de buen amor}, language = {de} } @article{Poetters2015, author = {P{\"o}tters, Wilhelm}, title = {\(Spagna\) in Dantes poetischer Kosmologie}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, journal = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152077}, pages = {49-74}, year = {2015}, abstract = {Verstreut {\"u}ber den ganzen Text der G{\"o}ttlichen Kom{\"o}die kommen verschiedene geographische Namen vor, die sich auf Spanien beziehen. In mehreren dieser F{\"a}lle hat Dante die im w{\"o}rtlichen Schriftsinn verwendeten toponymischen Zeichen als Elemente hermetisch wirkender Aussagen und damit offenbar als Indizien einer verborgenen Botschaft konzipiert. Zum Nachweis dieser These soll in den folgenden Betrachtungen erkundet werden, welche Funktion den im wissenschaftlichen Weltbild des Dichters verankerten spanischen Land- und St{\"a}dtenamen in der Komposition des Epos zukommt. Damit m{\"o}chte ich meinem Kollegen und Freund Gerhard Penzkofer f{\"u}r die vielen anregenden Gespr{\"a}che danken, die wir - in den Jahren der gemeinsamen T{\"a}tigkeit in der W{\"u}rzburger Romanistik - vor allem {\"u}ber cosas de Espa{\~n}a f{\"u}hren konnten. Da der vorliegende Band unter den von seiner Lehre inspirierten Leitbegriffen Kommunikation und Repr{\"a}sentation steht, bietet es sich am Schluss an, die beiden Konzepte mit den vom Dichter diskutierten Termini sensus litteralis und sensus allegoricus in Beziehung zu setzen.}, subject = {Spanien}, language = {de} } @incollection{Kleinhans2015, author = {Kleinhans, Martha}, title = {Maß und Exzess: Emotionalit{\"a}t in den Amor-Lauden des italienischen Mystikers Jacopone da Todi}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152093}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {105-124}, year = {2015}, abstract = {No abstract available.}, subject = {Jacopone, da Todi : Laude}, language = {de} } @incollection{Folger2015, author = {Folger, Robert}, title = {«Maistrece de tous ses sens»: Christine de Pizans \(Livre\) \(de\) \(la\) \(cit{\´e}\) \(des\) \(dames\) als mentale Maschine}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152104}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {125-145}, year = {2015}, abstract = {No abstract available.}, subject = {Christine, de Pisan : Le livre de la cit{\´e} des dames}, language = {de} } @incollection{Matzat2015, author = {Matzat, Wolfgang}, title = {Der Wandel des fr{\"u}hneuzeitlichen Gesellschaftsmodells in Lope de Vegas \(Villano\) \(en\) \(su\) \(rinc{\´o}n\)}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152127}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {165-186}, year = {2015}, abstract = {No abstract available.}, subject = {Vega Carpio, Lope F{\´e}lix de : El villano en su rinc{\´o}n}, language = {de} } @incollection{Strosetzki2015, author = {Strosetzki, Christoph}, title = {(Re-)pr{\"a}sentationen. Exzerpieren zwischen \(memoria\), \(imitatio\) und \(innovatio\)}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152116}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {147-164}, year = {2015}, abstract = {No abstract available.}, subject = {Exzerpt}, language = {de} } @incollection{Burrichter2015, author = {Burrichter, Brigitte}, title = {Die Frage der Ehre. Ehre und Schande in den Romanen Chr{\´e}tiens de Troyes}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152061}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {33-48}, year = {2015}, abstract = {No abstract available.}, subject = {Ehre }, language = {de} } @incollection{Hesselbach2015, author = {Hesselbach, Robert}, title = {Sprache als Verf{\"u}hrungskunst - ein rhetorisch-pragmatischer Kommentar zur Figurenrede des Don Juan in Tirso de Molinas \(El\) \(burlador\) \(de\) \(Sevilla\) \(y\) \(convidado\) \(de\) \(piedra\)}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hronung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152137}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {187-199}, year = {2015}, abstract = {No abstract available.}, subject = {Tirso, de Molina : El burlador de Sevilla y convidado de piedra}, language = {de} } @misc{RaphaelHernandez2017, author = {Raphael-Hernandez, Heike}, title = {Claudia Deetjen. Re-Imagining Nature's Nation: Native American and Native Hawaiian Literature, Environment, and Empire. American Studies - A Monograph Series 267. Heidelberg: Winter, 2016, 236 pp., € 45.00.}, series = {Anglia}, volume = {135}, journal = {Anglia}, number = {4}, issn = {1865-8938}, doi = {10.1515/ang-2017-0078}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195398}, pages = {775-778}, year = {2017}, abstract = {No abstract available.}, language = {en} } @unpublished{Kiesler1994, author = {Kiesler, Reinhard}, title = {Zum Stand der Forschung auf dem Gebiete der franz{\"o}sischen Umgangssprache (1994)}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-103365}, pages = {77 S.}, year = {1994}, abstract = {Der Artikel gibt einen {\"U}berblick {\"u}ber die Forschungen zur franz{\"o}sischen Umgangssprache von den Anf{\"a}ngen bis etwa 1992 in vier Abschnitten: 1. Die Anf{\"a}nge, 2. die Sprachschichtenforschung, 3. die Beitr{\"a}ge von Soziolinguistik und Variet{\"a}tenlinguistik und 4. die Arbeiten der "Gegenwart" um 1990. Eine Zusammenfassung und eine ausf{\"u}hrliche Bibliographie schließen den Forschungsbericht ab. Ber{\"u}cksichtigt werden alle sprachlichen Ebenen von der Aussprache {\"u}ber den Wortschatz bis zur Grammatik. Wo es angebracht erscheint, sind Hinweise auf Arbeiten zu anderen Umgangssprachen angef{\"u}hrt.}, subject = {Franz{\"o}sisch}, language = {de} } @incollection{Ruhe2013, author = {Ruhe, Ernstpeter}, title = {La l{\´e}gitimation du savoir dans le dialogue encyclop{\´e}dique Le Livre de Sydrac}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-105586}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {2013}, abstract = {No abstract available.}, subject = {Sidrac }, language = {fr} } @phdthesis{Medynska2015, author = {Medynska, Thomas}, title = {Metaphorik in der ministeriellen Fragestunde in Parlamenten des Commonwealth of Nations - eine kontrastive Analyse unter spezieller Ber{\"u}cksichtigung von pragmatischen und interkulturellen Gesichtspunkten}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-112089}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2015}, abstract = {In demokratischen Regierungssystemen sind die Minister als Agenten der exekutiven Staatsgewalt gegen{\"u}ber dem Parlament f{\"u}r ihre Handlungen verantwortlich. Die ministerielle Fragestunde ist hierbei ein gewichtiges Kontollinstrument und Gegenstand der vorliegenden kontrastiven Metaphernanalyse unter spezieller Ber{\"u}cksichtigung von pragmatischen und kulturellen Gesichtspunkten. Neben einer Diskussion und Kontextualisierung kognitiver Metapherntheorien wird vor allem im Rahmen einer Korpusanalyse festgestellt, welche Quelldom{\"a}nen in diesem Diskursgenre quantitativ am h{\"a}ufigsten und qualitativ am bedeutsamsten f{\"u}r das zum Zeitpunkt der globalen Wirtschafts- und Finanzkrise relevante Makrotopik der Wirtschaftsrezession auftreten; außerdem welche interkulturellen Variationen und Konventionali{\"a}ten in den konzeptuellen Metaphern bestehen.}, subject = {Englisch}, language = {de} } @phdthesis{Leipold2015, author = {Leipold, Winfried}, title = {Der deutsch-franz{\"o}sische Krieg von 1870/71. Die Konfrontation zweier Kulturen im Spiegelbild von Zeitzeugen und Zeitzeugnissen}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-125434}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2015}, abstract = {Der Fokus dieser Studie liegt auf dem punktuellen Ausleuchten themenrelevanter Aspekte des deutsch-franz{\"o}sischen Krieges von 1870/71. Somit ist die Einhaltung einer chronologischen Abfolge der Kriegsgenese, wie sie g{\"a}ngigen Publikationen zu eigen ist, nicht gegeben. Es sollen vielmehr der Einfluss und die Bedeutung jener kulturell-mentaler und soziomorpher Prozesse recherchiert werden, die sich auf den Fortgang »dieses von vornherein verlorenen Krieges« (»une guerre perdue d'avance«) beziehen und welche in der traditionellen Kriegsliteratur kaum gewichtet bzw. nur marginal gestreift werden. Die Arbeit wird dokumentiert durch eine Vielzahl von Quellen aus der Feder zeitgen{\"o}ssischer Kriegsteilnehmer, Historiker, Politiker und Literaten, von Theodor Fontane bis L{\´e}on Gambetta, von Baron de la Belle-Croix bis Napoleon III., von Hans v. Kretschman bis Alfred Duquet, von Karl Tanera bis General Chancy. Zudem konnten in die Arbeit zus{\"a}tzlich Analysen und Erkenntnisse gegenw{\"a}rtiger Historiker und Milit{\"a}rs mit einbezogen werden, welche, unisono und in aller Offenheit, die eigentlichen Gr{\"u}nde der franz{\"o}sischen Niederlage von 1870/71 darlegen. Des Weiteren wird sichtbar, weshalb die franz{\"o}sische Nation nicht f{\"a}hig und willens war, vom Elfenbeinturm ihrer Selbst{\"u}bersch{\"a}tzung in die Niederungen der Realit{\"a}t hinabzusteigen. Hier seien Autoren wie Audouin-Rouzeau, Henninger, Battesti, Fr{\`e}rejean, David, Guelton, Serman, Bern{\`e}de oder Dreyfus genannt. Letztendlich runden Besuche des Verfassers an den Kriegsschaupl{\"a}tzen sowie Gespr{\"a}che mit Menschen aus der Region das Bild des Kriegsgeschehens ab, wobei deren Rekurs auf tradierte Erinnerungen an diesen nahezu 150 Jahre zur{\"u}ckliegenden Krieg in Erstaunen versetzt. Neben der Gliederung in Kapitel ist diese Arbeit in 4 {\"u}bergeordnete Themengebiete eingeteilt: Der erste, gr{\"o}ßte Teil (Kapitel 1-22) behandelt das Kriegsgeschehen im Allgemeinen, w{\"a}hrend sich der zweite Teil (Kapitel 23-24) explizit der Rolle der zeitgen{\"o}ssischen Medien und der dritte Teil (Kapitel 25-27) der Resonanz des Kriegs in der zeitgen{\"o}ssischen Literatur widmen. Der vierte Teil ist als separater Abbildungsteil konzipiert, der die vorherigen Teile erg{\"a}nzt.}, subject = {Rezeption}, language = {de} } @phdthesis{Deppisch2015, author = {Deppisch, Aaron}, title = {Die Religion in den Werken von Jean Bodin und Michel de Montaigne. Ein Vergleich}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-120412}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2015}, abstract = {Das Leben der beiden Autoren Jean Bodin und Michel de Montaigne wurde von den blutigen Auseinandersetzungen der franz{\"o}sischen Religionskriege gepr{\"a}gt. Aus diesem Grund besitzt die Religon in ihren Werken eine herausgehobene Stellung. In "Les six livres de la R{\´e}publique" von Jean Bodin gr{\"u}ndet dieser sein Prinzip der Souver{\"a}nit{\"a}t auf die Religion. Diese gibt also die Grundregeln des menschlichen Zusammenlebens vor. In seinem Religionsgespr{\"a}ch "Colloqium Heptaplomeres" vertieft Bodin diese Gedanken und entwickelt ein Toleranzkonzept, das die M{\"o}glichkeit des Zusammenlebens verschiedener Religionen in einem Staat vorsieht. Die Religion ist bei Jean Bodin also vor allem ein Instrument, um die Gesellschaft zu organisieren. Michel de Montaigne betrachtet in seinen "Essais" die Religion weit kritischer. F{\"u}r ihn ist sie eine Instanz, die die Menschen trennt anstatt sie zu vereinen. Er warnt vor ihren zerst{\"o}rerischen Folgen. Gleichwohl entwickelt Montaigne ein Toleranzkonzept, das auf seiner Grund{\"u}berzeugung der Gewaltfreiheit beruht. Es zeigt sich, dass beide Autoren die Religion und ihre N{\"u}tzlichkeit f{\"u}r die Gesellschaft unter verschiedenen Blickwinkeln betrachten.}, subject = {Bodin, Jean}, language = {de} } @phdthesis{Shanneik2009, author = {Shanneik, Yafa}, title = {'Weder vom Osten noch vom Westen': Intermediacy in ausgew{\"a}hlten Werken deutsch- und englischsprachiger Literatur von Autorinnen und Autoren arabischer Abstammung}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-37403}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2009}, abstract = {Diese Dissertationsarbeit konzentriert sich in ihrer Untersuchung auf englischsprachige Romane, die von zeitgen{\"o}ssischen Autorinnen arabischer Herkunft verfasst worden sind, und stellt sie in den Kontext postkolonialer und feministischer Literatur. Ahdaf Soueifs Roman In the Eye of the Sun (1992), Fadia Faqirs Roman Pillars of Salt (1997) und Leila Aboulelas zwei Romane The Translator (1999) und Minaret (2005) sind Gegenstand der Untersuchung. Zum Vergleich werden auch zwei deutschsprachige Romane von Autoren arabischer Herkunft miteinbezogen: Jusuf Naoums Nura. Eine Libanesin in Deutschland (1996) und Rafik Schamis Die dunkle Seite der Liebe (2004). Obwohl der Grad kolonialer Herrschaft Großbritanniens im arabischen Nahen Osten nicht so stark ausgepr{\"a}gt war wie in den ehemaligen Kolonien, die nun Mitglieder des Commonwealth sind, und deswegen die untersuchten Romane nicht als Widerstandsliteratur wie viele andere Beispiele postkolonialer Literatur charakterisiert werden k{\"o}nnen, sind die Suche nach und Konstruktion von kulturellen Identit{\"a}ten wichtiger Bestandteil der untersuchten Romane. Diese Literatur kann als Beispiel eines neuen Forschungsgebietes innerhalb des weiten Spektrums postkolonialer Literatur angef{\"u}hrt werden, die sich mit den Erfahrungen von Angeh{\"o}rigen ehemaliger britischer Kolonien befasst, die niemals Teil des Commonwealth waren. Als analytisches Hilfsmittel wird in der Arbeit der Begriff intermediacy verwendet, wie er von der amerikanischen Feministin und Ethnologin Sherry Ortner in ihrem grundlegenden Artikel zur Sexualisierung der Natur/Kultur Dichotomie definiert wird. Intermediacy wird als Zustand des Dazwischenseins verstanden, in dem klare geschlechtliche, kulturelle, ethnische und nationale Identit{\"a}tsabgrenzungen dekonstruiert werden. Dieser Begriff ist besonders n{\"u}tzlich, die Konstruktion von literarischen Subjekten in den untersuchten Romanen zu verstehen, deren Protagonisten zwischen verschiedenen Kulturen, geographischen R{\"a}umen und Konstruktionen von geschlechtlichen und kulturellen Identit{\"a}ten oszillieren. Gesellschaften des arabischen Nahen Ostens werden dargestellt, in denen traditionelle Geschlechterrollenverst{\"a}ndnisse durch den Einfluss von Kolonialismus, Modernisierung und Globalisierung unterwandert worden sind. Die Protagonisten erscheinen verwirrt {\"u}ber ihre gesellschaftlichen Rollen, die zum großen Teil von traditionellen Werten bestimmt werden aber zugleich auch aufgrund verschiedener interner und externer Faktoren ausgeh{\"o}hlt worden sind. Die Untersuchung wendet den Begriff intermediacy nicht nur im Bezug auf gender an, wie es Ortner tut, sondern auch auf die Fluidit{\"a}t kultureller Identit{\"a}ten in einer globalisierten und postkolonialen Welt. Die untersuchten Romane portr{\"a}tieren Individuen, die nach verl{\"a}sslichen Markierungen ihrer kulturellen Identit{\"a}ten suchen, wie z.B. in Form einer transnationalen und transkulturellen islamischen Identit{\"a}tsstiftung, und zugleich das Scheitern dieser Sinnstiftungen erfahren m{\"u}ssen. Somit stellt diese Arbeit die behandelten Romane nicht nur in den Themenkomplex der Identit{\"a}tskonstruktionen postkolonialer Literatur, sondern setzt sie auch mit der allgemeinen Dekonstruktion des Subjekts in postmodernen Romanen in Verbindung.}, subject = {Postkoloniale Literatur}, language = {de} } @article{Fick2013, author = {Fick, Annabella}, title = {Conrad Hilton, Be My Guest and American Popular Culture}, series = {European Journal of Life Writing}, volume = {2}, journal = {European Journal of Life Writing}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-129221}, pages = {18-34}, year = {2013}, abstract = {Hotels are popular settings in European and American literature. They fire readers' imagination and many of them have a personal relationship to hotels. These institutions are not only alive in the realm of literature but are real existing buildings which have become fixed parts of modern society. Conrad Hilton (1887-1979), founder of the international hotel chain of the same name, was very aware of the glamorous aspects of his field of profession and published his experiences in the autobiography Be My Guest (1957). One copy of the book was placed in each room of the Hilton chain. Due to this Hilton was reaching an enormous audience which inspired other writers to fictionalize Hilton and turn him into a character in their own books. In this paper I will show how Conrad Hilton achieved world-wide fame, partly with the help of his life account. Furthermore, the methods will be explained that he used to present himself as a prototypical American of the Cold War era. I will then focus on two fictional texts, Arthur Hailey's novel Hotel (1965) and the TV-show Mad Men (2007) by Matthew Weiner, which both incorporated Hilton as a character, yet in very different ways. The aim of this article is to show the potential of celebrity autobiographies to inspire other cultural creations and how authors react very differently to these texts according to their own socio-historical background.}, language = {en} } @misc{OPUS4-13943, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 1}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1/2015}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Callsen, Berit and Gold, Martina and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Ravasio, Paola}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139436}, year = {2015}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, subject = {Romanistik}, language = {de} } @article{Augustin2015, author = {Augustin, Jenny}, title = {?'Diversa, democr{\´a}tica y moderna? La imagen transmitida de la Real Academia Espa{\~n}ola en el discurso actual. Una mirada panor{\´a}mica}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139449}, pages = {29-57}, year = {2015}, abstract = {In 2013, three hundred years had passed since the foundation of the Real Academia Espa{\~n}ola (RAE). The celebrations accompanying this anniversary were extended across the year and came to a closure with the publication of the 23rd edition of the Diccionario de la lengua espa{\~n}ola in 2014. Spanish media followed the above-mentioned festivities with a detailed coverage. The purpose of this article is to study the image of the RAE conveyed through the media and the Internet, which can be subsumed under the three terms 'diverse, democratic and modern'. This form of representation is put into a broader context by considering the linguistic politics pursued by the RAE and the Asociaci{\´o}n de Academias de la Lengua Espa{\~n}ola (ASALE) under the keyword of panhispanism. Finally, a closer look is taken at El buen uso del espa{\~n}ol, a student manual published by the RAE and the ASALE in 2013, in relation to panhispanism and prescriptivism.}, subject = {Real Academia Espa{\~n}ola}, language = {es} } @article{Cunha2015, author = {Cunha, Concei{\c{c}}{\~a}o}, title = {captar - cap(i)tar, facto - fato: Variation und Wandel bei Plosivsequenzen im Portugiesischen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139454}, pages = {59-89}, year = {2015}, abstract = {The present study is concerned with the production and perception of the stop consonant clusters /pt/ and /kt/ as well as CVC-Sequences /pVt/ and /kVt/ in European and Brazilian Portuguese (EP and BP, respectively). European and Brazilian Portuguese have the same syllable structure (Bisol 1999: 731, Mateus/d'Andrade 2000: 39), but are postlexically affected by contrary phenomena. After the occurence of phonological processes such as vowel reduction and deletion in European clusters and vowel epenthesis in Brazilian consonant clusters, the difference between lexical consonant clusters and CVC-sequences would be diminished in both varieties, so that EP would realize both as CC, while BP would realize both as CVC. In order to test whether clusters and CVC-sequences can be distinguished in production and perception, we discuss a physiological experiment and a perceptual study with participants of both varieties. The results show less overlap in BP than in EP. The reason for which is seen in the perception of intervocalic epenthetic elements even in lexical clusters in BP and more consonant clusters in EP.}, language = {de} } @article{Hertrampf2015, author = {Hertrampf, Marina Ortrud M.}, title = {De la M{\`e}re Patrie {\`a} «l'am{\`e}re-patrie». D{\´e}sir{\´e} Razafinjatos literarisches Bild der franz{\"o}sischen 'Kolonialheimat' vor und nach der Unabh{\"a}ngigkeit Madagaskars}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139461}, pages = {91-111}, year = {2015}, abstract = {French-Madagascan colonial history is full of dark chapters. After Madagascar's independence the French general public forgot the country very quickly. In Malagasies collective memory, the wounds of colonial injustice are still open even if they are generally considered as fady ('tabooʼ). D{\´e}sir{\´e} Razafinjato is the first Malagasy author writing in French who dares to approach the difficult relations between Malagasy-French and indigenous Malagasy as well as between indigenous Francophiles and indigenous anti-French nationalists. In his tale «Tahiry. From Madagascar to the Algerian djebel, the bitter-fatherland», the narrator speaks about the painful loss of any fatherland for all those Malagasy who during the War of Algeria got involved as French soldiers. Indeed, it is the sad history of the despoliation of an ideal Motherland on the French side and of the refusal of membership in an ancestral fatherland on the Malagasy side. What remains for those ancient French-Malagasy combatants is the feeling of a 'bitter-fatherlandʼ and the feeling of living in 'between everywhereʼ in some kind of 'non-fatherlandʼ.}, language = {de} } @article{Hettmann2015, author = {Hettmann, Sandra}, title = {«Explotan las im{\´a}genes y un altoparlante con su lengua». Surrealistische Dis/Kontinuit{\"a}ten bei Luciana Romano: Bebilderungen im Gedichtraum durch Foto{\"a}sthetik und Dynamiken des Wortbildes}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139473}, pages = {113-142}, year = {2015}, abstract = {This article seeks to analyse the volume of poems Vapor de foto (2006) written by the young contemporary poet Luciana Romano from Buenos Aires. Romano is also an activist of the politically engaged artist collective Etc{\´e}tera… founded in the late nineties. Her poetry reveals a certain correlation with the aesthetics of the actions and interventions developed by Etc{\´e}tera… in the streets and public spaces not only of Argentina but also of Europe. Furthermore, the creation of Vapor de foto is based on the collective's experiences and practices. Using a methodological approach that combines close reading and a cultural and socio-critical focus, several poems will be exemplarily analysed in order to examine the interrelation between Romano's style of writing and her activism. Assuming that her poetry, as well as the work of Etc{\´e}tera…, belongs to a postdictatorial contemporary aesthetics characterized by the complex interplay between dadaistic and surrealistic dis/continuities, this article will focus on the analysis of different forms of relations between text and image.}, language = {de} } @article{Petričić2015, author = {Petričić, Mihaila}, title = {Traduciring Comedy. An Analysis of Two English Translations of Enrique Gaspar y Rimbau's El anacron{\´o}pete}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139483}, pages = {145-160}, year = {2015}, abstract = {In Enrique Gaspar y Rimbau's 1887 science fiction novel El anacron{\´o}pete, comedy presents itself in a variety of guises. One of the central comic elements of the book is the playful way in which the lower class characters, namely the maid Juana and the soldier Pendencia, engage with language. This article will compare Gaspar's El anacron{\´o}pete with two of its official translations, Leyla Rouhi's The Anacron{\´o}pete and Yolanda Molina-Gavil{\´a}n and Andrea Bell's The Time Ship: A Chrononautical Journey, in order to ascertain to what extent the Spanish author's comic touch is preserved in the English translations of Juana's and Pendencia's speech. The maid's and the soldier's use of double meaning, the mondegreen, and code-switching will be the specific focus of our analysis. We will see that, as Salman Rushdie claims, although «[i]t is normally supposed that something always gets lost in translation […] something can also be gained» (1991: 17).}, language = {en} } @article{Sorrenti2015, author = {Sorrenti, Elisa}, title = {Zweitspracherwerb und Interlanguage. Eine empirische Untersuchung zur deutschen Wortstellung bei L1-Italienisch-Sprechern mit L2-Deutsch}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139498}, pages = {163-191}, year = {2015}, abstract = {Much research on first language (L1) acquisition carried out in the last decades has proven that language acquisition is based on a biological endowment, the language faculty, which is triggered by the exposure to linguistic data. The language acquisition process undergoes similar stages in the same time span, independently of the specific language. Non-native acquisition differs from L1 acquisition, as the speaker already has an internal grammar with all parameters set. Transfer should therefore take place, bringing the learner to analyse the new input according to the properties of the L1, but a reanalysis is possible because of the availability of UG (Schwartz/Sprouse 1996). This article explores a syntactic domain, namely the properties of the functional categories constraining the verb position in main and subordinate clauses, by means of empirical data from Italian L1-speakers acquiring German as a second language (L2). It will be shown that the interlanguage grammars reflect properties of L1 and that resetting can be achieved, although optionality still exists and full convergence to the target language cannot be guaranteed.}, language = {de} } @article{Uzunkaya2015, author = {Uzunkaya, H{\"u}meyra}, title = {Pr{\"a}positionalphrasen mit der Pr{\"a}position de im Franz{\"o}sischen - Struktur und Realisierungsformen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139506}, pages = {195-226}, year = {2015}, abstract = {This paper investigates the linguistic properties of prepositional phrases containing de in the French language by means of a comprehensive compilation of possible formal realizations, for which examples are provided out of a chosen sample text. Special attention will be paid to the most frequently-cited formal realization, namely the combination of a preposition and a noun phrase. The corresponding forms will be divided into two classes, one with nominal phrases containing a phonetically realized or at least an underlying determiner, and one with nominal phrases in which no determiner is assumed to occur. This distinction will shed light on some of the difficulties that can arise in the assignment of the elements to either category due to the special interaction between the preposition de and the French system of determiners.}, language = {de} } @article{Woersdoerfer2015, author = {W{\"o}rsd{\"o}rfer, Anna Isabell}, title = {Vom 'bon sauvage' zum franz{\"o}sischen Ritter par excellence. Die 'Mati{\`e}re de Bretagne' als Streitobjekt konkurrierender Erinnerungskulturen in Jean-Pierre Claris de Florians Mittelalternovelle Bliomb{\´e}ris (1784).}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139518}, pages = {229-251}, year = {2015}, abstract = {While French Enlightenment seems philosophically dominated by a pejorative idea of the medieval past as the 'Dark Ages', this is only one conception among others. This article focuses on a different, a positive, representation of the Middle Ages in eighteenth-century literature, analyzing the chivalric novella Bliomb{\´e}ris (1784) by Jean-Pierre Claris de Florian. On the one hand, the eponymous hero is considered a 'noble savage' who develops into an ideal knight by education and successful learning - two central ideas of the Enlightenment period. On the other hand, the study shows how the medieval topic of the Mati{\`e}re de Bretagne, exclusively required by English literature for a long time, is finally regained by the French and is reintegrated into their national memory.}, language = {de} } @incollection{Ruhe1998, author = {Ruhe, Ernstpeter}, title = {Les mots, l'amour, la mort : Les mythomorphoses d'Assia Djebar}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-107281}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {1998}, abstract = {No abstract available.}, subject = {Djebar, Assia}, language = {fr} } @techreport{Kaeuper2015, type = {Working Paper}, author = {K{\"a}uper, Eva}, title = {Die Folter im Algerienkrieg - zwischen "m{\´e}moire" und "histoire"}, edition = {1}, issn = {2199-4315}, doi = {10.25972/OPUS-11879}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-118797}, pages = {80}, year = {2015}, abstract = {Bis heute besch{\"a}ftigt die Aufarbeitung des Algerienkrieges (1954-1962) die franz{\"o}sische Gesellschaft. Im Rahmen der Neuesten Geschichte und franz{\"o}sischen Kulturwissenschaft thematisiert die Autorin die Erinnerungsproblematik dieses Krieges - und insbesondere die der Folter von Seiten der franz{\"o}sischen Kolonialmacht. Die Arbeit umfasst eine historische, politische und kulturelle Analyse der franz{\"o}sischen Gesellschaft und ihrer Einstellungen gegen{\"u}ber den Folterverbrechen, die von der franz{\"o}sischen Armee an Widerstandsk{\"a}mpfern und der algerischen Zivilbev{\"o}lkerung ver{\"u}bt worden sind. Wie positionieren sich Medien und Bev{\"o}lkerung, algerische wie franz{\"o}sische Zeitzeugen, Politik, Armee und Wissenschaft heute zu den illegalen Gewaltakten? Hierbei werden auch das Konzept der Oral History sowie der geschichtswissenschaftliche Anspruch einer "historischen Objektivit{\"a}t" diskutiert. Daraus ergibt sich f{\"u}r die Autorin die Antwort auf die weiterreichende Forschungsfrage nach der wissenschaftlichen Positionierung dieses historischen Ereignisses: Gerade in Fragen der Gewalt und der Auss{\"o}hnung zwischen antagonistischen (Erinnerungs-)Gruppen bilden die Disziplinen Geschichts- und Kulturwissenschaft eine wichtige Schnittstelle.}, subject = {Frankreich}, language = {de} } @phdthesis{Himmel2021, author = {Himmel, Marie-Christin}, title = {Phonetic and phonological variability in the L1 and L2 of late bilinguals: The case of /r/ and /l/}, doi = {10.25972/OPUS-23933}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-239335}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2021}, abstract = {A large body of research has shown that a late bilingual's L1 and L2 phonetic categories influence each other, yielding deviations from monolingual norms in the phonetics of both languages. Existing models of L2 sound acquisition (e.g., the Speech Learning Model; Flege, 1995, 2007) predict unified phonetic spaces which accommodate both L1 and L2 sound categories. Such connections between an L1 and an L2 are believed to lead to persistent non-nativelikeness in the L2, but also to divergence from the monolingual norm in the L1, as shown in numerous studies (e.g., Bergmann et al., 2016). In this dissertation, I focus on the differences in the sound patterns of a bilingual's languages which do not only emerge in the precise phonetic realizations of L1 sounds but also in language-specific distributional patterns that determine the realization of these sound categories in different phonetic contexts. Previous work in L1 attrition is limited to a small set of phonetic properties (especially VOT, e.g., Flege, 1987), variables beyond L2 transfer which are known to give rise to variable realizations have been neglected. Thus, little is known as to whether bilinguals' realizations of an L1 sound category in different phonetic contexts (e.g., position within a syllable) are subject to change in L1 attrition, and whether such changes arise due to long-term exposure to different distributional patterns of an equivalent L2 category. In this dissertation I address these gaps by exploring L1 attrition in the distributional and phonetic characteristics of liquids to shed light on the contribution of the L2 and the role of general phonetic and phonological variables to the processes that drive change in an L1. I investigate changes to phonetic properties and distributional patterns of rhoticity and /l/-allophony in the L1 of American-German late bilinguals, a language constellation which offers an instructive test case to investigate the causes of L1 attrition as well as the source from which changes due to L1 attrition emerge. Furthermore, changes to liquids can also shed light on the processes which drive sound change, gradience and variability due to various positional and phonetic factors (e.g., preceding vowel, syllable structure) in liquids across many native varieties of English. In particular, I explore the variable realization and distributional patterns of two sounds known to be subject to a considerable degree of gradience and variability, namely English /r/ and /l/, in American English-German late bilinguals. To that end, I present the results of a production study of 12 L2-dominant American English-German late bilinguals as well as a monolingual control group for each language. The speakers performed a variety of production tasks which were aimed to elicit the realization of (non)-rhoticity and /l/-(non-)allophony in both languages of the late bilinguals, English and German which were analyzed auditorily (/r/ only) and acoustically (/r/ and /l/). Although L1 attrition of rhotics and laterals has been investigated previously (e.g., de Leeuw, 2008; Ulbrich \& Ordin, 2014), the effect of contextual variables on L1 attrition and whether such variables also shape L1 attrition remains unexplored. The results of the auditory analyses of postvocalic /r/ revealed that the late bilinguals showed non-convergence with monolingual (non-)rhoticity in both of their languages by vocalizing postvocalic /r/ more frequently in their L1 (English) and failing to entirely suppress rhoticity in their L2 (German) leading up to a higher degree of rhoticity in their L2. While the loss of rhoticity in the bilingual's English was distributed along a spectrum of contextual constraints (e.g., type of pre-rhotic vowel and morpho-phonological environment) known to affect rhoticity in other English varieties, the non-targetlike productions of non-rhoticity (i.e., non-vocalized postvocalic /r/) in their L2, German, were not sensitive to the same contextual constraints. The acoustic analyses of the bilinguals' rhotic productions in English and German differed from the monolinguals in the acoustic correlates of rhoticity in pre-rhotic vowels where they showed reduced anticipatory F3-lowering (i.e., less /r/-colored vowels). I take my results to indicate that the bilinguals operate in two separate phonological grammars which approximate the respective L1 norm but show an increase of variability along constraints already present in each grammar. In contrast, the bilinguals' phonetic system seem shared between the two grammars. This leads to persistent L1-L2-interactions as the two grammars operate within the same phonetic space. Thus, the changes in L1 attrition are induced but not governed by the L2: Change to the L1 reflects constraints underlying the L1 as well as more general laws of phonetics and universal trajectories of language change. The lateral results revealed that just like in postvocalic /r/, the bilinguals showed non-convergence with the monolingual norm regarding the velarization of coda /l/ in both their languages. The changes to English laterals were sensitive to their positional context and more substantial for word-initial laterals than word-final laterals. Similarly, their German laterals were non-convergent with the monolinguals in two ways. Firstly, the bilinguals differed with regard to the acoustic specifications of their laterals, and secondly, the bilinguals failed to suppress the lateral allophony from their L1, leading to a non-targetlike allophonic pattern in their L2 laterals. I interpret the lateral results to lack evidence that the L1 allophonic rule was affected by the presence of an L2; nevertheless, L1 change emerged in the phonetic specifications of laterals. Furthermore, the bilinguals did not establish a nativelike allophonic pattern in their L2, leading to non-convergence in the allophonic distribution as well as the phonetic realization of German laterals. In this way, this dissertation provides evidence for L1 attrition in the distributional and the phonetic properties of liquids in the L1 of late bilinguals. In particular, the study presented in this dissertation provides evidence that L1 attrition is induced by the presence of a similar sound pattern in the L2. The pathway of attrition follows constraints not only underlyingly present in the L1 but also part of the universal laws of phonetics known to shape sound change. To explain these results, I draw from existing constraint grammars in phonological theory (such as Optimality Theory and Harmonic Grammar) to develop my Dynamic Constraints approach which allows the effects of external variables (e.g., L2 acquisition and its effect on the mind), and internal variables such as an increased likelihood of variability due to articulatory differences can be modeled using scaling factors which can interact with each other, the noise within the grammars, and the constraint weight itself. In this way, the model links previous findings on L1 attrition and its connections to diachronic and synchronic variability, offering insights into the links between the individual languages in a bilingual's mind.}, subject = {Zweisprachigkeit}, language = {en} } @incollection{Ruhe2001, author = {Ruhe, Ernstpeter}, title = {Alain Robbe-Grillet: Le voyeur}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-237428}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {2001}, abstract = {No abstract available.}, subject = {Robbe-Grillet, Alain / Le voyeur}, language = {de} } @phdthesis{DomeneMoreno2021, author = {Domene Moreno, Christina}, title = {Beyond transfer? The acquisition of an L3 phonology by Turkish-German bilinguals}, doi = {10.25972/OPUS-23141}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-231411}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2021}, abstract = {Der Erwerb des phonologischen Systems einer Drittsprache wurde bisher vor allem vor dem Hintergrund zweier Fragen betrachtet: (a) Welche Sprache oder Sprachen werden in die Zielsprache transferiert und (b) welche Rolle spielen inner- und außersprachliche Faktoren dabei? Hier sind grunds{\"a}tzlich drei Szenarien denkbar, welche sich auch in den im Forschungsfeld vorherrschenden theoretischen Ans{\"a}tzen wiederfinden. Bei einem bilingualen Sprecher, also einem Sprecher mit zwei Hintergrundsprachen, ist erstens der ausschließliche Transfer einer der Hintergrundsprachen m{\"o}glich, wobei f{\"u}r die Vorhersage der Sprache, die am wahrscheinlichsten transferiert wird, verschiedene Parameter vorgeschlagen wurden, wie beispielsweise das typologische Verh{\"a}ltnis der Hintergrund- und Zielsprachen untereinander oder der Status einer der beiden Hintergrundsprachen als Erst- bzw. Zweitsprache. Weiterhin ist Transfer aus beiden Sprachen denkbar, bei dem ausschließlich „n{\"u}tzliche", das heißt den Zielspracherwerb unterst{\"u}tzende Strukturen transferiert werden. Drittens kann gemischter Transfer, also der Transfer verschiedener Strukturen, aus beiden Hintergrundsprachen angenommen werden, der allerdings nicht unbedingt positiv ist, sondern stattdessen von vielf{\"a}ltigen Faktoren konditioniert wird. In anderen Worten wird hier die M{\"o}glichkeit angenommen, Strukturen aus beiden Hintergrundsprachen in die Zielsprache zu transferieren. Dieser letzte Ansatz entspricht am besten den bisherigen Forschungsergebnissen des Felds: W{\"a}hrend sich bei Betrachtung verschiedener Sprachkombinationen und verschiedener (und verschiedenartiger) phonologischer Strukturen f{\"u}r sich genommen kein einheitliches Muster erkennen l{\"a}sst, wird deutlich, dass gemischter Transfer m{\"o}glich ist - dies kommt vor allem bei Studien zu graduellen phonetischen Ph{\"a}nomenen wie konkreter Vokalqualit{\"a}t oder Voice Onset Time zum Ausdruck. Bisherige Studien haben sich auf einzelne phonologische oder phonetische Ph{\"a}nomene beschr{\"a}nkt, anhand derer die entsprechenden Ans{\"a}tze {\"u}berpr{\"u}ft wurden. Bisher gibt es keine systematischen Untersuchungen mehrerer verschiedener Ph{\"a}nomene an denselben Sprechern. Da allerdings davon ausgegangen werden kann, dass phonologische Ph{\"a}nomene unterschiedliche strukturelle Eigenschaften haben, ist genau dies n{\"o}tig. Um also die Mechanismen des gleichzeitigen Transfers mehrerer Sprachen auf eine Zielsprache, und somit auch die Interaktion der Hintergrundsprachen in Multilingualen besser zu verstehen, m{\"u}ssen mehrere phonologische Strukturen an denselben Sprechergruppen und mit denselben Methoden untersucht werden. Diese Forschungsl{\"u}cke will die vorliegende Arbeit schließen. Hierf{\"u}r wurde der Erwerb des Lautsystems der Drittsprache Englisch durch t{\"u}rkisch-deutsch bilinguale Lerner untersucht. Es wurden phonologische Strukturen des Englischen zur Untersuchung ausgew{\"a}hlt, die entweder im Deutschen (aber nicht im T{\"u}rkischen), im T{\"u}rkischen (aber nicht im Deutschen), oder in keiner der beiden Hintergrundsprachen vorkommen. Diese Unterteilung sollte dazu dienen den potentiellen Einfluss der jeweiligen Hintergrundsprache auf die Zielsprache identifizieren zu k{\"o}nnen. In zwei Studien wurden jeweils die Perzeption und die Produktion der obengenannten Strukturen an t{\"u}rkisch-deutsch Bilingualen sowie an einer monolingual deutschen Kontrollgruppe getestet. Studie 1 testete junge Lerner des Englischen in den ersten Lernjahren, w{\"a}hrend Studie 2 Studierende der Englischen Sprach- und Literaturwissenschaft testete. Zus{\"a}tzlich wurden extralinguistische Faktoren und biographische Details erhoben. In den beiden Studien sollte beantwortet werden, ob sich bilinguale und monolinguale Testpersonen in der Perzeption und/oder der Produktion der Zielstrukturen unterscheiden, ob diese Unterschiede durch Transfer aus den Hintergrundsprachen zu erkl{\"a}ren sind und, falls dies nicht durchgehend der Fall ist, welche anderen strukturellen oder extralinguistischen Faktoren herangezogen werden k{\"o}nnen, um die Ergebnisse zu erkl{\"a}ren. Zudem sollte gepr{\"u}ft werden, inwieweit Perzeption und Produktion zusammenh{\"a}ngen und welchen Effekt fortschreitender Spracherwerb hat. Die Ergebnisse der beiden Studien dieser Arbeit best{\"a}tigen die Vermutung, die anhand der Kombination aus verschiedenen vorausgehenden Studien getroffen wurden: Transfer findet ausgehend von beiden Hintergrundsprachen statt, er kann positiv und negativ sein, und er wird von strukturellen Faktoren konditioniert. So zeigte sich im Vergleich ein deutlicher Einfluss - sowohl positiv wie auch negativ - des T{\"u}rkischen auf die Perzeption und Produktion des Englischen bei den bilingualen Sprechern, aber ebenso ein Einfluss des Deutschen. Weiterhin konnte der gleichzeitige Einfluss beider Hintergrundsprachen auf einzelne Strukturen belegt werden. Perzeption und Produktion stehen bei keiner der Sprechergruppen in einer direkten Korrelation, allerdings kann anhand der Ergebnisse Perzeption als einer der Faktoren angenommen werden, der einen Einfluss auf die Produktion der zielsprachlichen Struktur hat. Als weitere Faktoren konnten der Grad der Markiertheit der Struktur, ihre artikulatorische Komplexit{\"a}t sowie das Fehlen eines artikulatorischen Ankers identifiziert werden. Eine Verschiebung der Transferquellen fand zwischen den beiden Studien, also bedingt durch fortgeschrittenen Erwerb, nicht statt. Es konnte allerdings gezeigt werden, dass Nachteile, die aufgrund der Hintergrundsprachen den Sprechergruppen entstanden, in der {\"a}lteren Gruppe h{\"a}ufig ausgeglichen werden konnten. Die Erkl{\"a}rungsans{\"a}tze f{\"u}r das Autreten von CLI-Effekten waren abh{\"a}ngig von den Eigenschaften der einzelnen abgepr{\"u}ften Strukturen und konnten nicht systematisch verallgemeinert werden. Dies best{\"a}tigte die wenig einheitlichen Einzelergebnisse vorhergehender Studien f{\"u}r die Perzeption und Produktion mehrerer verschiedener phonologischer Strukturen durch dieselben Sprechergruppen. So konnten methodische oder gruppeninterne Gr{\"u}nde f{\"u}r die sich widersprechenden Ergebnisse erstmals ausgeschlossen werden. Im vorletzten Kapitel dieser Arbeit werden darauf aufbauend alternative Gr{\"u}nde f{\"u}r die Ergebnisse erarbeitet. Hierf{\"u}r wird das Konzept des komplexen verschachtelten (complex interlaced) eingef{\"u}hrt, das chaostheoretische Ans{\"a}tze mit der Annahme einer hierarchischen Bit-Struktur verbindet. Die vorliegende Arbeit tr{\"a}gt zu aktuellen Debatten im Bereich der Drittsprachforschung insofern bei, als dass sie als erste mehrere phonologische „Einheiten" (bits), also Phoneme, Allophone, Prozesse etc., an den gleichen Sprechern testet. Dadurch wurde deutlich, dass die konkrete Struktur phonologischer Systeme in den Mittelpunkt der Forschung zum Drittspracherwerb r{\"u}cken muss, damit vorhandene Muster erkennbar werden k{\"o}nnen. Zudem wird vorgeschlagen, verst{\"a}rkt auf Forschungsergebnisse und Theorien aus anderen Bereichen, wie beispielsweise dem Sprachwandel, der Variet{\"a}tenlinguistik und der Kontaktlinguistik zur{\"u}ckzugreifen, um letztendlich Forschung am Drittspracherwerb f{\"u}r den theoretischen Erkenntnisgewinn nutzbar zu machen.}, subject = {Englisch}, language = {en} } @phdthesis{Schaub2012, author = {Schaub, Kerstin}, title = {As Written in the Flesh. The Human Body as Medium of Cultural Identity and Memory in Fiction from New Zealand}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-78336}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2012}, abstract = {This dissertation focuses on selected novels written by contemporary indigenous authors from Aotearoa/New Zealand and examines the fictional imagination of the human body as a medium of cultural identity and memory. The novels discussed are Keri Hulme's »The Bone People« (1984), »Nights in the Gardens of Spain« (1995) and »The Uncle's Story« (2000) by Witi Ihimaera as well as James George's »Hummingbird« (2003). In order to further decolonisation processes and to come to terms with the colonial past and the complexity of present realities, the fictional works position the human body as an active entity in the negotiation of specific cultural epistemologies. This project explores the narrative translation of corporeality that is used to locate alternative concepts of identity and cultural memory. Taking into account indigenous perspectives, this thesis makes use of the current theoretical approaches presented by pragmatism and affect theory in order to analyse the investment of the novels in feeling and the reciprocal relationship between text and corporeality depicted by the narratives. On the one hand, the novels aim to undermine oppressive and marginalising categories by placing particular emphasis on »sensuous gaps« in the text. On the other hand, the narratives intend to construct alternative identities and evoke specific aspects of indigenous histories and knowledge by imagining the human body in terms of »sensuous inscription«. The novels portray individuals who act from a place in-between different cultures, and articulate a desire to dissolve polarities and emphasise individual and cultural transformation as a formative element in the creation of complex identities and new perspectives.}, subject = {Postkoloniale Literatur}, language = {en} } @misc{WinterFroemel2021, author = {Winter-Froemel, Esme}, title = {Ulrich Detges (2. April 1958-7. Februar 2021)}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {137}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, issn = {1865-9063}, doi = {10.1515/zrp-2021-0071}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-250801}, pages = {1299 -- 1302}, year = {2021}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @misc{Goldschmitt2021, author = {Goldschmitt, Stefanie}, title = {Sandra Issel-Dombert, Sprachgeschichte als Textsortengeschichte. Zur Linguistik der Beschwerde am Beispiel der «cahiers de dol{\´e}ances» (Analecta Romanica, 89), Frankfurt am Main, Vittorio Klostermann, 2019, XVI + 480 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {137}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, issn = {1865-9063}, doi = {10.1515/zrp-2021-0051}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-250823}, pages = {1216 -- 1221}, year = {2021}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @misc{Buettner2012, type = {Master Thesis}, author = {B{\"u}ttner, Anja}, title = {Internationalismen im Grundwortschatz: Untersuchungen zur romanistischen Mehrsprachigkeitsdidaktik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-83501}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2012}, abstract = {In dieser Arbeit wird an Hand eines H{\"a}ufigkeitsw{\"o}rterbuches des Italienischen (Lessico di frequenza dell'italiano parlato von De Mauro et al. 1993) untersucht, wie sich Kenntnisse anderer Sprachen, des Deutschen, Englischen und Franz{\"o}sischen und/oder Spanischen, auf das Verstehen und Lernen von 2500 der h{\"a}ufigsten W{\"o}rter des Italienischen auswirken. Damit soll ein Beitrag geleistet werden zur mehrsprachigkeitsdidaktischen Fragestellung, wie viele W{\"o}rter des italienischen Grundwortschatzes aus anderen Sprachen schon bekannt sind und wie viele noch gelernt werden m{\"u}ssen, was mit konkreten Zahlen belegt werden soll.}, subject = {Internationalismus}, language = {de} } @article{Ruhe1995, author = {Ruhe, Ernstpeter}, title = {Le texte autophage : l'ordre dans Le D{\´e}sordre de Rachid Boudjedra}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-101994}, year = {1995}, abstract = {No abstract available.}, subject = {Bū-Ǧadra, Rašīd}, language = {fr} } @article{Ruhe2007, author = {Ruhe, Ernstpeter}, title = {Faire gondoler Proust : l'art du l{\´e}ger trembl{\´e} de Jean-Philippe Toussaint}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-102017}, year = {2007}, abstract = {No abstract available.}, subject = {Romanistik}, language = {fr} } @incollection{Ruhe1995, author = {Ruhe, Ernstpeter}, title = {Orienttr{\"a}ume und Europam{\"u}digkeit : Deutsche Algerienreisende im 19. Jahrhundert}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-102042}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {1995}, abstract = {No abstract available.}, subject = {Geschichte 1800-1900}, language = {de} } @unpublished{Kiesler1992, author = {Kiesler, Reinhard}, title = {A prop{\´o}sito dos arabismos na l{\´i}ngua portuguesa}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-83608}, year = {1992}, abstract = {Der Aufsatz beschreibt die portugiesischen W{\"o}rter arabischen Ursprungs, und zwar unter verschiedenen Gesichtspunkten: im Vergleich mit den Arabismen des Spanischen, Katalanischen und Italienischen; die Anzahl der portugiesischen Arabismen, ihre lexikalische Struktur, ihre Verteilung nach Sachbereichen und ihre geographische Verbreitung. Untersucht werden nur sichere und direkte Arabismen, die heute noch geb{\"a}uchlich sind. Einige Anmerkungen zum inneren Lehngut (Lehn{\"u}bersetzung, Lehnbedeutung u.{\"a}.) schließen den Artikel ab.}, subject = {Portugiesisch}, language = {pt} } @misc{Ritz2013, type = {Master Thesis}, author = {Ritz, Theresa}, title = {Interkomprehension im gegenw{\"a}rtigen Westeuropa : Internationalismen im romanischen Grundwortschatz}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-83855}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2013}, abstract = {Die Arbeit untersucht 2500 W{\"o}rter des italienischen Grundwortschatzes in einem f{\"u}nfsprachigen Vergleich. Sie erg{\"a}nzt damit die an gleicher Stelle erschienene Magisterarbeit „Internationalismen im Grundwortschatz: Untersuchungen zur romanistischen Mehrsprachigkeitsdidaktik" von Anja B{\"u}ttner (2012). Hier werden nun die Ergebnisse beider Untersuchungen zusammengefasst. Dabei werden erstmalig konkrete Zahlen zur Beantwortung der Frage vorgestellt, wie viele W{\"o}rter z.B. ein deutscher Muttersprachler, der Franz{\"o}sisch gelernt hat und nun italienische Texte lesen will, tats{\"a}chlich lernen muss, um die 5000 h{\"a}ufigsten W{\"o}rter erkennen und damit durchschnittliche Texte nahezu vollst{\"a}ndig verstehen zu k{\"o}nnen.}, subject = {Wortschatz}, language = {de} } @book{Bach1977, author = {Bach, Ulrich}, title = {Das Testament als literarische Form: Versuch einer Gattungsbestimmung auf der Grundlage englischer Texte}, isbn = {3-87784-023-X}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-47204}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {1977}, abstract = {Literary imitations of the testament form have a European tradition going back to classical times and constitute a neglected part of English literature. Although examples appear from the 14th century onwards, no thorough study of last wills and testaments as a specific form of English literature has been undertaken. This neglect may be because, within the broad field of the literary idea of 'legacy', parodies of the testament form ('mock testaments') and serious imitations ('lovers' testaments' etc.) appear in nearly every genre as either single texts or parts of larger ones, themselves crossing the genre boundaries. Then too, a large number of literary testaments come under the heading of 'minor literature' , such as shortlived pamphlets and broadsides. Yet the use which major authors like Shakespeare and Donne made of the literary testament shows that it had become an established form in the 16th century. The texts under examination here would normally be referred to as courtly love poems, political pamphlets, jests, cook-books, nursery rhymes, epic poems, autobiographical verse (Chatterton's Will), modern poems (yeats, Auden and McNeice) or as parts of masques, plays or novels. The aim is to show that one can legitimately speak of all these texts as belonging to a single literary category. In addition to adescription of the history of the literary testament in England, the central problem of this study was one of generic form. The attempt has been made to apply recent ideas of genre theory, i.e., the structuralist generative approach, to texts imitating a non-literary or utility document. This non-literary model is narrowly defined by criteria set by the Church and the Law. Thus it becomes possible to proceed as if the model were the generic norm of a corpus of greatly varying literary texts, thereby avoiding the problems of defming and re-defming selective principles (and of the need to assume a hypothetical 'first form') for the gathering of texts. The testament is a private re cord especially weil suited for studies of this kind because of its traditional fixed form and wide popularization from the Middle Ages onwards. In its complexity, the testament allows for more variation of style, content and purpose than does the letter, but is more disciplined in its form. In categorizing the testaments as such, it is necessary to study contemporary connotations and to defme the basic structure of the model. A selection of genuine, nonficticious testaments drawn up by members of the University of Cambridge in the 16th century has been examined for this purpose. (The 16th and 17th centuries can be taken as the most productive of literary testament writing.) There seems to exist a dichotomy in the testament itself; on the one hand there are mundane considerations (bequeathing of property) and on the other thoughts directed towards the life to come. Ihis dichotomy is observable not only on the content level, but also on the formal level and the semantic level. Ihe relation between the two testamentary elements, which is characterized by polarization, can be postulated as the basic structure of the testament and as the genre norm of the literary texts examined here. Taking into account the fact that the testament has been of varying importance in various ages, a wide selection of literary imitations of the testament from Chaucer to Yeats and after is studied in detail. A distinction may be drawn between mock testaments and serious imitations, with the former representing rebellion against the exalted authorities behind the testament. When the theoretical rebellion coincides with the practical function of satire or attack in a particular case, then the mock testament is raised to a true literary form. The serious imitation, on the other hand, makes use of the metaphysical element of the testament, and is directed to a worldly being or to the 'human condition' (as in examples drawn from the modern poets). Its problems and aim assign this study to the wider fjeld of genre research, particularly research into the relationship between genuine documents (utility texts) and their literary imitations.}, subject = {Englisch}, language = {de} } @book{BachWolff1980, author = {Bach, Ulrich and Wolff, Dieter}, title = {Ausgew{\"a}hlte Bibliographie zur Psycholinguistik und Sprachpsychologie}, isbn = {3-589-20757-4}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-47220}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {1980}, abstract = {No abstract available}, subject = {Psycholinguistik}, language = {de} } @article{Bach1989, author = {Bach, Ulrich}, title = {Oral rhetoric in writings for a mixed literate and illiterate audience}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-47124}, year = {1989}, abstract = {No abstract available}, language = {en} } @book{Bach1982, author = {Bach, Ulrich}, title = {Kommentierte Bibliographie englischer literarischer Testamente vom 14. bis zum 20. Jahrhundert}, isbn = {3-533-03182-9}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-47190}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {1982}, abstract = {No abstract available}, subject = {Englisch}, language = {de} } @article{Dittmann2021, author = {Dittmann, Lara A.}, title = {Sprach- und Kommunikationsnuancen in literarischen Interspeziesbegegnungen - Juan Ram{\´o}n Jim{\´e}nezʼ Platero y yo (1914/1917) und Thomas Manns Herr und Hund (1919)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305658}, pages = {55-71}, year = {2021}, abstract = {The encounter with non-human animals has always been a major preoccupation in the (philosophical) quest of understanding the human (condition). Of course, they are not only present in literary texts, but also in other media such as music and art. We consider ourselves aware of their selves, natures and skills as well as their sensory perceptions. Indeed, the ways we interact with non-human animals in everyday life and in the fictional world, how we perceive, think and talk about them as well as how we communicate with them are often related to our own self-perceptions in the social collective and in social-historical discourse. If we take a closer look at literary interspecies relations, we can detect clear shades in language and communication. Based on the approaches of Human-Animal Studies, this article deals with those nuances regarding animal-human encounters in Juan Ram{\´o}n Jim{\´e}nez' Platero y yo (1914/1917) and Thomas Mann's Herr und Hund (1919) in a comparative perspective. In addition to this, a special focus is placed on the effect these elements can have on (inter)acting literary subjects as well as on extra-textual recipients.}, language = {de} } @article{Henk2021, author = {Henk, Lars Thorben}, title = {«We're on the road to nowhere» - Felwine Sarrs narrativer Weg in die Afrotopie}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305662}, pages = {73-90}, year = {2021}, abstract = {According to the Senegalesian scholar Felwine Sarr who conceives an African utopia in his programmatic essay Afrotopia (2016), this Afrotopos has already germinated in contemporary African literature. However, it still needs to be enquired to what extent the narrated topos of the street in Sarr's own anthology 105 Rue Carnot (2011) has already realized the Afrotopos. In order to respond to this question, we would like to mobilise Michel Foucault's concept of heterotopia, which elaborates on the interactions between truth production/knowledge, power and space, and permits us to conceive of «les lieux utopiques» (Foucault 2005: 40) as actually locatable on the map and real other places outside of all places (cf. Foucault 1994: 755). Thus, in the street, a different relationship between global North and South is founded, which becomes legible as an African «utopie localis{\´e}e» (Foucault 2005: 41) that Sarr calls for in Afrotopia (2016).}, language = {de} } @article{Kneifel2021, author = {Kneifel, Malte}, title = {Futur-Formen und ihre Funktionen im Portugu{\^e}s Arcaico}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305673}, pages = {91-109}, year = {2021}, abstract = {This article aims to trace the development of different verb forms that express future tense of Old Portuguese from the 13th to the 15th century by analyzing a historical text corpus. During this period, Portuguese future tense could be expressed through one synthetical as well as two analytical morphological verb constructions. Adapting an analytic model formerly employed by the Mexican researcher Concepci{\´o}n Company Company for an investigation of similar future tense forms in Old Spanish, this article seeks to point out that the use of the different verb forms in Portuguese followed distinct functions regarding aspects of both information structure as well as modality.}, language = {de} } @article{Klamp2021, author = {Klamp, Yannic}, title = {Alma und {\´a}nima in spanisch-zapotekischen Evangelisierungswerken: die Translation des Konzepts Seele im kolonialen Missionskontext (Neu-Spanien, 16.-18. Jh.)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305681}, pages = {111-130}, year = {2021}, abstract = {The arrival of the Spanish in present-day Oaxaca, Mexico, led to manifold communicative challenges and was the origin of the first written documents in the local indigenous languages. This paper focuses on Spanish-Zapotec translations produced by Christian missionaries during the colonial period. In this context, it aims to investigate the expression of the concept of soul in their catechisms and confesionarios by analyzing chronologically how different authors apply the Spanish synonyms alma and {\´a}nima. On the one hand, we can observe some similar tendencies in central Mexican documents for the early colonial period so that we can assume that the corpus was influenced by Nahuatl translations. On the other hand, there is an independent development in Spanish-Zapotec translations not only regarding the target text but also the source text.}, language = {de} } @article{Scholz2021, author = {Scholz, Janek}, title = {S{\´e}rgio Zimbas Covid-19-Karikaturen im Kontext {\"o}ffentlicher Gesundheitsf{\"u}rsorge in Mosambik}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305692}, pages = {133-155}, year = {2021}, abstract = {The article deals with the educational comics of the Mozambican artist S{\´e}rgio Zimba, especially in the context of the current pandemic situation caused by Covid-19. First, comics from and comic research on Africa will be presented, especially in their repercussion within the German-language comics landscape. This will be followed by a discussion of the special situation in lusophone Africa, exemplified and illustrated by the works of the Mozambican cartoonist S{\´e}rgio Zimba. The article closes with a brief comparison of Zimba's work with the cartoons of S{\´e}rgio Pi{\c{c}}arra from Angola, to better classify the artist's work.}, language = {de} } @misc{OPUS4-30571, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 7 (2021)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7/2021}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola}, isbn = {978-3-946101-06-2}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305711}, year = {2021}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, language = {de} } @article{Christmann2021, author = {Christmann, Tim}, title = {Grenzerfahrung, Grenz{\"u}berschreitung, Grenz{\"u}berwindung: Das Falkland/Malvinas Malvinas-Trauma in Lola Arias' Film Teatro de Guerra (2018)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305577}, pages = {17-33}, year = {2021}, abstract = {This article will examine the cinematic approach to the trauma of the Falklands/Malvinas War in Lola Ariasʼ film Teatro de Guerra (AR/ES, 2018). The armed conflict between Ar-gentina and Great Britain in 1982 can be understood as a traumatic liminal experience, whose artistic reception pushes conventional aesthetics to their limits and calls for innova-tive representational strategies. Based on a cultural studies approach to the Falklands/Mal-vinas War as a collective trauma, this contribution will highlight selected moments of aes-thetic border crossing in Teatro de Guerra, by which the film succeeds in transcending boundaries between former enemies of the war.}, language = {de} } @article{deCringis2021, author = {de Cringis, Patricia}, title = {100 Jahre Vokalschw{\"a}chung in den tierras altas: historische Perspektiven eines (zu) wenig beachteten Aussprachemerkmal}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305638}, pages = {35-52}, year = {2021}, abstract = {This paper deals with the origin of the hundred-year old theory of tierras bajas and tierras altas, focusing on the description of vowel weakening within that theory developed in 1921 by Henr{\´i}quez Ure{\~n}a. I argue that the early conception of vowel weakening and its dialectal distribution has strongly influenced the kind of research we have been conducting about this phonetic feature to this day. The aim of this study therefore, is to sharpen our understanding of the former zeitgeist of research and to stimulate further big data-based studies on vowel weakening overcoming the traditional dialectal division of tierras bajas and tierras altas.}, language = {de} } @incollection{Heisters2023, author = {Heisters, Anne}, title = {Women as Other? - Women and Other}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-59}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305875}, publisher = {W{\"u}rzburg University Press}, pages = {59-72}, year = {2023}, abstract = {No abstract available.}, subject = {Feminismus}, language = {en} } @incollection{Rishi2023, author = {Rishi, Tushar}, title = {Marxism and Contemporary Cultural Studies}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-79}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305882}, publisher = {W{\"u}rzburg University Press}, pages = {79-85}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @article{ApostolidisGkarpousisKoch2017, author = {Apostolidis -Gkarpousis, Alexandros and Koch, Christian}, title = {Convergences et divergences dans les articles «Langage» de Louis de Jaucourt et «Langue» de Nicolas Beauz{\´e}e. Une comparaison de deux articles de l'Encyclop{\´e}die de Diderot et D'Alembert}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172843}, pages = {19-36}, year = {2017}, abstract = {The two articles of «Langage» and «Langue», published in 1765 in the 9th volume of the great French Encyclop{\´e}die by Diderot and D'Alembert, treat some essential philosophical questions on the human ability of communication with linguistic signs. Nevertheless, as the two authors Jaucourt and Beauz{\´e}e did not share completely identic points of view, the comparative lecture of both articles reveals a complementary perspective, particularly relating to the origin of language as a divine gift or humans' creation for communicative needs. A further aspect of divergence concerns the textual composition of the article « Langage » as a structured informative text, and the article « Langue » as a long and freely composed writing including personal remarks by the author. The following article deals with the potential of approaches to the Encyclop{\´e}die in modern linguistics, concretely demonstrated in the comparative analysis of these two articles.}, language = {fr} } @article{EibensteinerKoch2018, author = {Eibensteiner, Lukas and Koch, Christian}, title = {El uso de los tiempos del pasado en espa{\~n}ol como lengua extranjera: Una comparaci{\´o}n de aprendientes escolares austriacos con pol{\´i}glotas rom{\´a}nicos}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187955}, pages = {21-42}, year = {2018}, abstract = {The normative use of past tenses is supposed to be a big challenge for learners of Spanish. Although they might understand the grammatical chapter in theory, adequate past tense use in spontaneous oral production is not guaranteed. Morphological errors, overgeneralizations of tenses and interferences with other languages characterize the interlanguage of the learners. Based on two corpuses, we analyse how the past tense use differs between secondary school students from Austria and Romance polyglots. Qualitative and quantitative analyses show that polyglot speakers surpass the secondary school students in some areas such as the distinction of verbal aspect. However, the students tend less to use the perfecto compuesto in an inadequate way in narration.}, subject = {Vergangenheitstempus}, language = {es} } @article{Hennemann2016, author = {Hennemann, Anja}, title = {El marcador (yo) pienso (que) y sus diferentes funciones}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161627}, pages = {99-120}, year = {2016}, abstract = {In this paper, the different uses and functions of (yo) pienso (que) are analysed. The examples demonstrate that (yo) pienso (que) fulfils various functions. It is used as a marker of cognitive attitude concerning the proposition (that is, the speaker expresses his validative attitude or an inference), as a pragmatic marker or as a cognitive particle. In this study, we introduce the term 'cognitive particle' in order to describe the use of (yo) pienso (que) when its use serves to gain time in processing the enunciation or to structure the speaker's thoughts. The empirical data are on the one hand retrieved from the corpus programme CREA, of debates and interviews focusing on peninsular Spanish, and on the other hand from GlossaNet, more precisely from the newspapers El Pa{\´i}s and El Mundo. This analysis is a qualitative one because we do not focus on the frequency of the different functions. Instead, we want to illustrate the various functions (yo) pienso (que) fulfils.}, subject = {Diskursmarker}, language = {es} } @article{Kailich2018, author = {Kailich, Franziska}, title = {Esquemas sint{\´a}cticos en el espa{\~n}ol est{\´a}ndar europeo contempor{\´a}neo}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187963}, pages = {45-69}, year = {2018}, abstract = {This article summarises an examination of sentence patterns in modern European standard Spanish, in order to give an answer to the following questions: How many different sentence patterns are there and which are the most frequent patterns in modern European Spanish? Based on the principles of verb valency, as established by Lucien Tesni{\`e}re and further developed by Ulrich Engel and others, a corpus of 500 sentences is analysed, identifying the sentence patterns of the main clauses. The analysis shows 19 different sentence patterns, the most frequent of which is p-s-cd, that is, predicate - subject - direct object. Subsequently, the results are compared to those of a different study on Spanish sentence patterns.}, subject = {Spanisch}, language = {es} } @article{Hagen2019, author = {Hagen, Clemens}, title = {Ver y ser visto: Intelectualidad y falsa erudici{\´o}n en La Regenta}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221822}, pages = {39-56}, year = {2019}, abstract = {Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clar{\´i}n» have constantly referred to the unmasking of society's hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimar{\´a}n and S. Berm{\´u}dez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta.}, language = {es} } @article{Kurth2018, author = {Kurth, Sarah}, title = {La semi{\´o}tica escenogr{\´a}fica en Todo lo dem{\´a}s (2016), de Natalia Almada}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187979}, pages = {71-91}, year = {2018}, abstract = {In the wake of the general tendency towards slow cinema which has been evolving in Mexican cinema, cinematographic devices have gained importance not only with regard to the construction of a persuasive narrative but also in terms of the aesthetic constitution of the movie itself. Not only is this observation evident in the absence of camera movements but also in the semiotic depth of mise en sc{\`e}ne resulting from this circumstance. Natalia Almada's movie Todo lo dem{\´a}s (2016) provides an impressive example of both the repercussions of this technique in the representation of loneliness as well as the suggestive power of the scenographical composition. Hence, the ensuing analysis of those scenes referring to water is to elucidate the semiotics of mise en sc{\`e}ne and its influence on the representation of the main character and the repetitive routine constricting her freedom.}, language = {es} } @article{Kailich2022, author = {Kailich, Franziska}, title = {The Introduction of English-induced neologisms in Spanish tweets: a case-study on covidiota}, series = {Frontiers in Communication}, volume = {7}, journal = {Frontiers in Communication}, issn = {2297-900X}, doi = {10.3389/fcomm.2022.780340}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-274064}, year = {2022}, abstract = {This paper intends to trace the introduction of an English-induced, COVID-related neologism, covidiota, into the Spanish language. The study is based on a corpus of tweets, starting in March 2020. It examines several specific features which mark the word as a new, unfamiliar item, such as different ways of graphical highlighting, for example. On the other hand, the paper aims to detect possible indicators of an integration of covidiota into the Spanish language use in the tweet corpus compiled for this case study.}, language = {en} } @article{BaumgaertnerKernLevenetal.2021, author = {Baumg{\"a}rtner, Ingrid and Kern, Manfred and Leven, Karl-Heinz and Toepfer, Regina}, title = {Mittelalter erschließen}, series = {Das Mittelalter}, volume = {26}, journal = {Das Mittelalter}, number = {1}, issn = {0949-0345}, doi = {0.17885/heiup.1mial.2021.1.24310}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-299110}, pages = {68-86}, year = {2021}, abstract = {Research communication has been gaining public attention in recent years. Therefore, medievalists also need to focus on the transfer of their research topics to the public both within and outside the university. Based on current political demands calling for a change in communication culture, the article first of all deals theoretically with two different concepts of research communication, by distinguishing between forms of translation and those of popularization. Numerous public events, exhibitions, and cooperative projects with cities, schools, adult education centres, museums, and other educational institutions show that knowledge about the Middle Ages has been trans-mitted to interested laypersons for a long time. The authors see a particular challenge in the alterity of medieval culture, which at the same time provides an excellent opportunity for transferring research findings into society. The fascination with medieval materiality facilitates the transfer of knowledge by those disciplines that work with concrete objects, addressing issues of visuality and aesthetic experience. The article pinpoints conditions, strategies, and perspectives of successful research communication in medieval studies, and when focussing on cur-rent topics, the authors refer to concrete occasions and regional examples, showing why medieval research is still relevant today.}, subject = {Wissenschaftskommunikation}, language = {de} } @incollection{Maniruzzaman2022, author = {Maniruzzaman, Md.}, title = {Blended Learning in the New Normal: EFL Student and Teacher Perceptions and Reactions}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-81}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296508}, publisher = {W{\"u}rzburg University Press}, pages = {81-104}, year = {2022}, abstract = {To reopen educational institutions and return to the classroom, we all need to modify how we act to successfully face the challenges of the new normal resulting from the COVID-19 pandemic and entailing our insights into and the after-effects of the pandemic. More specifically, the new normal might encompass online education we are getting used to during the pandemic and the age-old onsite education as well. Thoughtfully integrated, online and onsite learning combine to create blended learning. However, the pertinent literature reveals that English as a foreign language (EFL) students and teachers differently perceive and react to blended learning in diverse contexts. This study was designed to explore student and teacher perceptions of and reactions to blended learning in the Department of English, Jahangirnagar University in the new normal. Fifty undergraduates of EFL and eight teachers of the department participated in the study. To collect data from them, the Student Questionnaire and the Teacher Questionnaire were used. And the data were processed by applying the SPSS programme module. The findings revealed that the majority of the students and the teachers had mostly positive perceptions of blended learning, although the former did not have sufficient exposure to online learning and the latter lacked adequate insights into online teaching. Further, both the students and the teachers expressed mostly positive reactions to blended learning in the new normal, though the former deemed online examinations inadequately smooth and reliable, and the latter had insufficient experience of online instruction and assessment. The study categorically recommends reforming the curriculum, adopting relevant instructional strategies, developing suitable materials, customizing the assessment, integrating and installing technology, training the teachers, upskilling the students for blended learning, improving the infrastructure, and adjusting the management.}, language = {en} } @book{Fackler2019, author = {Fackler, Guido}, title = {Krieg │ Frieden. Der Erste Weltkrieg und die Nachkriegszeit}, issn = {2197-4667}, doi = {10.25972/OPUS-17498}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-174982}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {92}, year = {2019}, abstract = {Der Erste Weltkrieg und die Nachkriegszeit: Ein Thema, zu dem man scheinbar schon alles geh{\"o}rt und gelesen hat. Dass dem nicht so ist, zeigen Studierende der Philosophischen Fakult{\"a}t der Universit{\"a}t W{\"u}rzburg mit ihrer Ausstellung „Krieg │ Frieden. Der Erste Weltkrieg und die Nachkriegszeit". Ihre Beitr{\"a}ge behandeln Politik, Kunst und Literatur in den am Krieg beteiligten L{\"a}ndern. Nach einer historischen Einf{\"u}hrung, die auch die Nachkriegssituation in W{\"u}rzburg themati-siert, vermitteln Texte von Gottfried Benn einen distanzierten Blick auf das Kampfgeschehen: Der Dichter wirkte w{\"a}hrend des Kriegs als Arzt hinter der Front und verarbeitete seine Erlebnisse u.a. in den „R{\"o}nne-Novellen". Anhand literarischer Portraits von Sch{\"u}tzen aus dem Senegal l{\"a}sst sich wiederum nachvollziehen, wie sich der Blick auf die aus den Kolonien verpflichteten Soldaten in der franz{\"o}sischen Literatur widerspiegelt. Unterschiedliche Reaktionen auf den Ersten Weltkrieg und die Nachkriegszeit werden demgegen{\"u}ber in der italienischen und deutschen Kunst sichtbar, w{\"a}hrend die hierzulande aus propagandistischen Gr{\"u}nden er{\"o}ffneten Kriegsmuseen in der Nachkriegszeit schlossen oder sich der Friedensarbeit widmeten. Stimmen namhafter italienischer Politiker, Journalisten, Romanciers und Dichter bringen zum Ausdruck, wie der „Große Krieg / la Grande Guerra" Italiens kollektives Ged{\"a}chtnis pr{\"a}gte. Auch in Großbritannien ist das Gedenken daran viel st{\"a}rker als hierzulande: So pr{\"a}gen die von dem Gedicht „In Flanders Fields" inspirierten Mohnblumen als „Remembrance Poppies" die britische Erinnerungskultur bis in unsere Gegenwart. Individuell gestaltete Text- und Bildtafeln, eine H{\"o}rstation mit Leseecke sowie eine Soundinstallation und Bildprojektion am Er{\"o}ffnungsabend machen den Ausstellungsbesuch informativ und abwechslungsreich. Die interdisziplin{\"a}re Ausstellung wurde von rund 90 Studierenden der F{\"a}cher Anglistik, Amerikanistik, Germanistik, Geschichtswissenschaft, Kunstgeschichte, Museologie (Ausstellungsmanagement), Romanistik und Slavistik im Wintersemester 2018/19.}, subject = {Erster Weltkrieg}, language = {de} } @book{OPUS4-30542, title = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, edition = {1. Auflage}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-206-5}, doi = {10.25972/WUP-978-3-95826-207-2}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305425}, publisher = {W{\"u}rzburg University Press}, pages = {viii, 192}, year = {2023}, abstract = {Can cultural studies attend to the problems of our globalized world? Or is this project of "engaged scholarship" too deeply rooted in the parochial terrain of the national? This collection of essays - the first volume in the new JMU Cultural Studies publication series - attends to this vital yet difficult question. Based on joint seminars bringing together emerging scholars from Germany and India, the contributions confront "classic texts" from US-American, British, and Indian cultural studies with the specific concerns and contemporary perspectives of the authors. The collection thus tests the potentials of the tradition to speak to the transnational as well as the national environments of the very present. Emphasis is placed on Marxist and feminist legacies, which are then projected into the domains of contemporary disability, food, and film studies.}, subject = {Globalisierung}, language = {en} } @book{AckermannKarremannMalhotraetal.2021, author = {Ackermann, Zeno and Karremann, Isabel and Malhotra, Simi and Zaidi, Nishat}, title = {Terrains of Consciousness: Multilogical Perspectives on Globalization}, edition = {1. Auflage}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-168-6}, doi = {10.25972/WUP-978-3-95826-169-3}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-243936}, publisher = {W{\"u}rzburg University Press}, pages = {x, 150}, year = {2021}, abstract = {TERRAINS OF CONSCIOUSNESS emerges from an Indian-German-Swiss research collaboration. The book makes a case for a phenomenology of globalization that pays attention to locally situated socioeconomic terrains, everyday practices, and cultures of knowledge. This is exemplified in relation to three topics: - the tension between 'terrain' and 'territory' in Defoe's 'Robinson Crusoe' as a pioneering work of the globalist mentality (chapter 1) - the relationship between established conceptions of feminism and the concrete struggles of women in India since the 19th century (chapter 2) - the exploration of urban space and urban life in writings on India's capital - from Ahmed Ali to Arundhati Roy (chapter 3).}, subject = {Globalisierung}, language = {en} } @incollection{Guesken2019, author = {G{\"u}sken, Jessica}, title = {Blooming Flowers, Fish in Water, Amphibians, and Apes: Herder's Environmental Aesthetics of Nature}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178026}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {175-188}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Chetvertak2022, author = {Chetvertak, Іevgeniia}, title = {Cyber aggression in the stance of communicative approach}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-1}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296152}, publisher = {W{\"u}rzburg University Press}, pages = {1-9}, year = {2022}, abstract = {The article deals with the notion of internet aggression (cyber aggression). It considers the mentioned term from both psychological and communicative approaches. The paper also provides detailed analyses of the cyber aggression in political discourse. The provided ex-amples are taken from the speeches of politicians during the time of Covid pandemic. The author also identifies several types of cyber aggression.}, language = {en} }