@phdthesis{Chikezie2017, author = {Chikezie, Aloysius Cheta}, title = {THE VALUE OF WORK IN NIGERIA with Reference to Laborem Exercens}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-147592}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2017}, abstract = {Work is seen by many thinkers as the fundamental dimension of man`s existence on earth. Through work, he provides his basic necessities on earth and co-operate with God in the work of creation. He received this mandate to work from the very beginning of creation by God. In carrying out this mandate, man every human being reflects the very action of the creator of the Universe. God worked and intended that man who is created in His image and likeness continues the work of creation by working. Even though Man suffers and sweats through work and yet, in spite of all this toil-perhaps in a sense because of it - work is a good thing for man. It is not only good in the sense that it is useful or something to enjoy; it is also good as being something worthy, that is to say something that corresponds to man's dignity that expresses this dignity and increases it. This project examines man as a creature called to work and born into work. It is true that through work, man provides himself and his family with the basic necessities of life and everyday needs for the reason he charges wages for his sweat. Work goes beyond and should exceed the boundaries of the material benefit that comes out of it to the satisfaction and fulfilment for the very purpose we should work. The modern society has attached so much importance to money and material possession, the question then is how do we go along working in the spirit of improvement and renewal of the earth? The modern man understands work only as a means of making his daily bread. For this reason, he engages himself in an occupation that he has little or no interest in. He ends up quarrelling everyday with the people that he or she is supposed to serve through work. The result is low work output and waste of talents and the society loses an opportunity for improvement as every creature is supposed to contribute uniquely. A good example is Nigeria, Africa's most populous nation with a population estimate of about over 170,000,000 people and the sixth Oil producing Nation.}, subject = {Nigeria}, language = {en} } @article{SenaratneMuehlbauerKiefletal.2023, author = {Senaratne, Hansi and M{\"u}hlbauer, Martin and Kiefl, Ralph and C{\´a}rdenas, Andrea and Prathapan, Lallu and Riedlinger, Torsten and Biewer, Carolin and Taubenb{\"o}ck, Hannes}, title = {The Unseen — an investigative analysis of thematic and spatial coverage of news on the ongoing refugee crisis in West Africa}, series = {ISPRS International Journal of Geo-Information}, volume = {12}, journal = {ISPRS International Journal of Geo-Information}, number = {4}, issn = {2220-9964}, doi = {10.3390/ijgi12040175}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-313607}, year = {2023}, abstract = {The fastest growing regional crisis is happening in West Africa today, with over 8 million people considered persons of concern. A culmination of identity politics, climate-driven disasters, and extreme poverty has led to this humanitarian crisis in the region and is exacerbated by a lack of political will and misplaced media attention. The current state of the art does not present sufficient investigations of the thematic and spatial coverage of news media of this crisis in this region. This paper studies the spatial coverage of this crisis as reported in the media, and the themes associated with those locations, based on a curated dataset. For the time frame 12 March to 15 September 2021, 2017 news articles related to the refugee crisis in West Africa were examined and manually coded based on (1) the geographical locations mentioned in each article; (2) the themes found in the articles in reference to a location (e.g., Relocation of people in Abuja). The dataset introduces a thematic dimension, as never achieved before, to the conflict-ridden areas in West Africa. A comparative analysis with UNHCR (United Nations High Commissioner for Refugees) data showed that 96.8\% of refugee-related locations in West Africa were not covered by news during the considered time frame. Contrastingly, 80.4\% of locations mentioned in the news do not appear in the UNHCR repository. Most news articles published during this time frame reported on Development aid or Political statements. Linear multiple regression analysis showed GDP per capita and political stability to be among the most influential determinants of news coverage.}, language = {en} } @incollection{CazajousAuge2019, author = {Cazajous-Aug{\´e}, Claire}, title = {The Traces Animals Leave: A Zoopoetic Study of Rick Bass' "Antlers"}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178097}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {269-278}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{LutStarenkova2022, author = {Lut, Kateryna and Starenkova, Hanna}, title = {The Relationship between Language, Culture, and Development of Society}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-63}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296484}, publisher = {W{\"u}rzburg University Press}, pages = {63-72}, year = {2022}, abstract = {The paper analyses specific characteristics of language that influence the development of culture and societies. The problem of the connection between language and culture has occupied the minds of many famous scientists: some believe that language is a part of the culture as a whole; others think that language is only a form of cultural expression. Undoubtedly, language constitutes a vital component of the cultural background underlying social development. Language is an essential means of communication and interaction. However, language is at the same time sovereign about culture as a whole and can be separate from culture or compared to culture as an equal element (i.e., that language is neither a form nor a component of culture).}, language = {en} } @incollection{Demello2019, author = {Demello, Margo}, title = {The Rabbits of Okunoshima: How Feral Rabbits Alter Space, Create Relationships, and Communicate with People and Each Other}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178064}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {231-239}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{Schulze2015, author = {Schulze, Daniel}, title = {The Passive Gaze and Hyper-Immunised Spectators: The Politics of Theatrical Live-Broadcasting}, series = {Journal of Contemporary Drama in English}, volume = {3}, journal = {Journal of Contemporary Drama in English}, number = {2}, issn = {2195-0164}, doi = {10.1515/jcde-2015-0024}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195091}, pages = {315-326}, year = {2015}, abstract = {No abstract available.}, language = {en} } @article{Kailich2022, author = {Kailich, Franziska}, title = {The Introduction of English-induced neologisms in Spanish tweets: a case-study on covidiota}, series = {Frontiers in Communication}, volume = {7}, journal = {Frontiers in Communication}, issn = {2297-900X}, doi = {10.3389/fcomm.2022.780340}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-274064}, year = {2022}, abstract = {This paper intends to trace the introduction of an English-induced, COVID-related neologism, covidiota, into the Spanish language. The study is based on a corpus of tweets, starting in March 2020. It examines several specific features which mark the word as a new, unfamiliar item, such as different ways of graphical highlighting, for example. On the other hand, the paper aims to detect possible indicators of an integration of covidiota into the Spanish language use in the tweet corpus compiled for this case study.}, language = {en} } @article{Haidacher2022, author = {Haidacher, Bernhard}, title = {The concept of confix in German, French, and Italian - a comparative study}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329756}, pages = {63-83}, year = {2022}, abstract = {Despite some critical voices, in German linguistics the concept of confix can meanwhile be considered as an established morpheme category. Schmidt (1987) introduced the term into German to describe bound morphemes that are lexical, but not inflectable. Since the 2000s, an increasing number of publications deal with the phenomenon and the term has begun to enter linguistic reference works as well. In French, the situation is completely different due to the structure of the language (poor in compounds and mostly post-determinative). Although the term and the concept have originall y been coined by the French structuralist Andr{\´e} Martinet ([1961] \(^3\)1980 ), the denomination itself is barely present in Romance linguistics. French researchers usually take different approaches to discuss the phenomenon (e.g., neoclassical compounds, constructed lexemes). In Italian, the denominations confisso/ confissazione are first used by De Mauro (1999), who adopts both the term and concept directly from Martinet; moreover, they can be found in some contributions on word formation and lexicology (e.g., Adamo/Della Valle 2008). Nevertheless, the Italian termino-logy remains heterogeneous, with some researchers still using the terms prefissoide/suffissoide coined by Migliorini (1963). As I will show by comparing the languages in question, the terminology and the concept of confixes vary greatly between Romance and Germanic languages.}, language = {en} } @incollection{Borgards2019, author = {Borgards, Roland}, title = {The Beetle Is in the Eye of the Beholder: Animal Ecologies, Situated Poetics and the Poetry of Annette von Droste-H{\"u}lshoff}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177957}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {99-109}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Kushch2022, author = {Kushch, Elina}, title = {The aphoristic potential of presidential rhetoric of G. Bush Jr.}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-25}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296456}, publisher = {W{\"u}rzburg University Press}, pages = {25-39}, year = {2022}, abstract = {This research paper concentrates on the analysis of the aphoristic potential of G. W. Bush's presidential rhetoric. Aphorisms are the most ancient laconic forms of expressing original and completed thoughts which reveal the peculiarity of their authors' world perception and worldview. From this perspective, these units can serve as the means of values codification. Repeatability and widespread use of aphorisms in various communications contribute to transmitting the values and ideas between the generations. Political aphorisms, which are a combination of aphoristic expressions from political communication and discourse, play an important role in this process. The authors of these expressions are not only politicians, but also philosophers, historians, writers, celebrities of different nationalities and generations. Presidential rhetoric is an integral and significant part of political discourse. The use of aphorisms as the means of codification of national and common human values in President G. W. Bush's formal addresses and speeches is intentional. It makes them concise and original, influential and convincing. Aphoristic expressions denoting common human values show the ideas and beliefs of their authors, as well as the politician, about life, justice, equality, freedom, faith, family. Aphorisms defining national values become the means of updating concepts of democracy, unity and diversity, freedom and security, success, and opportunity to fulfill one's potential in American society. The distinctive feature of G.W. Bush's rhetoric is the frequent use of aphorisms whose authors are the Founding Fathers.}, language = {en} } @inproceedings{OPUS4-17720, title = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, editor = {Middelhoff, Frederike and Sch{\"o}nbeck, Sebastian and Borgards, Roland and Gersdorf, Catrin}, edition = {1. Auflage}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, issn = {978-3-7930-9928-4}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177209}, pages = {359}, year = {2019}, abstract = {Texts, Animals, Environments. Zoopoetics and Ecopoetics probes the multiple links between ecocriticism and animal studies, assessing the relations between animals, environments and poetics. While ecocriticism usually relies on a relational approach to explore phenomena related to the environment or ecology more broadly, animal studies tends to examine individual or species-specific aspects. As a consequence, ecocriticism concentrates on ecopoetical, animal studies on zoopoetical elements and modes of representation in literature (and the arts more generally). Bringing key concepts of ecocriticism and animal studies into dialogue, the volume explores new ways of thinking about and reading texts, animals, and environments - not as separate entities but as part of the same collective.}, language = {en} } @book{AckermannKarremannMalhotraetal.2021, author = {Ackermann, Zeno and Karremann, Isabel and Malhotra, Simi and Zaidi, Nishat}, title = {Terrains of Consciousness: Multilogical Perspectives on Globalization}, edition = {1. Auflage}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-168-6}, doi = {10.25972/WUP-978-3-95826-169-3}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-243936}, publisher = {W{\"u}rzburg University Press}, pages = {x, 150}, year = {2021}, abstract = {TERRAINS OF CONSCIOUSNESS emerges from an Indian-German-Swiss research collaboration. The book makes a case for a phenomenology of globalization that pays attention to locally situated socioeconomic terrains, everyday practices, and cultures of knowledge. This is exemplified in relation to three topics: - the tension between 'terrain' and 'territory' in Defoe's 'Robinson Crusoe' as a pioneering work of the globalist mentality (chapter 1) - the relationship between established conceptions of feminism and the concrete struggles of women in India since the 19th century (chapter 2) - the exploration of urban space and urban life in writings on India's capital - from Ahmed Ali to Arundhati Roy (chapter 3).}, subject = {Globalisierung}, language = {en} } @article{KochFroehlich2020, author = {Koch-Fr{\"o}hlich, Melanie}, title = {S'inventer {\`a} partir de l'autre : Les Origines d'Amin Maalouf}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244268}, pages = {69-84}, year = {2020}, abstract = {The present article examines the narrative modes in which Lebanese author Amin Maalouf investigates his roots in Origines a hybrid work which stands in contrast with his previous essays and fictions as to its (auto)biographical dimension. Resembling what Dominique Viart and Bruno Vercier in their analysis of predominant themes and narrative strategies in contemporary French literature name «r{\´e}cit de filiation», Maalouf's quest for his familial past explores the concept of intergenerational transmission of memory. However, despite this individual postmemorial approach, Maalouf's intimate writing is intrinsically linked with the complex history of the Ottoman Empire and therefore with collective narratives of war, diasporic identities, and migration relating to the present time or the recent past.}, language = {fr} } @article{Scholz2021, author = {Scholz, Janek}, title = {S{\´e}rgio Zimbas Covid-19-Karikaturen im Kontext {\"o}ffentlicher Gesundheitsf{\"u}rsorge in Mosambik}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305692}, pages = {133-155}, year = {2021}, abstract = {The article deals with the educational comics of the Mozambican artist S{\´e}rgio Zimba, especially in the context of the current pandemic situation caused by Covid-19. First, comics from and comic research on Africa will be presented, especially in their repercussion within the German-language comics landscape. This will be followed by a discussion of the special situation in lusophone Africa, exemplified and illustrated by the works of the Mozambican cartoonist S{\´e}rgio Zimba. The article closes with a brief comparison of Zimba's work with the cartoons of S{\´e}rgio Pi{\c{c}}arra from Angola, to better classify the artist's work.}, language = {de} } @book{OPUS4-28242, title = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-198-3}, doi = {10.25972/WUP-978-3-95826-199-0}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-282426}, publisher = {W{\"u}rzburg University Press}, pages = {VIII, 125}, year = {2022}, abstract = {The book "Studies in Modern English" interprets English-language communication in the humanitarian paradigm of knowledge within the linguistic and psycho-sociocultural study of speech activity prioritizing cognitive and communicative paradigms. Digital discourse as the formation of new semiotic phenomena has crowned the rapid scientific and technological progress. Researchers' scientific achievements represented in the book are systemic and valid in terms of evidence-based narratives, which reflect the transformational horizon of information theory, communication theory, and theory of linguodidactics in modern English verbal, creative and digital environments. The book represents an integrated approach to the study of modern English as an open synergetic system, which requires a description of the relationship between verbal and nonverbal notions in digital space. The book integrates such innovative perspectives as the interaction of natural English and programming languages, cyber aggression as a communicative pattern in English-language digital discourse, ethics, and democratization of modern English language, relevant developments in the field of English language as a Foreign Language, and other related issues. A complex focus of the book in the realm of modern English-language communication concerns verbal and nonverbal notions analyzed in the context of socio-cultural and digital communicative spaces.}, subject = {Englischunterricht}, language = {en} } @article{Mounga2017, author = {Mounga, Bauvarie}, title = {Strat{\´e}gies narratives et violence dans le roman post-colonial africain : le cas de la technique du fragmentaire dans Le Pleurer-rire d'Henri Lop{\`e}s}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172916}, pages = {149-162}, year = {2017}, abstract = {After independence, in the sixties, sub-Saharan Africa including Francophone, saw moving to the head of his governments, dictatorial powers. Henri Lop{\`e}s translated this in his work by a formal violence. We will study in this paper, the violence employed by the Congolese novelist in Le Pleurer-rire (1982): the technique of fragmentary. Our work is structured in three parts: the presentation of formal violence in Le Pleurer-rire, manifestations of postcolonial political system in this novel and the operation of the technique of fragmentary.}, language = {fr} } @incollection{Mantraraj2023, author = {Mantraraj, Sudeeti Geeta}, title = {Strategies for Survival and Resources for Resistance}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-171}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305948}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {171-180}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @incollection{HornungGoldschmitt2015, author = {Hornung, Christoph and Goldschmitt, Stefanie}, title = {Stadtbeschreibung und Weltlosigkeit der Sprache in Raymond Queneaus \(Zazie\) \(dans\) \(le\) \(m{\´e}tro\)}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152265}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {345-359}, year = {2015}, abstract = {No abstract available.}, subject = {Queneau, Raymond : Zazie dans le m{\´e}tro}, language = {de} } @article{GoldschmittHesselbach2019, author = {Goldschmitt, Stefanie and Hesselbach, Robert}, title = {Sprachliche Unsicherheit bei unregelm{\"a}ßigen Superlativbildungen im Spanischen}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {135}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {3}, issn = {1865-9063}, doi = {10.1515/zrp-2019-0056}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194235}, pages = {643-662}, year = {2019}, abstract = {This paper deals with the interrelation between the concept of linguistic insecurity described by Labov (1966) and the irregular formation of Spanish superlatives based on Latin roots such as paup{\´e}rrimo, celeb{\´e}rrimo etc. instead of the analogue formation pobr{\´i}simo or celebr{\´i}simo. After a brief overview on the frequency of these forms and their alleged regular equivalents in Spanish corpora, a closer look is taken on the speakers' internal and external aspects of linguistic (in)security. Finally, it is shown by an acceptability test that there are forms on -{\´e}rrim*, which are not exclusively restricted to the norma culta in Spanish.}, language = {de} } @incollection{Hesselbach2015, author = {Hesselbach, Robert}, title = {Sprache als Verf{\"u}hrungskunst - ein rhetorisch-pragmatischer Kommentar zur Figurenrede des Don Juan in Tirso de Molinas \(El\) \(burlador\) \(de\) \(Sevilla\) \(y\) \(convidado\) \(de\) \(piedra\)}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hronung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152137}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {187-199}, year = {2015}, abstract = {No abstract available.}, subject = {Tirso, de Molina : El burlador de Sevilla y convidado de piedra}, language = {de} } @article{Dittmann2021, author = {Dittmann, Lara A.}, title = {Sprach- und Kommunikationsnuancen in literarischen Interspeziesbegegnungen - Juan Ram{\´o}n Jim{\´e}nezʼ Platero y yo (1914/1917) und Thomas Manns Herr und Hund (1919)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305658}, pages = {55-71}, year = {2021}, abstract = {The encounter with non-human animals has always been a major preoccupation in the (philosophical) quest of understanding the human (condition). Of course, they are not only present in literary texts, but also in other media such as music and art. We consider ourselves aware of their selves, natures and skills as well as their sensory perceptions. Indeed, the ways we interact with non-human animals in everyday life and in the fictional world, how we perceive, think and talk about them as well as how we communicate with them are often related to our own self-perceptions in the social collective and in social-historical discourse. If we take a closer look at literary interspecies relations, we can detect clear shades in language and communication. Based on the approaches of Human-Animal Studies, this article deals with those nuances regarding animal-human encounters in Juan Ram{\´o}n Jim{\´e}nez' Platero y yo (1914/1917) and Thomas Mann's Herr und Hund (1919) in a comparative perspective. In addition to this, a special focus is placed on the effect these elements can have on (inter)acting literary subjects as well as on extra-textual recipients.}, language = {de} } @incollection{AckermannSnyderKoerber2023, author = {Ackermann, Zeno and Snyder-K{\"o}rber, MaryAnn}, title = {Series Foreword : JMU Cultural Studies - Strategies for Struggling with the Obvious}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-iii}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305801}, publisher = {W{\"u}rzburg University Press}, pages = {iii-v}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @article{PalaciosEspinoza2019, author = {Palacios Espinoza, Romina Irene}, title = {Schmerzhafte Erotik: kranke K{\"o}rper und sexueller Genuss in El {\´u}ltimo cuerpo de {\´U}rsula von Patricia de Souza}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221877}, pages = {117-132}, year = {2019}, abstract = {This article is dedicated to the analysis of the body, which is staged as sick and painful. El {\´u}ltimo cuerpo de {\´U}rsula by Peruvian author Patricia de Souza is characterized by the connection between body, pain perception and eroticism. Illness and paralysis play a fundamental role in the narrative because they cause the recomposition of the ego, which leads the protagonist, {\´U}rsula Res, to perceive and reflect the fragmentation of her identity and the increasing distance from her body. Through approaches to pain and disability, the expressiveness of the narrativized eroticism of this text, based on an obedient relationship to the body, is revealed.}, language = {de} } @misc{Goldschmitt2021, author = {Goldschmitt, Stefanie}, title = {Sandra Issel-Dombert, Sprachgeschichte als Textsortengeschichte. Zur Linguistik der Beschwerde am Beispiel der «cahiers de dol{\´e}ances» (Analecta Romanica, 89), Frankfurt am Main, Vittorio Klostermann, 2019, XVI + 480 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {137}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, issn = {1865-9063}, doi = {10.1515/zrp-2021-0051}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-250823}, pages = {1216 -- 1221}, year = {2021}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @article{vonRoeder2020, author = {von Roeder, Alena}, title = {Salvador als Opfer seiner eigenen Triebe im Film Los girasoles ciegos. Die filmische Darstellung der Fokalisierung unter psychoanalytischer Betrachtung}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244303}, pages = {177-196}, year = {2020}, abstract = {This paper analyzes the mental development of the main character Salvador in the Spanish movie Los girasoles ciegos (2008) by Jos{\´e} Luis Cuerda, based on the camera perspective and focalization, as well as the three-instance model according to Sigmund Freud. For this purpose, screen captures from the movie are examined to see how Salvador's loss of control is pictured. This is applied to Freud's three-instance model to prove the takeover of the Id. Throughout the whole movie, the inner conflict between his Ego and Id, i.e. his life as a deacon versus his life as a soldier, is present. The whole process of the breakdown of his mental state is revealed through the camera perspective and visual focalization.}, language = {de} } @misc{Kiesler2014, author = {Kiesler, Reinhard}, title = {Sabine Bastian / Thierry Bulot / Elisabeth Burr (edd.), Sociolinguistique urbaine. Identit{\´e}s et mise en mots (Sprache - Kultur - Gesellschaft, 6), M{\"u}nchen, Meidenbauer, 2011, 161 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {130}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, issn = {1865-9063}, doi = {10.1515/zrp-2014-0097}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195517}, pages = {1083 -- 1086}, year = {2014}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @incollection{Schoenbeck2019, author = {Sch{\"o}nbeck, Sebastian}, title = {Return to the Fable: Rethinking a Genre Neglected in Animal Studies and Ecocriticism}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177966}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {111-125}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Khapai2023, author = {Khapai, YS Sochuiwon Priscilla}, title = {Rethinking the Culture of Education with Raymond Williams}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-33}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305854}, publisher = {W{\"u}rzburg University Press}, pages = {33-44}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @incollection{Wohlfahrt2023, author = {Wohlfahrt, Saskia}, title = {Rethinking Cultural Studies: From the Role of the Intellectual to Transnational Feminism}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-159}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305935}, publisher = {W{\"u}rzburg University Press}, pages = {159-170}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @incollection{Roloff2015, author = {Roloff, Volker}, title = {Repr{\"a}sentation, Inszenierung und Rollenspiel. Anmerkungen zum Theater und \(theatrum\) \(mundi\) bei Sartre}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152279}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {361-377}, year = {2015}, abstract = {No abstract available.}, subject = {Sartre, Jean-Paul}, language = {de} } @article{Hesselbach2016, author = {Hesselbach, Robert}, title = {Reinhard Kiesler (18. Januar 1960-9. September 2015)}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {132}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {1}, issn = {1865-9063}, doi = {10.1515/zrp-2016-0027}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194927}, pages = {354 -- 355}, year = {2016}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} } @article{Uzunkaya2015, author = {Uzunkaya, H{\"u}meyra}, title = {Pr{\"a}positionalphrasen mit der Pr{\"a}position de im Franz{\"o}sischen - Struktur und Realisierungsformen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139506}, pages = {195-226}, year = {2015}, abstract = {This paper investigates the linguistic properties of prepositional phrases containing de in the French language by means of a comprehensive compilation of possible formal realizations, for which examples are provided out of a chosen sample text. Special attention will be paid to the most frequently-cited formal realization, namely the combination of a preposition and a noun phrase. The corresponding forms will be divided into two classes, one with nominal phrases containing a phonetically realized or at least an underlying determiner, and one with nominal phrases in which no determiner is assumed to occur. This distinction will shed light on some of the difficulties that can arise in the assignment of the elements to either category due to the special interaction between the preposition de and the French system of determiners.}, language = {de} } @misc{OPUS4-32981, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 8 (2022)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8/2022}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola}, isbn = {978-3-946101-08-6}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329813}, year = {2022}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, language = {de} } @misc{OPUS4-30571, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 7 (2021)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7/2021}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola}, isbn = {978-3-946101-06-2}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305711}, year = {2021}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, language = {de} } @misc{OPUS4-24395, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 6 (2020)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6/2020}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola}, isbn = {978-3-946101-04-8}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-243951}, year = {2020}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, language = {mul} } @misc{OPUS4-22096, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 5}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5/2019}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Callsen, Berit and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Koch, Christian and Ravasio, Paola}, isbn = {978-3-946101-04-8}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-220963}, year = {2019}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, subject = {Literaturwissenschaft}, language = {mul} } @misc{OPUS4-18788, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 4 (2018)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4/2018}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Callsen, Berit and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Koch, Christian and Ravasio, Paola}, isbn = {978-3-946101-03-1}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187883}, year = {2018}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, subject = {Literaturwissenschaft}, language = {mul} } @misc{OPUS4-17281, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 3}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3/2017}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Callsen, Berit and Gold, Martina and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Meisnitzer, Benjamin and Ravasio, Paola}, isbn = {978-3-946101-02-4}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172810}, year = {2017}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, subject = {Literaturwissenschaft}, language = {mul} } @misc{OPUS4-16124, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 2}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2/2016}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Callsen, Berit and Gold, Martina and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Meisnitzer, Benjamin and Ravasio, Paola}, isbn = {978-3-946101-01-7}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161247}, year = {2016}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, subject = {Romanistik}, language = {mul} } @misc{OPUS4-13943, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 1}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1/2015}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Callsen, Berit and Gold, Martina and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Ravasio, Paola}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139436}, year = {2015}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, subject = {Romanistik}, language = {de} } @article{Kiesler2013, author = {Kiesler, Reinhard}, title = {Pour une typologie des phrases complexes}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {129}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {3}, issn = {1865-9063}, doi = {10.1515/zrp-2013-0064}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195562}, pages = {608 -- 628}, year = {2013}, abstract = {AbstractUne tradition grammaticale largement r{\´e}pandue distingue trois types de relations entre propositions, donc trois types de phrases complexes: les propositions juxtapos{\´e}es, les propositions coordonn{\´e}es et les phrases hypotaxiques. Riegel et al. (2009) ajoutent en outre les phrases avec incise ou incidente comme quatri{\`e}me type. Les grammaires et trait{\´e}s d{\´e}crivent les diff{\´e}rentes sortes de coordination (copulative, disjonctive, adversative, causale et cons{\´e}cutive) et de subordination (compl{\´e}tive, relative et circonstancielle). Pourtant, jusqu'{\`a} pr{\´e}sent il n'existe pas, {\`a} ce qu'il semble, de description plus d{\´e}taill{\´e}e, ni des divers degr{\´e}s de l'hypotaxe et de la parataxe d'une part, ni des diff{\´e}rentes combinaisons de structures hypotaxiques et parataxiques d'autre part. Le but de cet article est donc de proposer une typologie plus compl{\`e}te des phrases complexes sur la base d'un petit corpus de r{\´e}f{\´e}rence. Cette typologie distinguera, d'un c{\^o}t{\´e}, divers degr{\´e}s de phrases parataxiques homog{\`e}nes et de phrases parataxiques h{\´e}t{\´e}rog{\`e}nes et, de l'autre c{\^o}t{\´e}, des phrases hypotaxiques simples et des phrases hypotaxiques multiples.}, language = {fr} } @incollection{Chakraborty2023, author = {Chakraborty, Adreeta}, title = {Political and Cultural Negotiations with Feminism in India: A Perspective}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-51}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305866}, publisher = {W{\"u}rzburg University Press}, pages = {51-58}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @incollection{Ventarola2015, author = {Ventarola, Barbara}, title = {Pluralisierung, Inversion, Utopie. Doppelb{\"o}dige Exemplarit{\"a}t im \(Libro\) \(de\) \(buen\) \(amor\) des Arcipreste de Hita}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152089}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {75-103}, year = {2015}, abstract = {No abstract available.}, subject = {Ruiz, Juan : Libro de buen amor}, language = {de} } @phdthesis{Himmel2021, author = {Himmel, Marie-Christin}, title = {Phonetic and phonological variability in the L1 and L2 of late bilinguals: The case of /r/ and /l/}, doi = {10.25972/OPUS-23933}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-239335}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2021}, abstract = {A large body of research has shown that a late bilingual's L1 and L2 phonetic categories influence each other, yielding deviations from monolingual norms in the phonetics of both languages. Existing models of L2 sound acquisition (e.g., the Speech Learning Model; Flege, 1995, 2007) predict unified phonetic spaces which accommodate both L1 and L2 sound categories. Such connections between an L1 and an L2 are believed to lead to persistent non-nativelikeness in the L2, but also to divergence from the monolingual norm in the L1, as shown in numerous studies (e.g., Bergmann et al., 2016). In this dissertation, I focus on the differences in the sound patterns of a bilingual's languages which do not only emerge in the precise phonetic realizations of L1 sounds but also in language-specific distributional patterns that determine the realization of these sound categories in different phonetic contexts. Previous work in L1 attrition is limited to a small set of phonetic properties (especially VOT, e.g., Flege, 1987), variables beyond L2 transfer which are known to give rise to variable realizations have been neglected. Thus, little is known as to whether bilinguals' realizations of an L1 sound category in different phonetic contexts (e.g., position within a syllable) are subject to change in L1 attrition, and whether such changes arise due to long-term exposure to different distributional patterns of an equivalent L2 category. In this dissertation I address these gaps by exploring L1 attrition in the distributional and phonetic characteristics of liquids to shed light on the contribution of the L2 and the role of general phonetic and phonological variables to the processes that drive change in an L1. I investigate changes to phonetic properties and distributional patterns of rhoticity and /l/-allophony in the L1 of American-German late bilinguals, a language constellation which offers an instructive test case to investigate the causes of L1 attrition as well as the source from which changes due to L1 attrition emerge. Furthermore, changes to liquids can also shed light on the processes which drive sound change, gradience and variability due to various positional and phonetic factors (e.g., preceding vowel, syllable structure) in liquids across many native varieties of English. In particular, I explore the variable realization and distributional patterns of two sounds known to be subject to a considerable degree of gradience and variability, namely English /r/ and /l/, in American English-German late bilinguals. To that end, I present the results of a production study of 12 L2-dominant American English-German late bilinguals as well as a monolingual control group for each language. The speakers performed a variety of production tasks which were aimed to elicit the realization of (non)-rhoticity and /l/-(non-)allophony in both languages of the late bilinguals, English and German which were analyzed auditorily (/r/ only) and acoustically (/r/ and /l/). Although L1 attrition of rhotics and laterals has been investigated previously (e.g., de Leeuw, 2008; Ulbrich \& Ordin, 2014), the effect of contextual variables on L1 attrition and whether such variables also shape L1 attrition remains unexplored. The results of the auditory analyses of postvocalic /r/ revealed that the late bilinguals showed non-convergence with monolingual (non-)rhoticity in both of their languages by vocalizing postvocalic /r/ more frequently in their L1 (English) and failing to entirely suppress rhoticity in their L2 (German) leading up to a higher degree of rhoticity in their L2. While the loss of rhoticity in the bilingual's English was distributed along a spectrum of contextual constraints (e.g., type of pre-rhotic vowel and morpho-phonological environment) known to affect rhoticity in other English varieties, the non-targetlike productions of non-rhoticity (i.e., non-vocalized postvocalic /r/) in their L2, German, were not sensitive to the same contextual constraints. The acoustic analyses of the bilinguals' rhotic productions in English and German differed from the monolinguals in the acoustic correlates of rhoticity in pre-rhotic vowels where they showed reduced anticipatory F3-lowering (i.e., less /r/-colored vowels). I take my results to indicate that the bilinguals operate in two separate phonological grammars which approximate the respective L1 norm but show an increase of variability along constraints already present in each grammar. In contrast, the bilinguals' phonetic system seem shared between the two grammars. This leads to persistent L1-L2-interactions as the two grammars operate within the same phonetic space. Thus, the changes in L1 attrition are induced but not governed by the L2: Change to the L1 reflects constraints underlying the L1 as well as more general laws of phonetics and universal trajectories of language change. The lateral results revealed that just like in postvocalic /r/, the bilinguals showed non-convergence with the monolingual norm regarding the velarization of coda /l/ in both their languages. The changes to English laterals were sensitive to their positional context and more substantial for word-initial laterals than word-final laterals. Similarly, their German laterals were non-convergent with the monolinguals in two ways. Firstly, the bilinguals differed with regard to the acoustic specifications of their laterals, and secondly, the bilinguals failed to suppress the lateral allophony from their L1, leading to a non-targetlike allophonic pattern in their L2 laterals. I interpret the lateral results to lack evidence that the L1 allophonic rule was affected by the presence of an L2; nevertheless, L1 change emerged in the phonetic specifications of laterals. Furthermore, the bilinguals did not establish a nativelike allophonic pattern in their L2, leading to non-convergence in the allophonic distribution as well as the phonetic realization of German laterals. In this way, this dissertation provides evidence for L1 attrition in the distributional and the phonetic properties of liquids in the L1 of late bilinguals. In particular, the study presented in this dissertation provides evidence that L1 attrition is induced by the presence of a similar sound pattern in the L2. The pathway of attrition follows constraints not only underlyingly present in the L1 but also part of the universal laws of phonetics known to shape sound change. To explain these results, I draw from existing constraint grammars in phonological theory (such as Optimality Theory and Harmonic Grammar) to develop my Dynamic Constraints approach which allows the effects of external variables (e.g., L2 acquisition and its effect on the mind), and internal variables such as an increased likelihood of variability due to articulatory differences can be modeled using scaling factors which can interact with each other, the noise within the grammars, and the constraint weight itself. In this way, the model links previous findings on L1 attrition and its connections to diachronic and synchronic variability, offering insights into the links between the individual languages in a bilingual's mind.}, subject = {Zweisprachigkeit}, language = {en} } @article{Nenadovic2019, author = {Nenadovic, Ana}, title = {Performing Feminism, Autobiography, and Testimony. Feminist Rap in Latin America.}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221850}, pages = {95-114}, year = {2019}, abstract = {This article focuses on selected Latin American female rap artists (Anita Tijoux, Rebeca Lane, and the duo Krudas Cubensi), and the way they perform feminism, autobiography and testimony through their lyrics and performances. The analysis concentrates on the synergies between the texts themselves, the official music videos shared on YouTube and the background music. It aims to demonstrate that only such a synergistic approach to rap allows a profound understanding of its particularities and its contributions to feminist discourses and spaces for feminist testimony in the current rise of both right-wing politics and feminist movements on the continent.}, language = {en} } @incollection{Noeth2019, author = {N{\"o}th, Winfried}, title = {Peirce on the Continuity between Human and Nonhuman Minds}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177988}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {139-155}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Buehler2019, author = {B{\"u}hler, Benjamin}, title = {Other Environments: Ecocriticism and Science Fiction (Lem, Ballard, Dath)}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177973}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {127-138}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Ruhe1995, author = {Ruhe, Ernstpeter}, title = {Orienttr{\"a}ume und Europam{\"u}digkeit : Deutsche Algerienreisende im 19. Jahrhundert}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-102042}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {1995}, abstract = {No abstract available.}, subject = {Geschichte 1800-1900}, language = {de} } @article{Bach1989, author = {Bach, Ulrich}, title = {Oral rhetoric in writings for a mixed literate and illiterate audience}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-47124}, year = {1989}, abstract = {No abstract available}, language = {en} } @misc{Gwosdek2014, author = {Gwosdek, Hedwig}, title = {Nicholas Orme. English School Exercises, 1420-1530. Studies and Texts 181. Toronto: Pontifical Institute of Mediaeval Studies, 2013, xi + 441 pp., \$ 95.00.}, series = {Anglia}, volume = {132}, journal = {Anglia}, number = {3}, issn = {1865-8938}, doi = {10.1515/ang-2014-0063}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195318}, pages = {607-610}, year = {2014}, abstract = {No abstract available.}, language = {en} } @article{Huettner2017, author = {Huettner, Sabrina}, title = {Nelson Pressley. American Playwriting and the Anti-Political Prejudice: Twentieth- and Twenty-First Century Perspectives. Basingstoke: Palgrave Macmillan, 2014, ix + 185 pp, \$69.99.}, series = {Journal of Contemporary Drama in English}, volume = {5}, journal = {Journal of Contemporary Drama in English}, number = {1}, issn = {2195-0164}, doi = {10.1515/jcde-2017-0019}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194210}, pages = {217-222}, year = {2017}, abstract = {No abstract available}, language = {en} } @incollection{CazabanMazerolles2019, author = {Cazaban-Mazerolles, Marie}, title = {Narrating le vivant: the Zoe-Poetical Hypothesis}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177818}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {71-81}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{Mencke2018, author = {Mencke, Johanna}, title = {Multimodalit{\"a}t als strategisches Framing - Die mediale Selbstinszenierung von Marion Mar{\´e}chal-Le Pen (FN) in den sozialen Netzwerken}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-173990}, pages = {93-134}, year = {2018}, abstract = {The present study focuses on Marion Mar{\´e}chal-Le Pen's self-representation on social media. Despite her youth, the niece of the party's chairwoman and granddaughter of its founder is a distinguished member of the French radical right-wing populist and nationalist party Front National. The corpus-based analysis of her digital presence on Twitter, Instagram and Facebook on which this paper is based shows a specific use of linguistic and multimodal resources as a means of strategic framing of political content. In particular, an analysis of Mar{\´e}chal-Le Pen's use of searchable hashtags and @mentions referring to different political and non-political actors reveals it as a strategy of polarization between a constructed us and a negatively connoted them.}, language = {de} } @article{BaumgaertnerKernLevenetal.2021, author = {Baumg{\"a}rtner, Ingrid and Kern, Manfred and Leven, Karl-Heinz and Toepfer, Regina}, title = {Mittelalter erschließen}, series = {Das Mittelalter}, volume = {26}, journal = {Das Mittelalter}, number = {1}, issn = {0949-0345}, doi = {0.17885/heiup.1mial.2021.1.24310}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-299110}, pages = {68-86}, year = {2021}, abstract = {Research communication has been gaining public attention in recent years. Therefore, medievalists also need to focus on the transfer of their research topics to the public both within and outside the university. Based on current political demands calling for a change in communication culture, the article first of all deals theoretically with two different concepts of research communication, by distinguishing between forms of translation and those of popularization. Numerous public events, exhibitions, and cooperative projects with cities, schools, adult education centres, museums, and other educational institutions show that knowledge about the Middle Ages has been trans-mitted to interested laypersons for a long time. The authors see a particular challenge in the alterity of medieval culture, which at the same time provides an excellent opportunity for transferring research findings into society. The fascination with medieval materiality facilitates the transfer of knowledge by those disciplines that work with concrete objects, addressing issues of visuality and aesthetic experience. The article pinpoints conditions, strategies, and perspectives of successful research communication in medieval studies, and when focussing on cur-rent topics, the authors refer to concrete occasions and regional examples, showing why medieval research is still relevant today.}, subject = {Wissenschaftskommunikation}, language = {de} } @phdthesis{Medynska2015, author = {Medynska, Thomas}, title = {Metaphorik in der ministeriellen Fragestunde in Parlamenten des Commonwealth of Nations - eine kontrastive Analyse unter spezieller Ber{\"u}cksichtigung von pragmatischen und interkulturellen Gesichtspunkten}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-112089}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2015}, abstract = {In demokratischen Regierungssystemen sind die Minister als Agenten der exekutiven Staatsgewalt gegen{\"u}ber dem Parlament f{\"u}r ihre Handlungen verantwortlich. Die ministerielle Fragestunde ist hierbei ein gewichtiges Kontollinstrument und Gegenstand der vorliegenden kontrastiven Metaphernanalyse unter spezieller Ber{\"u}cksichtigung von pragmatischen und kulturellen Gesichtspunkten. Neben einer Diskussion und Kontextualisierung kognitiver Metapherntheorien wird vor allem im Rahmen einer Korpusanalyse festgestellt, welche Quelldom{\"a}nen in diesem Diskursgenre quantitativ am h{\"a}ufigsten und qualitativ am bedeutsamsten f{\"u}r das zum Zeitpunkt der globalen Wirtschafts- und Finanzkrise relevante Makrotopik der Wirtschaftsrezession auftreten; außerdem welche interkulturellen Variationen und Konventionali{\"a}ten in den konzeptuellen Metaphern bestehen.}, subject = {Englisch}, language = {de} } @incollection{Kleinhans2015, author = {Kleinhans, Martha}, title = {Maß und Exzess: Emotionalit{\"a}t in den Amor-Lauden des italienischen Mystikers Jacopone da Todi}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152093}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {105-124}, year = {2015}, abstract = {No abstract available.}, subject = {Jacopone, da Todi : Laude}, language = {de} } @incollection{Rishi2023, author = {Rishi, Tushar}, title = {Marxism and Contemporary Cultural Studies}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-79}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305882}, publisher = {W{\"u}rzburg University Press}, pages = {79-85}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @misc{Ellena2015, author = {Ellena, Sandra}, title = {Maria Selig / Gerald Bernhard (edd.), Sprachliche Dynamiken. Das Italienische in Geschichte und Gegenwart (Studia Romanica et Linguistica, 34), Frankfurt am Main et al., Lang, 2011, 253 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {131}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {4}, publisher = {De Gruyter Mouton}, issn = {1865-9063}, doi = {10.1515/zrp-2015-0097}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195058}, pages = {1206-1212}, year = {2015}, abstract = {Rezension zu Maria Selig / Gerald Bernhard (edd.), Sprachliche Dynamiken. Das Italienische in Geschichte und Gegenwart (Studia Romanica et Linguistica, 34), Frankfurt am Main et al., Lang, 2011, 253 p.}, language = {de} } @article{Buch2016, author = {Buch, Marina-Rafaela}, title = {Madame Chrysanth{\`e}me (1887) et Japoneries d'automne (1889) de Pierre Loti entre japonisme et exotisme d{\´e}senchant{\´e}}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161603}, pages = {53-75}, year = {2016}, abstract = {The novel Madame Chrysanth{\`e}me (1887) and the essays collected in Japoneries d'automne (1889) written by French travel author Pierre Loti offer a paradoxical view of Japan during the Meiji period. In both travel writings, the author is torn between aesthetic japonism - which spread all over Europe at the end of the 19th century - and exotic expectations, i.e. the picturesque fascination of the Other. The latter, however, remains unsatisfied throughout his stay. In both writings, Pierre Loti provides an insight into Japan that entirely reflects the spirit of his time. Thereby, he contributes to an image of Japan, which will long remain vivid in the Occident. Contemporaries perceive Loti's representation of Japan as a realistic testimony, tinged with both sensory impressions and his highly ambiguous feelings towards the distant country, which in the end remained incomprehensible to him.}, subject = {Loti, Pierre}, language = {fr} } @article{Ibrahim2017, author = {Ibrahim, Amira}, title = {L'orientalisme fran{\c{c}}ais : d{\´e}finition et histoire}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172899}, pages = {127-145}, year = {2017}, abstract = {The history of intellectual and cultural contact between West and East is very complicated and contradictory. A long time ago, eastern culture attracted the attention of many writers, orientalists and researchers, who headed east not only to study and describe the fascinating eastern civilizations, but also to analyze their different literary, historical and scientific aspects. The new mysterious but exciting environment inspired the orientalists to record and describe what they experienced regarding the architecture, the nature and the people. The attractive eastern natural views which are distinguishable from the monotonous western environment - especially after the industrial revolution - helped them to find new prospects. The East has been coming into focus since the middle ages, when the church campaigns started to study Islam as the prevalent religion in this area. The orientalist motivations were not only religious, but also followed economic, colonial and scientific agenda, which lead to a plethora of specialized research, stories, novels and analytical studies. A close look at the orientalists' works will provide us with an overview of eastern civilization. Therefore, their works are considered as a mirror reflecting their point of view to the east and the north of Africa, especially to pharaonic Egypt. The orientalists who travelled to the east and expressed their passion to this old civilization in their writings influenced the literary movement deeply. But what do we mean by the term orientalism? Edward Sa{\"i}d has defined this term in different ways. Sa{\"i}d presented and interpreted it as a way of thinking, a historical phenomenon. Defining orientalism has become a problem indeed, and now it is carrying a number of meanings which do not match. Therefore, the aim of the study is to bring into focus the most important definitions of the term orientalism from the late 17th to the mid-20th century.}, language = {fr} } @article{Thalhammer2017, author = {Thalhammer, Johanna}, title = {L'art de bien chanter und Von der Kunst zierlich zu singen und zu spielen - Eine kontrastive Analyse von Texten der musikalischen Fachsprache im 18. Jahrhundert anhand von Ausz{\"u}gen aus Code de musique pratique, Rameau (1760) und Der vollkommene Capellmeister, Mattheson (1739)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172958}, pages = {203-224}, year = {2017}, abstract = {This article is an analysis and a comparison of German and French special language of music in the 18th century, more precisely about the terms used to describe the activity of singing. The analysis is based on two treatises about music theory. The first writing, Der Vollkommene Capellmeister, was written by Johann Mattheson in 1739 and the second, Code de musique pratique by Jean-Philippe Rameau was published in 1760. Both texts contain a chapter which gives explanations how to sing. The treatises include different types of technical words: specific terms easy identified as special language terms like names of ornaments in the music, special verbs standing for singing, and words and anaphors to describe tonality and dynamics. By having a look on the terms of music language, the influence of Italian and French words on German vocabulary of music becomes obvious. The vocabulary is often similar in both languages, but not always defined as a part of the special language of music.}, language = {de} } @book{Harms2018, author = {Harms, Dirk}, title = {Lyrik und Kunst, Musik und Lyrik. Der Einfluss von William Blake auf Van Morrison.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-163390}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {2018}, abstract = {Diese Arbeit schildert auf der Basis einer Analyse der intermedialen Struktur der Werke zweier K{\"u}nstler aus unterschiedlichen Jahrhunderten die Transportierung eines mystischen Selbstverst{\"a}ndnisses, das als Tiefenstruktur der zugrundeliegenden Werke ausgemacht wird. Deshalb sieht diese Arbeit beide K{\"u}nstler als christliche Mystiker an, deren Weltbild keine grundlegenden Unterschiede aufweist. Dar{\"u}berhinaus wird {\"u}ber diese beiden Autoren versucht die kontrovers diskutierte Aktualit{\"a}t von Mystik in der Gegenwart herauszustellen. Zentraler Teil und Ausgangspunkt der Ergebnisse ist hierbei die Analyse eines mystischen Wertesystems, das sich in den Prophecies von William Blake finden l{\"a}sst und das sich in wesentlichen Punkten auf die Werke von Van Morrison {\"u}bertragen l{\"a}sst.}, subject = {Mystik}, language = {de} } @article{Winter2016, author = {Winter, Ursula}, title = {Literarisierung von Musik als Intermedialit{\"a}tsph{\"a}nomen. Exemplarische Betrachtung der oratorischen Rezeption Dantes und Goethes bei Wolf-Ferrari und Berlioz}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161690}, pages = {281-306}, year = {2016}, abstract = {This article deals with the reception of Dante and Goethe in Ermanno Wolf-Ferrari's and Hector Berlioz's compositions La Vita Nuova and La Damnation de Faust. Although Dante Alighieri's Vita Nova and Johann Wolfgang von Goethe's Faust belong to completely different genres and epochs, the texts provide the basis for the oratorio-style works from the Romantic era, which justifies a comparative analysis of the latter. The examined reductions, extensions, modifications and rearrangements of the texts in the libretti - which were compiled almost entirely by the composers themselves - as well as the instrumental parts and the use and functions of the orchestra, the choir and the soloists, portray the intermedia relations between literature and music in the selected compositions. The chosen examples will show that the common idea of setting literature to music and the translation studies concept of intersemiotic translation are not appropriate for all literature-based pieces of music, as the analysis of both works demonstrates that with regard to vocal music a distinction should be made between the musicalization of literature and the literarization of music.}, subject = {Musik}, language = {de} } @article{Berneiser2017, author = {Berneiser, Tobias}, title = {Lissabonner Navigationen. Literarische Nautik und heterotopischer Stadtdiskurs in Jos{\´e} Cardoso Pires' Lisboa - Livro de Bordo}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172859}, pages = {39-64}, year = {2017}, abstract = {This article seeks to analyse urban representation in Jos{\´e} Cardoso Pires's Lisboa - Livro de Bordo (1997), a book dedicated to the author's home city Lisbon, by focusing on its prevailing nautical and maritime imagery. This imagery as well as its tendency to design Lisbon as a city-ship shall be examined with regard to spatial construction in the Livro de Bordo. Urban sailing as well as the recurrent representations of the Portuguese capital's spaces as heterotopias will be interpreted as approaches to subvert institutional and homogenic discourses on Lisbon.}, language = {de} } @incollection{Shtaltovna2022, author = {Shtaltovna, Yuliya}, title = {Linguistic Democratization of the Modern English Language: Functional Parameters of English Youth Slang Neologisms}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-105}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296514}, publisher = {W{\"u}rzburg University Press}, pages = {105-115}, year = {2022}, abstract = {No abstract available.}, language = {en} } @incollection{Ruhe1998, author = {Ruhe, Ernstpeter}, title = {Les mots, l'amour, la mort : Les mythomorphoses d'Assia Djebar}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-107281}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {1998}, abstract = {No abstract available.}, subject = {Djebar, Assia}, language = {fr} } @article{Ruhe1995, author = {Ruhe, Ernstpeter}, title = {Le texte autophage : l'ordre dans Le D{\´e}sordre de Rachid Boudjedra}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-101994}, year = {1995}, abstract = {No abstract available.}, subject = {Bū-Ǧadra, Rašīd}, language = {fr} } @article{Fliege2016, author = {Fliege, Daniel}, title = {Le d{\´e}go{\^u}t du cadavre. Une comparaison entre la repr{\´e}sentation du corps mort dans le De Miseria Condicionis Humane d'Innocent III et dans son adaptation fran{\c{c}}aise Double lay de fragilit{\´e} humaine d'Eustache Deschamps}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161616}, pages = {77-97}, year = {2016}, abstract = {The study uses the category of disgust in order to analyse the representation of the human body and the corpse in one of the most influential medieval treatises, the De Miseria Condicionis Humanae (1195) written by Pope Innocent III, and its little known old French adaptation Double lay de fragilit{\´e} humaine (1383) by Eustache Deschamps. Analysing how both use disgust as an aesthetic means, which appeals to emotions and turns off reason, helps to point out the pedagogical and moral function of the texts. The comparison between them shows that Deschamps stays faithful to his Latin model, but that he nevertheless has to make certain modifications in order to adapt the prose text into a lyrical form. Furthermore, this approach clearly elucidates what differences there are between the conceptions of the human body and death in the two texts, revealing at the same time divergent theological points of view.}, subject = {Ekel}, language = {fr} } @article{Kurth2018, author = {Kurth, Sarah}, title = {La semi{\´o}tica escenogr{\´a}fica en Todo lo dem{\´a}s (2016), de Natalia Almada}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187979}, pages = {71-91}, year = {2018}, abstract = {In the wake of the general tendency towards slow cinema which has been evolving in Mexican cinema, cinematographic devices have gained importance not only with regard to the construction of a persuasive narrative but also in terms of the aesthetic constitution of the movie itself. Not only is this observation evident in the absence of camera movements but also in the semiotic depth of mise en sc{\`e}ne resulting from this circumstance. Natalia Almada's movie Todo lo dem{\´a}s (2016) provides an impressive example of both the repercussions of this technique in the representation of loneliness as well as the suggestive power of the scenographical composition. Hence, the ensuing analysis of those scenes referring to water is to elucidate the semiotics of mise en sc{\`e}ne and its influence on the representation of the main character and the repetitive routine constricting her freedom.}, language = {es} } @article{Nabi2022, author = {Nabi, Haifaa}, title = {La Naus{\´e}e : Salut par l'art ou par les autres ?}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329799}, pages = {145-163}, year = {2022}, abstract = {In this article dedicated to Jean-Paul Sartre's first novel La Naus{\´e}e, we analyze how the idea of conversion to art grows in the imagination of the hero, Antoine Roquentin. Furthermore we show that all the narrative actions in the novel are based on the hero's communicational interaction with the other characters. This lonely person who complains in his diary about social exclusion, yet he converts to art not through his reflections, but through communica-ting with the other characters. Also, many critical studies on La Naus{\´e}e have considered jazz music that the hero listens to in a caf{\´e} as the critical moment of his conversion. In our opinion this reflects juste one phase of a connected sequence of events through which the hero passes from a state of relational negativity and existential alienation to a state of openness, achieved again mainly by the virtue of other characters.}, language = {fr} } @incollection{Ruhe2013, author = {Ruhe, Ernstpeter}, title = {La l{\´e}gitimation du savoir dans le dialogue encyclop{\´e}dique Le Livre de Sydrac}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-105586}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {2013}, abstract = {No abstract available.}, subject = {Sidrac }, language = {fr} } @book{OPUS4-23474, title = {La forma dell'assenza. Facetten italienischer Epistolographie vom 14. Jahrhundert bis heute}, editor = {Kleinhans, Martha and G{\"o}rtz, Julia and Levorato, Maria Chiara}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-164-8}, doi = {10.25972/WUP-978-3-95826-165-5}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-234745}, publisher = {W{\"u}rzburg University Press}, year = {2021}, abstract = {Im Liebesbrief gibt die Frau - mit Roland Barthes gesprochen - der Abwesenheit des geliebten Gegen{\"u}bers Gestalt. Um Begriffe wie ‚Liebe', ‚Absenz' und ‚weibliches Begehren' kreisen die meisten der in diesem Sammelband analysierten italienischen Briefe von Frauen aus dem 14. Jahrhundert bis in die Gegenwart. Ziel ist es, anhand transdisziplin{\"a}rer Methoden die Relevanz dieser zwischen Pragmatik und Literarizit{\"a}t oszillierenden Texte aufzuzeigen und die gestalterische, formgebende Spezifit{\"a}t weiblicher Briefkunst auszuloten. Im Zentrum stehen originelle Facetten der Amor-Inszenierung und Affektmodellierung, denen sich ein Ausblick auf aktuelle Tendenzen und didaktische Perspektiven auf das Medium Brief anschließt.}, subject = {Italienisch}, language = {mul} } @book{Fackler2019, author = {Fackler, Guido}, title = {Krieg │ Frieden. Der Erste Weltkrieg und die Nachkriegszeit}, issn = {2197-4667}, doi = {10.25972/OPUS-17498}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-174982}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {92}, year = {2019}, abstract = {Der Erste Weltkrieg und die Nachkriegszeit: Ein Thema, zu dem man scheinbar schon alles geh{\"o}rt und gelesen hat. Dass dem nicht so ist, zeigen Studierende der Philosophischen Fakult{\"a}t der Universit{\"a}t W{\"u}rzburg mit ihrer Ausstellung „Krieg │ Frieden. Der Erste Weltkrieg und die Nachkriegszeit". Ihre Beitr{\"a}ge behandeln Politik, Kunst und Literatur in den am Krieg beteiligten L{\"a}ndern. Nach einer historischen Einf{\"u}hrung, die auch die Nachkriegssituation in W{\"u}rzburg themati-siert, vermitteln Texte von Gottfried Benn einen distanzierten Blick auf das Kampfgeschehen: Der Dichter wirkte w{\"a}hrend des Kriegs als Arzt hinter der Front und verarbeitete seine Erlebnisse u.a. in den „R{\"o}nne-Novellen". Anhand literarischer Portraits von Sch{\"u}tzen aus dem Senegal l{\"a}sst sich wiederum nachvollziehen, wie sich der Blick auf die aus den Kolonien verpflichteten Soldaten in der franz{\"o}sischen Literatur widerspiegelt. Unterschiedliche Reaktionen auf den Ersten Weltkrieg und die Nachkriegszeit werden demgegen{\"u}ber in der italienischen und deutschen Kunst sichtbar, w{\"a}hrend die hierzulande aus propagandistischen Gr{\"u}nden er{\"o}ffneten Kriegsmuseen in der Nachkriegszeit schlossen oder sich der Friedensarbeit widmeten. Stimmen namhafter italienischer Politiker, Journalisten, Romanciers und Dichter bringen zum Ausdruck, wie der „Große Krieg / la Grande Guerra" Italiens kollektives Ged{\"a}chtnis pr{\"a}gte. Auch in Großbritannien ist das Gedenken daran viel st{\"a}rker als hierzulande: So pr{\"a}gen die von dem Gedicht „In Flanders Fields" inspirierten Mohnblumen als „Remembrance Poppies" die britische Erinnerungskultur bis in unsere Gegenwart. Individuell gestaltete Text- und Bildtafeln, eine H{\"o}rstation mit Leseecke sowie eine Soundinstallation und Bildprojektion am Er{\"o}ffnungsabend machen den Ausstellungsbesuch informativ und abwechslungsreich. Die interdisziplin{\"a}re Ausstellung wurde von rund 90 Studierenden der F{\"a}cher Anglistik, Amerikanistik, Germanistik, Geschichtswissenschaft, Kunstgeschichte, Museologie (Ausstellungsmanagement), Romanistik und Slavistik im Wintersemester 2018/19.}, subject = {Erster Weltkrieg}, language = {de} } @article{Book2017, author = {Book, Bettina}, title = {Komplements{\"a}tze im Spanischen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172869}, pages = {67-80}, year = {2017}, abstract = {This paper discusses complementation strategies in Spanish, focusing on a specific construction most speakers are not aware of: the complementation clause preceded by the verb conocer. Not being a typical complement-taking verb, conocer surprises with a stable and persistent presence throughout the centuries, from Old Spanish to Modern Spanish. After giving an introduction into the field of complementation clauses and one of its main focus of study, grammatical mood, this study uses empirical data from the corpus programs CORDE, CREA and CORPES XXI to show the usage and prevalence of the construction in question. In doing so, this analysis gives a quantitative insight, exemplifying the results with several examples from all ages.}, language = {de} } @book{OPUS4-15202, title = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152021}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {415}, year = {2015}, abstract = {Diese Festschrift ehrt den Romanisten und Slawisten Gerhard Penzkofer anl{\"a}sslich seines 65. Geburtstags. Kolleginnen und Kollegen sowie Sch{\"u}lerinnen und Sch{\"u}ler, die Gerhard Penzkofer auf seinem bisherigen Weg unter anderem in M{\"u}nchen, Bamberg und W{\"u}rzburg sowohl fachlich als auch pers{\"o}nlich nahestanden, publizieren hier Beitr{\"a}ge, die von seinen Forschungen inspiriert sind. Im Zentrum dieser Untersuchungen, die den italienischen, franz{\"o}sischen und spanischen Sprachraum umschließen, steht das Verh{\"a}ltnis von Kommunikation und Repr{\"a}sentation. Dabei umfassen die Beitr{\"a}ge Aspekte, die historisch vom Mittelalter bis zum 20. Jahrhundert und thematisch von der mittelalterlichen Exempelsammlung bis zur postdiktatorialen Geschichtskonstruktion reichen.}, subject = {Kommunikation }, language = {de} } @book{Bach1982, author = {Bach, Ulrich}, title = {Kommentierte Bibliographie englischer literarischer Testamente vom 14. bis zum 20. Jahrhundert}, isbn = {3-533-03182-9}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-47190}, publisher = {Universit{\"a}t W{\"u}rzburg}, year = {1982}, abstract = {No abstract available}, subject = {Englisch}, language = {de} } @misc{Schulze2014, author = {Schulze, Daniel}, title = {Josephine Machon. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave, 2013, xix + 324 pp., € 22,30.}, series = {Journal of Contemporary Drama in English}, volume = {2}, journal = {Journal of Contemporary Drama in English}, number = {2}, issn = {2195-0164}, doi = {10.1515/jcde-2014-0037}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194050}, pages = {356-360}, year = {2014}, abstract = {No abstract available.}, language = {en} } @techreport{KindermannFrommTheureretal.2024, type = {Working Paper}, author = {Kindermann, Katharina and Fromm, Julia and Theurer, Caroline and Kr{\"u}ger, Nadine}, title = {It's storytime: Ein digitales M{\"a}rchenprojekt f{\"u}r den Englischunterricht in der Grundschule}, doi = {10.25972/OPUS-35304}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-353045}, pages = {12}, year = {2024}, abstract = {In diesem Beitrag wird zun{\"a}chst das Konzept des digital storytelling mit dem Tablet im fr{\"u}hen Fremdsprachenunterricht methodisch-didaktisch gerahmt (Kapitel 1). Daran anschließend wird die Bedeutung lernunterst{\"u}tzender Maßnahmen in einem solchen digital gest{\"u}tzten und potenziell kreativit{\"a}tsf{\"o}rdernden Unterrichtssetting erl{\"a}utert (Kapitel 2). In Kapitel 3 folgt die Vorstellung der Unterrichtsreihe „It's storytime - Let's create our own digital fairy tale". Im Verlauf dieser Unterrichtsreihe, die auch als Projektwoche angelegt werden kann, rezipieren die Sch{\"u}ler:innen zun{\"a}chst eigenst{\"a}ndig M{\"a}rchen in englischer Sprache, die aus dem deutschen und angloamerikanischen Sprachraum bekannt sind. Die M{\"a}rchen liegen f{\"u}r das Tablet multimedial aufbereitet vor. Anschließend entwickeln die Lernenden auf Grundlage des erarbeiteten gattungsspezifischen Wortschatzes ein eigenes multimediales M{\"a}rchen. Alle f{\"u}r die Unterrichtsreihe ben{\"o}tigten digitalen und analogen Materialien stehen als Download zur Verf{\"u}gung und k{\"o}nnen f{\"u}r den eigenen Unterricht genutzt und adaptiert werden.}, subject = {Medienkompetenz}, language = {de} } @incollection{Jetter2023, author = {Jetter, Tobias}, title = {Introduction : Global Cultural Studies?}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-1}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305815}, publisher = {W{\"u}rzburg University Press}, pages = {1-3}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @article{HornungHesselbach2015, author = {Hornung, Christoph and Hesselbach, Robert}, title = {Interview mit Prof. em. Dr. Theodor Berchem}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161239}, pages = {17-27}, year = {2015}, abstract = {Prof. em. Dr. Theodor Berchem (*1935) promovierte 1963 in Paris und habilitierte sich 1966 an der Universit{\"a}t Erlangen-N{\"u}rnberg. Von 1967 bis 2003 war er Inhaber des Lehrstuhls f{\"u}r Romanische Sprachwissenschaft an der Universit{\"a}t W{\"u}rzburg. Daneben bekleidete er eine große Anzahl weiterer {\"A}mter: Er war Pr{\"a}sident der Universit{\"a}t W{\"u}rzburg (1975-2003), Pr{\"a}sident des DAAD (1988-2007), Vorsitzender der Bayerischen Rektorenkonferenz (1978-1982) sowie Vizepr{\"a}sident (1979-1983) und Pr{\"a}sident (1983-1987) der Westdeutschen Rektorenkonferenz. Zu seinen Forschungsschwerpunkten geh{\"o}ren Dialektologie, Phonetik/Phonologie, Morphosyntax, Stilistik und Wortgeschichte.}, subject = {Biographisches Interview}, language = {de} } @article{GoldmannHesselbach2018, author = {Goldmann, Julius and Hesselbach, Robert}, title = {Interview mit Prof. Dr. Kai Nonnenmacher}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187942}, pages = {5-18}, year = {2018}, abstract = {Interview mit Prof. Dr. Kai Nonnenmacher}, subject = {Interview}, language = {de} } @article{Prifti2021, author = {Prifti, Elton}, title = {Interview mit Prof. Dr. Elton Prifti}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-251395}, pages = {5-14}, year = {2021}, abstract = {Interview mit Prof. Dr. Elton Prifti}, language = {de} } @article{BobineauHesselbach2017, author = {Bobineau, Julien and Hesselbach, Robert}, title = {Interview mit Prof. Dr. Elissa Pustka}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172927}, pages = {7-17}, year = {2017}, abstract = {Interview mit Prof. Dr. Elissa Pustka}, language = {de} } @article{Vatter2022, author = {Vatter, Christoph}, title = {Interview mit Prof. Dr. Christoph Vatter}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305703}, pages = {1-13}, year = {2022}, abstract = {Interview mit Prof. Dr. Christoph Vatter}, language = {de} } @article{Schoech2020, author = {Sch{\"o}ch, Christof}, title = {Interview mit Prof. Dr. Christof Sch{\"o}ch}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-235128}, pages = {7-20}, year = {2020}, abstract = {Interview mit Prof. Dr. Christof Sch{\"o}ch}, language = {de} } @article{GoldmannHornung2016, author = {Goldmann, Julius and Hornung, Christoph}, title = {Interview mit Prof. (em.) Dr. Frank-Rutger Hausmann}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161586}, pages = {15-22}, year = {2016}, abstract = {Frank-Rutger Hausmann war Professor f{\"u}r Romanische Philologie (Schwerpunkt franz{\"o}sische und italienische Literatur) in Freiburg, Aachen und wiederum Freiburg. Hausmann hat sich zudem intensiv mit der Fachgeschichte der deutschen Romanistik und der Geisteswissenschaften allgemein besch{\"a}ftigt. F{\"u}r die zweite Ausgabe der promptus-Interviewreihe durften wir ihn nach seiner Perspektive auf die historische und aktuelle Situation der Romanistik befragen. Er arbeitet momentan u.a. an einem Romanistenlexikon, das online ver{\"o}ffentlicht wird, und hat das Romanistenarchiv in Augsburg gegr{\"u}ndet.}, subject = {Romansitik}, language = {de} } @misc{Buettner2012, type = {Master Thesis}, author = {B{\"u}ttner, Anja}, title = {Internationalismen im Grundwortschatz: Untersuchungen zur romanistischen Mehrsprachigkeitsdidaktik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-83501}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2012}, abstract = {In dieser Arbeit wird an Hand eines H{\"a}ufigkeitsw{\"o}rterbuches des Italienischen (Lessico di frequenza dell'italiano parlato von De Mauro et al. 1993) untersucht, wie sich Kenntnisse anderer Sprachen, des Deutschen, Englischen und Franz{\"o}sischen und/oder Spanischen, auf das Verstehen und Lernen von 2500 der h{\"a}ufigsten W{\"o}rter des Italienischen auswirken. Damit soll ein Beitrag geleistet werden zur mehrsprachigkeitsdidaktischen Fragestellung, wie viele W{\"o}rter des italienischen Grundwortschatzes aus anderen Sprachen schon bekannt sind und wie viele noch gelernt werden m{\"u}ssen, was mit konkreten Zahlen belegt werden soll.}, subject = {Internationalismus}, language = {de} } @misc{Ritz2013, type = {Master Thesis}, author = {Ritz, Theresa}, title = {Interkomprehension im gegenw{\"a}rtigen Westeuropa : Internationalismen im romanischen Grundwortschatz}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-83855}, school = {Universit{\"a}t W{\"u}rzburg}, year = {2013}, abstract = {Die Arbeit untersucht 2500 W{\"o}rter des italienischen Grundwortschatzes in einem f{\"u}nfsprachigen Vergleich. Sie erg{\"a}nzt damit die an gleicher Stelle erschienene Magisterarbeit „Internationalismen im Grundwortschatz: Untersuchungen zur romanistischen Mehrsprachigkeitsdidaktik" von Anja B{\"u}ttner (2012). Hier werden nun die Ergebnisse beider Untersuchungen zusammengefasst. Dabei werden erstmalig konkrete Zahlen zur Beantwortung der Frage vorgestellt, wie viele W{\"o}rter z.B. ein deutscher Muttersprachler, der Franz{\"o}sisch gelernt hat und nun italienische Texte lesen will, tats{\"a}chlich lernen muss, um die 5000 h{\"a}ufigsten W{\"o}rter erkennen und damit durchschnittliche Texte nahezu vollst{\"a}ndig verstehen zu k{\"o}nnen.}, subject = {Wortschatz}, language = {de} } @article{Prohl2019, author = {Prohl, Tanja}, title = {Ins{\´e}curit{\´e} linguistique im Franz{\"o}sischen? Eine Untersuchung nichtstandardsprachlicher Lexik auf Basis eines YouTube Korpus}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221886}, pages = {135-150}, year = {2019}, abstract = {When it comes to linguistic norms in France, one standard will be immediately evoked - le bon usage. This version of traditional French is taught at school and has been serving as a model ever since the French Revolution. Yet - and maybe as a counter-reaction to such strict and prescriptive norm - there exists a multitude of alternative forms, especially with regard to the lexis, which are marked by different registers or styles. Thus, the French language is characterized by lexical doublets in the transition area between standard and familier. A varied terminology in the description of styles in dictionaries as well as a stigmatisation of the nonstandard lead to speaker insecurities and to a general devaluation of the parallel vocabulary. What are the consequences of this in speech behaviour? Is there a remarkable difference between speech behaviour and prescriptive norm? Do speakers show any sign of linguistic insecurity when using nonstandard structures? The research issue will be addressed by means of a qualitative analysis of videoblogs from French YouTubers.}, language = {de} } @book{AgbokhanSandigHaasetal.2023, author = {Agbokhan, Serena and Sandig, Anna and Haas, Thea and Valentin, Francesca and Gasteiger, Annika and von Keller, Anna and Friedmann, Fiona and Wicht, Rebecca and Wintermeyer, Nina and Hofmann, Anna-Lena and Liebich, Alexander and B{\"o}rdlein, Sophie and L{\"u}deritz, Cathrin and Philipp, Sonja and Watermann, Anne and Hercher, Anna}, title = {Insights;}, editor = {Nelson-Teutsch, Hannah}, isbn = {978-3-945459-44-7}, doi = {10.25972/OPUS-31700}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-317007}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {99}, year = {2023}, abstract = {The cluster of texts assembled here were imagined, crafted, and brought together as a collaborative writing project that emerged from the seminar titled "Words Matter Worlds: Activist Scholarship and Literary Praxis," which convened over the course of the 2021/22 winter semester as an offering of the American Studies department of the Julius-Maximilians-Universit{\"a}t W{\"u}rzburg. Like the seminar that nurtured the considerations that evolve here, these contributions engage with how scholarly writing practices in general, and literary and cultural studies in particular, can remake the world.}, subject = {Aktivist}, language = {en} } @incollection{Neumeister2015, author = {Neumeister, Sebastian}, title = {Identit{\"a}tsbildung und Repr{\"a}sentation in der Neuen Welt: Mexiko 1680}, series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer}, editor = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika}, publisher = {AVM.edition}, address = {M{\"u}nchen}, isbn = {9783954770557}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152168}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {217-234}, year = {2015}, abstract = {No abstract available.}, subject = {Identit{\"a}tsentwicklung}, language = {de} } @incollection{Preuss2019, author = {Preuss, Matthias}, title = {How to Disappear Completely: Poetics of Extinction in Max Frisch's Man in the Holocene}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178081}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {253-268}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Moe2019, author = {Moe, Aaron M.}, title = {Holding on to Proteus; or, Toward a Poetics of Gaia}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177796}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {41-53}, year = {2019}, abstract = {No abstract available.}, language = {en} } @article{Woersdoerfer2019, author = {W{\"o}rsd{\"o}rfer, Anna Isabell}, title = {Hexen Revival. Produktive B{\´e}cquer Rezeption und Gattungsspezifik in Jugendbuch und TV Serie}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221900}, pages = {153-184}, year = {2019}, abstract = {This article exemplifies Gunter Grimm's concept of productive reception by analyzing C{\´e}sar Fern{\´a}ndez Garc{\´i}a's young adult novel La {\´u}ltima bruja de Trasmoz (2009) and the episode Tiempo de hechizos (2017) of the TV series El ministerio del tiempo as two modern works which artistically and creatively deal with Gustavo Adolfo B{\´e}cquer's Cartas desde mi celda (1864). The study is based on the core assumption that the choice of genre greatly influences the treatment of motives such as the perception of nature and the idea of dreams, as well as the image of the witch. While B{\´e}cquer's letters, which focus on the rural people's superstition, present the witch of Aragonese folklore, the modern examples portray two of her fantastic counterparts: the novel depicts its magical protagonist as an evil supernatural being, whereas the TV episode of the science fiction series shows the witch as a time traveller and a victim.}, language = {de} } @misc{Karremann2016, author = {Karremann, Isabel}, title = {Hans-Peter Wagner. An Introduction to British and Irish Fiction: Renaissance to Romanticism. Trier: Wissenschaftlicher Verlag Trier, 2014, 262 pp., 60 illustr., € 29.50.}, series = {Anglia}, volume = {134}, journal = {Anglia}, number = {4}, issn = {1865-8938}, doi = {10.1515/ang-2016-0078}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194309}, pages = {711-715}, year = {2016}, abstract = {No abstract available.}, language = {en} } @article{Christmann2021, author = {Christmann, Tim}, title = {Grenzerfahrung, Grenz{\"u}berschreitung, Grenz{\"u}berwindung: Das Falkland/Malvinas Malvinas-Trauma in Lola Arias' Film Teatro de Guerra (2018)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305577}, pages = {17-33}, year = {2021}, abstract = {This article will examine the cinematic approach to the trauma of the Falklands/Malvinas War in Lola Ariasʼ film Teatro de Guerra (AR/ES, 2018). The armed conflict between Ar-gentina and Great Britain in 1982 can be understood as a traumatic liminal experience, whose artistic reception pushes conventional aesthetics to their limits and calls for innova-tive representational strategies. Based on a cultural studies approach to the Falklands/Mal-vinas War as a collective trauma, this contribution will highlight selected moments of aes-thetic border crossing in Teatro de Guerra, by which the film succeeds in transcending boundaries between former enemies of the war.}, language = {de} } @book{OPUS4-30542, title = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, edition = {1. Auflage}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-206-5}, doi = {10.25972/WUP-978-3-95826-207-2}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305425}, publisher = {W{\"u}rzburg University Press}, pages = {viii, 192}, year = {2023}, abstract = {Can cultural studies attend to the problems of our globalized world? Or is this project of "engaged scholarship" too deeply rooted in the parochial terrain of the national? This collection of essays - the first volume in the new JMU Cultural Studies publication series - attends to this vital yet difficult question. Based on joint seminars bringing together emerging scholars from Germany and India, the contributions confront "classic texts" from US-American, British, and Indian cultural studies with the specific concerns and contemporary perspectives of the authors. The collection thus tests the potentials of the tradition to speak to the transnational as well as the national environments of the very present. Emphasis is placed on Marxist and feminist legacies, which are then projected into the domains of contemporary disability, food, and film studies.}, subject = {Globalisierung}, language = {en} } @article{Pordzik2017, author = {Pordzik, Ralph}, title = {George Orwell's Imperial Bestiary: Totemism, Animal Agency and Cross-Species Interaction in "Shooting an Elephant", Burmese Days and "Marrakech"}, series = {Anglia}, volume = {135}, journal = {Anglia}, number = {3}, issn = {1865-8938}, doi = {10.1515/ang-2017-0045}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194200}, pages = {440-466}, year = {2017}, abstract = {This essay argues that Orwell's representation of animals as companion species offers a strikingly new, as-yet largely neglected view of animal agency and interiority in his work. In "Shooting an Elephant", Burmese Days and "Marrakech", the writer's focus on the social reject is supplemented by a marked sense of community implying human tragedy yet framing it within precariously situated human-animal, colonial or urban-imperial transitions that visualise animals as agents of change and co-shaping species interdependent with the lives of the humans that utilize and domineer them. Animals are required whenever Orwell aspires to shift from isolation to communality, from the self-conscious outsider to the larger realm of ideas framing the world in which his characters strive to overstep the accepted lines of social performance and conformity. Read in and around disciplinary structures of rationalization, Orwell's animals appear to secure themselves, quite paradoxically, a place within the normative anthropocentric framework excluding them. They extend beyond anthropomorphising or allegorical modes of description and open up bio-political perspectives within and across regimes of knowledge and empathy. Orwell's writings thus present a challenge to the culturally accredited fantasy of human exceptionalism, collapsing any epistemic space between humans and animals and burying the idea of sustaining radical species distinction.}, language = {en} } @article{Kneifel2021, author = {Kneifel, Malte}, title = {Futur-Formen und ihre Funktionen im Portugu{\^e}s Arcaico}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305673}, pages = {91-109}, year = {2021}, abstract = {This article aims to trace the development of different verb forms that express future tense of Old Portuguese from the 13th to the 15th century by analyzing a historical text corpus. During this period, Portuguese future tense could be expressed through one synthetical as well as two analytical morphological verb constructions. Adapting an analytic model formerly employed by the Mexican researcher Concepci{\´o}n Company Company for an investigation of similar future tense forms in Old Spanish, this article seeks to point out that the use of the different verb forms in Portuguese followed distinct functions regarding aspects of both information structure as well as modality.}, language = {de} } @misc{Goldschmitt2016, author = {Goldschmitt, Stefanie}, title = {Frank Jablonka, Processus et diff{\´e}rence en communication postcoloniale. Analyse de communication m{\´e}diatique d'expression espagnole au Maroc (Espaces discursifs, 114), Paris, L'Harmattan, 2014, 224 p.}, series = {Zeitschrift f{\"u}r romanische Philologie}, volume = {132}, journal = {Zeitschrift f{\"u}r romanische Philologie}, number = {3}, issn = {1865-9063}, doi = {10.1515/zrp-2016-0066}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194115}, pages = {897-900}, year = {2016}, abstract = {Kein Abstract verf{\"u}gbar.}, language = {de} }