@incollection{Doering2023,
  author    = {D{\"o}ring, Adrian},
  title     = {A New International},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-87},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305898},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {87-93},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{Duerbeck2019,
  author    = {D{\"u}rbeck, Gabriele},
  title     = {Empathy, Violence, and Guilt in a Girl-Chimp Experiment: An Analysis of Human-Animal Relations in Karen Joy Fowler's Novel We Are Completely Beside Ourselves (2013)},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178131},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {325-337},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Duerner2017,
  author    = {D{\"u}rner, Benedikt},
  title     = {Der lyrische Triebt{\"a}ter Andr{\´e} Pieyre de Mandiargues Gewalt und Erotik im Gedichtband L'{\^A}ge de craie},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172876},
  pages     = {83-105},
  year      = {2017},
  abstract  = {The surrealists are not the only influence on the literary efforts of Andr{\´e} Pieyre de Mandiargues - but it's this influence that makes his oeuvre capable for an analysis based on Freudian theories. This way of an analysis is even more appropriate knowing that two of Mandiargues' main and favourite themes - the eroticism and the violence - coincide with the Freudian life and destruction drive. Analysing the two poems Les filles des gobes and Les ruines de l'amour from the volume of poems L'{\^A}ge de craie, it's these two paradigms that are clearly recognizable: Mandiargues' symbolism reveals the duality of the domination by desires.},
  language  = {de}
}
@article{EibensteinerKoch2018,
  author    = {Eibensteiner, Lukas and Koch, Christian},
  title     = {El uso de los tiempos del pasado en espa{\~n}ol como lengua extranjera: Una comparaci{\´o}n de aprendientes escolares austriacos con pol{\´i}glotas rom{\´a}nicos},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {4},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187955},
  pages     = {21-42},
  year      = {2018},
  abstract  = {The normative use of past tenses is supposed to be a big challenge for learners of Spanish. Although they might understand the grammatical chapter in theory, adequate past tense use in spontaneous oral production is not guaranteed. Morphological errors, overgeneralizations of tenses and interferences with other languages characterize the interlanguage of the learners. Based on two corpuses, we analyse how the past tense use differs between secondary school students from Austria and Romance polyglots. Qualitative and quantitative analyses show that polyglot speakers surpass the secondary school students in some areas such as the distinction of verbal aspect. However, the students tend less to use the perfecto compuesto in an inadequate way in narration.},
  subject      = {Vergangenheitstempus},
  language  = {es}
}
@misc{Ellena2015,
  author    = {Ellena, Sandra},
  title     = {Maria Selig / Gerald Bernhard (edd.), Sprachliche Dynamiken. Das Italienische in Geschichte und Gegenwart (Studia Romanica et Linguistica, 34), Frankfurt am Main et al., Lang, 2011, 253 p.},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {131},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {4},
  publisher = {De Gruyter Mouton},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2015-0097},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195058},
  pages     = {1206-1212},
  year      = {2015},
  abstract  = {Rezension zu Maria Selig / Gerald Bernhard (edd.), Sprachliche Dynamiken. Das Italienische in Geschichte und Gegenwart (Studia Romanica et Linguistica, 34), Frankfurt am Main et al., Lang, 2011, 253 p.},
  language  = {de}
}
@book{Fackler2019,
  author    = {Fackler, Guido},
  title     = {Krieg │ Frieden. Der Erste Weltkrieg und die Nachkriegszeit},
  issn      = {2197-4667},
  doi       = {10.25972/OPUS-17498},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-174982},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {92},
  year      = {2019},
  abstract  = {Der Erste Weltkrieg und die Nachkriegszeit: Ein Thema, zu dem man scheinbar schon alles geh{\"o}rt und gelesen hat. Dass dem nicht so ist, zeigen Studierende der Philosophischen Fakult{\"a}t der Universit{\"a}t W{\"u}rzburg mit ihrer Ausstellung „Krieg │ Frieden. Der Erste Weltkrieg und die Nachkriegszeit". Ihre Beitr{\"a}ge behandeln Politik, Kunst und Literatur in den am Krieg beteiligten L{\"a}ndern. Nach einer historischen Einf{\"u}hrung, die auch die Nachkriegssituation in W{\"u}rzburg themati-siert, vermitteln Texte von Gottfried Benn einen distanzierten Blick auf das Kampfgeschehen: Der Dichter wirkte w{\"a}hrend des Kriegs als Arzt hinter der Front und verarbeitete seine Erlebnisse u.a. in den „R{\"o}nne-Novellen". Anhand literarischer Portraits von Sch{\"u}tzen aus dem Senegal l{\"a}sst sich wiederum nachvollziehen, wie sich der Blick auf die aus den Kolonien verpflichteten Soldaten in der franz{\"o}sischen Literatur widerspiegelt. Unterschiedliche Reaktionen auf den Ersten Weltkrieg und die Nachkriegszeit werden demgegen{\"u}ber in der italienischen und deutschen Kunst sichtbar, w{\"a}hrend die hierzulande aus propagandistischen Gr{\"u}nden er{\"o}ffneten Kriegsmuseen in der Nachkriegszeit schlossen oder sich der Friedensarbeit widmeten. Stimmen namhafter italienischer Politiker, Journalisten, Romanciers und Dichter bringen zum Ausdruck, wie der „Große Krieg / la Grande Guerra" Italiens kollektives Ged{\"a}chtnis pr{\"a}gte. Auch in Großbritannien ist das Gedenken daran viel st{\"a}rker als hierzulande: So pr{\"a}gen die von dem Gedicht „In Flanders Fields" inspirierten Mohnblumen als „Remembrance Poppies" die britische Erinnerungskultur bis in unsere Gegenwart. Individuell gestaltete Text- und Bildtafeln, eine H{\"o}rstation mit Leseecke sowie eine Soundinstallation und Bildprojektion am Er{\"o}ffnungsabend machen den Ausstellungsbesuch informativ und abwechslungsreich. Die interdisziplin{\"a}re Ausstellung wurde von rund 90 Studierenden der F{\"a}cher Anglistik, Amerikanistik, Germanistik, Geschichtswissenschaft, Kunstgeschichte, Museologie (Ausstellungsmanagement), Romanistik und Slavistik im Wintersemester 2018/19.},
  subject      = {Erster Weltkrieg},
  language  = {de}
}
@incollection{Fajen2015,
  author    = {Fajen, Robert},
  title     = {Ein Salon im Untergrund. Caylus' \(M{\´e}moires\) \(de\) \(l'Acad{\´e}mie\) \(des\) \(Colporteurs\) und die Erkundung der literarischen Peripherie im Zeitalter der Aufkl{\"a}rung},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152210},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {235-258},
  year      = {2015},
  abstract  = {No abstract available.},
  language  = {de}
}
@article{Fick2013,
  author    = {Fick, Annabella},
  title     = {Conrad Hilton, Be My Guest and American Popular Culture},
  series = {European Journal of Life Writing},
  volume    = {2},
  journal   = {European Journal of Life Writing},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-129221},
  pages     = {18-34},
  year      = {2013},
  abstract  = {Hotels are popular settings in European and American literature. They fire readers' imagination and many of them have a personal relationship to hotels. These institutions are not only alive in the realm of literature but are real existing buildings which have become fixed parts of modern society. Conrad Hilton (1887-1979), founder of the international hotel chain of the same name, was very aware of the glamorous aspects of his field of profession and published his experiences in the autobiography Be My Guest (1957). One copy of the book was placed in each room of the Hilton chain. Due to this Hilton was reaching an enormous audience which inspired other writers to fictionalize Hilton and turn him into a character in their own books. In this paper I will show how Conrad Hilton achieved world-wide fame, partly with the help of his life account. Furthermore, the methods will be explained that he used to present himself as a prototypical American of the Cold War era. I will then focus on two fictional texts, Arthur Hailey's novel Hotel (1965) and the TV-show Mad Men (2007) by Matthew Weiner, which both incorporated Hilton as a character, yet in very different ways. The aim of this article is to show the potential of celebrity autobiographies to inspire other cultural creations and how authors react very differently to these texts according to their own socio-historical background.},
  language  = {en}
}
@article{Fliege2016,
  author    = {Fliege, Daniel},
  title     = {Le d{\´e}go{\^u}t du cadavre. Une comparaison entre la repr{\´e}sentation du corps mort dans le De Miseria Condicionis Humane d'Innocent III et dans son adaptation fran{\c{c}}aise Double lay de fragilit{\´e} humaine d'Eustache Deschamps},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161616},
  pages     = {77-97},
  year      = {2016},
  abstract  = {The study uses the category of disgust in order to analyse the representation of the human body and the corpse in one of the most influential medieval treatises, the De Miseria Condicionis Humanae (1195) written by Pope Innocent III, and its little known old French adaptation Double lay de fragilit{\´e} humaine (1383) by Eustache Deschamps. Analysing how both use disgust as an aesthetic means, which appeals to emotions and turns off reason, helps to point out the pedagogical and moral function of the texts. The comparison between them shows that Deschamps stays faithful to his Latin model, but that he nevertheless has to make certain modifications in order to adapt the prose text into a lyrical form. Furthermore, this approach clearly elucidates what differences there are between the conceptions of the human body and death in the two texts, revealing at the same time divergent theological points of view.},
  subject      = {Ekel},
  language  = {fr}
}
@incollection{Folger2015,
  author    = {Folger, Robert},
  title     = {«Maistrece de tous ses sens»: Christine de Pizans \(Livre\) \(de\) \(la\) \(cit{\´e}\) \(des\) \(dames\) als mentale Maschine},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152104},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {125-145},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Christine, de Pisan : Le livre de la cit{\´e} des dames},
  language  = {de}
}
@article{GoldmannHesselbach2018,
  author    = {Goldmann, Julius and Hesselbach, Robert},
  title     = {Interview mit Prof. Dr. Kai Nonnenmacher},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {4},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187942},
  pages     = {5-18},
  year      = {2018},
  abstract  = {Interview mit Prof. Dr. Kai Nonnenmacher},
  subject      = {Interview},
  language  = {de}
}
@article{GoldmannHornung2016,
  author    = {Goldmann, Julius and Hornung, Christoph},
  title     = {Interview mit Prof. (em.) Dr. Frank-Rutger Hausmann},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161586},
  pages     = {15-22},
  year      = {2016},
  abstract  = {Frank-Rutger Hausmann war Professor f{\"u}r Romanische Philologie (Schwerpunkt franz{\"o}sische und italienische Literatur) in Freiburg, Aachen und wiederum Freiburg. Hausmann hat sich zudem intensiv mit der Fachgeschichte der deutschen Romanistik und der Geisteswissenschaften allgemein besch{\"a}ftigt. F{\"u}r die zweite Ausgabe der promptus-Interviewreihe durften wir ihn nach seiner Perspektive auf die historische und aktuelle Situation der Romanistik befragen. Er arbeitet momentan u.a. an einem Romanistenlexikon, das online ver{\"o}ffentlicht wird, und hat das Romanistenarchiv in Augsburg gegr{\"u}ndet.},
  subject      = {Romansitik},
  language  = {de}
}
@misc{Goldschmitt2016,
  author    = {Goldschmitt, Stefanie},
  title     = {Frank Jablonka, Processus et diff{\´e}rence en communication postcoloniale. Analyse de communication m{\´e}diatique d'expression espagnole au Maroc (Espaces discursifs, 114), Paris, L'Harmattan, 2014, 224 p.},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {132},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {3},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2016-0066},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194115},
  pages     = {897-900},
  year      = {2016},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}
@misc{Goldschmitt2021,
  author    = {Goldschmitt, Stefanie},
  title     = {Sandra Issel-Dombert, Sprachgeschichte als Textsortengeschichte. Zur Linguistik der Beschwerde am Beispiel der «cahiers de dol{\´e}ances» (Analecta Romanica, 89), Frankfurt am Main, Vittorio Klostermann, 2019, XVI + 480 p.},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {137},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {4},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2021-0051},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-250823},
  pages     = {1216 -- 1221},
  year      = {2021},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}
@article{GoldschmittHesselbach2019,
  author    = {Goldschmitt, Stefanie and Hesselbach, Robert},
  title     = {Sprachliche Unsicherheit bei unregelm{\"a}ßigen Superlativbildungen im Spanischen},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {135},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {3},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2019-0056},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194235},
  pages     = {643-662},
  year      = {2019},
  abstract  = {This paper deals with the interrelation between the concept of linguistic insecurity described by Labov (1966) and the irregular formation of Spanish superlatives based on Latin roots such as paup{\´e}rrimo, celeb{\´e}rrimo etc. instead of the analogue formation pobr{\´i}simo or celebr{\´i}simo. After a brief overview on the frequency of these forms and their alleged regular equivalents in Spanish corpora, a closer look is taken on the speakers' internal and external aspects of linguistic (in)security. Finally, it is shown by an acceptability test that there are forms on -{\´e}rrim*, which are not exclusively restricted to the norma culta in Spanish.},
  language  = {de}
}
@incollection{Goodbody2019,
  author    = {Goodbody, Axel},
  title     = {Wolves and Wolf Men as Literary Tropes and Figures of Thought: Eco- and Zoopoetic Perspectives on Jiang Rong's Wolf Totem and Other Wolf Narratives},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178122},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {307-324},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Gorenstein2019,
  author    = {Gorenstein, Dan},
  title     = {Ants and Battlefields, Beetles and Landscapes: Rudiments for a Naturalistic Reading of Ernst J{\"u}nger's Interwar Essays through the Lens of His Later Entomological Hermeneutics},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178043},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {201-215},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Greiner2015,
  author    = {Greiner, Thorsten},
  title     = {„Trouver une langue". Rimbauds Kritik an Baudelaire und das Problem der Repr{\"a}sentation des Absoluten in \(Une\) \(Saison\) \(en\) \(enfer\) und den \(Illuminations\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152247},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {303-329},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Rimbaud, Arthur : Une saison en enfer},
  language  = {de}
}
@misc{Gwosdek2014,
  author    = {Gwosdek, Hedwig},
  title     = {Nicholas Orme. English School Exercises, 1420-1530. Studies and Texts 181. Toronto: Pontifical Institute of Mediaeval Studies, 2013, xi + 441 pp., \$ 95.00.},
  series = {Anglia},
  volume    = {132},
  journal   = {Anglia},
  number    = {3},
  issn      = {1865-8938},
  doi       = {10.1515/ang-2014-0063},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195318},
  pages     = {607-610},
  year      = {2014},
  abstract  = {No abstract available.},
  language  = {en}
}
@incollection{Guesken2019,
  author    = {G{\"u}sken, Jessica},
  title     = {Blooming Flowers, Fish in Water, Amphibians, and Apes: Herder's Environmental Aesthetics of Nature},
  series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics},
  publisher = {Rombach Druck- und Verlagshaus},
  address   = {Freiburg i. Br.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178026},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {175-188},
  year      = {2019},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Hagen2019,
  author    = {Hagen, Clemens},
  title     = {Ver y ser visto: Intelectualidad y falsa erudici{\´o}n en La Regenta},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221822},
  pages     = {39-56},
  year      = {2019},
  abstract  = {Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clar{\´i}n» have constantly referred to the unmasking of society's hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimar{\´a}n and S. Berm{\´u}dez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta.},
  language  = {es}
}
@incollection{Hahn2015,
  author    = {Hahn, Kurt},
  title     = {Cash und Crash, Spekulanten und S{\"u}ndenb{\"o}cke - Die gespenstische Kommunikation des Kapitals und die Krise der Repr{\"a}sentation in Juli{\´a}n Martels Roman \(La\) \(bolsa\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152239},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {281-302},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Mir{\´o}, Jos{\´e}},
  language  = {de}
}
@article{Haidacher2022,
  author    = {Haidacher, Bernhard},
  title     = {The concept of confix in German, French, and Italian - a comparative study},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329756},
  pages     = {63-83},
  year      = {2022},
  abstract  = {Despite some critical voices, in German linguistics the concept of confix can meanwhile be considered as an established morpheme category. Schmidt (1987) introduced the term into German to describe bound morphemes that are lexical, but not inflectable. Since the 2000s, an increasing number of publications deal with the phenomenon and the term has begun to enter linguistic reference works as well. In French, the situation is completely different due to the structure of the language (poor in compounds and mostly post-determinative). Although the term and the concept have originall y been coined by the French structuralist Andr{\´e} Martinet ([1961] \(^3\)1980 ), the denomination itself is barely present in Romance linguistics. French researchers usually take different approaches to discuss the phenomenon (e.g., neoclassical compounds, constructed lexemes). In Italian, the denominations confisso/ confissazione are first used by De Mauro (1999), who adopts both the term and concept directly from Martinet; moreover, they can be found in some contributions on word formation and lexicology (e.g., Adamo/Della Valle 2008). Nevertheless, the Italian termino-logy remains heterogeneous, with some researchers still using the terms prefissoide/suffissoide coined by Migliorini (1963). As I will show by comparing the languages in question, the terminology and the concept of confixes vary greatly between Romance and Germanic languages.},
  language  = {en}
}
@article{Harjus2022,
  author    = {Harjus, Jannis},
  title     = {El aliento xeneize: Eine diskurslinguistische Analyse von Fanges{\"a}ngen der Anh{\"a}nger des argentinischen Clubs Boca Juniors},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329768},
  pages     = {85-103},
  year      = {2022},
  abstract  = {In this contribution, chants of the followers of the Argentine football team Boca Juniors are analyzed with regard to possible identity constructions and othering. The results of the corpus-driven discourse-linguistic analysis demonstrate in particular metaphors and topoi that can be highlighted as a constitutive part of the discursive construction of a Boca Juniors supporters' identity and the otherings of River Plate hinchas. Through the use of certain metaphors and determined lexical fields that clearly call for acts of violence, a masculine ethos is discursively constructed among Bocas own followers, which goes far beyond comparable insulting and cheering chants of comparable European football teams.},
  language  = {de}
}
@article{Harjus2019,
  author    = {Harjus, Linda},
  title     = {Top down Initiated Medial Linguistic Politics : A Normative Inquiry into the Application of Andalusian Varieties Conducted by the Radio Channel Canal Fiesta Radio},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221836},
  pages     = {59-75},
  year      = {2019},
  abstract  = {This contribution deals with the phonetic heterogeneity of spoken Spanish in Andalusia in the sector of public auditory media, specifically in the program !'Anda Levanta! of Canal Fiesta Radio. First, we take into consideration Article 10 of the Statute of the Autonomy of Andalusia, which enhances the protection, promotion, study, and prestige of the Andalusian modalities and its respective variety (cf. Parlamento de Andaluc{\´i}a 2007: 13). Second, we refer to the Libro de Estilo, a mandatory guide for presenters of public audiovisual media in Andalusia since 2014. The results of the qualitative analysis indicate divergences between the presenters and their audience with regard to their use of phonetic characteristics typical of the Andalusian varieties: where the presenters tend to avoid the salient aspects of the varieties, the audience employs a range of phonetic characteristics typical for Andalusian varieties, including some of the characteristics that are considered less prestigious.},
  language  = {en}
}
@book{Harms2018,
  author    = {Harms, Dirk},
  title     = {Lyrik und Kunst, Musik und Lyrik. Der Einfluss von William Blake auf Van Morrison.},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-163390},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2018},
  abstract  = {Diese Arbeit schildert auf der Basis einer Analyse der intermedialen Struktur der Werke zweier K{\"u}nstler aus unterschiedlichen Jahrhunderten die Transportierung eines mystischen Selbstverst{\"a}ndnisses, das als Tiefenstruktur der zugrundeliegenden Werke ausgemacht wird. Deshalb sieht diese Arbeit beide K{\"u}nstler als christliche Mystiker an, deren Weltbild keine grundlegenden Unterschiede aufweist. Dar{\"u}berhinaus wird {\"u}ber diese beiden Autoren versucht die kontrovers diskutierte Aktualit{\"a}t von Mystik in der Gegenwart herauszustellen. Zentraler Teil und Ausgangspunkt der Ergebnisse ist hierbei die Analyse eines mystischen Wertesystems, das sich in den Prophecies von William Blake finden l{\"a}sst und das sich in wesentlichen Punkten auf die Werke von Van Morrison {\"u}bertragen l{\"a}sst.},
  subject      = {Mystik},
  language  = {de}
}
@incollection{Heisters2023,
  author    = {Heisters, Anne},
  title     = {Women as Other? - Women and Other},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-59},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305875},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {59-72},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Feminismus},
  language  = {en}
}
@article{Henk2021,
  author    = {Henk, Lars Thorben},
  title     = {«We're on the road to nowhere» - Felwine Sarrs narrativer Weg in die Afrotopie},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {7},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305662},
  pages     = {73-90},
  year      = {2021},
  abstract  = {According to the Senegalesian scholar Felwine Sarr who conceives an African utopia in his programmatic essay Afrotopia (2016), this Afrotopos has already germinated in contemporary African literature. However, it still needs to be enquired to what extent the narrated topos of the street in Sarr's own anthology 105 Rue Carnot (2011) has already realized the Afrotopos. In order to respond to this question, we would like to mobilise Michel Foucault's concept of heterotopia, which elaborates on the interactions between truth production/knowledge, power and space, and permits us to conceive of «les lieux utopiques» (Foucault 2005: 40) as actually locatable on the map and real other places outside of all places (cf. Foucault 1994: 755). Thus, in the street, a different relationship between global North and South is founded, which becomes legible as an African «utopie localis{\´e}e» (Foucault 2005: 41) that Sarr calls for in Afrotopia (2016).},
  language  = {de}
}
@article{Henk2022,
  author    = {Henk, Lars Thorben},
  title     = {{\´E}douard Louis' «J'accuse». Ein sp{\"a}tmoderner Adept Zolas?},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329777},
  pages     = {105-120},
  year      = {2022},
  abstract  = {French history of literature is undoubtedly characterized by a tradition of social criticism portraying the working class' misery that can be traced back at least to the 19th century. Among these depictions, Zola's novels have a prominent position. This is, among other aspects, due to their pretended scientific foundation and their pretentious claims to be scientific studies. The contemporary author {\´E}douard Louis situates himself in this tradition of Zola's naturalism. This invites us to examine the interrelation between Zola and Louis more closely. Based on the common ground of scientific foundation, scientific ambition and social commitment pursued in their novels, it will be demonstrated that Louis is a late-modern Zola whose milieu and character descriptions follow in detail Zola's constructions.},
  language  = {de}
}
@article{Hennemann2016,
  author    = {Hennemann, Anja},
  title     = {El marcador (yo) pienso (que) y sus diferentes funciones},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161627},
  pages     = {99-120},
  year      = {2016},
  abstract  = {In this paper, the different uses and functions of (yo) pienso (que) are analysed. The examples demonstrate that (yo) pienso (que) fulfils various functions. It is used as a marker of cognitive attitude concerning the proposition (that is, the speaker expresses his validative attitude or an inference), as a pragmatic marker or as a cognitive particle. In this study, we introduce the term 'cognitive particle' in order to describe the use of (yo) pienso (que) when its use serves to gain time in processing the enunciation or to structure the speaker's thoughts. The empirical data are on the one hand retrieved from the corpus programme CREA, of debates and interviews focusing on peninsular Spanish, and on the other hand from GlossaNet, more precisely from the newspapers El Pa{\´i}s and El Mundo. This analysis is a qualitative one because we do not focus on the frequency of the different functions. Instead, we want to illustrate the various functions (yo) pienso (que) fulfils.},
  subject      = {Diskursmarker},
  language  = {es}
}
@article{Hennemann2017,
  author    = {Hennemann, Anja},
  title     = {«ainda {\´e} nova a m{\´u}sica, i think» Zur Code-Alternation in portugiesischen online-Diskursen},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172882},
  pages     = {107-125},
  year      = {2017},
  abstract  = {The present paper is concerned with the use of English cognitive verbs like think, mean and guess as well as with fixed expressions that contain these verbs like guess what (?) or think about it in Portuguese online discourses. In the qualitative analysis of examples retrieved from the Corpus do Portugu{\^e}s (Web/Dialects) I mainly focus on the syntactic behavior of the expressions under survey, also comparing their use and function in the English language. In the final part of the paper I reflect about possible reasons of the employment of English elements in Portuguese conversation.},
  language  = {de}
}
@article{Hertrampf2015,
  author    = {Hertrampf, Marina Ortrud M.},
  title     = {De la M{\`e}re Patrie {\`a} «l'am{\`e}re-patrie». D{\´e}sir{\´e} Razafinjatos literarisches Bild der franz{\"o}sischen 'Kolonialheimat' vor und nach der Unabh{\"a}ngigkeit Madagaskars},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139461},
  pages     = {91-111},
  year      = {2015},
  abstract  = {French-Madagascan colonial history is full of dark chapters. After Madagascar's independence the French general public forgot the country very quickly. In Malagasies collective memory, the wounds of colonial injustice are still open even if they are generally considered as fady ('tabooʼ). D{\´e}sir{\´e} Razafinjato is the first Malagasy author writing in French who dares to approach the difficult relations between Malagasy-French and indigenous Malagasy as well as between indigenous Francophiles and indigenous anti-French nationalists. In his tale «Tahiry. From Madagascar to the Algerian djebel, the bitter-fatherland», the narrator speaks about the painful loss of any fatherland for all those Malagasy who during the War of Algeria got involved as French soldiers. Indeed, it is the sad history of the despoliation of an ideal Motherland on the French side and of the refusal of membership in an ancestral fatherland on the Malagasy side. What remains for those ancient French-Malagasy combatants is the feeling of a 'bitter-fatherlandʼ and the feeling of living in 'between everywhereʼ in some kind of 'non-fatherlandʼ.},
  language  = {de}
}
@article{Hesselbach2016,
  author    = {Hesselbach, Robert},
  title     = {Reinhard Kiesler (18. Januar 1960-9. September 2015)},
  series = {Zeitschrift f{\"u}r romanische Philologie},
  volume    = {132},
  journal   = {Zeitschrift f{\"u}r romanische Philologie},
  number    = {1},
  issn      = {1865-9063},
  doi       = {10.1515/zrp-2016-0027},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194927},
  pages     = {354 -- 355},
  year      = {2016},
  abstract  = {Kein Abstract verf{\"u}gbar.},
  language  = {de}
}
@incollection{Hesselbach2015,
  author    = {Hesselbach, Robert},
  title     = {Sprache als Verf{\"u}hrungskunst - ein rhetorisch-pragmatischer Kommentar zur Figurenrede des Don Juan in Tirso de Molinas \(El\) \(burlador\) \(de\) \(Sevilla\) \(y\) \(convidado\) \(de\) \(piedra\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hronung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152137},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {187-199},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Tirso, de Molina : El burlador de Sevilla y convidado de piedra},
  language  = {de}
}
@article{Hesselbach2020,
  author    = {Hesselbach, Robert},
  title     = {<<Nous sommes en guerre sanitaire contre le COVID-19>> - A Corpus-based Approach of Official French, Italian, and Spanish Social Media Discourse in the Light of the Coronavirus Crisis},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244251},
  pages     = {45-66},
  year      = {2020},
  abstract  = {France, Italy, and Spain are three Romance-speaking countries which - at least in Europe - have been affected to a very high degree by the consequences of the Corona pandemic. This paper examines discursive strategies on social media (Twitter and Facebook) by the three heads of government/state of the aforementioned countries - namely Emmanuel Macron (France), Giuseppe Conte (Italy), and Pedro S{\´a}nchez (Spain)- from a corpuslinguistic point of view. For this purpose, a corpus was created which contains all Twitter and Facebook messages posted by these heads of government/state from the beginning of February until the end of April 2020. By applying corpus-linguistic methods we find that all three politicians consciously use social media to sensitize, inform, and - in view of a dramatic pandemic situation - unite their respective populations behind them.},
  language  = {en}
}
@article{Hettmann2015,
  author    = {Hettmann, Sandra},
  title     = {«Explotan las im{\´a}genes y un altoparlante con su lengua». Surrealistische Dis/Kontinuit{\"a}ten bei Luciana Romano: Bebilderungen im Gedichtraum durch Foto{\"a}sthetik und Dynamiken des Wortbildes},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139473},
  pages     = {113-142},
  year      = {2015},
  abstract  = {This article seeks to analyse the volume of poems Vapor de foto (2006) written by the young contemporary poet Luciana Romano from Buenos Aires. Romano is also an activist of the politically engaged artist collective Etc{\´e}tera… founded in the late nineties. Her poetry reveals a certain correlation with the aesthetics of the actions and interventions developed by Etc{\´e}tera… in the streets and public spaces not only of Argentina but also of Europe. Furthermore, the creation of Vapor de foto is based on the collective's experiences and practices. Using a methodological approach that combines close reading and a cultural and socio-critical focus, several poems will be exemplarily analysed in order to examine the interrelation between Romano's style of writing and her activism. Assuming that her poetry, as well as the work of Etc{\´e}tera…, belongs to a postdictatorial contemporary aesthetics characterized by the complex interplay between dadaistic and surrealistic dis/continuities, this article will focus on the analysis of different forms of relations between text and image.},
  language  = {de}
}
@phdthesis{Himmel2021,
  author    = {Himmel, Marie-Christin},
  title     = {Phonetic and phonological variability in the L1 and L2 of late bilinguals: The case of /r/ and /l/},
  doi       = {10.25972/OPUS-23933},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-239335},
  school      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2021},
  abstract  = {A large body of research has shown that a late bilingual's L1 and L2 phonetic categories influence each other, yielding deviations from monolingual norms in the phonetics of both languages. Existing models of L2 sound acquisition (e.g., the Speech Learning Model; Flege, 1995, 2007) predict unified phonetic spaces which accommodate both L1 and L2 sound categories. Such connections between an L1 and an L2 are believed to lead to persistent non-nativelikeness in the L2, but also to divergence from the monolingual norm in the L1, as shown in numerous studies (e.g., Bergmann et al., 2016). In this dissertation, I focus on the differences in the sound patterns of a bilingual's languages which do not only emerge in the precise phonetic realizations of L1 sounds but also in language-specific distributional patterns that determine the realization of these sound categories in different phonetic contexts. Previous work in L1 attrition is limited to a small set of phonetic properties (especially VOT, e.g., Flege, 1987), variables beyond L2 transfer which are known to give rise to variable realizations have been neglected. Thus, little is known as to whether bilinguals' realizations of an L1 sound category in different phonetic contexts (e.g., position within a syllable) are subject to change in L1 attrition, and whether such changes arise due to long-term exposure to different distributional patterns of an equivalent L2 category. In this dissertation I address these gaps by exploring L1 attrition in the distributional and phonetic characteristics of liquids to shed light on the contribution of the L2 and the role of general phonetic and phonological variables to the processes that drive change in an L1. I investigate changes to phonetic properties and distributional patterns of rhoticity and /l/-allophony in the L1 of American-German late bilinguals, a language constellation which offers an instructive test case to investigate the causes of L1 attrition as well as the source from which changes due to L1 attrition emerge. Furthermore, changes to liquids can also shed light on the processes which drive sound change, gradience and variability due to various positional and phonetic factors (e.g., preceding vowel, syllable structure) in liquids across many native varieties of English. In particular, I explore the variable realization and distributional patterns of two sounds known to be subject to a considerable degree of gradience and variability, namely English /r/ and /l/, in American English-German late bilinguals. To that end, I present the results of a production study of 12 L2-dominant American English-German late bilinguals as well as a monolingual control group for each language. The speakers performed a variety of production tasks which were aimed to elicit the realization of (non)-rhoticity and /l/-(non-)allophony in both languages of the late bilinguals, English and German which were analyzed auditorily (/r/ only) and acoustically (/r/ and /l/). Although L1 attrition of rhotics and laterals has been investigated previously (e.g., de Leeuw, 2008; Ulbrich \& Ordin, 2014), the effect of contextual variables on L1 attrition and whether such variables also shape L1 attrition remains unexplored. The results of the auditory analyses of postvocalic /r/ revealed that the late bilinguals showed non-convergence with monolingual (non-)rhoticity in both of their languages by vocalizing postvocalic /r/ more frequently in their L1 (English) and failing to entirely suppress rhoticity in their L2 (German) leading up to a higher degree of rhoticity in their L2. While the loss of rhoticity in the bilingual's English was distributed along a spectrum of contextual constraints (e.g., type of pre-rhotic vowel and morpho-phonological environment) known to affect rhoticity in other English varieties, the non-targetlike productions of non-rhoticity (i.e., non-vocalized postvocalic /r/) in their L2, German, were not sensitive to the same contextual constraints. The acoustic analyses of the bilinguals' rhotic productions in English and German differed from the monolinguals in the acoustic correlates of rhoticity in pre-rhotic vowels where they showed reduced anticipatory F3-lowering (i.e., less /r/-colored vowels). I take my results to indicate that the bilinguals operate in two separate phonological grammars which approximate the respective L1 norm but show an increase of variability along constraints already present in each grammar. In contrast, the bilinguals' phonetic system seem shared between the two grammars. This leads to persistent L1-L2-interactions as the two grammars operate within the same phonetic space. Thus, the changes in L1 attrition are induced but not governed by the L2: Change to the L1 reflects constraints underlying the L1 as well as more general laws of phonetics and universal trajectories of language change. The lateral results revealed that just like in postvocalic /r/, the bilinguals showed non-convergence with the monolingual norm regarding the velarization of coda /l/ in both their languages. The changes to English laterals were sensitive to their positional context and more substantial for word-initial laterals than word-final laterals. Similarly, their German laterals were non-convergent with the monolinguals in two ways. Firstly, the bilinguals differed with regard to the acoustic specifications of their laterals, and secondly, the bilinguals failed to suppress the lateral allophony from their L1, leading to a non-targetlike allophonic pattern in their L2 laterals. I interpret the lateral results to lack evidence that the L1 allophonic rule was affected by the presence of an L2; nevertheless, L1 change emerged in the phonetic specifications of laterals. Furthermore, the bilinguals did not establish a nativelike allophonic pattern in their L2, leading to non-convergence in the allophonic distribution as well as the phonetic realization of German laterals. In this way, this dissertation provides evidence for L1 attrition in the distributional and the phonetic properties of liquids in the L1 of late bilinguals. In particular, the study presented in this dissertation provides evidence that L1 attrition is induced by the presence of a similar sound pattern in the L2. The pathway of attrition follows constraints not only underlyingly present in the L1 but also part of the universal laws of phonetics known to shape sound change. To explain these results, I draw from existing constraint grammars in phonological theory (such as Optimality Theory and Harmonic Grammar) to develop my Dynamic Constraints approach which allows the effects of external variables (e.g., L2 acquisition and its effect on the mind), and internal variables such as an increased likelihood of variability due to articulatory differences can be modeled using scaling factors which can interact with each other, the noise within the grammars, and the constraint weight itself. In this way, the model links previous findings on L1 attrition and its connections to diachronic and synchronic variability, offering insights into the links between the individual languages in a bilingual's mind.},
  subject      = {Zweisprachigkeit},
  language  = {en}
}
@unpublished{Hornung2013,
  author    = {Hornung, Christoph},
  title     = {Die Minderheiten- und Außenseiterperspektive in Federico Garc{\´i}a Lorcas Poeta en Nueva York.},
  series = {Minderheit(en): Fremd? Anders? Gleich?. Beitr{\"a}ge zum XXVII. Forum Junge Romanistik in Regensburg (15.-18. Juni 2011)},
  journal   = {Minderheit(en): Fremd? Anders? Gleich?. Beitr{\"a}ge zum XXVII. Forum Junge Romanistik in Regensburg (15.-18. Juni 2011)},
  editor    = {Blandfort, Julia and Mancas, Magdalena Silvia and Wiesinger, Evelyn},
  publisher = {Lang},
  address   = {Frankfurt am Main},
  doi       = {10.3726/978-3-653-02742-6},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-148208},
  pages     = {79 -- 95},
  year      = {2013},
  abstract  = {Die Arbeit analysiert die Situation des lyrischen Ich in Federico Garc{\´i}a Lorcas Gedichtband Poeta en Nueva York hinsichtlich seiner Minderheiten- und Außenseiterperspektive.},
  subject      = {Garc{\´i}a Lorca, Federico},
  language  = {de}
}
@incollection{HornungGoldschmitt2015,
  author    = {Hornung, Christoph and Goldschmitt, Stefanie},
  title     = {Stadtbeschreibung und Weltlosigkeit der Sprache in Raymond Queneaus \(Zazie\) \(dans\) \(le\) \(m{\´e}tro\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152265},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {345-359},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Queneau, Raymond : Zazie dans le m{\´e}tro},
  language  = {de}
}
@article{HornungHesselbach2015,
  author    = {Hornung, Christoph and Hesselbach, Robert},
  title     = {Interview mit Prof. em. Dr. Theodor Berchem},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161239},
  pages     = {17-27},
  year      = {2015},
  abstract  = {Prof. em. Dr. Theodor Berchem (*1935) promovierte 1963 in Paris und habilitierte sich 1966 an der Universit{\"a}t Erlangen-N{\"u}rnberg. Von 1967 bis 2003 war er Inhaber des Lehrstuhls f{\"u}r Romanische Sprachwissenschaft an der Universit{\"a}t W{\"u}rzburg. Daneben bekleidete er eine große Anzahl weiterer {\"A}mter: Er war Pr{\"a}sident der Universit{\"a}t W{\"u}rzburg (1975-2003), Pr{\"a}sident des DAAD (1988-2007), Vorsitzender der Bayerischen Rektorenkonferenz (1978-1982) sowie Vizepr{\"a}sident (1979-1983) und Pr{\"a}sident (1983-1987) der Westdeutschen Rektorenkonferenz. Zu seinen Forschungsschwerpunkten geh{\"o}ren Dialektologie, Phonetik/Phonologie, Morphosyntax, Stilistik und Wortgeschichte.},
  subject      = {Biographisches Interview},
  language  = {de}
}
@article{Huettner2017,
  author    = {Huettner, Sabrina},
  title     = {Nelson Pressley. American Playwriting and the Anti-Political Prejudice: Twentieth- and Twenty-First Century Perspectives. Basingstoke: Palgrave Macmillan, 2014, ix + 185 pp, \$69.99.},
  series = {Journal of Contemporary Drama in English},
  volume    = {5},
  journal   = {Journal of Contemporary Drama in English},
  number    = {1},
  issn      = {2195-0164},
  doi       = {10.1515/jcde-2017-0019},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194210},
  pages     = {217-222},
  year      = {2017},
  abstract  = {No abstract available},
  language  = {en}
}
@article{Ibrahim2017,
  author    = {Ibrahim, Amira},
  title     = {L'orientalisme fran{\c{c}}ais : d{\´e}finition et histoire},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172899},
  pages     = {127-145},
  year      = {2017},
  abstract  = {The history of intellectual and cultural contact between West and East is very complicated and contradictory. A long time ago, eastern culture attracted the attention of many writers, orientalists and researchers, who headed east not only to study and describe the fascinating eastern civilizations, but also to analyze their different literary, historical and scientific aspects. The new mysterious but exciting environment inspired the orientalists to record and describe what they experienced regarding the architecture, the nature and the people. The attractive eastern natural views which are distinguishable from the monotonous western environment - especially after the industrial revolution - helped them to find new prospects. The East has been coming into focus since the middle ages, when the church campaigns started to study Islam as the prevalent religion in this area. The orientalist motivations were not only religious, but also followed economic, colonial and scientific agenda, which lead to a plethora of specialized research, stories, novels and analytical studies. A close look at the orientalists' works will provide us with an overview of eastern civilization. Therefore, their works are considered as a mirror reflecting their point of view to the east and the north of Africa, especially to pharaonic Egypt. The orientalists who travelled to the east and expressed their passion to this old civilization in their writings influenced the literary movement deeply. But what do we mean by the term orientalism? Edward Sa{\"i}d has defined this term in different ways. Sa{\"i}d presented and interpreted it as a way of thinking, a historical phenomenon. Defining orientalism has become a problem indeed, and now it is carrying a number of meanings which do not match. Therefore, the aim of the study is to bring into focus the most important definitions of the term orientalism from the late 17th to the mid-20th century.},
  language  = {fr}
}
@article{IsselDombertWiedersLoheac2016,
  author    = {Issel-Dombert, Sandra and Wieders-Loh{\´e}ac, Aline},
  title     = {«Nous multiplierons les chansons, les concerts, les spectacles». L'argumentation de Fran{\c{c}}ois Hollande face aux attaques terroristes du 13 novembre},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161637},
  pages     = {123-151},
  year      = {2016},
  abstract  = {After the terrorist attacks on November 13th, the French public, the whole of Europe and many parts of the world were waiting for president Fran{\c{c}}ois Hollande to address his fellow "citoyens". Being the most important political figure - both by constitution and by influence on public discourse - the president's words bear great importance for the subsequent debate and interpretation of the events. Therefore, the question arises: How did the president shape the debate in the hours and days after the attacks? To answer this question, we have identified typical structures in Hollande's rhetorical reaction to the attacks, performing a topos as well as a keyword analysis of the speeches the president held within two weeks after November 13th. In a contrastive analysis we have compared Hollande's speeches to the Europarl Corpus. Using the software programme sketch engine, we have filtered out the 100 most frequent keywords and classified them into semantic fields (data-driven approach). All in all, terrorism, action and nation/identity are the three predominant semantic fields, whereas references to victimhood barely appear. These findings are congruent with the results of our topos analysis that reveals a predominance of argumentative structures that form a strong main topos of resilience, emphasising the greatness of France and its people and culture, calling to action and avoiding any tendencies of resignation.},
  subject      = {Hollande, Fran{\c{c}}ois},
  language  = {fr}
}
@incollection{Jetter2023,
  author    = {Jetter, Tobias},
  title     = {Afterword : Engaged Scholarship in Practice; or: How to Look Back into the Future},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-183},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305953},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {183-187},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{Jetter2023,
  author    = {Jetter, Tobias},
  title     = {Introduction : Global Cultural Studies?},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-1},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305815},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {1-3},
  year      = {2023},
  abstract  = {No abstract available.},
  subject      = {Kulturwissenschaften},
  language  = {en}
}
@incollection{JetterAckermannSnyderKoerber2023,
  author    = {Jetter, Tobias and Ackermann, Zeno and Snyder-K{\"o}rber, MaryAnn},
  title     = {Acknowledgements},
  series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames},
  editor    = {Jetter, Tobias},
  publisher = {W{\"u}rzburg University Press},
  address   = {W{\"u}rzburg},
  doi       = {10.25972/WUP-978-3-95826-207-2-i},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305790},
  publisher      = {W{\"u}rzburg University Press},
  pages     = {i-ii},
  year      = {2023},
  abstract  = {No abstract available.},
  language  = {en}
}
@article{Kailich2018,
  author    = {Kailich, Franziska},
  title     = {Esquemas sint{\´a}cticos en el espa{\~n}ol est{\´a}ndar europeo contempor{\´a}neo},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {4},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187963},
  pages     = {45-69},
  year      = {2018},
  abstract  = {This article summarises an examination of sentence patterns in modern European standard Spanish, in order to give an answer to the following questions: How many different sentence patterns are there and which are the most frequent patterns in modern European Spanish? Based on the principles of verb valency, as established by Lucien Tesni{\`e}re and further developed by Ulrich Engel and others, a corpus of 500 sentences is analysed, identifying the sentence patterns of the main clauses. The analysis shows 19 different sentence patterns, the most frequent of which is p-s-cd, that is, predicate - subject - direct object. Subsequently, the results are compared to those of a different study on Spanish sentence patterns.},
  subject      = {Spanisch},
  language  = {es}
}
@article{Kailich2022,
  author    = {Kailich, Franziska},
  title     = {The Introduction of English-induced neologisms in Spanish tweets: a case-study on covidiota},
  series = {Frontiers in Communication},
  volume    = {7},
  journal   = {Frontiers in Communication},
  issn      = {2297-900X},
  doi       = {10.3389/fcomm.2022.780340},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-274064},
  year      = {2022},
  abstract  = {This paper intends to trace the introduction of an English-induced, COVID-related neologism, covidiota, into the Spanish language. The study is based on a corpus of tweets, starting in March 2020. It examines several specific features which mark the word as a new, unfamiliar item, such as different ways of graphical highlighting, for example. On the other hand, the paper aims to detect possible indicators of an integration of covidiota into the Spanish language use in the tweet corpus compiled for this case study.},
  language  = {en}
}
@misc{Karremann2014,
  author    = {Karremann, Isabel},
  title     = {April London.The Cambridge Introduction to the Eighteenth-Century Novel. Cambridge Introductions to Literature. Cambridge: Cambridge University Press, 2012, 260 pp., \$ 26.99 pb.},
  series = {Anglia},
  volume    = {132},
  journal   = {Anglia},
  number    = {3},
  issn      = {1865-8938},
  doi       = {10.1515/ang-2014-0064},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-195307},
  pages     = {611-615},
  year      = {2014},
  abstract  = {No abstract available.},
  language  = {en}
}
@misc{Karremann2016,
  author    = {Karremann, Isabel},
  title     = {Hans-Peter Wagner. An Introduction to British and Irish Fiction: Renaissance to Romanticism. Trier: Wissenschaftlicher Verlag Trier, 2014, 262 pp., 60 illustr., € 29.50.},
  series = {Anglia},
  volume    = {134},
  journal   = {Anglia},
  number    = {4},
  issn      = {1865-8938},
  doi       = {10.1515/ang-2016-0078},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-194309},
  pages     = {711-715},
  year      = {2016},
  abstract  = {No abstract available.},
  language  = {en}
}