@article{Scholz2021, author = {Scholz, Janek}, title = {S{\´e}rgio Zimbas Covid-19-Karikaturen im Kontext {\"o}ffentlicher Gesundheitsf{\"u}rsorge in Mosambik}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305692}, pages = {133-155}, year = {2021}, abstract = {The article deals with the educational comics of the Mozambican artist S{\´e}rgio Zimba, especially in the context of the current pandemic situation caused by Covid-19. First, comics from and comic research on Africa will be presented, especially in their repercussion within the German-language comics landscape. This will be followed by a discussion of the special situation in lusophone Africa, exemplified and illustrated by the works of the Mozambican cartoonist S{\´e}rgio Zimba. The article closes with a brief comparison of Zimba's work with the cartoons of S{\´e}rgio Pi{\c{c}}arra from Angola, to better classify the artist's work.}, language = {de} } @misc{OPUS4-30571, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 7 (2021)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7/2021}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola}, isbn = {978-3-946101-06-2}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305711}, year = {2021}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, language = {de} } @article{Christmann2021, author = {Christmann, Tim}, title = {Grenzerfahrung, Grenz{\"u}berschreitung, Grenz{\"u}berwindung: Das Falkland/Malvinas Malvinas-Trauma in Lola Arias' Film Teatro de Guerra (2018)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305577}, pages = {17-33}, year = {2021}, abstract = {This article will examine the cinematic approach to the trauma of the Falklands/Malvinas War in Lola Ariasʼ film Teatro de Guerra (AR/ES, 2018). The armed conflict between Ar-gentina and Great Britain in 1982 can be understood as a traumatic liminal experience, whose artistic reception pushes conventional aesthetics to their limits and calls for innova-tive representational strategies. Based on a cultural studies approach to the Falklands/Mal-vinas War as a collective trauma, this contribution will highlight selected moments of aes-thetic border crossing in Teatro de Guerra, by which the film succeeds in transcending boundaries between former enemies of the war.}, language = {de} } @article{deCringis2021, author = {de Cringis, Patricia}, title = {100 Jahre Vokalschw{\"a}chung in den tierras altas: historische Perspektiven eines (zu) wenig beachteten Aussprachemerkmal}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305638}, pages = {35-52}, year = {2021}, abstract = {This paper deals with the origin of the hundred-year old theory of tierras bajas and tierras altas, focusing on the description of vowel weakening within that theory developed in 1921 by Henr{\´i}quez Ure{\~n}a. I argue that the early conception of vowel weakening and its dialectal distribution has strongly influenced the kind of research we have been conducting about this phonetic feature to this day. The aim of this study therefore, is to sharpen our understanding of the former zeitgeist of research and to stimulate further big data-based studies on vowel weakening overcoming the traditional dialectal division of tierras bajas and tierras altas.}, language = {de} } @incollection{Heisters2023, author = {Heisters, Anne}, title = {Women as Other? - Women and Other}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-59}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305875}, publisher = {W{\"u}rzburg University Press}, pages = {59-72}, year = {2023}, abstract = {No abstract available.}, subject = {Feminismus}, language = {en} } @incollection{Rishi2023, author = {Rishi, Tushar}, title = {Marxism and Contemporary Cultural Studies}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-79}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305882}, publisher = {W{\"u}rzburg University Press}, pages = {79-85}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @article{ApostolidisGkarpousisKoch2017, author = {Apostolidis -Gkarpousis, Alexandros and Koch, Christian}, title = {Convergences et divergences dans les articles «Langage» de Louis de Jaucourt et «Langue» de Nicolas Beauz{\´e}e. Une comparaison de deux articles de l'Encyclop{\´e}die de Diderot et D'Alembert}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172843}, pages = {19-36}, year = {2017}, abstract = {The two articles of «Langage» and «Langue», published in 1765 in the 9th volume of the great French Encyclop{\´e}die by Diderot and D'Alembert, treat some essential philosophical questions on the human ability of communication with linguistic signs. Nevertheless, as the two authors Jaucourt and Beauz{\´e}e did not share completely identic points of view, the comparative lecture of both articles reveals a complementary perspective, particularly relating to the origin of language as a divine gift or humans' creation for communicative needs. A further aspect of divergence concerns the textual composition of the article « Langage » as a structured informative text, and the article « Langue » as a long and freely composed writing including personal remarks by the author. The following article deals with the potential of approaches to the Encyclop{\´e}die in modern linguistics, concretely demonstrated in the comparative analysis of these two articles.}, language = {fr} } @article{EibensteinerKoch2018, author = {Eibensteiner, Lukas and Koch, Christian}, title = {El uso de los tiempos del pasado en espa{\~n}ol como lengua extranjera: Una comparaci{\´o}n de aprendientes escolares austriacos con pol{\´i}glotas rom{\´a}nicos}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187955}, pages = {21-42}, year = {2018}, abstract = {The normative use of past tenses is supposed to be a big challenge for learners of Spanish. Although they might understand the grammatical chapter in theory, adequate past tense use in spontaneous oral production is not guaranteed. Morphological errors, overgeneralizations of tenses and interferences with other languages characterize the interlanguage of the learners. Based on two corpuses, we analyse how the past tense use differs between secondary school students from Austria and Romance polyglots. Qualitative and quantitative analyses show that polyglot speakers surpass the secondary school students in some areas such as the distinction of verbal aspect. However, the students tend less to use the perfecto compuesto in an inadequate way in narration.}, subject = {Vergangenheitstempus}, language = {es} } @article{Hennemann2016, author = {Hennemann, Anja}, title = {El marcador (yo) pienso (que) y sus diferentes funciones}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161627}, pages = {99-120}, year = {2016}, abstract = {In this paper, the different uses and functions of (yo) pienso (que) are analysed. The examples demonstrate that (yo) pienso (que) fulfils various functions. It is used as a marker of cognitive attitude concerning the proposition (that is, the speaker expresses his validative attitude or an inference), as a pragmatic marker or as a cognitive particle. In this study, we introduce the term 'cognitive particle' in order to describe the use of (yo) pienso (que) when its use serves to gain time in processing the enunciation or to structure the speaker's thoughts. The empirical data are on the one hand retrieved from the corpus programme CREA, of debates and interviews focusing on peninsular Spanish, and on the other hand from GlossaNet, more precisely from the newspapers El Pa{\´i}s and El Mundo. This analysis is a qualitative one because we do not focus on the frequency of the different functions. Instead, we want to illustrate the various functions (yo) pienso (que) fulfils.}, subject = {Diskursmarker}, language = {es} } @article{Kailich2018, author = {Kailich, Franziska}, title = {Esquemas sint{\´a}cticos en el espa{\~n}ol est{\´a}ndar europeo contempor{\´a}neo}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187963}, pages = {45-69}, year = {2018}, abstract = {This article summarises an examination of sentence patterns in modern European standard Spanish, in order to give an answer to the following questions: How many different sentence patterns are there and which are the most frequent patterns in modern European Spanish? Based on the principles of verb valency, as established by Lucien Tesni{\`e}re and further developed by Ulrich Engel and others, a corpus of 500 sentences is analysed, identifying the sentence patterns of the main clauses. The analysis shows 19 different sentence patterns, the most frequent of which is p-s-cd, that is, predicate - subject - direct object. Subsequently, the results are compared to those of a different study on Spanish sentence patterns.}, subject = {Spanisch}, language = {es} } @article{Hagen2019, author = {Hagen, Clemens}, title = {Ver y ser visto: Intelectualidad y falsa erudici{\´o}n en La Regenta}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221822}, pages = {39-56}, year = {2019}, abstract = {Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clar{\´i}n» have constantly referred to the unmasking of society's hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimar{\´a}n and S. Berm{\´u}dez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta.}, language = {es} } @article{Kurth2018, author = {Kurth, Sarah}, title = {La semi{\´o}tica escenogr{\´a}fica en Todo lo dem{\´a}s (2016), de Natalia Almada}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187979}, pages = {71-91}, year = {2018}, abstract = {In the wake of the general tendency towards slow cinema which has been evolving in Mexican cinema, cinematographic devices have gained importance not only with regard to the construction of a persuasive narrative but also in terms of the aesthetic constitution of the movie itself. Not only is this observation evident in the absence of camera movements but also in the semiotic depth of mise en sc{\`e}ne resulting from this circumstance. Natalia Almada's movie Todo lo dem{\´a}s (2016) provides an impressive example of both the repercussions of this technique in the representation of loneliness as well as the suggestive power of the scenographical composition. Hence, the ensuing analysis of those scenes referring to water is to elucidate the semiotics of mise en sc{\`e}ne and its influence on the representation of the main character and the repetitive routine constricting her freedom.}, language = {es} } @article{Kailich2022, author = {Kailich, Franziska}, title = {The Introduction of English-induced neologisms in Spanish tweets: a case-study on covidiota}, series = {Frontiers in Communication}, volume = {7}, journal = {Frontiers in Communication}, issn = {2297-900X}, doi = {10.3389/fcomm.2022.780340}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-274064}, year = {2022}, abstract = {This paper intends to trace the introduction of an English-induced, COVID-related neologism, covidiota, into the Spanish language. The study is based on a corpus of tweets, starting in March 2020. It examines several specific features which mark the word as a new, unfamiliar item, such as different ways of graphical highlighting, for example. On the other hand, the paper aims to detect possible indicators of an integration of covidiota into the Spanish language use in the tweet corpus compiled for this case study.}, language = {en} } @article{BaumgaertnerKernLevenetal.2021, author = {Baumg{\"a}rtner, Ingrid and Kern, Manfred and Leven, Karl-Heinz and Toepfer, Regina}, title = {Mittelalter erschließen}, series = {Das Mittelalter}, volume = {26}, journal = {Das Mittelalter}, number = {1}, issn = {0949-0345}, doi = {0.17885/heiup.1mial.2021.1.24310}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-299110}, pages = {68-86}, year = {2021}, abstract = {Research communication has been gaining public attention in recent years. Therefore, medievalists also need to focus on the transfer of their research topics to the public both within and outside the university. Based on current political demands calling for a change in communication culture, the article first of all deals theoretically with two different concepts of research communication, by distinguishing between forms of translation and those of popularization. Numerous public events, exhibitions, and cooperative projects with cities, schools, adult education centres, museums, and other educational institutions show that knowledge about the Middle Ages has been trans-mitted to interested laypersons for a long time. The authors see a particular challenge in the alterity of medieval culture, which at the same time provides an excellent opportunity for transferring research findings into society. The fascination with medieval materiality facilitates the transfer of knowledge by those disciplines that work with concrete objects, addressing issues of visuality and aesthetic experience. The article pinpoints conditions, strategies, and perspectives of successful research communication in medieval studies, and when focussing on cur-rent topics, the authors refer to concrete occasions and regional examples, showing why medieval research is still relevant today.}, subject = {Wissenschaftskommunikation}, language = {de} } @incollection{Maniruzzaman2022, author = {Maniruzzaman, Md.}, title = {Blended Learning in the New Normal: EFL Student and Teacher Perceptions and Reactions}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-81}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296508}, publisher = {W{\"u}rzburg University Press}, pages = {81-104}, year = {2022}, abstract = {To reopen educational institutions and return to the classroom, we all need to modify how we act to successfully face the challenges of the new normal resulting from the COVID-19 pandemic and entailing our insights into and the after-effects of the pandemic. More specifically, the new normal might encompass online education we are getting used to during the pandemic and the age-old onsite education as well. Thoughtfully integrated, online and onsite learning combine to create blended learning. However, the pertinent literature reveals that English as a foreign language (EFL) students and teachers differently perceive and react to blended learning in diverse contexts. This study was designed to explore student and teacher perceptions of and reactions to blended learning in the Department of English, Jahangirnagar University in the new normal. Fifty undergraduates of EFL and eight teachers of the department participated in the study. To collect data from them, the Student Questionnaire and the Teacher Questionnaire were used. And the data were processed by applying the SPSS programme module. The findings revealed that the majority of the students and the teachers had mostly positive perceptions of blended learning, although the former did not have sufficient exposure to online learning and the latter lacked adequate insights into online teaching. Further, both the students and the teachers expressed mostly positive reactions to blended learning in the new normal, though the former deemed online examinations inadequately smooth and reliable, and the latter had insufficient experience of online instruction and assessment. The study categorically recommends reforming the curriculum, adopting relevant instructional strategies, developing suitable materials, customizing the assessment, integrating and installing technology, training the teachers, upskilling the students for blended learning, improving the infrastructure, and adjusting the management.}, language = {en} } @misc{OPUS4-32981, title = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 8 (2022)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8/2022}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, editor = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola}, isbn = {978-3-946101-08-6}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329813}, year = {2022}, abstract = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.}, language = {de} } @article{Schneider2022, author = {Schneider, Melanie}, title = {« [C]'est absurde d'{\^e}tre bloqu{\´e} sur une autoroute » - Das Motiv des Staus in der zeitgen{\"o}ssischen romanischen Literatur}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329807}, pages = {165-180}, year = {2022}, abstract = {Due to an ever-increasing number of automobiles on the roads, automobility fails more and more to fulfil its promise of free individual mobility, leading to traffic density and congestions of unprecedented proportions. However, those conditions seem to possess an aesthetic potential which we seek to analyze in terms of literature. Therefore, we are going to look on three novels from Romance-language areas: Julio Cort{\´a}zar's short story La autopista del sur (1966), Carlo Lucarelli's novel Autosole (1998) and Gr{\´e}goire Gauchet's novel Les robinsons de l'autoroute (2018). First, we will analyze the nature of deceleration/congestion by referring to human geographer Tim Cresswell's concept of friction. Second, we will examine recurring motifs linked to the deceleration/congestion in all novels before taking a closer look at Gauchet's novel where the friction not only applies to traffic but also to human relationships. The aim is to look at different literary representations of an everyday experience like traffic congestion and to see how literature deals with such an occurrence.}, language = {de} } @article{SenaratneMuehlbauerKiefletal.2023, author = {Senaratne, Hansi and M{\"u}hlbauer, Martin and Kiefl, Ralph and C{\´a}rdenas, Andrea and Prathapan, Lallu and Riedlinger, Torsten and Biewer, Carolin and Taubenb{\"o}ck, Hannes}, title = {The Unseen — an investigative analysis of thematic and spatial coverage of news on the ongoing refugee crisis in West Africa}, series = {ISPRS International Journal of Geo-Information}, volume = {12}, journal = {ISPRS International Journal of Geo-Information}, number = {4}, issn = {2220-9964}, doi = {10.3390/ijgi12040175}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-313607}, year = {2023}, abstract = {The fastest growing regional crisis is happening in West Africa today, with over 8 million people considered persons of concern. A culmination of identity politics, climate-driven disasters, and extreme poverty has led to this humanitarian crisis in the region and is exacerbated by a lack of political will and misplaced media attention. The current state of the art does not present sufficient investigations of the thematic and spatial coverage of news media of this crisis in this region. This paper studies the spatial coverage of this crisis as reported in the media, and the themes associated with those locations, based on a curated dataset. For the time frame 12 March to 15 September 2021, 2017 news articles related to the refugee crisis in West Africa were examined and manually coded based on (1) the geographical locations mentioned in each article; (2) the themes found in the articles in reference to a location (e.g., Relocation of people in Abuja). The dataset introduces a thematic dimension, as never achieved before, to the conflict-ridden areas in West Africa. A comparative analysis with UNHCR (United Nations High Commissioner for Refugees) data showed that 96.8\% of refugee-related locations in West Africa were not covered by news during the considered time frame. Contrastingly, 80.4\% of locations mentioned in the news do not appear in the UNHCR repository. Most news articles published during this time frame reported on Development aid or Political statements. Linear multiple regression analysis showed GDP per capita and political stability to be among the most influential determinants of news coverage.}, language = {en} } @article{Bobineau2020, author = {Bobineau, Julien}, title = {Belgiens gespaltene Erinnerung: Aufarbeitung und Verdr{\"a}ngung von kolonialer Geschichte in Flandern und Wallonien}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244224}, pages = {23-42}, year = {2020}, abstract = {This article examines so-called colonial discourses in Belgium on the former Sub-Saharan colony owned by the Belgian King, Leopold II., which today is known as the Democratic Republic of Congo (DR Congo) or the Congo-Kinshasa. After having introduced the colonial history of the DR Congo from the 15th century until 1910, an empirical analysis of the colonial discourses in Belgium from the 1890s until today will be illustrated in conjunction with Belgium's linguistic-cultural division and the age-related divergence. Belgian colonial discourse is characterized by a historical misrepresentation by the political authorities while especially social forces have pled for a critical examination of their own colonial history in Belgium since the year 2000.}, language = {de} } @article{Luetzelberger2020, author = {L{\"u}tzelberger, Florian}, title = {Federico Garc{\´i}a Lorcas Trilog{\´i}a dram{\´a}tica de la tierra espa{\~n}ola als Knotenpunkt von Kontinuit{\"a}t und Wandel von der Antike bis zu Netflix: Tradition, Adaption, Innovation, Inspiration}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244280}, pages = {131-153}, year = {2020}, abstract = {To this day, Lorca's most popular plays, the Trilog{\´i}a dram{\´a}tica de la tierra espa{\~n}ola, are considered to be among the most widely read texts of twentieth century Spanish literature. By combining elements from Antiquity with classic and modern features of Spanish theatre and placing them in new functional contexts, the author succeeds in creating an innovative theatre of sociocritical nature in times of political repression. This article analyses several of these innovations and aims to demonstrate the influence Lorca's Tragedias rurales still have on today's literature and culture. Simon Stone's play Yerma (2017) and the Netflix series Las Chicas del Cable (2017-2020) are approached here with this purpose.}, language = {de} } @article{Duerner2017, author = {D{\"u}rner, Benedikt}, title = {Der lyrische Triebt{\"a}ter Andr{\´e} Pieyre de Mandiargues Gewalt und Erotik im Gedichtband L'{\^A}ge de craie}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172876}, pages = {83-105}, year = {2017}, abstract = {The surrealists are not the only influence on the literary efforts of Andr{\´e} Pieyre de Mandiargues - but it's this influence that makes his oeuvre capable for an analysis based on Freudian theories. This way of an analysis is even more appropriate knowing that two of Mandiargues' main and favourite themes - the eroticism and the violence - coincide with the Freudian life and destruction drive. Analysing the two poems Les filles des gobes and Les ruines de l'amour from the volume of poems L'{\^A}ge de craie, it's these two paradigms that are clearly recognizable: Mandiargues' symbolism reveals the duality of the domination by desires.}, language = {de} } @article{Koehler2020, author = {K{\"o}hler, Britta}, title = {A Room of One's Own : Weiblichkeit, Schreiben und kollektive Erfahrung in Elena Ferrantes Tetralogie L'amica geniale (2011-2014) und Annie Ernaux' Les Ann{\´e}es (2008)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244246}, pages = {87-104}, year = {2020}, abstract = {With her famous suggestion to «give her [the woman] a room of her own and five hundred a year, let her speak her mind» from 1929, Virginia Woolf verbalized a core issue of female writing by hinting at the socioeconomic circumstances and domestic obligations of most women - valid at her times, but still today. Both Elena Ferrante and Annie Ernaux discuss, in their respective novels, the topics of being women in the particular sociocultural landscape (in Italy and, respectively, in France) after World War II and up to these days, the themes of marriage and motherhood, employment and especially (female) authorship. This article aims to show in a close reading of both Ferrante and Ernaux that the two writers play with the literary form of the (auto-)biography on a diegetic, but also extradiegetic level, while formulating at the same time a collective work that embraces the experience of womanhood but circumvents the hazard of a merely subjective and sensitive writing, as female writing has sometimes been claimed to be.}, language = {de} } @article{KochFroehlich2020, author = {Koch-Fr{\"o}hlich, Melanie}, title = {S'inventer {\`a} partir de l'autre : Les Origines d'Amin Maalouf}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244268}, pages = {69-84}, year = {2020}, abstract = {The present article examines the narrative modes in which Lebanese author Amin Maalouf investigates his roots in Origines a hybrid work which stands in contrast with his previous essays and fictions as to its (auto)biographical dimension. Resembling what Dominique Viart and Bruno Vercier in their analysis of predominant themes and narrative strategies in contemporary French literature name «r{\´e}cit de filiation», Maalouf's quest for his familial past explores the concept of intergenerational transmission of memory. However, despite this individual postmemorial approach, Maalouf's intimate writing is intrinsically linked with the complex history of the Ottoman Empire and therefore with collective narratives of war, diasporic identities, and migration relating to the present time or the recent past.}, language = {fr} } @article{Hesselbach2020, author = {Hesselbach, Robert}, title = {<> - A Corpus-based Approach of Official French, Italian, and Spanish Social Media Discourse in the Light of the Coronavirus Crisis}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244251}, pages = {45-66}, year = {2020}, abstract = {France, Italy, and Spain are three Romance-speaking countries which - at least in Europe - have been affected to a very high degree by the consequences of the Corona pandemic. This paper examines discursive strategies on social media (Twitter and Facebook) by the three heads of government/state of the aforementioned countries - namely Emmanuel Macron (France), Giuseppe Conte (Italy), and Pedro S{\´a}nchez (Spain)- from a corpuslinguistic point of view. For this purpose, a corpus was created which contains all Twitter and Facebook messages posted by these heads of government/state from the beginning of February until the end of April 2020. By applying corpus-linguistic methods we find that all three politicians consciously use social media to sensitize, inform, and - in view of a dramatic pandemic situation - unite their respective populations behind them.}, language = {en} } @incollection{Roy2023, author = {Roy, Abhilasha}, title = {Countercultures around the World: A Postcolonial Reading of Paul Gilroy's The Black Atlantic}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-7}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305829}, publisher = {W{\"u}rzburg University Press}, pages = {7-19}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @article{Richter2020, author = {Richter, Verena}, title = {Das Mittelmeer als pluraler Erinnerungsraum im franz{\"o}sischen Essayfilm: zu Jean-Daniel Pollets M{\´e}diterran{\´e}e (1963)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244292}, pages = {155-175}, year = {2020}, abstract = {The present article aims to examine images of the Mediterranean Sea in Jean-Daniel Pollet's essay film M{\´e}diterran{\´e}e (1963), with a particular focus on its representation as a multifaceted space of cultural memory. After some preliminary observations on the relation between the essay film as a genre and images of the Mediterranean, I shall, on the one hand, have a look at the semantic processes through which the film builds up a recognizable image of the Great Sea. On the other hand, however, I will argue that, at the same time, M{\´e}diterran{\´e}e calls this signifying process into question by representing the sea as a space of cultural memory understood as a space of becoming and of deferral of meaning.}, language = {de} } @article{vonRoeder2020, author = {von Roeder, Alena}, title = {Salvador als Opfer seiner eigenen Triebe im Film Los girasoles ciegos. Die filmische Darstellung der Fokalisierung unter psychoanalytischer Betrachtung}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244303}, pages = {177-196}, year = {2020}, abstract = {This paper analyzes the mental development of the main character Salvador in the Spanish movie Los girasoles ciegos (2008) by Jos{\´e} Luis Cuerda, based on the camera perspective and focalization, as well as the three-instance model according to Sigmund Freud. For this purpose, screen captures from the movie are examined to see how Salvador's loss of control is pictured. This is applied to Freud's three-instance model to prove the takeover of the Id. Throughout the whole movie, the inner conflict between his Ego and Id, i.e. his life as a deacon versus his life as a soldier, is present. The whole process of the breakdown of his mental state is revealed through the camera perspective and visual focalization.}, language = {de} } @techreport{KindermannFrommTheureretal.2024, type = {Working Paper}, author = {Kindermann, Katharina and Fromm, Julia and Theurer, Caroline and Kr{\"u}ger, Nadine}, title = {It's storytime: Ein digitales M{\"a}rchenprojekt f{\"u}r den Englischunterricht in der Grundschule}, doi = {10.25972/OPUS-35304}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-353045}, pages = {12}, year = {2024}, abstract = {In diesem Beitrag wird zun{\"a}chst das Konzept des digital storytelling mit dem Tablet im fr{\"u}hen Fremdsprachenunterricht methodisch-didaktisch gerahmt (Kapitel 1). Daran anschließend wird die Bedeutung lernunterst{\"u}tzender Maßnahmen in einem solchen digital gest{\"u}tzten und potenziell kreativit{\"a}tsf{\"o}rdernden Unterrichtssetting erl{\"a}utert (Kapitel 2). In Kapitel 3 folgt die Vorstellung der Unterrichtsreihe „It's storytime - Let's create our own digital fairy tale". Im Verlauf dieser Unterrichtsreihe, die auch als Projektwoche angelegt werden kann, rezipieren die Sch{\"u}ler:innen zun{\"a}chst eigenst{\"a}ndig M{\"a}rchen in englischer Sprache, die aus dem deutschen und angloamerikanischen Sprachraum bekannt sind. Die M{\"a}rchen liegen f{\"u}r das Tablet multimedial aufbereitet vor. Anschließend entwickeln die Lernenden auf Grundlage des erarbeiteten gattungsspezifischen Wortschatzes ein eigenes multimediales M{\"a}rchen. Alle f{\"u}r die Unterrichtsreihe ben{\"o}tigten digitalen und analogen Materialien stehen als Download zur Verf{\"u}gung und k{\"o}nnen f{\"u}r den eigenen Unterricht genutzt und adaptiert werden.}, subject = {Medienkompetenz}, language = {de} } @article{AyalaCarrilloFarfanCardenasNielsenetal.2022, author = {Ayala-Carrillo, Mariana and Farf{\´a}n, Michelle and C{\´a}rdenas-Nielsen, Anah{\´i} and Lemoine-Rodr{\´i}guez, Richard}, title = {Are wildfires in the wildland-urban interface increasing temperatures? A land surface temperature assessment in a semi-arid Mexican city}, series = {Land}, volume = {11}, journal = {Land}, number = {12}, issn = {2073-445X}, doi = {10.3390/land11122105}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-297308}, year = {2022}, abstract = {High rates of land conversion due to urbanization are causing fragmented and dispersed spatial patterns in the wildland-urban interface (WUI) worldwide. The occurrence of anthropogenic fires in the WUI represents an important environmental and social issue, threatening not only vegetated areas but also periurban inhabitants, as is the case in many Latin American cities. However, research has not focused on the dynamics of the local climate in the WUI. This study analyzes whether wildfires contribute to the increase in land surface temperature (LST) in the WUI of the metropolitan area of the city of Guanajuato (MACG), a semi-arid Mexican city. We estimated the pre- and post-fire LST for 2018-2021. Spatial clusters of high LST were detected using hot spot analysis and examined using ANOVA and Tukey's post-hoc statistical tests to assess whether LST is related to the spatial distribution of wildfires during our study period. Our results indicate that the areas where the wildfires occurred, and their surroundings, show higher LST. This has negative implications for the local ecosystem and human population, which lacks adequate infrastructure and services to cope with the effects of rising temperatures. This is the first study assessing the increase in LST caused by wildfires in a WUI zone in Mexico.}, language = {en} } @article{Brinkmann2022, author = {Brinkmann, Lisa Marie}, title = {Zum Sprachkontakt Maya und Spanisch: Empirische Studien zur kontaktinduzierten Grammatikalisierung im Maya}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329734}, pages = {15-35}, year = {2022}, abstract = {The aim of this article is to document the outcomes of language contact between Yucatecan Maya and Mexican Spanish. In order to do so, two theories are applied to newly assembled data, gathered during a field study in 2019 in YucaThe aim of this article is to document the outcomes of language contact between Yucatecan Maya and Mexican Spanish. In order to do so, two theories are applied to newly assembled data, gathered during a field study in 2019 in Yucat{\´a}n: The Interface Hypothesis (Sorace 2011) and Heine/Kuteva's contact-induced grammaticalization (2003). The village Xoc{\´e}n in which the field study was conducted is characterized by monolingualism in Maya as well as bilingualism in Spanish and Maya. Data was collected to investigate the influence of Spanish on Mayan morphology, especially on the use of the subjunctive. I propose that the data can best be explained by combining the Interface Hypothesis with Heine/Kutevas's (2003) approach.t{\´a}n: The Interface Hypothesis (Sorace 2011) and Heine/Kuteva's cThe aim of this article is to document the outcomes of language contact between Yucatecan Maya and Mexican Spanish. In order to do so, two theories are applied to newly assembled data, gathered during a field study in 2019 in Yucat{\´a}n: The Interface Hypothesis (Sorace 2011) and Heine/Kuteva's contact-induced grammaticalization (2003). The village Xoc{\´e}n in which the field study was conducted is characterized by monolingualism in Maya as well as bilingualism in Spanish and Maya. Data was collected to investigate the influence of Spanish on Mayan morphology, especially on the use of the subjunctive. I propose that the data can best be explained by combining the Interface Hypothesis with Heine/Kutevas's (2003) approach.ontact-induced grammaticalization (2003). The village Xoc{\´e}n in which the field study was conducted is characterized by monolingualism in Maya as well as bilingualism in Spanish and Maya. Data was collected to investigate the influence of Spanish on Mayan morphology, especially on the use of the subjunctive. I propose that the data can best be explained by combining the Interface Hypothesis with Heine/Kutevas's (2003) approach.}, language = {de} } @article{Cristalli2022, author = {Cristalli, Marco Antonio}, title = {Ein Mann ohne Ehrgeiz, Konturen und Tatendrang - Parodierung von M{\"a}nnlichkeitsnormen in Jean-Philippe Toussaints Monsieur (1986)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329747}, pages = {37-60}, year = {2022}, abstract = {The nameless protagonist of the postmodern novel Monsieur, written by Belgian author Jean-Philippe Toussaint, can be described as a rather strange man. He lacks ambition, a drive for action and seems to be unfit for daily life. He constantly fails to accomplish his predestined role as a real man, as for instance to pay the bill for dinner when dating a woman. The scope of the present paper is to analyse, on the one hand, how this novel deconstructs hegemonial concepts of masculinity but, on the other hand, is in itself also a parody of the latter.}, language = {de} } @article{Kreiner2022, author = {Kreiner, Lea}, title = {Das Genus im Sprachvergleich: Genuszuweisung bei substantivischen Lehnw{\"o}rtern im Deutschen und Spanischen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329784}, pages = {123-143}, year = {2022}, abstract = {This article examines principles of gender assignment in the German and Spanish language and in this way tries to answer the question of why loanwords are preferably assigned a particular gender and what criteria motivate this choice. After introducing some general aspects about gender as well as some important properties of the German and Spanish gender systems, this paper compares several formal (morphological and phonological) and semantic rules regarding gender assignment. Despite large structural differences between the languages, the comparison shows that the assignment rules prove to be in a sense cross-lingual, which do not only testify to the assumption but also the validity of an underlying system of rules.}, language = {de} } @article{Harjus2022, author = {Harjus, Jannis}, title = {El aliento xeneize: Eine diskurslinguistische Analyse von Fanges{\"a}ngen der Anh{\"a}nger des argentinischen Clubs Boca Juniors}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329768}, pages = {85-103}, year = {2022}, abstract = {In this contribution, chants of the followers of the Argentine football team Boca Juniors are analyzed with regard to possible identity constructions and othering. The results of the corpus-driven discourse-linguistic analysis demonstrate in particular metaphors and topoi that can be highlighted as a constitutive part of the discursive construction of a Boca Juniors supporters' identity and the otherings of River Plate hinchas. Through the use of certain metaphors and determined lexical fields that clearly call for acts of violence, a masculine ethos is discursively constructed among Bocas own followers, which goes far beyond comparable insulting and cheering chants of comparable European football teams.}, language = {de} } @article{Haidacher2022, author = {Haidacher, Bernhard}, title = {The concept of confix in German, French, and Italian - a comparative study}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329756}, pages = {63-83}, year = {2022}, abstract = {Despite some critical voices, in German linguistics the concept of confix can meanwhile be considered as an established morpheme category. Schmidt (1987) introduced the term into German to describe bound morphemes that are lexical, but not inflectable. Since the 2000s, an increasing number of publications deal with the phenomenon and the term has begun to enter linguistic reference works as well. In French, the situation is completely different due to the structure of the language (poor in compounds and mostly post-determinative). Although the term and the concept have originall y been coined by the French structuralist Andr{\´e} Martinet ([1961] \(^3\)1980 ), the denomination itself is barely present in Romance linguistics. French researchers usually take different approaches to discuss the phenomenon (e.g., neoclassical compounds, constructed lexemes). In Italian, the denominations confisso/ confissazione are first used by De Mauro (1999), who adopts both the term and concept directly from Martinet; moreover, they can be found in some contributions on word formation and lexicology (e.g., Adamo/Della Valle 2008). Nevertheless, the Italian termino-logy remains heterogeneous, with some researchers still using the terms prefissoide/suffissoide coined by Migliorini (1963). As I will show by comparing the languages in question, the terminology and the concept of confixes vary greatly between Romance and Germanic languages.}, language = {en} } @article{Nabi2022, author = {Nabi, Haifaa}, title = {La Naus{\´e}e : Salut par l'art ou par les autres ?}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329799}, pages = {145-163}, year = {2022}, abstract = {In this article dedicated to Jean-Paul Sartre's first novel La Naus{\´e}e, we analyze how the idea of conversion to art grows in the imagination of the hero, Antoine Roquentin. Furthermore we show that all the narrative actions in the novel are based on the hero's communicational interaction with the other characters. This lonely person who complains in his diary about social exclusion, yet he converts to art not through his reflections, but through communica-ting with the other characters. Also, many critical studies on La Naus{\´e}e have considered jazz music that the hero listens to in a caf{\´e} as the critical moment of his conversion. In our opinion this reflects juste one phase of a connected sequence of events through which the hero passes from a state of relational negativity and existential alienation to a state of openness, achieved again mainly by the virtue of other characters.}, language = {fr} } @article{Henk2022, author = {Henk, Lars Thorben}, title = {{\´E}douard Louis' «J'accuse». Ein sp{\"a}tmoderner Adept Zolas?}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329777}, pages = {105-120}, year = {2022}, abstract = {French history of literature is undoubtedly characterized by a tradition of social criticism portraying the working class' misery that can be traced back at least to the 19th century. Among these depictions, Zola's novels have a prominent position. This is, among other aspects, due to their pretended scientific foundation and their pretentious claims to be scientific studies. The contemporary author {\´E}douard Louis situates himself in this tradition of Zola's naturalism. This invites us to examine the interrelation between Zola and Louis more closely. Based on the common ground of scientific foundation, scientific ambition and social commitment pursued in their novels, it will be demonstrated that Louis is a late-modern Zola whose milieu and character descriptions follow in detail Zola's constructions.}, language = {de} } @article{Vatter2022, author = {Vatter, Christoph}, title = {Interview mit Prof. Dr. Christoph Vatter}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305703}, pages = {1-13}, year = {2022}, abstract = {Interview mit Prof. Dr. Christoph Vatter}, language = {de} } @inproceedings{OPUS4-17720, title = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, editor = {Middelhoff, Frederike and Sch{\"o}nbeck, Sebastian and Borgards, Roland and Gersdorf, Catrin}, edition = {1. Auflage}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, issn = {978-3-7930-9928-4}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-177209}, pages = {359}, year = {2019}, abstract = {Texts, Animals, Environments. Zoopoetics and Ecopoetics probes the multiple links between ecocriticism and animal studies, assessing the relations between animals, environments and poetics. While ecocriticism usually relies on a relational approach to explore phenomena related to the environment or ecology more broadly, animal studies tends to examine individual or species-specific aspects. As a consequence, ecocriticism concentrates on ecopoetical, animal studies on zoopoetical elements and modes of representation in literature (and the arts more generally). Bringing key concepts of ecocriticism and animal studies into dialogue, the volume explores new ways of thinking about and reading texts, animals, and environments - not as separate entities but as part of the same collective.}, language = {en} } @article{BobineauHesselbach2017, author = {Bobineau, Julien and Hesselbach, Robert}, title = {Interview mit Prof. Dr. Elissa Pustka}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172927}, pages = {7-17}, year = {2017}, abstract = {Interview mit Prof. Dr. Elissa Pustka}, language = {de} } @book{OPUS4-28242, title = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-198-3}, doi = {10.25972/WUP-978-3-95826-199-0}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-282426}, publisher = {W{\"u}rzburg University Press}, pages = {VIII, 125}, year = {2022}, abstract = {The book "Studies in Modern English" interprets English-language communication in the humanitarian paradigm of knowledge within the linguistic and psycho-sociocultural study of speech activity prioritizing cognitive and communicative paradigms. Digital discourse as the formation of new semiotic phenomena has crowned the rapid scientific and technological progress. Researchers' scientific achievements represented in the book are systemic and valid in terms of evidence-based narratives, which reflect the transformational horizon of information theory, communication theory, and theory of linguodidactics in modern English verbal, creative and digital environments. The book represents an integrated approach to the study of modern English as an open synergetic system, which requires a description of the relationship between verbal and nonverbal notions in digital space. The book integrates such innovative perspectives as the interaction of natural English and programming languages, cyber aggression as a communicative pattern in English-language digital discourse, ethics, and democratization of modern English language, relevant developments in the field of English language as a Foreign Language, and other related issues. A complex focus of the book in the realm of modern English-language communication concerns verbal and nonverbal notions analyzed in the context of socio-cultural and digital communicative spaces.}, subject = {Englischunterricht}, language = {en} } @article{Mencke2018, author = {Mencke, Johanna}, title = {Multimodalit{\"a}t als strategisches Framing - Die mediale Selbstinszenierung von Marion Mar{\´e}chal-Le Pen (FN) in den sozialen Netzwerken}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {4}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-173990}, pages = {93-134}, year = {2018}, abstract = {The present study focuses on Marion Mar{\´e}chal-Le Pen's self-representation on social media. Despite her youth, the niece of the party's chairwoman and granddaughter of its founder is a distinguished member of the French radical right-wing populist and nationalist party Front National. The corpus-based analysis of her digital presence on Twitter, Instagram and Facebook on which this paper is based shows a specific use of linguistic and multimodal resources as a means of strategic framing of political content. In particular, an analysis of Mar{\´e}chal-Le Pen's use of searchable hashtags and @mentions referring to different political and non-political actors reveals it as a strategy of polarization between a constructed us and a negatively connoted them.}, language = {de} } @incollection{Chakraborty2023, author = {Chakraborty, Adreeta}, title = {Political and Cultural Negotiations with Feminism in India: A Perspective}, series = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, booktitle = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-207-2-51}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305866}, publisher = {W{\"u}rzburg University Press}, pages = {51-58}, year = {2023}, abstract = {No abstract available.}, subject = {Kulturwissenschaften}, language = {en} } @book{Fackler2019, author = {Fackler, Guido}, title = {Krieg │ Frieden. Der Erste Weltkrieg und die Nachkriegszeit}, issn = {2197-4667}, doi = {10.25972/OPUS-17498}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-174982}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {92}, year = {2019}, abstract = {Der Erste Weltkrieg und die Nachkriegszeit: Ein Thema, zu dem man scheinbar schon alles geh{\"o}rt und gelesen hat. Dass dem nicht so ist, zeigen Studierende der Philosophischen Fakult{\"a}t der Universit{\"a}t W{\"u}rzburg mit ihrer Ausstellung „Krieg │ Frieden. Der Erste Weltkrieg und die Nachkriegszeit". Ihre Beitr{\"a}ge behandeln Politik, Kunst und Literatur in den am Krieg beteiligten L{\"a}ndern. Nach einer historischen Einf{\"u}hrung, die auch die Nachkriegssituation in W{\"u}rzburg themati-siert, vermitteln Texte von Gottfried Benn einen distanzierten Blick auf das Kampfgeschehen: Der Dichter wirkte w{\"a}hrend des Kriegs als Arzt hinter der Front und verarbeitete seine Erlebnisse u.a. in den „R{\"o}nne-Novellen". Anhand literarischer Portraits von Sch{\"u}tzen aus dem Senegal l{\"a}sst sich wiederum nachvollziehen, wie sich der Blick auf die aus den Kolonien verpflichteten Soldaten in der franz{\"o}sischen Literatur widerspiegelt. Unterschiedliche Reaktionen auf den Ersten Weltkrieg und die Nachkriegszeit werden demgegen{\"u}ber in der italienischen und deutschen Kunst sichtbar, w{\"a}hrend die hierzulande aus propagandistischen Gr{\"u}nden er{\"o}ffneten Kriegsmuseen in der Nachkriegszeit schlossen oder sich der Friedensarbeit widmeten. Stimmen namhafter italienischer Politiker, Journalisten, Romanciers und Dichter bringen zum Ausdruck, wie der „Große Krieg / la Grande Guerra" Italiens kollektives Ged{\"a}chtnis pr{\"a}gte. Auch in Großbritannien ist das Gedenken daran viel st{\"a}rker als hierzulande: So pr{\"a}gen die von dem Gedicht „In Flanders Fields" inspirierten Mohnblumen als „Remembrance Poppies" die britische Erinnerungskultur bis in unsere Gegenwart. Individuell gestaltete Text- und Bildtafeln, eine H{\"o}rstation mit Leseecke sowie eine Soundinstallation und Bildprojektion am Er{\"o}ffnungsabend machen den Ausstellungsbesuch informativ und abwechslungsreich. Die interdisziplin{\"a}re Ausstellung wurde von rund 90 Studierenden der F{\"a}cher Anglistik, Amerikanistik, Germanistik, Geschichtswissenschaft, Kunstgeschichte, Museologie (Ausstellungsmanagement), Romanistik und Slavistik im Wintersemester 2018/19.}, subject = {Erster Weltkrieg}, language = {de} } @book{OPUS4-30542, title = {Global Cultural Studies? Engaged Scholarship between National and Transnational Frames}, editor = {Jetter, Tobias}, edition = {1. Auflage}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-206-5}, doi = {10.25972/WUP-978-3-95826-207-2}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305425}, publisher = {W{\"u}rzburg University Press}, pages = {viii, 192}, year = {2023}, abstract = {Can cultural studies attend to the problems of our globalized world? Or is this project of "engaged scholarship" too deeply rooted in the parochial terrain of the national? This collection of essays - the first volume in the new JMU Cultural Studies publication series - attends to this vital yet difficult question. Based on joint seminars bringing together emerging scholars from Germany and India, the contributions confront "classic texts" from US-American, British, and Indian cultural studies with the specific concerns and contemporary perspectives of the authors. The collection thus tests the potentials of the tradition to speak to the transnational as well as the national environments of the very present. Emphasis is placed on Marxist and feminist legacies, which are then projected into the domains of contemporary disability, food, and film studies.}, subject = {Globalisierung}, language = {en} } @book{AckermannKarremannMalhotraetal.2021, author = {Ackermann, Zeno and Karremann, Isabel and Malhotra, Simi and Zaidi, Nishat}, title = {Terrains of Consciousness: Multilogical Perspectives on Globalization}, edition = {1. Auflage}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-168-6}, doi = {10.25972/WUP-978-3-95826-169-3}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-243936}, publisher = {W{\"u}rzburg University Press}, pages = {x, 150}, year = {2021}, abstract = {TERRAINS OF CONSCIOUSNESS emerges from an Indian-German-Swiss research collaboration. The book makes a case for a phenomenology of globalization that pays attention to locally situated socioeconomic terrains, everyday practices, and cultures of knowledge. This is exemplified in relation to three topics: - the tension between 'terrain' and 'territory' in Defoe's 'Robinson Crusoe' as a pioneering work of the globalist mentality (chapter 1) - the relationship between established conceptions of feminism and the concrete struggles of women in India since the 19th century (chapter 2) - the exploration of urban space and urban life in writings on India's capital - from Ahmed Ali to Arundhati Roy (chapter 3).}, subject = {Globalisierung}, language = {en} } @incollection{Guesken2019, author = {G{\"u}sken, Jessica}, title = {Blooming Flowers, Fish in Water, Amphibians, and Apes: Herder's Environmental Aesthetics of Nature}, series = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, booktitle = {Texts, Animals, Environments: Zoopoetics and Ecopoetics}, publisher = {Rombach Druck- und Verlagshaus}, address = {Freiburg i. Br.}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-178026}, publisher = {Universit{\"a}t W{\"u}rzburg}, pages = {175-188}, year = {2019}, abstract = {No abstract available.}, language = {en} } @incollection{Chetvertak2022, author = {Chetvertak, Іevgeniia}, title = {Cyber aggression in the stance of communicative approach}, series = {Studies in Modern English}, booktitle = {Studies in Modern English}, editor = {Lazebna, Nataliia and Kumar, Dinesh}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, doi = {10.25972/WUP-978-3-95826-199-0-1}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-296152}, publisher = {W{\"u}rzburg University Press}, pages = {1-9}, year = {2022}, abstract = {The article deals with the notion of internet aggression (cyber aggression). It considers the mentioned term from both psychological and communicative approaches. The paper also provides detailed analyses of the cyber aggression in political discourse. The provided ex-amples are taken from the speeches of politicians during the time of Covid pandemic. The author also identifies several types of cyber aggression.}, language = {en} } @book{OPUS4-28950, title = {Climate Changes Global Perspectives}, editor = {Pfeifer, Lena and Klingler, Molina and Nelson-Teutsch, Hannah}, publisher = {W{\"u}rzburg University Press}, address = {W{\"u}rzburg}, isbn = {978-3-95826-194-5}, issn = {2939-9912}, doi = {10.25972/WUP-978-3-95826-195-2}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-289501}, publisher = {W{\"u}rzburg University Press}, pages = {195}, year = {2022}, abstract = {Climate Changes Global Perspectives brings together creative approaches to representing environmental crises in a globalized world, which originated in an eponymous symposium hosted virtually by the University of W{\"u}rzburg in August of 2021. This volume, and the unruly texts that claim space here, are written not only to question and challenge standardized patterns of representation, but also to contribute to undisciplining the genres and practices of traditional academic writing by exploring alternative representational form(at)s. Climate Changes Global Perspectives is the first publication in the Challenges of Modernity series, which seeks to collect and make available projects of engaged scholarship in the humanities.}, subject = {Environment}, language = {mul} } @article{Woersdoerfer2019, author = {W{\"o}rsd{\"o}rfer, Anna Isabell}, title = {Hexen Revival. Produktive B{\´e}cquer Rezeption und Gattungsspezifik in Jugendbuch und TV Serie}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221900}, pages = {153-184}, year = {2019}, abstract = {This article exemplifies Gunter Grimm's concept of productive reception by analyzing C{\´e}sar Fern{\´a}ndez Garc{\´i}a's young adult novel La {\´u}ltima bruja de Trasmoz (2009) and the episode Tiempo de hechizos (2017) of the TV series El ministerio del tiempo as two modern works which artistically and creatively deal with Gustavo Adolfo B{\´e}cquer's Cartas desde mi celda (1864). The study is based on the core assumption that the choice of genre greatly influences the treatment of motives such as the perception of nature and the idea of dreams, as well as the image of the witch. While B{\´e}cquer's letters, which focus on the rural people's superstition, present the witch of Aragonese folklore, the modern examples portray two of her fantastic counterparts: the novel depicts its magical protagonist as an evil supernatural being, whereas the TV episode of the science fiction series shows the witch as a time traveller and a victim.}, language = {de} } @article{Prohl2019, author = {Prohl, Tanja}, title = {Ins{\´e}curit{\´e} linguistique im Franz{\"o}sischen? Eine Untersuchung nichtstandardsprachlicher Lexik auf Basis eines YouTube Korpus}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {5}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221886}, pages = {135-150}, year = {2019}, abstract = {When it comes to linguistic norms in France, one standard will be immediately evoked - le bon usage. This version of traditional French is taught at school and has been serving as a model ever since the French Revolution. Yet - and maybe as a counter-reaction to such strict and prescriptive norm - there exists a multitude of alternative forms, especially with regard to the lexis, which are marked by different registers or styles. Thus, the French language is characterized by lexical doublets in the transition area between standard and familier. A varied terminology in the description of styles in dictionaries as well as a stigmatisation of the nonstandard lead to speaker insecurities and to a general devaluation of the parallel vocabulary. What are the consequences of this in speech behaviour? Is there a remarkable difference between speech behaviour and prescriptive norm? Do speakers show any sign of linguistic insecurity when using nonstandard structures? The research issue will be addressed by means of a qualitative analysis of videoblogs from French YouTubers.}, language = {de} }