@incollection{Greiner2015,
  author    = {Greiner, Thorsten},
  title     = {„Trouver une langue". Rimbauds Kritik an Baudelaire und das Problem der Repr{\"a}sentation des Absoluten in \(Une\) \(Saison\) \(en\) \(enfer\) und den \(Illuminations\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152247},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {303-329},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Rimbaud, Arthur : Une saison en enfer},
  language  = {de}
}
@incollection{Fajen2015,
  author    = {Fajen, Robert},
  title     = {Ein Salon im Untergrund. Caylus' \(M{\´e}moires\) \(de\) \(l'Acad{\´e}mie\) \(des\) \(Colporteurs\) und die Erkundung der literarischen Peripherie im Zeitalter der Aufkl{\"a}rung},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152210},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {235-258},
  year      = {2015},
  abstract  = {No abstract available.},
  language  = {de}
}
@incollection{HornungGoldschmitt2015,
  author    = {Hornung, Christoph and Goldschmitt, Stefanie},
  title     = {Stadtbeschreibung und Weltlosigkeit der Sprache in Raymond Queneaus \(Zazie\) \(dans\) \(le\) \(m{\´e}tro\)},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152265},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {345-359},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Queneau, Raymond : Zazie dans le m{\´e}tro},
  language  = {de}
}
@incollection{Folger2015,
  author    = {Folger, Robert},
  title     = {«Maistrece de tous ses sens»: Christine de Pizans \(Livre\) \(de\) \(la\) \(cit{\´e}\) \(des\) \(dames\) als mentale Maschine},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152104},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {125-145},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Christine, de Pisan : Le livre de la cit{\´e} des dames},
  language  = {de}
}
@incollection{Burrichter2015,
  author    = {Burrichter, Brigitte},
  title     = {Die Frage der Ehre. Ehre und Schande in den Romanen Chr{\´e}tiens de Troyes},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152061},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {33-48},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Ehre <Motiv>},
  language  = {de}
}
@incollection{Kleinhans1993,
  author    = {Kleinhans, Martha},
  title     = {Die Sch{\"o}pfung des Ich: Rachid Boudjedras Romane L'Escargot ent{\^e}t{\´e} und La pluie},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-54229},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  year      = {1993},
  abstract  = {No abstract available},
  subject      = {Romanistik},
  language  = {de}
}
@techreport{Hammer2020,
  type      = {Working Paper},
  author    = {Hammer, Selina},
  title     = {Kolonialismus und Postkolonialismus im Franz{\"o}sischunterricht an deutschen Schulen},
  issn      = {2199-4315},
  doi       = {10.25972/OPUS-21678},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-216782},
  pages     = {1-65},
  year      = {2020},
  abstract  = {Trotz der offiziell erlangten Unabh{\"a}ngigkeit der ehemaligen franz{\"o}sischen Kolonien im subsaharischen Afrika pr{\"a}gen verallgemeinernde und abwertende Sichtweisen auf dortige Bev{\"o}lkerungsgruppen den franz{\"o}sischsprachigen Diskurs. Im Rahmen dieses Beitrages sollen Texte von Victor Hugo, Georges Remi und der Partei En Marche!, welche w{\"a}hrend und nach der Kolonialisierung entstanden sind, anhand der Theorien von Michel Foucault, Valentin-Yves Mudimbe und Edward Said analysiert werden. Hierbei werden bis dato vorherrschende bin{\"a}re Denkstrukturen offengelegt, die „den/die Europ{\"a}er*in" und „den/die Afrikaner*in" in kontrastierende Kategorien einteilen und somit (neo)koloniale Machtgef{\"u}ge implizit und explizit bef{\"u}rworten. Der zweite Teil des Beitrags besch{\"a}ftigt sich mit der Aufgabe, den subtilen Einfluss des Kolonialismus auf Sichtweisen der Sch{\"u}ler*innen im Rahmen einer Unterrichtsreihe aufzuarbeiten und m{\"o}gliche Vorurteile und Stereotypen {\"u}ber die subsaharisch-afrikanische Bev{\"o}lkerung zu {\"u}berwinden. Die Dimensionen des interkulturellen Lernens nach Michael Byram, die nach wie vor fester Bestandteil europ{\"a}ischer Curricula sind, sollen mit denen des Postkolonialismus vereint werden, um den zunehmenden Spaltungen in multiethnischen Gesellschaften aktiv und jugendgerecht entgegenzuwirken.},
  subject      = {Kolonialismus},
  language  = {de}
}
@article{Hertrampf2015,
  author    = {Hertrampf, Marina Ortrud M.},
  title     = {De la M{\`e}re Patrie {\`a} «l'am{\`e}re-patrie». D{\´e}sir{\´e} Razafinjatos literarisches Bild der franz{\"o}sischen 'Kolonialheimat' vor und nach der Unabh{\"a}ngigkeit Madagaskars},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139461},
  pages     = {91-111},
  year      = {2015},
  abstract  = {French-Madagascan colonial history is full of dark chapters. After Madagascar's independence the French general public forgot the country very quickly. In Malagasies collective memory, the wounds of colonial injustice are still open even if they are generally considered as fady ('tabooʼ). D{\´e}sir{\´e} Razafinjato is the first Malagasy author writing in French who dares to approach the difficult relations between Malagasy-French and indigenous Malagasy as well as between indigenous Francophiles and indigenous anti-French nationalists. In his tale «Tahiry. From Madagascar to the Algerian djebel, the bitter-fatherland», the narrator speaks about the painful loss of any fatherland for all those Malagasy who during the War of Algeria got involved as French soldiers. Indeed, it is the sad history of the despoliation of an ideal Motherland on the French side and of the refusal of membership in an ancestral fatherland on the Malagasy side. What remains for those ancient French-Malagasy combatants is the feeling of a 'bitter-fatherlandʼ and the feeling of living in 'between everywhereʼ in some kind of 'non-fatherlandʼ.},
  language  = {de}
}
@article{Woersdoerfer2015,
  author    = {W{\"o}rsd{\"o}rfer, Anna Isabell},
  title     = {Vom 'bon sauvage' zum franz{\"o}sischen Ritter par excellence. Die 'Mati{\`e}re de Bretagne' als Streitobjekt konkurrierender Erinnerungskulturen in Jean-Pierre Claris de Florians Mittelalternovelle Bliomb{\´e}ris (1784).},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139518},
  pages     = {229-251},
  year      = {2015},
  abstract  = {While French Enlightenment seems philosophically dominated by a pejorative idea of the medieval past as the 'Dark Ages', this is only one conception among others. This article focuses on a different, a positive, representation of the Middle Ages in eighteenth-century literature, analyzing the chivalric novella Bliomb{\´e}ris (1784) by Jean-Pierre Claris de Florian. On the one hand, the eponymous hero is considered a 'noble savage' who develops into an ideal knight by education and successful learning - two central ideas of the Enlightenment period. On the other hand, the study shows how the medieval topic of the Mati{\`e}re de Bretagne, exclusively required by English literature for a long time, is finally regained by the French and is reintegrated into their national memory.},
  language  = {de}
}
@misc{OPUS4-30571,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 7 (2021)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {7/2021},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-06-2},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305711},
  year      = {2021},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  language  = {de}
}
@misc{OPUS4-32981,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 8 (2022)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8/2022},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-08-6},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329813},
  year      = {2022},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  language  = {de}
}
@incollection{Ruhe2005,
  author    = {Ruhe, Ernstpeter},
  title     = {Die Versetzung des Mythos in den Roman: Assia Djebar und die Musen des Jenseits},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-70795},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2005},
  abstract  = {No abstract available},
  subject      = {Djebar},
  language  = {de}
}
@article{Schneider2022,
  author    = {Schneider, Melanie},
  title     = {« [C]'est absurde d'{\^e}tre bloqu{\´e} sur une autoroute » - Das Motiv des Staus in der zeitgen{\"o}ssischen romanischen Literatur},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329807},
  pages     = {165-180},
  year      = {2022},
  abstract  = {Due to an ever-increasing number of automobiles on the roads, automobility fails more and more to fulfil its promise of free individual mobility, leading to traffic density and congestions of unprecedented proportions. However, those conditions seem to possess an aesthetic potential which we seek to analyze in terms of literature. Therefore, we are going to look on three novels from Romance-language areas: Julio Cort{\´a}zar's short story La autopista del sur (1966), Carlo Lucarelli's novel Autosole (1998) and Gr{\´e}goire Gauchet's novel Les robinsons de l'autoroute (2018). First, we will analyze the nature of deceleration/congestion by referring to human geographer Tim Cresswell's concept of friction. Second, we will examine recurring motifs linked to the deceleration/congestion in all novels before taking a closer look at Gauchet's novel where the friction not only applies to traffic but also to human relationships. The aim is to look at different literary representations of an everyday experience like traffic congestion and to see how literature deals with such an occurrence.},
  language  = {de}
}
@article{Duerner2017,
  author    = {D{\"u}rner, Benedikt},
  title     = {Der lyrische Triebt{\"a}ter Andr{\´e} Pieyre de Mandiargues Gewalt und Erotik im Gedichtband L'{\^A}ge de craie},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172876},
  pages     = {83-105},
  year      = {2017},
  abstract  = {The surrealists are not the only influence on the literary efforts of Andr{\´e} Pieyre de Mandiargues - but it's this influence that makes his oeuvre capable for an analysis based on Freudian theories. This way of an analysis is even more appropriate knowing that two of Mandiargues' main and favourite themes - the eroticism and the violence - coincide with the Freudian life and destruction drive. Analysing the two poems Les filles des gobes and Les ruines de l'amour from the volume of poems L'{\^A}ge de craie, it's these two paradigms that are clearly recognizable: Mandiargues' symbolism reveals the duality of the domination by desires.},
  language  = {de}
}
@article{Koehler2020,
  author    = {K{\"o}hler, Britta},
  title     = {A Room of One's Own : Weiblichkeit, Schreiben und kollektive Erfahrung in Elena Ferrantes Tetralogie L'amica geniale (2011-2014) und Annie Ernaux' Les Ann{\´e}es (2008)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244246},
  pages     = {87-104},
  year      = {2020},
  abstract  = {With her famous suggestion to «give her [the woman] a room of her own and five hundred a year, let her speak her mind» from 1929, Virginia Woolf verbalized a core issue of female writing by hinting at the socioeconomic circumstances and domestic obligations of most women - valid at her times, but still today. Both Elena Ferrante and Annie Ernaux discuss, in their respective novels, the topics of being women in the particular sociocultural landscape (in Italy and, respectively, in France) after World War II and up to these days, the themes of marriage and motherhood, employment and especially (female) authorship. This article aims to show in a close reading of both Ferrante and Ernaux that the two writers play with the literary form of the (auto-)biography on a diegetic, but also extradiegetic level, while formulating at the same time a collective work that embraces the experience of womanhood but circumvents the hazard of a merely subjective and sensitive writing, as female writing has sometimes been claimed to be.},
  language  = {de}
}
@article{KochFroehlich2020,
  author    = {Koch-Fr{\"o}hlich, Melanie},
  title     = {S'inventer {\`a} partir de l'autre : Les Origines d'Amin Maalouf},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244268},
  pages     = {69-84},
  year      = {2020},
  abstract  = {The present article examines the narrative modes in which Lebanese author Amin Maalouf investigates his roots in Origines a hybrid work which stands in contrast with his previous essays and fictions as to its (auto)biographical dimension. Resembling what Dominique Viart and Bruno Vercier in their analysis of predominant themes and narrative strategies in contemporary French literature name «r{\´e}cit de filiation», Maalouf's quest for his familial past explores the concept of intergenerational transmission of memory. However, despite this individual postmemorial approach, Maalouf's intimate writing is intrinsically linked with the complex history of the Ottoman Empire and therefore with collective narratives of war, diasporic identities, and migration relating to the present time or the recent past.},
  language  = {fr}
}
@article{Hesselbach2020,
  author    = {Hesselbach, Robert},
  title     = {<<Nous sommes en guerre sanitaire contre le COVID-19>> - A Corpus-based Approach of Official French, Italian, and Spanish Social Media Discourse in the Light of the Coronavirus Crisis},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244251},
  pages     = {45-66},
  year      = {2020},
  abstract  = {France, Italy, and Spain are three Romance-speaking countries which - at least in Europe - have been affected to a very high degree by the consequences of the Corona pandemic. This paper examines discursive strategies on social media (Twitter and Facebook) by the three heads of government/state of the aforementioned countries - namely Emmanuel Macron (France), Giuseppe Conte (Italy), and Pedro S{\´a}nchez (Spain)- from a corpuslinguistic point of view. For this purpose, a corpus was created which contains all Twitter and Facebook messages posted by these heads of government/state from the beginning of February until the end of April 2020. By applying corpus-linguistic methods we find that all three politicians consciously use social media to sensitize, inform, and - in view of a dramatic pandemic situation - unite their respective populations behind them.},
  language  = {en}
}
@article{Richter2020,
  author    = {Richter, Verena},
  title     = {Das Mittelmeer als pluraler Erinnerungsraum im franz{\"o}sischen Essayfilm: zu Jean-Daniel Pollets M{\´e}diterran{\´e}e (1963)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244292},
  pages     = {155-175},
  year      = {2020},
  abstract  = {The present article aims to examine images of the Mediterranean Sea in Jean-Daniel Pollet's essay film M{\´e}diterran{\´e}e (1963), with a particular focus on its representation as a multifaceted space of cultural memory. After some preliminary observations on the relation between the essay film as a genre and images of the Mediterranean, I shall, on the one hand, have a look at the semantic processes through which the film builds up a recognizable image of the Great Sea. On the other hand, however, I will argue that, at the same time, M{\´e}diterran{\´e}e calls this signifying process into question by representing the sea as a space of cultural memory understood as a space of becoming and of deferral of meaning.},
  language  = {de}
}
@article{Cristalli2022,
  author    = {Cristalli, Marco Antonio},
  title     = {Ein Mann ohne Ehrgeiz, Konturen und Tatendrang - Parodierung von M{\"a}nnlichkeitsnormen in Jean-Philippe Toussaints Monsieur (1986)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329747},
  pages     = {37-60},
  year      = {2022},
  abstract  = {The nameless protagonist of the postmodern novel Monsieur, written by Belgian author Jean-Philippe Toussaint, can be described as a rather strange man. He lacks ambition, a drive for action and seems to be unfit for daily life. He constantly fails to accomplish his predestined role as a real man, as for instance to pay the bill for dinner when dating a woman. The scope of the present paper is to analyse, on the one hand, how this novel deconstructs hegemonial concepts of masculinity but, on the other hand, is in itself also a parody of the latter.},
  language  = {de}
}
@article{Nabi2022,
  author    = {Nabi, Haifaa},
  title     = {La Naus{\´e}e : Salut par l'art ou par les autres ?},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329799},
  pages     = {145-163},
  year      = {2022},
  abstract  = {In this article dedicated to Jean-Paul Sartre's first novel La Naus{\´e}e, we analyze how the idea of conversion to art grows in the imagination of the hero, Antoine Roquentin. Furthermore we show that all the narrative actions in the novel are based on the hero's communicational interaction with the other characters. This lonely person who complains in his diary about social exclusion, yet he converts to art not through his reflections, but through communica-ting with the other characters. Also, many critical studies on La Naus{\´e}e have considered jazz music that the hero listens to in a caf{\´e} as the critical moment of his conversion. In our opinion this reflects juste one phase of a connected sequence of events through which the hero passes from a state of relational negativity and existential alienation to a state of openness, achieved again mainly by the virtue of other characters.},
  language  = {fr}
}