@misc{OPUS4-30571,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 7 (2021)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {7/2021},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-06-2},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305711},
  year      = {2021},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  language  = {de}
}
@misc{OPUS4-24395,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 6 (2020)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {6/2020},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Dembruk, Sofina and Eibensteiner, Lukas and Goldmann, Julius and Hesselbach, Robert and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-04-8},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-243951},
  year      = {2020},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik erscheint einmal j{\"a}hrlich und wird durch den gemeinn{\"u}tzigen Verein promptus e.V. herausgegeben. Sie richtet sich an alle Nachwuchswissenschaftler im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik und bietet diesen die M{\"o}glichkeit, in einem fr{\"u}hen Stadium ihrer akademischen Laufbahn qualitativ hochwertige Arbeiten zu publizieren. Zudem versteht sich die Zeitschrift als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  language  = {mul}
}
@misc{OPUS4-22096,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 5},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5/2019},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Callsen, Berit and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-04-8},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-220963},
  year      = {2019},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  subject      = {Literaturwissenschaft},
  language  = {mul}
}
@misc{OPUS4-18788,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 4 (2018)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {4/2018},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Callsen, Berit and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Koch, Christian and Ravasio, Paola},
  isbn      = {978-3-946101-03-1},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-187883},
  year      = {2018},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  subject      = {Literaturwissenschaft},
  language  = {mul}
}
@misc{OPUS4-17281,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 3},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3/2017},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Callsen, Berit and Gold, Martina and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Meisnitzer, Benjamin and Ravasio, Paola},
  isbn      = {978-3-946101-02-4},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172810},
  year      = {2017},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  subject      = {Literaturwissenschaft},
  language  = {mul}
}
@misc{OPUS4-16124,
  title     = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik. Band 2},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2/2016},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  editor    = {Bobineau, Julien and Callsen, Berit and Gold, Martina and Goldmann, Julius and Hesselbach, Robert and Hornung, Christoph and Meisnitzer, Benjamin and Ravasio, Paola},
  isbn      = {978-3-946101-01-7},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161247},
  year      = {2016},
  abstract  = {Die Zeitschrift promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik richtet sich an alle NachwuchswissenschaftlerInnen im Bereich der romanistischen Sprach- und Literaturwissenschaft sowie der Fachdidaktik. Das Ziel der Zeitschrift ist die F{\"o}rderung der romanistischen Forschung im Allgemeinen und des wissenschaftlichen Nachwuchses der Romanistik im Besonderen. Sie versteht sich damit als Impulsgeber f{\"u}r junge romanistische Forschung, ohne sich dabei thematisch zu beschr{\"a}nken.},
  subject      = {Romanistik},
  language  = {mul}
}
@article{Buch2016,
  author    = {Buch, Marina-Rafaela},
  title     = {Madame Chrysanth{\`e}me (1887) et Japoneries d'automne (1889) de Pierre Loti entre japonisme et exotisme d{\´e}senchant{\´e}},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161603},
  pages     = {53-75},
  year      = {2016},
  abstract  = {The novel Madame Chrysanth{\`e}me (1887) and the essays collected in Japoneries d'automne (1889) written by French travel author Pierre Loti offer a paradoxical view of Japan during the Meiji period. In both travel writings, the author is torn between aesthetic japonism - which spread all over Europe at the end of the 19th century - and exotic expectations, i.e. the picturesque fascination of the Other. The latter, however, remains unsatisfied throughout his stay. In both writings, Pierre Loti provides an insight into Japan that entirely reflects the spirit of his time. Thereby, he contributes to an image of Japan, which will long remain vivid in the Occident. Contemporaries perceive Loti's representation of Japan as a realistic testimony, tinged with both sensory impressions and his highly ambiguous feelings towards the distant country, which in the end remained incomprehensible to him.},
  subject      = {Loti, Pierre},
  language  = {fr}
}
@article{Ibrahim2017,
  author    = {Ibrahim, Amira},
  title     = {L'orientalisme fran{\c{c}}ais : d{\´e}finition et histoire},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172899},
  pages     = {127-145},
  year      = {2017},
  abstract  = {The history of intellectual and cultural contact between West and East is very complicated and contradictory. A long time ago, eastern culture attracted the attention of many writers, orientalists and researchers, who headed east not only to study and describe the fascinating eastern civilizations, but also to analyze their different literary, historical and scientific aspects. The new mysterious but exciting environment inspired the orientalists to record and describe what they experienced regarding the architecture, the nature and the people. The attractive eastern natural views which are distinguishable from the monotonous western environment - especially after the industrial revolution - helped them to find new prospects. The East has been coming into focus since the middle ages, when the church campaigns started to study Islam as the prevalent religion in this area. The orientalist motivations were not only religious, but also followed economic, colonial and scientific agenda, which lead to a plethora of specialized research, stories, novels and analytical studies. A close look at the orientalists' works will provide us with an overview of eastern civilization. Therefore, their works are considered as a mirror reflecting their point of view to the east and the north of Africa, especially to pharaonic Egypt. The orientalists who travelled to the east and expressed their passion to this old civilization in their writings influenced the literary movement deeply. But what do we mean by the term orientalism? Edward Sa{\"i}d has defined this term in different ways. Sa{\"i}d presented and interpreted it as a way of thinking, a historical phenomenon. Defining orientalism has become a problem indeed, and now it is carrying a number of meanings which do not match. Therefore, the aim of the study is to bring into focus the most important definitions of the term orientalism from the late 17th to the mid-20th century.},
  language  = {fr}
}
@article{Fliege2016,
  author    = {Fliege, Daniel},
  title     = {Le d{\´e}go{\^u}t du cadavre. Une comparaison entre la repr{\´e}sentation du corps mort dans le De Miseria Condicionis Humane d'Innocent III et dans son adaptation fran{\c{c}}aise Double lay de fragilit{\´e} humaine d'Eustache Deschamps},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161616},
  pages     = {77-97},
  year      = {2016},
  abstract  = {The study uses the category of disgust in order to analyse the representation of the human body and the corpse in one of the most influential medieval treatises, the De Miseria Condicionis Humanae (1195) written by Pope Innocent III, and its little known old French adaptation Double lay de fragilit{\´e} humaine (1383) by Eustache Deschamps. Analysing how both use disgust as an aesthetic means, which appeals to emotions and turns off reason, helps to point out the pedagogical and moral function of the texts. The comparison between them shows that Deschamps stays faithful to his Latin model, but that he nevertheless has to make certain modifications in order to adapt the prose text into a lyrical form. Furthermore, this approach clearly elucidates what differences there are between the conceptions of the human body and death in the two texts, revealing at the same time divergent theological points of view.},
  subject      = {Ekel},
  language  = {fr}
}
@article{Nabi2022,
  author    = {Nabi, Haifaa},
  title     = {La Naus{\´e}e : Salut par l'art ou par les autres ?},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329799},
  pages     = {145-163},
  year      = {2022},
  abstract  = {In this article dedicated to Jean-Paul Sartre's first novel La Naus{\´e}e, we analyze how the idea of conversion to art grows in the imagination of the hero, Antoine Roquentin. Furthermore we show that all the narrative actions in the novel are based on the hero's communicational interaction with the other characters. This lonely person who complains in his diary about social exclusion, yet he converts to art not through his reflections, but through communica-ting with the other characters. Also, many critical studies on La Naus{\´e}e have considered jazz music that the hero listens to in a caf{\´e} as the critical moment of his conversion. In our opinion this reflects juste one phase of a connected sequence of events through which the hero passes from a state of relational negativity and existential alienation to a state of openness, achieved again mainly by the virtue of other characters.},
  language  = {fr}
}
@techreport{Hammer2020,
  type      = {Working Paper},
  author    = {Hammer, Selina},
  title     = {Kolonialismus und Postkolonialismus im Franz{\"o}sischunterricht an deutschen Schulen},
  issn      = {2199-4315},
  doi       = {10.25972/OPUS-21678},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-216782},
  pages     = {1-65},
  year      = {2020},
  abstract  = {Trotz der offiziell erlangten Unabh{\"a}ngigkeit der ehemaligen franz{\"o}sischen Kolonien im subsaharischen Afrika pr{\"a}gen verallgemeinernde und abwertende Sichtweisen auf dortige Bev{\"o}lkerungsgruppen den franz{\"o}sischsprachigen Diskurs. Im Rahmen dieses Beitrages sollen Texte von Victor Hugo, Georges Remi und der Partei En Marche!, welche w{\"a}hrend und nach der Kolonialisierung entstanden sind, anhand der Theorien von Michel Foucault, Valentin-Yves Mudimbe und Edward Said analysiert werden. Hierbei werden bis dato vorherrschende bin{\"a}re Denkstrukturen offengelegt, die „den/die Europ{\"a}er*in" und „den/die Afrikaner*in" in kontrastierende Kategorien einteilen und somit (neo)koloniale Machtgef{\"u}ge implizit und explizit bef{\"u}rworten. Der zweite Teil des Beitrags besch{\"a}ftigt sich mit der Aufgabe, den subtilen Einfluss des Kolonialismus auf Sichtweisen der Sch{\"u}ler*innen im Rahmen einer Unterrichtsreihe aufzuarbeiten und m{\"o}gliche Vorurteile und Stereotypen {\"u}ber die subsaharisch-afrikanische Bev{\"o}lkerung zu {\"u}berwinden. Die Dimensionen des interkulturellen Lernens nach Michael Byram, die nach wie vor fester Bestandteil europ{\"a}ischer Curricula sind, sollen mit denen des Postkolonialismus vereint werden, um den zunehmenden Spaltungen in multiethnischen Gesellschaften aktiv und jugendgerecht entgegenzuwirken.},
  subject      = {Kolonialismus},
  language  = {de}
}
@article{Prohl2019,
  author    = {Prohl, Tanja},
  title     = {Ins{\´e}curit{\´e} linguistique im Franz{\"o}sischen? Eine Untersuchung nichtstandardsprachlicher Lexik auf Basis eines YouTube Korpus},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221886},
  pages     = {135-150},
  year      = {2019},
  abstract  = {When it comes to linguistic norms in France, one standard will be immediately evoked - le bon usage. This version of traditional French is taught at school and has been serving as a model ever since the French Revolution. Yet - and maybe as a counter-reaction to such strict and prescriptive norm - there exists a multitude of alternative forms, especially with regard to the lexis, which are marked by different registers or styles. Thus, the French language is characterized by lexical doublets in the transition area between standard and familier. A varied terminology in the description of styles in dictionaries as well as a stigmatisation of the nonstandard lead to speaker insecurities and to a general devaluation of the parallel vocabulary. What are the consequences of this in speech behaviour? Is there a remarkable difference between speech behaviour and prescriptive norm? Do speakers show any sign of linguistic insecurity when using nonstandard structures? The research issue will be addressed by means of a qualitative analysis of videoblogs from French YouTubers.},
  language  = {de}
}
@incollection{Fajen2015,
  author    = {Fajen, Robert},
  title     = {Ein Salon im Untergrund. Caylus' \(M{\´e}moires\) \(de\) \(l'Acad{\´e}mie\) \(des\) \(Colporteurs\) und die Erkundung der literarischen Peripherie im Zeitalter der Aufkl{\"a}rung},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152210},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {235-258},
  year      = {2015},
  abstract  = {No abstract available.},
  language  = {de}
}
@article{Cristalli2022,
  author    = {Cristalli, Marco Antonio},
  title     = {Ein Mann ohne Ehrgeiz, Konturen und Tatendrang - Parodierung von M{\"a}nnlichkeitsnormen in Jean-Philippe Toussaints Monsieur (1986)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {8},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329747},
  pages     = {37-60},
  year      = {2022},
  abstract  = {The nameless protagonist of the postmodern novel Monsieur, written by Belgian author Jean-Philippe Toussaint, can be described as a rather strange man. He lacks ambition, a drive for action and seems to be unfit for daily life. He constantly fails to accomplish his predestined role as a real man, as for instance to pay the bill for dinner when dating a woman. The scope of the present paper is to analyse, on the one hand, how this novel deconstructs hegemonial concepts of masculinity but, on the other hand, is in itself also a parody of the latter.},
  language  = {de}
}
@incollection{Ruhe2005,
  author    = {Ruhe, Ernstpeter},
  title     = {Die Versetzung des Mythos in den Roman: Assia Djebar und die Musen des Jenseits},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-70795},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2005},
  abstract  = {No abstract available},
  subject      = {Djebar},
  language  = {de}
}
@incollection{Kleinhans1993,
  author    = {Kleinhans, Martha},
  title     = {Die Sch{\"o}pfung des Ich: Rachid Boudjedras Romane L'Escargot ent{\^e}t{\´e} und La pluie},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-54229},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  year      = {1993},
  abstract  = {No abstract available},
  subject      = {Romanistik},
  language  = {de}
}
@incollection{Burrichter2015,
  author    = {Burrichter, Brigitte},
  title     = {Die Frage der Ehre. Ehre und Schande in den Romanen Chr{\´e}tiens de Troyes},
  series = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  booktitle = {Kommunikation und Repr{\"a}sentation in den romanischen Kulturen. Festschrift f{\"u}r Gerhard Penzkofer},
  editor    = {Hornung, Christoph and Lambrecht, Gabriella-Maria and Sendner, Annika},
  publisher = {AVM.edition},
  address   = {M{\"u}nchen},
  isbn      = {9783954770557},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-152061},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  pages     = {33-48},
  year      = {2015},
  abstract  = {No abstract available.},
  subject      = {Ehre <Motiv>},
  language  = {de}
}
@article{Duerner2017,
  author    = {D{\"u}rner, Benedikt},
  title     = {Der lyrische Triebt{\"a}ter Andr{\´e} Pieyre de Mandiargues Gewalt und Erotik im Gedichtband L'{\^A}ge de craie},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {3},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172876},
  pages     = {83-105},
  year      = {2017},
  abstract  = {The surrealists are not the only influence on the literary efforts of Andr{\´e} Pieyre de Mandiargues - but it's this influence that makes his oeuvre capable for an analysis based on Freudian theories. This way of an analysis is even more appropriate knowing that two of Mandiargues' main and favourite themes - the eroticism and the violence - coincide with the Freudian life and destruction drive. Analysing the two poems Les filles des gobes and Les ruines de l'amour from the volume of poems L'{\^A}ge de craie, it's these two paradigms that are clearly recognizable: Mandiargues' symbolism reveals the duality of the domination by desires.},
  language  = {de}
}
@article{Kloster2016,
  author    = {Kloster, Kerstin},
  title     = {Der K{\"o}rper als Einschreibungsfl{\"a}che des weiblichen Ged{\"a}chtnisses. Eine Analyse der m{\"u}ndlichen {\"U}berlieferung in Le livre d'Emma von Marie-C{\´e}lie Agnant},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {2},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161645},
  pages     = {153-168},
  year      = {2016},
  abstract  = {Women in Caribbean culture traditionally occupy the role of guardians of collective memory, as tellers of stories, legends and myths. Through oral tradition, they transfer the cultural and family knowledge from one generation of women to the next. We will offer an analysis of oral transmission as a way of preserving a memory of women in Le livre d'Emma (2001) by the Qu{\´e}bec author of Haitian origin, Marie-C{\´e}lie Agnant. We will primarily analyze the transformation of communicative memory into cultural memory, following the distinction by Jan Assmann. We will interpret the oral transfer as a possibility to stabilize, to legitimize female memory and to inscribe it into the female body.},
  subject      = {Agnant, Marie-C{\´e}lie : Le livre d'Emma},
  language  = {de}
}
@article{Hertrampf2015,
  author    = {Hertrampf, Marina Ortrud M.},
  title     = {De la M{\`e}re Patrie {\`a} «l'am{\`e}re-patrie». D{\´e}sir{\´e} Razafinjatos literarisches Bild der franz{\"o}sischen 'Kolonialheimat' vor und nach der Unabh{\"a}ngigkeit Madagaskars},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {1},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2510-2613},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139461},
  pages     = {91-111},
  year      = {2015},
  abstract  = {French-Madagascan colonial history is full of dark chapters. After Madagascar's independence the French general public forgot the country very quickly. In Malagasies collective memory, the wounds of colonial injustice are still open even if they are generally considered as fady ('tabooʼ). D{\´e}sir{\´e} Razafinjato is the first Malagasy author writing in French who dares to approach the difficult relations between Malagasy-French and indigenous Malagasy as well as between indigenous Francophiles and indigenous anti-French nationalists. In his tale «Tahiry. From Madagascar to the Algerian djebel, the bitter-fatherland», the narrator speaks about the painful loss of any fatherland for all those Malagasy who during the War of Algeria got involved as French soldiers. Indeed, it is the sad history of the despoliation of an ideal Motherland on the French side and of the refusal of membership in an ancestral fatherland on the Malagasy side. What remains for those ancient French-Malagasy combatants is the feeling of a 'bitter-fatherlandʼ and the feeling of living in 'between everywhereʼ in some kind of 'non-fatherlandʼ.},
  language  = {de}
}