@article{ApostolidisGkarpousisKoch2017, author = {Apostolidis -Gkarpousis, Alexandros and Koch, Christian}, title = {Convergences et divergences dans les articles «Langage» de Louis de Jaucourt et «Langue» de Nicolas Beauz{\´e}e. Une comparaison de deux articles de l'Encyclop{\´e}die de Diderot et D'Alembert}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172843}, pages = {19-36}, year = {2017}, abstract = {The two articles of «Langage» and «Langue», published in 1765 in the 9th volume of the great French Encyclop{\´e}die by Diderot and D'Alembert, treat some essential philosophical questions on the human ability of communication with linguistic signs. Nevertheless, as the two authors Jaucourt and Beauz{\´e}e did not share completely identic points of view, the comparative lecture of both articles reveals a complementary perspective, particularly relating to the origin of language as a divine gift or humans' creation for communicative needs. A further aspect of divergence concerns the textual composition of the article « Langage » as a structured informative text, and the article « Langue » as a long and freely composed writing including personal remarks by the author. The following article deals with the potential of approaches to the Encyclop{\´e}die in modern linguistics, concretely demonstrated in the comparative analysis of these two articles.}, language = {fr} } @article{Augustin2015, author = {Augustin, Jenny}, title = {?'Diversa, democr{\´a}tica y moderna? La imagen transmitida de la Real Academia Espa{\~n}ola en el discurso actual. Una mirada panor{\´a}mica}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {1}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-139449}, pages = {29-57}, year = {2015}, abstract = {In 2013, three hundred years had passed since the foundation of the Real Academia Espa{\~n}ola (RAE). The celebrations accompanying this anniversary were extended across the year and came to a closure with the publication of the 23rd edition of the Diccionario de la lengua espa{\~n}ola in 2014. Spanish media followed the above-mentioned festivities with a detailed coverage. The purpose of this article is to study the image of the RAE conveyed through the media and the Internet, which can be subsumed under the three terms 'diverse, democratic and modern'. This form of representation is put into a broader context by considering the linguistic politics pursued by the RAE and the Asociaci{\´o}n de Academias de la Lengua Espa{\~n}ola (ASALE) under the keyword of panhispanism. Finally, a closer look is taken at El buen uso del espa{\~n}ol, a student manual published by the RAE and the ASALE in 2013, in relation to panhispanism and prescriptivism.}, subject = {Real Academia Espa{\~n}ola}, language = {es} } @article{Berneiser2017, author = {Berneiser, Tobias}, title = {Lissabonner Navigationen. Literarische Nautik und heterotopischer Stadtdiskurs in Jos{\´e} Cardoso Pires' Lisboa - Livro de Bordo}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172859}, pages = {39-64}, year = {2017}, abstract = {This article seeks to analyse urban representation in Jos{\´e} Cardoso Pires's Lisboa - Livro de Bordo (1997), a book dedicated to the author's home city Lisbon, by focusing on its prevailing nautical and maritime imagery. This imagery as well as its tendency to design Lisbon as a city-ship shall be examined with regard to spatial construction in the Livro de Bordo. Urban sailing as well as the recurrent representations of the Portuguese capital's spaces as heterotopias will be interpreted as approaches to subvert institutional and homogenic discourses on Lisbon.}, language = {de} } @article{Bobineau2020, author = {Bobineau, Julien}, title = {Belgiens gespaltene Erinnerung: Aufarbeitung und Verdr{\"a}ngung von kolonialer Geschichte in Flandern und Wallonien}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {6}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-244224}, pages = {23-42}, year = {2020}, abstract = {This article examines so-called colonial discourses in Belgium on the former Sub-Saharan colony owned by the Belgian King, Leopold II., which today is known as the Democratic Republic of Congo (DR Congo) or the Congo-Kinshasa. After having introduced the colonial history of the DR Congo from the 15th century until 1910, an empirical analysis of the colonial discourses in Belgium from the 1890s until today will be illustrated in conjunction with Belgium's linguistic-cultural division and the age-related divergence. Belgian colonial discourse is characterized by a historical misrepresentation by the political authorities while especially social forces have pled for a critical examination of their own colonial history in Belgium since the year 2000.}, language = {de} } @article{BobineauHesselbach2017, author = {Bobineau, Julien and Hesselbach, Robert}, title = {Interview mit Prof. Dr. Elissa Pustka}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172927}, pages = {7-17}, year = {2017}, abstract = {Interview mit Prof. Dr. Elissa Pustka}, language = {de} } @article{Book2017, author = {Book, Bettina}, title = {Komplements{\"a}tze im Spanischen}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {3}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-172869}, pages = {67-80}, year = {2017}, abstract = {This paper discusses complementation strategies in Spanish, focusing on a specific construction most speakers are not aware of: the complementation clause preceded by the verb conocer. Not being a typical complement-taking verb, conocer surprises with a stable and persistent presence throughout the centuries, from Old Spanish to Modern Spanish. After giving an introduction into the field of complementation clauses and one of its main focus of study, grammatical mood, this study uses empirical data from the corpus programs CORDE, CREA and CORPES XXI to show the usage and prevalence of the construction in question. In doing so, this analysis gives a quantitative insight, exemplifying the results with several examples from all ages.}, language = {de} } @article{Brinkmann2022, author = {Brinkmann, Lisa Marie}, title = {Zum Sprachkontakt Maya und Spanisch: Empirische Studien zur kontaktinduzierten Grammatikalisierung im Maya}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {8}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-329734}, pages = {15-35}, year = {2022}, abstract = {The aim of this article is to document the outcomes of language contact between Yucatecan Maya and Mexican Spanish. In order to do so, two theories are applied to newly assembled data, gathered during a field study in 2019 in YucaThe aim of this article is to document the outcomes of language contact between Yucatecan Maya and Mexican Spanish. In order to do so, two theories are applied to newly assembled data, gathered during a field study in 2019 in Yucat{\´a}n: The Interface Hypothesis (Sorace 2011) and Heine/Kuteva's contact-induced grammaticalization (2003). The village Xoc{\´e}n in which the field study was conducted is characterized by monolingualism in Maya as well as bilingualism in Spanish and Maya. Data was collected to investigate the influence of Spanish on Mayan morphology, especially on the use of the subjunctive. I propose that the data can best be explained by combining the Interface Hypothesis with Heine/Kutevas's (2003) approach.t{\´a}n: The Interface Hypothesis (Sorace 2011) and Heine/Kuteva's cThe aim of this article is to document the outcomes of language contact between Yucatecan Maya and Mexican Spanish. In order to do so, two theories are applied to newly assembled data, gathered during a field study in 2019 in Yucat{\´a}n: The Interface Hypothesis (Sorace 2011) and Heine/Kuteva's contact-induced grammaticalization (2003). The village Xoc{\´e}n in which the field study was conducted is characterized by monolingualism in Maya as well as bilingualism in Spanish and Maya. Data was collected to investigate the influence of Spanish on Mayan morphology, especially on the use of the subjunctive. I propose that the data can best be explained by combining the Interface Hypothesis with Heine/Kutevas's (2003) approach.ontact-induced grammaticalization (2003). The village Xoc{\´e}n in which the field study was conducted is characterized by monolingualism in Maya as well as bilingualism in Spanish and Maya. Data was collected to investigate the influence of Spanish on Mayan morphology, especially on the use of the subjunctive. I propose that the data can best be explained by combining the Interface Hypothesis with Heine/Kutevas's (2003) approach.}, language = {de} } @article{Brunke2016, author = {Brunke, Dirk}, title = {Der nationalepische Pionier Esteban Echeverr{\´i}a. Ein Beitrag zur Entstehungsgeschichte des romantischen epischen Gedichts in Hispanoamerika}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161592}, pages = {25-51}, year = {2016}, abstract = {This article concentrates on the Argentine author Esteban Echeverr{\´i}a who is known as the founding father of Romanticism in the River Plate region. The author of this article intends to show that the importance of Echeverr{\´i}a for the development of Argentine national literature goes beyond the spreading of Romanticist aesthetics. Especially his poem La cautiva (1837) has been regarded as the national epic poem of Argentina because it represents national landscape and the early days of national history. However, as the classification of this narrative poem as the national epic poem already indicates, Echeverr{\´i}a also contributed to the presence of this prestigious genre at the River Plate region. By investigating Echeverr{\´i}a's less known verse texts - namely the texts which were read by all Romantics but which have been neglected by literary studies so far - this article illustrates that Echeverr{\´i}a gave decisive impulses for the presence of the epic poem at the River Plate.}, subject = {Echeverr{\´i}a, Esteban}, language = {de} } @article{Buch2016, author = {Buch, Marina-Rafaela}, title = {Madame Chrysanth{\`e}me (1887) et Japoneries d'automne (1889) de Pierre Loti entre japonisme et exotisme d{\´e}senchant{\´e}}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {2}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2510-2613}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-161603}, pages = {53-75}, year = {2016}, abstract = {The novel Madame Chrysanth{\`e}me (1887) and the essays collected in Japoneries d'automne (1889) written by French travel author Pierre Loti offer a paradoxical view of Japan during the Meiji period. In both travel writings, the author is torn between aesthetic japonism - which spread all over Europe at the end of the 19th century - and exotic expectations, i.e. the picturesque fascination of the Other. The latter, however, remains unsatisfied throughout his stay. In both writings, Pierre Loti provides an insight into Japan that entirely reflects the spirit of his time. Thereby, he contributes to an image of Japan, which will long remain vivid in the Occident. Contemporaries perceive Loti's representation of Japan as a realistic testimony, tinged with both sensory impressions and his highly ambiguous feelings towards the distant country, which in the end remained incomprehensible to him.}, subject = {Loti, Pierre}, language = {fr} } @article{Christmann2021, author = {Christmann, Tim}, title = {Grenzerfahrung, Grenz{\"u}berschreitung, Grenz{\"u}berwindung: Das Falkland/Malvinas Malvinas-Trauma in Lola Arias' Film Teatro de Guerra (2018)}, series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, volume = {7}, journal = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik}, issn = {2364-6705}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-305577}, pages = {17-33}, year = {2021}, abstract = {This article will examine the cinematic approach to the trauma of the Falklands/Malvinas War in Lola Ariasʼ film Teatro de Guerra (AR/ES, 2018). The armed conflict between Ar-gentina and Great Britain in 1982 can be understood as a traumatic liminal experience, whose artistic reception pushes conventional aesthetics to their limits and calls for innova-tive representational strategies. Based on a cultural studies approach to the Falklands/Mal-vinas War as a collective trauma, this contribution will highlight selected moments of aes-thetic border crossing in Teatro de Guerra, by which the film succeeds in transcending boundaries between former enemies of the war.}, language = {de} }