@misc{OPUS4-12894,
  title     = {einBlick - Ausgabe 09 - 08. M{\"a}rz 2016},
  volume    = {9/2016},
  organization    = {Julius-Maximilians-Universit{\"a}t W{\"u}rzburg},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-128946},
  year      = {2016},
  abstract  = {Nachrichten aus der Julius-Maximilians-Universit{\"a}t W{\"u}rzburg},
  subject      = {W{\"u}rzburg},
  language  = {de}
}
@article{Prohl2019,
  author    = {Prohl, Tanja},
  title     = {Ins{\´e}curit{\´e} linguistique im Franz{\"o}sischen? Eine Untersuchung nichtstandardsprachlicher Lexik auf Basis eines YouTube Korpus},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221886},
  pages     = {135-150},
  year      = {2019},
  abstract  = {When it comes to linguistic norms in France, one standard will be immediately evoked - le bon usage. This version of traditional French is taught at school and has been serving as a model ever since the French Revolution. Yet - and maybe as a counter-reaction to such strict and prescriptive norm - there exists a multitude of alternative forms, especially with regard to the lexis, which are marked by different registers or styles. Thus, the French language is characterized by lexical doublets in the transition area between standard and familier. A varied terminology in the description of styles in dictionaries as well as a stigmatisation of the nonstandard lead to speaker insecurities and to a general devaluation of the parallel vocabulary. What are the consequences of this in speech behaviour? Is there a remarkable difference between speech behaviour and prescriptive norm? Do speakers show any sign of linguistic insecurity when using nonstandard structures? The research issue will be addressed by means of a qualitative analysis of videoblogs from French YouTubers.},
  language  = {de}
}
@article{PalaciosEspinoza2019,
  author    = {Palacios Espinoza, Romina Irene},
  title     = {Schmerzhafte Erotik: kranke K{\"o}rper und sexueller Genuss in El {\´u}ltimo cuerpo de {\´U}rsula von Patricia de Souza},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221877},
  pages     = {117-132},
  year      = {2019},
  abstract  = {This article is dedicated to the analysis of the body, which is staged as sick and painful. El {\´u}ltimo cuerpo de {\´U}rsula by Peruvian author Patricia de Souza is characterized by the connection between body, pain perception and eroticism. Illness and paralysis play a fundamental role in the narrative because they cause the recomposition of the ego, which leads the protagonist, {\´U}rsula Res, to perceive and reflect the fragmentation of her identity and the increasing distance from her body. Through approaches to pain and disability, the expressiveness of the narrativized eroticism of this text, based on an obedient relationship to the body, is revealed.},
  language  = {de}
}
@article{Kuehne2019,
  author    = {K{\"u}hne, Ina},
  title     = {Die Konstruktion von M{\"a}nnlichkeitsbildern in der katalanischen Literatur zum Ersten Spanisch Marokkanischen Krieg (1859/1860)},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221847},
  pages     = {77-92},
  year      = {2019},
  abstract  = {This article explores the construction of Catalan masculinity and Catalan identity in literature on the Spanish-Moroccan War of 1859/60. During the war, an immense amount of patriotic literature in Catalan language was published in Catalonia, in which the authors glorified the deeds of the Catalan general Joan Prim i Prats and of the Catalan volunteers who fought in the war. The article aims to illustrate, on the basis of the analysis of poems, theatre plays, patriotic songs, reports and chronicles written by Catalan authors, the importance of the First Spanish-Moroccan War for the development of Catalan identity. It attempts as well to demonstrate that the authors used the literature about the war to diffuse a specific Catalan ideal of masculinity and to stylize General Prim and the volunteers into national heroes, who embodied the strength of the Catalan cultural nation, since the Catalan community needed new idols after a long time of political and cultural decline caused by the centralist policies of the Spanish state. The Catalan ideal of masculinity was utilized to differentiate the Catalans from the other Spaniards whose masculinity was considered to be in decadence by the other European nations.},
  language  = {de}
}
@article{Hagen2019,
  author    = {Hagen, Clemens},
  title     = {Ver y ser visto: Intelectualidad y falsa erudici{\´o}n en La Regenta},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221822},
  pages     = {39-56},
  year      = {2019},
  abstract  = {Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clar{\´i}n» have constantly referred to the unmasking of society's hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimar{\´a}n and S. Berm{\´u}dez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta.},
  language  = {es}
}
@article{Nenadovic2019,
  author    = {Nenadovic, Ana},
  title     = {Performing Feminism, Autobiography, and Testimony. Feminist Rap in Latin America.},
  series = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  volume    = {5},
  journal   = {promptus - W{\"u}rzburger Beitr{\"a}ge zur Romanistik},
  issn      = {2364-6705},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-221850},
  pages     = {95-114},
  year      = {2019},
  abstract  = {This article focuses on selected Latin American female rap artists (Anita Tijoux, Rebeca Lane, and the duo Krudas Cubensi), and the way they perform feminism, autobiography and testimony through their lyrics and performances. The analysis concentrates on the synergies between the texts themselves, the official music videos shared on YouTube and the background music. It aims to demonstrate that only such a synergistic approach to rap allows a profound understanding of its particularities and its contributions to feminist discourses and spaces for feminist testimony in the current rise of both right-wing politics and feminist movements on the continent.},
  language  = {en}
}
@incollection{Ruhe2013,
  author    = {Ruhe, Ernstpeter},
  title     = {La l{\´e}gitimation du savoir dans le dialogue encyclop{\´e}dique Le Livre de Sydrac},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-105586},
  publisher      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2013},
  abstract  = {No abstract available.},
  subject      = {Sidrac <Altfranz{\"o}sisch>},
  language  = {fr}
}
@phdthesis{Meyer2021,
  author    = {Meyer, Stefanie},
  title     = {Der „Discursus medicus et politicus" von Tobias Geiger (1656). Edition und Kommentar},
  doi       = {10.25972/OPUS-23285},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-232856},
  school      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2021},
  abstract  = {Der „Discursus medicus et politicus" von Tobias Geiger ist eine Handschrift aus dem Jahr 1656. Als eine Art Lebensbericht stellt das Werk ein Pl{\"a}doyer f{\"u}r die Chirurgie als wichtigen Bestandteil der Medizin dar. Tobias Geiger skizziert nicht nur einen „rechten medicus" in „tempore pacis, belli et pestis", sondern er besch{\"a}ftigt sich zudem mit gesundheitspolitischen Themen, wie die Vereinigung von Chirurgie und Medizin in der Ausbildung, die Abschaffung sowohl von der Landfahrerei als auch von unqualifizierten Heilpersonen, die Pr{\"u}fung des Heilpersonals sowie die Verbesserung der Spit{\"a}ler. In der vorliegenden Dissertation wurde das Schriftst{\"u}ck zun{\"a}chst editiert, die lateinischen Passagen {\"u}bersetzt und kommentiert. Im Anschluss wurden die Inhalte f{\"u}r ein besseres Verst{\"a}ndnis weiter aufgegliedert und in den historischen Kontext gestellt.},
  subject      = {Geiger, Tobias},
  language  = {de}
}
@phdthesis{Rudolph2004,
  author    = {Rudolph, Gerald},
  title     = {Das Kammerregister Papst Martins IV. 1281 - 1285 (Reg. Vat. 42) : Untersuchung und kritische Edition},
  url       = {http://nbn-resolving.de/urn:nbn:de:bvb:20-opus-12379},
  school      = {Universit{\"a}t W{\"u}rzburg},
  year      = {2004},
  abstract  = {Die Dissertation beinhaltet die vollst{\"a}ndige Edition des Kammerregisters Papst Martins IV. (Reg. Vat. 42, 1281 - 1285). Es ist das einzige Papstregister aus dem 13. Jahrhundert, das bisher nicht ediert worden war, und enth{\"a}lt 612 vollst{\"a}ndige Briefe dieses Papstes. Ihr Inhalt ist aufschlussreich f{\"u}r die Geschichte des Kirchenstaates und das p{\"a}pstliche Finanzwesen am Ende des 13. Jahrhunderts und er{\"o}ffnet wertvolle Einsichten in die noch wenig erforschte p{\"a}pstliche Kammer dieser Zeit.},
  subject      = {Martin <Papst},
  language  = {de}
}