TY - JOUR A1 - Koch-Fröhlich, Melanie T1 - S’inventer à partir de l’autre : Les Origines d’Amin Maalouf JF - promptus - Würzburger Beiträge zur Romanistik N2 - The present article examines the narrative modes in which Lebanese author Amin Maalouf investigates his roots in Origines a hybrid work which stands in contrast with his previous essays and fictions as to its (auto)biographical dimension. Resembling what Dominique Viart and Bruno Vercier in their analysis of predominant themes and narrative strategies in contemporary French literature name «récit de filiation», Maalouf’s quest for his familial past explores the concept of intergenerational transmission of memory. However, despite this individual postmemorial approach, Maalouf’s intimate writing is intrinsically linked with the complex history of the Ottoman Empire and therefore with collective narratives of war, diasporic identities, and migration relating to the present time or the recent past. KW - (auto)biographical writing KW - migration KW - nomadic identities KW - Ottoman Empire KW - memory Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244268 VL - 6 ER - TY - JOUR A1 - Richter, Verena T1 - Das Mittelmeer als pluraler Erinnerungsraum im französischen Essayfilm: zu Jean-Daniel Pollets Méditerranée (1963) JF - promptus - Würzburger Beiträge zur Romanistik N2 - The present article aims to examine images of the Mediterranean Sea in Jean-Daniel Pollet’s essay film Méditerranée (1963), with a particular focus on its representation as a multifaceted space of cultural memory. After some preliminary observations on the relation between the essay film as a genre and images of the Mediterranean, I shall, on the one hand, have a look at the semantic processes through which the film builds up a recognizable image of the Great Sea. On the other hand, however, I will argue that, at the same time, Méditerranée calls this signifying process into question by representing the sea as a space of cultural memory understood as a space of becoming and of deferral of meaning. KW - the Mediterranean Sea KW - Jean-Daniel Pollet KW - Philippe Sollers KW - cultural memory KW - essay film Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244292 VL - 6 ER - TY - JOUR A1 - Lützelberger, Florian T1 - Federico García Lorcas Trilogía dramática de la tierra española als Knotenpunkt von Kontinuität und Wandel von der Antike bis zu Netflix: Tradition, Adaption, Innovation, Inspiration JF - promptus - Würzburger Beiträge zur Romanistik N2 - To this day, Lorca’s most popular plays, the Trilogía dramática de la tierra española, are considered to be among the most widely read texts of twentieth century Spanish literature. By combining elements from Antiquity with classic and modern features of Spanish theatre and placing them in new functional contexts, the author succeeds in creating an innovative theatre of sociocritical nature in times of political repression. This article analyses several of these innovations and aims to demonstrate the influence Lorca’s Tragedias rurales still have on today’s literature and culture. Simon Stone’s play Yerma (2017) and the Netflix series Las Chicas del Cable (2017-2020) are approached here with this purpose. KW - Federico García Lorca KW - Simon Stone KW - Las Chicas del Cable KW - Tradition KW - Innovation Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244280 VL - 6 ER - TY - JOUR T1 - einBlick - Ausgabe 25 – 28. Juni 2022 T2 - einBlick N2 - Nachrichten aus der Julius-Maximilians-Universität Würzburg KW - Universität KW - Würzburg KW - University KW - Wuerzburg KW - Wurzburg Y1 - 2022 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-277595 UR - https://www.uni-wuerzburg.de/aktuelles/einblick/ VL - 25/2022 ER - TY - JOUR A1 - Dürner, Benedikt T1 - Der lyrische Triebtäter André Pieyre de Mandiargues Gewalt und Erotik im Gedichtband L’Âge de craie JF - promptus - Würzburger Beiträge zur Romanistik N2 - The surrealists are not the only influence on the literary efforts of André Pieyre de Mandiargues – but it’s this influence that makes his oeuvre capable for an analysis based on Freudian theories. This way of an analysis is even more appropriate knowing that two of Mandiargues’ main and favourite themes – the eroticism and the violence – coincide with the Freudian life and destruction drive. Analysing the two poems Les filles des gobes and Les ruines de l’amour from the volume of poems L’Âge de craie, it’s these two paradigms that are clearly recognizable: Mandiargues’ symbolism reveals the duality of the domination by desires. KW - Gewalt KW - Bataille KW - Trieb KW - Freud KW - Erotik Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172876 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Leschzyk, Dinah T1 - Corona-Kommunikation. Wie Jair Bolsonaro die Wissenschaft diskreditiert und Verschwörungstheorien befeuert JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article deals with discursive and argumentative strategies used by Brazilian President Jair Bolsonaro to bring science in discredit during the 2020’s COVID-19-pandemic. Based on official statements and Tweets launched over the crisis the Discourse-Historical Approach is applied to make strategies brought into play by Bolsonaro visible. While the President declares scientific advice such as distancing and quarantine as ineffective, he recommends the use of hydroxychloroquine as well as old fashioned prayers for staying safe and healthy. He evokes that there are «fake news» and «partners of paralysis», to which he responds by demasking and bringing the one and only truth towards «the people». The analysis points out that Bolsonaro is downplaying the virus and the risk of transmission and puts the economy ahead of health. His supporters as a consequence tend to ignore the WHO recommendations how to behave during the pandemic. KW - COVID-19 KW - Coronavirus KW - Jair Bolsonaro KW - anti-science KW - discursive strategy Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244271 VL - 6 ER - TY - JOUR A1 - Book, Bettina T1 - Komplementsätze im Spanischen JF - promptus - Würzburger Beiträge zur Romanistik N2 - This paper discusses complementation strategies in Spanish, focusing on a specific construction most speakers are not aware of: the complementation clause preceded by the verb conocer. Not being a typical complement-taking verb, conocer surprises with a stable and persistent presence throughout the centuries, from Old Spanish to Modern Spanish. After giving an introduction into the field of complementation clauses and one of its main focus of study, grammatical mood, this study uses empirical data from the corpus programs CORDE, CREA and CORPES XXI to show the usage and prevalence of the construction in question. In doing so, this analysis gives a quantitative insight, exemplifying the results with several examples from all ages. KW - Syntax KW - Komplementsatz KW - Korpus KW - quantitativ KW - conocer Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172869 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Petričić, Mihaila T1 - Traduciring Comedy. An Analysis of Two English Translations of Enrique Gaspar y Rimbau’s El anacronópete JF - promptus - Würzburger Beiträge zur Romanistik N2 - In Enrique Gaspar y Rimbau’s 1887 science fiction novel El anacronópete, comedy presents itself in a variety of guises. One of the central comic elements of the book is the playful way in which the lower class characters, namely the maid Juana and the soldier Pendencia, engage with language. This article will compare Gaspar’s El anacronópete with two of its official translations, Leyla Rouhi’s The Anacronópete and Yolanda Molina-Gavilán and Andrea Bell’s The Time Ship: A Chrononautical Journey, in order to ascertain to what extent the Spanish author’s comic touch is preserved in the English translations of Juana’s and Pendencia’s speech. The maid’s and the soldier’s use of double meaning, the mondegreen, and code-switching will be the specific focus of our analysis. We will see that, as Salman Rushdie claims, although «[i]t is normally supposed that something always gets lost in translation […] something can also be gained» (1991: 17). KW - Enrique Gaspar y Rimbau Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139483 SN - 2510-2613 VL - 1 ER - TY - JOUR A1 - Schäfer, Elena T1 - Veo veo. ¿Qué ves? Durch Hör-Seh-Verstehen zu Mehrsprachigkeitskompetenz JF - promptus - Würzburger Beiträge zur Romanistik N2 - Multilingualism is part of our everyday lives and has recently entered the medium of film. Based on the linguistic diversity of Spanish-speaking countries, the present paper explores multilingualism as a key competence of foreign language learning. Since film provides students with audiovisual access to multilingual situations, a selection of educational videos that form parts of German textbooks will be critically explored concerning the presentation of multilingual phenomena. The results will be discussed in order to contribute to the systematic acquisition of multilingual skills in the sense of language and cultural awareness during classroom learning. KW - Mehrsprachigkeit KW - Hör-Seh-Verstehen KW - Spanisch KW - Lehrwerkanalyse KW - Lernvideo Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172946 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Kloster, Kerstin T1 - Der Körper als Einschreibungsfläche des weiblichen Gedächtnisses. Eine Analyse der mündlichen Überlieferung in Le livre d’Emma von Marie-Célie Agnant JF - promptus - Würzburger Beiträge zur Romanistik N2 - Women in Caribbean culture traditionally occupy the role of guardians of collective memory, as tellers of stories, legends and myths. Through oral tradition, they transfer the cultural and family knowledge from one generation of women to the next. We will offer an analysis of oral transmission as a way of preserving a memory of women in Le livre d’Emma (2001) by the Québec author of Haitian origin, Marie-Célie Agnant. We will primarily analyze the transformation of communicative memory into cultural memory, following the distinction by Jan Assmann. We will interpret the oral transfer as a possibility to stabilize, to legitimize female memory and to inscribe it into the female body. KW - Agnant, Marie-Célie : Le livre d'Emma KW - Agnant, Marie-Célie : Le livre d'Emma KW - Mündliche Überlieferung Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161645 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Scholz, Janek T1 - Eine Künstlerkooperation ‘além das fronteiras’ – Banda desenhada de língua portuguesa JF - promptus - Würzburger Beiträge zur Romanistik N2 - Economic, academic or artistic cooperation among actors of different countries or disciplines offers numerous new perspectives, but it also confronts the ones profiting from it with several challenges. First, identity has to be firmly established, which requires intercultural skills, such as role-distance, empathy and tolerance for ambiguities. Secondly, a third space is required in which meaning can be newly negotiated to make the partnership succeed. This paper proposes that even within one and the same language-group, one can speak of intercultural communication. A particular collaboration between Portuguese-speaking comic artists will be introduced, raising questions of the conditions necessary to make such a cooperation work. Answers will be provided according to the decisions the artists made in their publications. KW - Banda desenhada de língua portuguesa KW - BDLP KW - Künstlerkooperation KW - Kooperation KW - Künstler Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161662 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Mounga, Bauvarie T1 - Stratégies narratives et violence dans le roman post-colonial africain : le cas de la technique du fragmentaire dans Le Pleurer-rire d’Henri Lopès JF - promptus - Würzburger Beiträge zur Romanistik N2 - After independence, in the sixties, sub-Saharan Africa including Francophone, saw moving to the head of his governments, dictatorial powers. Henri Lopès translated this in his work by a formal violence. We will study in this paper, the violence employed by the Congolese novelist in Le Pleurer-rire (1982): the technique of fragmentary. Our work is structured in three parts: the presentation of formal violence in Le Pleurer-rire, manifestations of postcolonial political system in this novel and the operation of the technique of fragmentary. KW - postcolonial novel KW - narration KW - technique of fragmentary KW - dictatorship KW - violence Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172916 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Rauchhaus, Moritz T1 - Topo-Analyse hin zur Ewigkeit: Catherine Pozzi zwischen Journal und Peau d’Âme JF - promptus - Würzburger Beiträge zur Romanistik N2 - Peau d’Âme has often been regarded as an enigmatic and mysterious text which prevented a broad attention and interpretation since its posthumous publication in 1935. But putting the perspective on Pozzi’s Journal, particularly during the years 1920 and 1921, allows us to discover a significant intertextuality between both of them. Catherine Pozzi’s perception of space in her every day writing does not differ from her philosophical work, since for her the concepts of center and periphery do not form a strict dichotomy. It becomes superfluous in a world without limits. The perception and philosophy of Catherine Pozzi tends to go beyond the boundaries of space which allows us, as readers of these two forms of writing, to comprehend her vision of a spatial and temporal eternity. KW - Paris KW - Catherine Pozzi KW - Peau d’Âme KW - Raumwahrnehmung KW - Montpellier Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172938 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Harjus, Linda T1 - Top down Initiated Medial Linguistic Politics : A Normative Inquiry into the Application of Andalusian Varieties Conducted by the Radio Channel Canal Fiesta Radio JF - promptus - Würzburger Beiträge zur Romanistik N2 - This contribution deals with the phonetic heterogeneity of spoken Spanish in Andalusia in the sector of public auditory media, specifically in the program ¡Anda Levanta! of Canal Fiesta Radio. First, we take into consideration Article 10 of the Statute of the Autonomy of Andalusia, which enhances the protection, promotion, study, and prestige of the Andalusian modalities and its respective variety (cf. Parlamento de Andalucía 2007: 13). Second, we refer to the Libro de Estilo, a mandatory guide for presenters of public audiovisual media in Andalusia since 2014. The results of the qualitative analysis indicate divergences between the presenters and their audience with regard to their use of phonetic characteristics typical of the Andalusian varieties: where the presenters tend to avoid the salient aspects of the varieties, the audience employs a range of phonetic characteristics typical for Andalusian varieties, including some of the characteristics that are considered less prestigious. KW - Andalusian varieties KW - linguistic politics KW - European Spanish KW - sociophonetics KW - language in media Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-221836 SN - 2364-6705 VL - 5 ER - TY - JOUR A1 - Thalhammer, Johanna T1 - L’art de bien chanter und Von der Kunst zierlich zu singen und zu spielen – Eine kontrastive Analyse von Texten der musikalischen Fachsprache im 18. Jahrhundert anhand von Auszügen aus Code de musique pratique, Rameau (1760) und Der vollkommene Capellmeister, Mattheson (1739) JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article is an analysis and a comparison of German and French special language of music in the 18th century, more precisely about the terms used to describe the activity of singing. The analysis is based on two treatises about music theory. The first writing, Der Vollkommene Capellmeister, was written by Johann Mattheson in 1739 and the second, Code de musique pratique by Jean-Philippe Rameau was published in 1760. Both texts contain a chapter which gives explanations how to sing. The treatises include different types of technical words: specific terms easy identified as special language terms like names of ornaments in the music, special verbs standing for singing, and words and anaphors to describe tonality and dynamics. By having a look on the terms of music language, the influence of Italian and French words on German vocabulary of music becomes obvious. The vocabulary is often similar in both languages, but not always defined as a part of the special language of music. KW - special language of music KW - contrastive analysis of languages KW - vocabulary of singing KW - Mattheson KW - Rameau Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172958 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Koch, Christian T1 - Et amen. No? Sul carattere testuale dell’idioletto poliglotta della figura di Salvatore nel romanzo Il nome della rosa di Umberto Eco JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article deals with the outstanding linguistic character of Salvatore in Umberto Eco’s novel Il nome della rosa. The first section is a critical review on problems and potentials of linguistic analyses of fictional texts, especially of those which have been written in uncommon or inexistent languages. The text-based analysis of Salvatore’s polyglot idiolect shows that this is more than a simple and confused mixture of Latin, German, and some Romance dialects and languages. Based on the linguistic concepts of intertextuality, frame-dependent text styles, and diaphasic variety several language choices in Salvatore may be explained in a new way. The analysis of four concrete text fragments also envisions the possibilities of a deeper comprehension of Salvatore’s utterances through attentive context reading. KW - Salvatore KW - Eco, Umberto : Il nome della rosa KW - linguistic character KW - Eco, Umberto : Il nome della rosa KW - Sprache Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161658 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Hertrampf, Marina Ortrud M. T1 - De la Mère Patrie à «l’amère-patrie». Désiré Razafinjatos literarisches Bild der französischen 'Kolonialheimat' vor und nach der Unabhängigkeit Madagaskars JF - promptus - Würzburger Beiträge zur Romanistik N2 - French-Madagascan colonial history is full of dark chapters. After Madagascar’s independence the French general public forgot the country very quickly. In Malagasies collective memory, the wounds of colonial injustice are still open even if they are generally considered as fady (‘tabooʼ). Désiré Razafinjato is the first Malagasy author writing in French who dares to approach the difficult relations between Malagasy-French and indigenous Malagasy as well as between indigenous Francophiles and indigenous anti-French nationalists. In his tale «Tahiry. From Madagascar to the Algerian djebel, the bitter-fatherland», the narrator speaks about the painful loss of any fatherland for all those Malagasy who during the War of Algeria got involved as French soldiers. Indeed, it is the sad history of the despoliation of an ideal Motherland on the French side and of the refusal of membership in an ancestral fatherland on the Malagasy side. What remains for those ancient French-Malagasy combatants is the feeling of a ‘bitter-fatherlandʼ and the feeling of living in ‘between everywhereʼ in some kind of ‘non-fatherlandʼ. KW - Désiré Razafinjato Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139461 SN - 2510-2613 VL - 1 ER - TY - JOUR A1 - Hennemann, Anja T1 - El marcador (yo) pienso (que) y sus diferentes funciones JF - promptus - Würzburger Beiträge zur Romanistik N2 - In this paper, the different uses and functions of (yo) pienso (que) are analysed. The examples demonstrate that (yo) pienso (que) fulfils various functions. It is used as a marker of cognitive attitude concerning the proposition (that is, the speaker expresses his validative attitude or an inference), as a pragmatic marker or as a cognitive particle. In this study, we introduce the term ‘cognitive particle’ in order to describe the use of (yo) pienso (que) when its use serves to gain time in processing the enunciation or to structure the speaker’s thoughts. The empirical data are on the one hand retrieved from the corpus programme CREA, of debates and interviews focusing on peninsular Spanish, and on the other hand from GlossaNet, more precisely from the newspapers El País and El Mundo. This analysis is a qualitative one because we do not focus on the frequency of the different functions. Instead, we want to illustrate the various functions (yo) pienso (que) fulfils. KW - (yo) pienso (que) KW - marcador KW - functiones KW - Diskursmarker KW - Funktion Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161627 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Wörsdörfer, Anna Isabell T1 - Vom ‘bon sauvage’ zum französischen Ritter par excellence. Die ‘Matière de Bretagne’ als Streitobjekt konkurrierender Erinnerungskulturen in Jean-Pierre Claris de Florians Mittelalternovelle Bliombéris (1784). JF - promptus - Würzburger Beiträge zur Romanistik N2 - While French Enlightenment seems philosophically dominated by a pejorative idea of the medieval past as the ‘Dark Ages’, this is only one conception among others. This article focuses on a different, a positive, representation of the Middle Ages in eighteenth-century literature, analyzing the chivalric novella Bliombéris (1784) by Jean-Pierre Claris de Florian. On the one hand, the eponymous hero is considered a ‘noble savage’ who develops into an ideal knight by education and successful learning – two central ideas of the Enlightenment period. On the other hand, the study shows how the medieval topic of the Matière de Bretagne, exclusively required by English literature for a long time, is finally regained by the French and is reintegrated into their national memory. KW - Bliombéris Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139518 SN - 2510-2613 VL - 1 ER - TY - JOUR A1 - Apostolidis -Gkarpousis, Alexandros A1 - Koch, Christian T1 - Convergences et divergences dans les articles «Langage» de Louis de Jaucourt et «Langue» de Nicolas Beauzée. Une comparaison de deux articles de l’Encyclopédie de Diderot et D’Alembert JF - promptus - Würzburger Beiträge zur Romanistik N2 - The two articles of «Langage» and «Langue», published in 1765 in the 9th volume of the great French Encyclopédie by Diderot and D’Alembert, treat some essential philosophical questions on the human ability of communication with linguistic signs. Nevertheless, as the two authors Jaucourt and Beauzée did not share completely identic points of view, the comparative lecture of both articles reveals a complementary perspective, particularly relating to the origin of language as a divine gift or humans’ creation for communicative needs. A further aspect of divergence concerns the textual composition of the article « Langage » as a structured informative text, and the article « Langue » as a long and freely composed writing including personal remarks by the author. The following article deals with the potential of approaches to the Encyclopédie in modern linguistics, concretely demonstrated in the comparative analysis of these two articles. KW - Encyclopédie KW - Lumières KW - philosophie du langage KW - Beauzée KW - Jaucourt Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172843 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Eibensteiner, Lukas A1 - Koch, Christian T1 - El uso de los tiempos del pasado en español como lengua extranjera: Una comparación de aprendientes escolares austriacos con políglotas románicos JF - promptus - Würzburger Beiträge zur Romanistik N2 - The normative use of past tenses is supposed to be a big challenge for learners of Spanish. Although they might understand the grammatical chapter in theory, adequate past tense use in spontaneous oral production is not guaranteed. Morphological errors, overgeneralizations of tenses and interferences with other languages characterize the interlanguage of the learners. Based on two corpuses, we analyse how the past tense use differs between secondary school students from Austria and Romance polyglots. Qualitative and quantitative analyses show that polyglot speakers surpass the secondary school students in some areas such as the distinction of verbal aspect. However, the students tend less to use the perfecto compuesto in an inadequate way in narration. KW - Vergangenheitstempus KW - Spanisch KW - Vergangenheitstempora KW - Tempus- und Aspekterwerb KW - Spanisch als Fremdsprache KW - Mehrsprachigkeit KW - perfecto compuesto Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-187955 SN - 2364-6705 VL - 4 ER - TY - JOUR A1 - Raab, Philipp T1 - Diskursmarker in den iberoromanischen Sprachen: Definition, Identifikation, Klassifikation JF - promptus - Würzburger Beiträge zur Romanistik N2 - Over the past few decades, a multitude of scientific research has been published on the topic of discourse markers, intending to define this linguistic phenomenon. Despite this increase of interest in discourse markers, fundamental questions pivotal to a clear definition remain unanswered. On basis of an empirical analysis of Spanish, Portuguese and Catalan discussions, this essay sets out to demonstrate that combining of the two prevailing research approaches (formal-syntactical vs. functional-pragmatic) has advantageous effects on the definition of discourse markers. KW - Diskursmarker KW - Spanisch KW - Portugiesisch KW - Katalanisch KW - Diskursmarker KW - Diskurspartikel KW - Spanisch KW - Portugiesisch KW - Katalanisch Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-187983 SN - 2364-6705 VL - 4 ER - TY - JOUR A1 - Fliege, Daniel T1 - Le dégoût du cadavre. Une comparaison entre la représentation du corps mort dans le De Miseria Condicionis Humane d’Innocent III et dans son adaptation française Double lay de fragilité humaine d’Eustache Deschamps JF - promptus - Würzburger Beiträge zur Romanistik N2 - The study uses the category of disgust in order to analyse the representation of the human body and the corpse in one of the most influential medieval treatises, the De Miseria Condicionis Humanae (1195) written by Pope Innocent III, and its little known old French adaptation Double lay de fragilité humaine (1383) by Eustache Deschamps. Analysing how both use disgust as an aesthetic means, which appeals to emotions and turns off reason, helps to point out the pedagogical and moral function of the texts. The comparison between them shows that Deschamps stays faithful to his Latin model, but that he nevertheless has to make certain modifications in order to adapt the prose text into a lyrical form. Furthermore, this approach clearly elucidates what differences there are between the conceptions of the human body and death in the two texts, revealing at the same time divergent theological points of view. KW - De Miseria Condicionis Humanae KW - Double lay de fragilité humaine KW - Deschamps, Eustache KW - Innocent III KW - Ekel KW - Leiche KW - Körper KW - Mittelalter KW - Literatur Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161616 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Ibrahim, Amira T1 - L’orientalisme français : définition et histoire JF - promptus - Würzburger Beiträge zur Romanistik N2 - The history of intellectual and cultural contact between West and East is very complicated and contradictory. A long time ago, eastern culture attracted the attention of many writers, orientalists and researchers, who headed east not only to study and describe the fascinating eastern civilizations, but also to analyze their different literary, historical and scientific aspects. The new mysterious but exciting environment inspired the orientalists to record and describe what they experienced regarding the architecture, the nature and the people. The attractive eastern natural views which are distinguishable from the monotonous western environment – especially after the industrial revolution – helped them to find new prospects. The East has been coming into focus since the middle ages, when the church campaigns started to study Islam as the prevalent religion in this area. The orientalist motivations were not only religious, but also followed economic, colonial and scientific agenda, which lead to a plethora of specialized research, stories, novels and analytical studies. A close look at the orientalists’ works will provide us with an overview of eastern civilization. Therefore, their works are considered as a mirror reflecting their point of view to the east and the north of Africa, especially to pharaonic Egypt. The orientalists who travelled to the east and expressed their passion to this old civilization in their writings influenced the literary movement deeply. But what do we mean by the term orientalism? Edward Saïd has defined this term in different ways. Saïd presented and interpreted it as a way of thinking, a historical phenomenon. Defining orientalism has become a problem indeed, and now it is carrying a number of meanings which do not match. Therefore, the aim of the study is to bring into focus the most important definitions of the term orientalism from the late 17th to the mid-20th century. KW - orientalisme KW - les Turqueries KW - la campagne d’Égypte KW - Edward Saïd Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172899 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Sorrenti, Elisa T1 - Zweitspracherwerb und Interlanguage. Eine empirische Untersuchung zur deutschen Wortstellung bei L1-Italienisch-Sprechern mit L2-Deutsch JF - promptus - Würzburger Beiträge zur Romanistik N2 - Much research on first language (L1) acquisition carried out in the last decades has proven that language acquisition is based on a biological endowment, the language faculty, which is triggered by the exposure to linguistic data. The language acquisition process undergoes similar stages in the same time span, independently of the specific language. Non-native acquisition differs from L1 acquisition, as the speaker already has an internal grammar with all parameters set. Transfer should therefore take place, bringing the learner to analyse the new input according to the properties of the L1, but a reanalysis is possible because of the availability of UG (Schwartz/Sprouse 1996). This article explores a syntactic domain, namely the properties of the functional categories constraining the verb position in main and subordinate clauses, by means of empirical data from Italian L1-speakers acquiring German as a second language (L2). It will be shown that the interlanguage grammars reflect properties of L1 and that resetting can be achieved, although optionality still exists and full convergence to the target language cannot be guaranteed. KW - Zweitspracherwerb Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139498 SN - 2510-2613 VL - 1 ER - TY - JOUR A1 - Kurth, Sarah T1 - La semiótica escenográfica en Todo lo demás (2016), de Natalia Almada JF - promptus - Würzburger Beiträge zur Romanistik N2 - In the wake of the general tendency towards slow cinema which has been evolving in Mexican cinema, cinematographic devices have gained importance not only with regard to the construction of a persuasive narrative but also in terms of the aesthetic constitution of the movie itself. Not only is this observation evident in the absence of camera movements but also in the semiotic depth of mise en scène resulting from this circumstance. Natalia Almada’s movie Todo lo demás (2016) provides an impressive example of both the repercussions of this technique in the representation of loneliness as well as the suggestive power of the scenographical composition. Hence, the ensuing analysis of those scenes referring to water is to elucidate the semiotics of mise en scène and its influence on the representation of the main character and the repetitive routine constricting her freedom. KW - Mexican cinema KW - Todo lo demás KW - Natalia Almada KW - mise en scène KW - semiotics Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-187979 SN - 2364-6705 VL - 4 ER - TY - JOUR A1 - Issel-Dombert, Sandra A1 - Wieders-Lohéac, Aline T1 - «Nous multiplierons les chansons, les concerts, les spectacles». L’argumentation de François Hollande face aux attaques terroristes du 13 novembre JF - promptus - Würzburger Beiträge zur Romanistik N2 - After the terrorist attacks on November 13th, the French public, the whole of Europe and many parts of the world were waiting for president François Hollande to address his fellow “citoyens”. Being the most important political figure – both by constitution and by influence on public discourse – the president’s words bear great importance for the subsequent debate and interpretation of the events. Therefore, the question arises: How did the president shape the debate in the hours and days after the attacks? To answer this question, we have identified typical structures in Hollande’s rhetorical reaction to the attacks, performing a topos as well as a keyword analysis of the speeches the president held within two weeks after November 13th. In a contrastive analysis we have compared Hollande’s speeches to the Europarl Corpus. Using the software programme sketch engine, we have filtered out the 100 most frequent keywords and classified them into semantic fields (data-driven approach). All in all, terrorism, action and nation/identity are the three predominant semantic fields, whereas references to victimhood barely appear. These findings are congruent with the results of our topos analysis that reveals a predominance of argumentative structures that form a strong main topos of resilience, emphasising the greatness of France and its people and culture, calling to action and avoiding any tendencies of resignation. KW - debate KW - Hollande, François KW - influence KW - terrorist attack, Paris, 13th November 2015 KW - Hollande, François KW - Bataclan (Paris) KW - Attentat KW - Meinungsbildung Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161637 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Brunke, Dirk T1 - Der nationalepische Pionier Esteban Echeverría. Ein Beitrag zur Entstehungsgeschichte des romantischen epischen Gedichts in Hispanoamerika JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article concentrates on the Argentine author Esteban Echeverría who is known as the founding father of Romanticism in the River Plate region. The author of this article intends to show that the importance of Echeverría for the development of Argentine national literature goes beyond the spreading of Romanticist aesthetics. Especially his poem La cautiva (1837) has been regarded as the national epic poem of Argentina because it represents national landscape and the early days of national history. However, as the classification of this narrative poem as the national epic poem already indicates, Echeverría also contributed to the presence of this prestigious genre at the River Plate region. By investigating Echeverría‘s less known verse texts – namely the texts which were read by all Romantics but which have been neglected by literary studies so far – this article illustrates that Echeverría gave decisive impulses for the presence of the epic poem at the River Plate. KW - episches Gedicht KW - romantisches Gedicht KW - Hispanoamerika KW - Entstehungsgeschichte KW - Echeverría, Esteban KW - Hispanoamerika KW - Literatur KW - Gedicht Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161592 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Buch, Marina-Rafaela T1 - Madame Chrysanthème (1887) et Japoneries d’automne (1889) de Pierre Loti entre japonisme et exotisme désenchanté JF - promptus - Würzburger Beiträge zur Romanistik N2 - The novel Madame Chrysanthème (1887) and the essays collected in Japoneries d’automne (1889) written by French travel author Pierre Loti offer a paradoxical view of Japan during the Meiji period. In both travel writings, the author is torn between aesthetic japonism – which spread all over Europe at the end of the 19th century – and exotic expectations, i.e. the picturesque fascination of the Other. The latter, however, remains unsatisfied throughout his stay. In both writings, Pierre Loti provides an insight into Japan that entirely reflects the spirit of his time. Thereby, he contributes to an image of Japan, which will long remain vivid in the Occident. Contemporaries perceive Loti’s representation of Japan as a realistic testimony, tinged with both sensory impressions and his highly ambiguous feelings towards the distant country, which in the end remained incomprehensible to him. KW - Madame Chrysanthème KW - Japoneries d’automne KW - Pierre Loti KW - Loti, Pierre KW - Japan KW - Meiji-Periode Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161603 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Winter, Ursula T1 - Literarisierung von Musik als Intermedialitätsphänomen. Exemplarische Betrachtung der oratorischen Rezeption Dantes und Goethes bei Wolf-Ferrari und Berlioz JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article deals with the reception of Dante and Goethe in Ermanno Wolf-Ferrari’s and Hector Berlioz’s compositions La Vita Nuova and La Damnation de Faust. Although Dante Alighieri’s Vita Nova and Johann Wolfgang von Goethe’s Faust belong to completely different genres and epochs, the texts provide the basis for the oratorio-style works from the Romantic era, which justifies a comparative analysis of the latter. The examined reductions, extensions, modifications and rearrangements of the texts in the libretti – which were compiled almost entirely by the composers themselves – as well as the instrumental parts and the use and functions of the orchestra, the choir and the soloists, portray the intermedia relations between literature and music in the selected compositions. The chosen examples will show that the common idea of setting literature to music and the translation studies concept of intersemiotic translation are not appropriate for all literature-based pieces of music, as the analysis of both works demonstrates that with regard to vocal music a distinction should be made between the musicalization of literature and the literarization of music. KW - Dante, Alighieri KW - Goethe, Johann Wolfgang von KW - Wolf-Ferrari, Ermanno KW - Berlioz, Hector KW - Musik KW - Literarisierung KW - Intermedialität Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161690 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Augustin, Jenny T1 - ¿Diversa, democrática y moderna? La imagen transmitida de la Real Academia Española en el discurso actual. Una mirada panorámica JF - promptus - Würzburger Beiträge zur Romanistik N2 - In 2013, three hundred years had passed since the foundation of the Real Academia Española (RAE). The celebrations accompanying this anniversary were extended across the year and came to a closure with the publication of the 23rd edition of the Diccionario de la lengua española in 2014. Spanish media followed the above-mentioned festivities with a detailed coverage. The purpose of this article is to study the image of the RAE conveyed through the media and the Internet, which can be subsumed under the three terms ‘diverse, democratic and modern’. This form of representation is put into a broader context by considering the linguistic politics pursued by the RAE and the Asociación de Academias de la Lengua Española (ASALE) under the keyword of panhispanism. Finally, a closer look is taken at El buen uso del español, a student manual published by the RAE and the ASALE in 2013, in relation to panhispanism and prescriptivism. KW - Real Academia Española KW - Real Academia Española KW - Königlich Spanische Akademie Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139449 VL - 1 ER - TY - JOUR A1 - Cunha, Conceição T1 - captar – cap(i)tar, facto – fato: Variation und Wandel bei Plosivsequenzen im Portugiesischen JF - promptus - Würzburger Beiträge zur Romanistik N2 - The present study is concerned with the production and perception of the stop consonant clusters /pt/ and /kt/ as well as CVC-Sequences /pVt/ and /kVt/ in European and Brazilian Portuguese (EP and BP, respectively). European and Brazilian Portuguese have the same syllable structure (Bisol 1999: 731, Mateus/d’Andrade 2000: 39), but are postlexically affected by contrary phenomena. After the occurence of phonological processes such as vowel reduction and deletion in European clusters and vowel epenthesis in Brazilian consonant clusters, the difference between lexical consonant clusters and CVC-sequences would be diminished in both varieties, so that EP would realize both as CC, while BP would realize both as CVC. In order to test whether clusters and CVC-sequences can be distinguished in production and perception, we discuss a physiological experiment and a perceptual study with participants of both varieties. The results show less overlap in BP than in EP. The reason for which is seen in the perception of intervocalic epenthetic elements even in lexical clusters in BP and more consonant clusters in EP. KW - Plosivsequenzen KW - Portugiesisch Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139454 SN - 2510-2613 VL - 1 ER - TY - JOUR A1 - Hettmann, Sandra T1 - «Explotan las imágenes y un altoparlante con su lengua». Surrealistische Dis/Kontinuitäten bei Luciana Romano: Bebilderungen im Gedichtraum durch Fotoästhetik und Dynamiken des Wortbildes JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article seeks to analyse the volume of poems Vapor de foto (2006) written by the young contemporary poet Luciana Romano from Buenos Aires. Romano is also an activist of the politically engaged artist collective Etcétera… founded in the late nineties. Her poetry reveals a certain correlation with the aesthetics of the actions and interventions developed by Etcétera… in the streets and public spaces not only of Argentina but also of Europe. Furthermore, the creation of Vapor de foto is based on the collective’s experiences and practices. Using a methodological approach that combines close reading and a cultural and socio-critical focus, several poems will be exemplarily analysed in order to examine the interrelation between Romano’s style of writing and her activism. Assuming that her poetry, as well as the work of Etcétera…, belongs to a postdictatorial contemporary aesthetics characterized by the complex interplay between dadaistic and surrealistic dis/continuities, this article will focus on the analysis of different forms of relations between text and image. KW - Luciana Romano Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139473 SN - 2510-2613 VL - 1 ER - TY - JOUR A1 - Uzunkaya, Hümeyra T1 - Präpositionalphrasen mit der Präposition de im Französischen – Struktur und Realisierungsformen JF - promptus - Würzburger Beiträge zur Romanistik N2 - This paper investigates the linguistic properties of prepositional phrases containing de in the French language by means of a comprehensive compilation of possible formal realizations, for which examples are provided out of a chosen sample text. Special attention will be paid to the most frequently-cited formal realization, namely the combination of a preposition and a noun phrase. The corresponding forms will be divided into two classes, one with nominal phrases containing a phonetically realized or at least an underlying determiner, and one with nominal phrases in which no determiner is assumed to occur. This distinction will shed light on some of the difficulties that can arise in the assignment of the elements to either category due to the special interaction between the preposition de and the French system of determiners. KW - Präpositionalphrasen KW - Französisch Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139506 SN - 2510-2613 VL - 1 ER - TY - JOUR A1 - Kailich, Franziska T1 - Esquemas sintácticos en el español estándar europeo contemporáneo JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article summarises an examination of sentence patterns in modern European standard Spanish, in order to give an answer to the following questions: How many different sentence patterns are there and which are the most frequent patterns in modern European Spanish? Based on the principles of verb valency, as established by Lucien Tesnière and further developed by Ulrich Engel and others, a corpus of 500 sentences is analysed, identifying the sentence patterns of the main clauses. The analysis shows 19 different sentence patterns, the most frequent of which is p-s-cd, that is, predicate – subject – direct object. Subsequently, the results are compared to those of a different study on Spanish sentence patterns. KW - Spanisch KW - Syntax KW - Spanish syntax KW - verb valency KW - sentence patterns KW - Tesnière KW - corpus analysis Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-187963 SN - 2364-6705 VL - 4 ER - TY - JOUR A1 - Schöpe, Kai T1 - Unaufhörliches Suchen – Gaddas Roman Quer pasticciaccio brutto de via Merulana als carmen perpetuum JF - promptus - Würzburger Beiträge zur Romanistik N2 - Gadda’s novel Quer Pasticciaccio brutto de Via Merulana tells the tale of two crimes committed in Rome in the 1920s. The search for the perpetrators turns into a pasticciaccio brutto (an awful mess), challenging the reader with its linguistic complexity and a myriad of references to history and culture; the large number of allusions to antiquity is particularly striking. References to Virgil’s Aeneid and to Rome’s mythical past do not constitute a mere transfer, but document a creative approach of transformational nature. Deformation and inversion are part of this process, changing the μορφή not only in formal terms, but also within the plot itself. These transformations of both form and content are read as Metamorphoses and analysed in comparison to Ovid’s homonymous work. The perpetual, never-ending quest for truth in Gadda’s novel necessitates a perpetual, never-ending narrative, which is conceptually related to Ovid’s carmen perpetuum. KW - Gadda, Carlo Emilio : Quer pasticciaccio brutto de Via Merulana KW - perpetual, never-ending narrative KW - Gadda, Carlo Emilio : Quer pasticciaccio brutto de Via Merulana Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161673 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Berneiser, Tobias T1 - Lissabonner Navigationen. Literarische Nautik und heterotopischer Stadtdiskurs in José Cardoso Pires’ Lisboa – Livro de Bordo JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article seeks to analyse urban representation in José Cardoso Pires’s Lisboa – Livro de Bordo (1997), a book dedicated to the author’s home city Lisbon, by focusing on its prevailing nautical and maritime imagery. This imagery as well as its tendency to design Lisbon as a city-ship shall be examined with regard to spatial construction in the Livro de Bordo. Urban sailing as well as the recurrent representations of the Portuguese capital’s spaces as heterotopias will be interpreted as approaches to subvert institutional and homogenic discourses on Lisbon. KW - José Cardoso Pires, Lisbon KW - heterotopia KW - urban discourse KW - urban semiotics Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172859 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Wörsdörfer, Anna Isabell T1 - Hexen Revival. Produktive Bécquer Rezeption und Gattungsspezifik in Jugendbuch und TV Serie BT - Dietmar Rieger zum 77. Geburtstag JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article exemplifies Gunter Grimm’s concept of productive reception by analyzing César Fernández García’s young adult novel La última bruja de Trasmoz (2009) and the episode Tiempo de hechizos (2017) of the TV series El ministerio del tiempo as two modern works which artistically and creatively deal with Gustavo Adolfo Bécquer’s Cartas desde mi celda (1864). The study is based on the core assumption that the choice of genre greatly influences the treatment of motives such as the perception of nature and the idea of dreams, as well as the image of the witch. While Bécquer’s letters, which focus on the rural people’s superstition, present the witch of Aragonese folklore, the modern examples portray two of her fantastic counterparts: the novel depicts its magical protagonist as an evil supernatural being, whereas the TV episode of the science fiction series shows the witch as a time traveller and a victim. KW - Cartas desde mi celda KW - Fantasy KW - Gustavo Adolfo Bécquer KW - Hexe KW - produktive Rezeption Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-221900 SN - 2364-6705 VL - 5 ER - TY - JOUR A1 - Suslenkova, Anastasiya T1 - Diskursanalytische Untersuchungen der politischen Rede in Italien am Beispiel der ausgewählten Reden von Silvio Berlusconi und Matteo Renzi JF - promptus - Würzburger Beiträge zur Romanistik N2 - The present study is concerned with a critical discourse analysis of the speeches of the Italian politicians Silvio Berlusconi and Matteo Renzi in different situations. The aim of the study was to find out how historical and speech contexts influence discourse structures and argumentations, and if any similar speech patterns or speech strategies were used. The results show that both politicians in many cases tend to utilize similar speech patterns to achieve different aims; each of them shows a preference for particular words, structures and strategies. It is noteworthy that one of the important differences between speeches of Berlusconi and Renzi is the use of various speech strategies. While Renzi uses these strategies to create an image of himself as a young and honest politician, Berlusconi makes use of them to defend himself or attack his opponents. KW - Renzi, Matteo KW - Berlusconi, Silvio KW - critical discourse analysis KW - speeches KW - Diskursanalyse KW - Politische Rede KW - Berlusconi, Silvio KW - Renzi, Matteo Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161681 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Mencke, Johanna T1 - Multimodalität als strategisches Framing – Die mediale Selbstinszenierung von Marion Maréchal-Le Pen (FN) in den sozialen Netzwerken JF - promptus - Würzburger Beiträge zur Romanistik N2 - The present study focuses on Marion Maréchal-Le Pen’s self-representation on social media. Despite her youth, the niece of the party’s chairwoman and granddaughter of its founder is a distinguished member of the French radical right-wing populist and nationalist party Front National. The corpus-based analysis of her digital presence on Twitter, Instagram and Facebook on which this paper is based shows a specific use of linguistic and multimodal resources as a means of strategic framing of political content. In particular, an analysis of Maréchal-Le Pen’s use of searchable hashtags and @mentions referring to different political and non-political actors reveals it as a strategy of polarization between a constructed us and a negatively connoted them. KW - Web 2.0 KW - Marion Maréchal-Le Pen KW - Front National KW - politischer Diskurs KW - Twitter KW - Facebook KW - Instagram KW - social media KW - framing KW - multimodality KW - political discourse KW - technomots Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-173990 SN - 2364-6705 VL - 4 ER - TY - JOUR T1 - einBlick - Ausgabe 09 - 08. März 2016 N2 - Nachrichten aus der Julius-Maximilians-Universität Würzburg KW - Würzburg KW - Universität KW - Wuerzburg KW - Wurzburg KW - University Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-128946 UR - http://www.presse.uni-wuerzburg.de/einblick/ VL - 9/2016 ER - TY - JOUR A1 - Prohl, Tanja T1 - Insécurité linguistique im Französischen? Eine Untersuchung nichtstandardsprachlicher Lexik auf Basis eines YouTube Korpus JF - promptus - Würzburger Beiträge zur Romanistik N2 - When it comes to linguistic norms in France, one standard will be immediately evoked – le bon usage. This version of traditional French is taught at school and has been serving as a model ever since the French Revolution. Yet – and maybe as a counter-reaction to such strict and prescriptive norm – there exists a multitude of alternative forms, especially with regard to the lexis, which are marked by different registers or styles. Thus, the French language is characterized by lexical doublets in the transition area between standard and familier. A varied terminology in the description of styles in dictionaries as well as a stigmatisation of the nonstandard lead to speaker insecurities and to a general devaluation of the parallel vocabulary. What are the consequences of this in speech behaviour? Is there a remarkable difference between speech behaviour and prescriptive norm? Do speakers show any sign of linguistic insecurity when using nonstandard structures? The research issue will be addressed by means of a qualitative analysis of videoblogs from French YouTubers. KW - Sprachliche Unsicherheit KW - gesprochenes Französisch KW - Lexik KW - Norm KW - Nonstandard Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-221886 SN - 2364-6705 VL - 5 ER - TY - JOUR A1 - Palacios Espinoza, Romina Irene T1 - Schmerzhafte Erotik: kranke Körper und sexueller Genuss in El último cuerpo de Úrsula von Patricia de Souza JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article is dedicated to the analysis of the body, which is staged as sick and painful. El último cuerpo de Úrsula by Peruvian author Patricia de Souza is characterized by the connection between body, pain perception and eroticism. Illness and paralysis play a fundamental role in the narrative because they cause the recomposition of the ego, which leads the protagonist, Úrsula Res, to perceive and reflect the fragmentation of her identity and the increasing distance from her body. Through approaches to pain and disability, the expressiveness of the narrativized eroticism of this text, based on an obedient relationship to the body, is revealed. KW - Literary representation of the human body KW - illness KW - pain KW - eroticism KW - Patricia de Souza Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-221877 SN - 2364-6705 VL - 5 ER - TY - JOUR A1 - Kühne, Ina T1 - Die Konstruktion von Männlichkeitsbildern in der katalanischen Literatur zum Ersten Spanisch Marokkanischen Krieg (1859/1860) JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article explores the construction of Catalan masculinity and Catalan identity in literature on the Spanish-Moroccan War of 1859/60. During the war, an immense amount of patriotic literature in Catalan language was published in Catalonia, in which the authors glorified the deeds of the Catalan general Joan Prim i Prats and of the Catalan volunteers who fought in the war. The article aims to illustrate, on the basis of the analysis of poems, theatre plays, patriotic songs, reports and chronicles written by Catalan authors, the importance of the First Spanish-Moroccan War for the development of Catalan identity. It attempts as well to demonstrate that the authors used the literature about the war to diffuse a specific Catalan ideal of masculinity and to stylize General Prim and the volunteers into national heroes, who embodied the strength of the Catalan cultural nation, since the Catalan community needed new idols after a long time of political and cultural decline caused by the centralist policies of the Spanish state. The Catalan ideal of masculinity was utilized to differentiate the Catalans from the other Spaniards whose masculinity was considered to be in decadence by the other European nations. KW - Spanish-Moroccan War of 1859/60 KW - masculinity KW - Catalan identity KW - General Prim KW - Catalan volunteers Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-221847 SN - 2364-6705 VL - 5 ER - TY - JOUR A1 - Hagen, Clemens T1 - Ver y ser visto: Intelectualidad y falsa erudición en La Regenta JF - promptus - Würzburger Beiträge zur Romanistik N2 - Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clarín» have constantly referred to the unmasking of society’s hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimarán and S. Bermúdez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta. KW - False wisdom KW - intelligentsia KW - social criticism KW - Leopoldo Alas «Clarín» KW - La Regenta Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-221822 SN - 2364-6705 VL - 5 ER - TY - JOUR A1 - Nenadovic, Ana T1 - Performing Feminism, Autobiography, and Testimony. Feminist Rap in Latin America. JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article focuses on selected Latin American female rap artists (Anita Tijoux, Rebeca Lane, and the duo Krudas Cubensi), and the way they perform feminism, autobiography and testimony through their lyrics and performances. The analysis concentrates on the synergies between the texts themselves, the official music videos shared on YouTube and the background music. It aims to demonstrate that only such a synergistic approach to rap allows a profound understanding of its particularities and its contributions to feminist discourses and spaces for feminist testimony in the current rise of both right-wing politics and feminist movements on the continent. KW - feminist rap KW - Latin America KW - performance KW - performativity KW - autobiography Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-221850 SN - 2364-6705 VL - 5 ER - TY - CHAP A1 - Ruhe, Ernstpeter T1 - La légitimation du savoir dans le dialogue encyclopédique Le Livre de Sydrac N2 - No abstract available. KW - Sidrac Y1 - 2013 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-105586 ER - TY - THES A1 - Meyer, Stefanie T1 - Der „Discursus medicus et politicus“ von Tobias Geiger (1656). Edition und Kommentar T1 - The "Discursus medicus et politicus" by Tobias Geiger (1656). Edition and commentary N2 - Der „Discursus medicus et politicus“ von Tobias Geiger ist eine Handschrift aus dem Jahr 1656. Als eine Art Lebensbericht stellt das Werk ein Plädoyer für die Chirurgie als wichtigen Bestandteil der Medizin dar. Tobias Geiger skizziert nicht nur einen „rechten medicus“ in „tempore pacis, belli et pestis", sondern er beschäftigt sich zudem mit gesundheitspolitischen Themen, wie die Vereinigung von Chirurgie und Medizin in der Ausbildung, die Abschaffung sowohl von der Landfahrerei als auch von unqualifizierten Heilpersonen, die Prüfung des Heilpersonals sowie die Verbesserung der Spitäler. In der vorliegenden Dissertation wurde das Schriftstück zunächst editiert, die lateinischen Passagen übersetzt und kommentiert. Im Anschluss wurden die Inhalte für ein besseres Verständnis weiter aufgegliedert und in den historischen Kontext gestellt. N2 - "Discursus medicus et politicus" by Tobias Geiger is a manuscript from 1656. The work shows similarities to an autobiography and functions as a plea for surgery as an important part of medicine. Not only is Tobias Geiger sketching out a "right medicus" in "tempore pacis, belli et pestis", he is also covering health policy issues such as the unification of surgery and medicine in education, the abolition of vagrancy and other unqualified healers, the examination of medical staff, and the improvement of hospitals. In the present dissertation, the document was edited for the first time. The Latin passages were translated and commented on. For a better understanding, the content was divided and placed in a historical context. KW - Geiger, Tobias KW - Chirurgie in der Frühen Neuzeit KW - Plädoyer für die Chirurgie KW - Handschrift Y1 - 2021 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-232856 ER - TY - THES A1 - Rudolph, Gerald T1 - Das Kammerregister Papst Martins IV. 1281 - 1285 (Reg. Vat. 42) : Untersuchung und kritische Edition T1 - The register of the chamber of Pope Martin IV 1281 - 1285 (Reg. Vat. 42). Investigation and critical edition. N2 - Die Dissertation beinhaltet die vollständige Edition des Kammerregisters Papst Martins IV. (Reg. Vat. 42, 1281 – 1285). Es ist das einzige Papstregister aus dem 13. Jahrhundert, das bisher nicht ediert worden war, und enthält 612 vollständige Briefe dieses Papstes. Ihr Inhalt ist aufschlussreich für die Geschichte des Kirchenstaates und das päpstliche Finanzwesen am Ende des 13. Jahrhunderts und eröffnet wertvolle Einsichten in die noch wenig erforschte päpstliche Kammer dieser Zeit. N2 - My thesis concerns the complete edition of a register of Pope Martin IV’s chamber (Reg. Vat. 42, 1281 – 1285). It ist the only papal register of the 13th century which has not yet been edited and includes 612 complete letters of that pope. Their content ist of historical interest in that they reveal much about the Papal State and the papal finances during that part of the 13th century. They also give valuable insight into the camera apostolica at that time which has not been researched much previously. KW - Martin KW - Verzeichnis KW - Geschichte 1281-1285 KW - Quelle KW - Martin IV. KW - Papstregister KW - Kirchenstaat KW - Apostolische Kammer KW - Martin IV KW - papal register KW - papal state KW - camera apostolica Y1 - 2004 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-12379 ER -