TY - JOUR A1 - Apostolidis -Gkarpousis, Alexandros A1 - Koch, Christian T1 - Convergences et divergences dans les articles «Langage» de Louis de Jaucourt et «Langue» de Nicolas Beauzée. Une comparaison de deux articles de l’Encyclopédie de Diderot et D’Alembert JF - promptus - Würzburger Beiträge zur Romanistik N2 - The two articles of «Langage» and «Langue», published in 1765 in the 9th volume of the great French Encyclopédie by Diderot and D’Alembert, treat some essential philosophical questions on the human ability of communication with linguistic signs. Nevertheless, as the two authors Jaucourt and Beauzée did not share completely identic points of view, the comparative lecture of both articles reveals a complementary perspective, particularly relating to the origin of language as a divine gift or humans’ creation for communicative needs. A further aspect of divergence concerns the textual composition of the article « Langage » as a structured informative text, and the article « Langue » as a long and freely composed writing including personal remarks by the author. The following article deals with the potential of approaches to the Encyclopédie in modern linguistics, concretely demonstrated in the comparative analysis of these two articles. KW - Encyclopédie KW - Lumières KW - philosophie du langage KW - Beauzée KW - Jaucourt Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172843 SN - 2510-2613 VL - 3 ER - TY - RPRT A1 - Samb, Aminata T1 - De la biofiction à l’exofiction dans «Allah n’est pas obligé» d’Ahmadou Kourouma et «Les soldats de Salamine» de Javier Cercas T1 - From biofiction to exofiction in Ahmadou Kourouma's "Allah n’est pas obligé" and Javier Cercas' "Les soldats de Salamine" N2 - Ce présent mémoire se donne pour objectif d’analyser le champ d’application et d’étude des concepts de biofiction et d’exofiction qui, à travers le brouillage entre la réalité la fiction, passeraient pour des récits de vie dans le roman postmoderne. Pour cela, nous avons étudié les relations entre la fiction et l’(auto)biographie, la fiction et la réalité axée sur les apports des stratégies linguistiques et conceptuelles, entre autres. Grâce à une méthode qualitative se fondant sur une approche hypothético-déductive pour montrer comment l’(auto)biographie a été retravaillée dans les deux textes, mais aussi de montrer le potentiel fictionnel, dont regorge notre sujet, à travers le récit de vie. Outre l’intérêt que nous avons porté aux travaux de Lejeune, Vincent Colonna et François Dosse dans leurs textes respectifs Le pacte autobiographique, L’autofiction : essai sur la fictionnalisation de soi en littérature et Le pari biographique pour souligner la connexion avec notre sujet, nous avons également fait appel au concept clefs du domaine, tels que théorisés par Alexandre Gefen et Alain Buisine (1991). N2 - The aim of this dissertation is to analyze the field of application and study of the concepts of biofiction and exofiction which, through the blurring between reality and fiction, would pass for life stories in the postmodern novel. For this purpose, we have studied the relations between fiction and (auto)biography, fiction and reality, focusing on the contributions of linguistic and conceptual strategies, among others. Using a qualitative method based on a hypothetico-deductive approach to show how the (auto)biography has been reworked in both texts, but also to show the fictional potential, of which our subject abounds, through the life story. In addition to our interest in the work of Lejeune, Vincent Colonna and François Dosse in their respective texts Le pacte autobiographique, L'autofiction : essai sur la fictionnalisation de soi en littérature and Le pari biographique to underline the connection with our subject, we have also drawn on the key concepts of the field, as theorised by Alexandre Gefen and Alain Buisine (1991). T3 - Schriftenreihe Junges Afrikazentrum (JAZ) - 8 KW - Postmoderne KW - Literatur KW - Biofiction KW - Exofiction KW - Allah n'est pas obligé KW - Narrative KW - Postmodernism KW - Fiction Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-203013 SN - 2199-4315 ER - TY - JOUR A1 - Ruhe, Ernstpeter T1 - Faire gondoler Proust : l'art du léger tremblé de Jean-Philippe Toussaint N2 - No abstract available. KW - Romanistik KW - Literatur Y1 - 2007 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-102017 ER - TY - CHAP A1 - Ruhe, Ernstpeter T1 - La légitimation du savoir dans le dialogue encyclopédique Le Livre de Sydrac N2 - No abstract available. KW - Sidrac Y1 - 2013 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-105586 ER - TY - JOUR A1 - Nabi, Haifaa T1 - La Nausée : Salut par l’art ou par les autres ? JF - promptus - Würzburger Beiträge zur Romanistik N2 - In this article dedicated to Jean-Paul Sartre’s first novel La Nausée, we analyze how the idea of conversion to art grows in the imagination of the hero, Antoine Roquentin. Furthermore we show that all the narrative actions in the novel are based on the hero’s communicational interaction with the other characters. This lonely person who complains in his diary about social exclusion, yet he converts to art not through his reflections, but through communica-ting with the other characters. Also, many critical studies on La Nausée have considered jazz music that the hero listens to in a café as the critical moment of his conversion. In our opinion this reflects juste one phase of a connected sequence of events through which the hero passes from a state of relational negativity and existential alienation to a state of openness, achieved again mainly by the virtue of other characters. KW - conversion to art KW - others KW - communication KW - writing KW - loneliness Y1 - 2022 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-329799 SN - 2364-6705 VL - 8 ER - TY - JOUR A1 - Fliege, Daniel T1 - Le dégoût du cadavre. Une comparaison entre la représentation du corps mort dans le De Miseria Condicionis Humane d’Innocent III et dans son adaptation française Double lay de fragilité humaine d’Eustache Deschamps JF - promptus - Würzburger Beiträge zur Romanistik N2 - The study uses the category of disgust in order to analyse the representation of the human body and the corpse in one of the most influential medieval treatises, the De Miseria Condicionis Humanae (1195) written by Pope Innocent III, and its little known old French adaptation Double lay de fragilité humaine (1383) by Eustache Deschamps. Analysing how both use disgust as an aesthetic means, which appeals to emotions and turns off reason, helps to point out the pedagogical and moral function of the texts. The comparison between them shows that Deschamps stays faithful to his Latin model, but that he nevertheless has to make certain modifications in order to adapt the prose text into a lyrical form. Furthermore, this approach clearly elucidates what differences there are between the conceptions of the human body and death in the two texts, revealing at the same time divergent theological points of view. KW - De Miseria Condicionis Humanae KW - Double lay de fragilité humaine KW - Deschamps, Eustache KW - Innocent III KW - Ekel KW - Leiche KW - Körper KW - Mittelalter KW - Literatur Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161616 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Ruhe, Ernstpeter T1 - Le texte autophage : l'ordre dans Le Désordre de Rachid Boudjedra N2 - No abstract available. KW - Rachid Boudjedra / Le Désordre des choses KW - Bū-Ǧadra, Rašīd Y1 - 1995 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-101994 ER - TY - CHAP A1 - Ruhe, Ernstpeter T1 - Les mots, l'amour, la mort : Les mythomorphoses d'Assia Djebar N2 - No abstract available. KW - Djebar, Assia Y1 - 1998 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-107281 ER - TY - JOUR A1 - Ibrahim, Amira T1 - L’orientalisme français : définition et histoire JF - promptus - Würzburger Beiträge zur Romanistik N2 - The history of intellectual and cultural contact between West and East is very complicated and contradictory. A long time ago, eastern culture attracted the attention of many writers, orientalists and researchers, who headed east not only to study and describe the fascinating eastern civilizations, but also to analyze their different literary, historical and scientific aspects. The new mysterious but exciting environment inspired the orientalists to record and describe what they experienced regarding the architecture, the nature and the people. The attractive eastern natural views which are distinguishable from the monotonous western environment – especially after the industrial revolution – helped them to find new prospects. The East has been coming into focus since the middle ages, when the church campaigns started to study Islam as the prevalent religion in this area. The orientalist motivations were not only religious, but also followed economic, colonial and scientific agenda, which lead to a plethora of specialized research, stories, novels and analytical studies. A close look at the orientalists’ works will provide us with an overview of eastern civilization. Therefore, their works are considered as a mirror reflecting their point of view to the east and the north of Africa, especially to pharaonic Egypt. The orientalists who travelled to the east and expressed their passion to this old civilization in their writings influenced the literary movement deeply. But what do we mean by the term orientalism? Edward Saïd has defined this term in different ways. Saïd presented and interpreted it as a way of thinking, a historical phenomenon. Defining orientalism has become a problem indeed, and now it is carrying a number of meanings which do not match. Therefore, the aim of the study is to bring into focus the most important definitions of the term orientalism from the late 17th to the mid-20th century. KW - orientalisme KW - les Turqueries KW - la campagne d’Égypte KW - Edward Saïd Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172899 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Buch, Marina-Rafaela T1 - Madame Chrysanthème (1887) et Japoneries d’automne (1889) de Pierre Loti entre japonisme et exotisme désenchanté JF - promptus - Würzburger Beiträge zur Romanistik N2 - The novel Madame Chrysanthème (1887) and the essays collected in Japoneries d’automne (1889) written by French travel author Pierre Loti offer a paradoxical view of Japan during the Meiji period. In both travel writings, the author is torn between aesthetic japonism – which spread all over Europe at the end of the 19th century – and exotic expectations, i.e. the picturesque fascination of the Other. The latter, however, remains unsatisfied throughout his stay. In both writings, Pierre Loti provides an insight into Japan that entirely reflects the spirit of his time. Thereby, he contributes to an image of Japan, which will long remain vivid in the Occident. Contemporaries perceive Loti’s representation of Japan as a realistic testimony, tinged with both sensory impressions and his highly ambiguous feelings towards the distant country, which in the end remained incomprehensible to him. KW - Madame Chrysanthème KW - Japoneries d’automne KW - Pierre Loti KW - Loti, Pierre KW - Japan KW - Meiji-Periode Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161603 SN - 2510-2613 VL - 2 ER -