TY  - JOUR
A1  - Koch, Christian
T1  - Et amen. No? Sul carattere testuale dell’idioletto poliglotta della figura di Salvatore nel romanzo Il nome della rosa di Umberto Eco
JF  - promptus - Würzburger Beiträge zur Romanistik
N2  - This article deals with the outstanding linguistic character of Salvatore in Umberto Eco’s novel Il nome della rosa. The first section is a critical review on problems and potentials of linguistic analyses of fictional texts, especially of those which have been written in uncommon or inexistent languages. The text-based analysis of Salvatore’s polyglot idiolect shows that this is more than a simple and confused mixture of Latin, German, and some Romance dialects and languages. Based on the linguistic concepts of intertextuality, frame-dependent text styles, and diaphasic variety several language choices in Salvatore may be explained in a new way. The analysis of four concrete text fragments also envisions the possibilities of a deeper comprehension of Salvatore’s utterances through attentive context reading.
KW  - Salvatore
KW  - Eco, Umberto : Il nome della rosa
KW  - linguistic character
KW  - Eco, Umberto : Il nome della rosa
KW  - Sprache
Y1  - 2016
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161658
SN  - 2510-2613
VL  - 2
ER  - 
TY  - BOOK
A1  - Harms, Dirk
T1  - Lyrik und Kunst, Musik und Lyrik. Der Einfluss von William Blake auf Van Morrison.
N2  - Diese Arbeit schildert auf der Basis einer Analyse der intermedialen Struktur der Werke zweier Künstler aus unterschiedlichen Jahrhunderten die Transportierung eines mystischen Selbstverständnisses, das als Tiefenstruktur der zugrundeliegenden Werke ausgemacht wird. Deshalb sieht diese Arbeit beide Künstler als christliche Mystiker an, deren Weltbild keine grundlegenden Unterschiede aufweist. Darüberhinaus wird über diese beiden Autoren versucht die kontrovers diskutierte Aktualität von Mystik in der Gegenwart herauszustellen. Zentraler Teil und Ausgangspunkt der Ergebnisse ist hierbei die Analyse eines mystischen Wertesystems, das sich in den Prophecies von William Blake finden lässt und das sich in wesentlichen Punkten auf die Werke von Van Morrison übertragen lässt.
N2  - This work doesn't deal with two artists in the way that it compares their lyrics in an immanent way. Moreover, it tries to show that William Blake and Van Morrison use differnet means of art in order to express the same intention. That is mainly a mystic view of the world which is embodied in the heart of their work. Both artists regard art as a healing force. The central aspects are summarized in a chapter which deals thouroughly with a mystic system that William Blake developed in his prophecies that were not published throughout his life. Somehow, it can be called the religious centre of his work. Van Morrison obviously uses this system in some of his songs, too. So, that finally both artists are regarded as christian mystics. Consequently, the contemporary view of mystic has to be discussed.
KW  - Mystik
KW  - Bild
KW  - Blake
KW  - William
KW  - Morrison
KW  - Intermedialität
KW  - Musik
KW  - Sprache
KW  - eternal now
KW  - eternal moment
Y1  - 2018
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-163390
N1  - überarbeitete Fassung;

die ursprüngliche Fassung der Magisterarbeit finden Sie unter: urn:nbn:de:bvb:20-opus-50182
ER  -