TY - CHAP A1 - Schönbeck, Sebastian T1 - Return to the Fable: Rethinking a Genre Neglected in Animal Studies and Ecocriticism T2 - Texts, Animals, Environments: Zoopoetics and Ecopoetics N2 - No abstract available. KW - Animal Studies KW - Cultural Animal Studies KW - Cultural Studies KW - Ecocriticism KW - Environmental Humanities KW - Human-Animal Studies KW - Literary Studies Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-177966 UR - https://www.rombach-verlag.de/buecher/suchergebnis/rombach/buch/details/texts-animals-environments.html PB - Rombach Druck- und Verlagshaus CY - Freiburg i. Br. ER - TY - JOUR A1 - Schöch, Christof T1 - Interview mit Prof. Dr. Christof Schöch JF - promptus - Würzburger Beiträge zur Romanistik N2 - Interview mit Prof. Dr. Christof Schöch KW - Interview Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-235128 VL - 6 ER - TY - JOUR A1 - Schäfer, Elena T1 - Veo veo. ¿Qué ves? Durch Hör-Seh-Verstehen zu Mehrsprachigkeitskompetenz JF - promptus - Würzburger Beiträge zur Romanistik N2 - Multilingualism is part of our everyday lives and has recently entered the medium of film. Based on the linguistic diversity of Spanish-speaking countries, the present paper explores multilingualism as a key competence of foreign language learning. Since film provides students with audiovisual access to multilingual situations, a selection of educational videos that form parts of German textbooks will be critically explored concerning the presentation of multilingual phenomena. The results will be discussed in order to contribute to the systematic acquisition of multilingual skills in the sense of language and cultural awareness during classroom learning. KW - Mehrsprachigkeit KW - Hör-Seh-Verstehen KW - Spanisch KW - Lehrwerkanalyse KW - Lernvideo Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172946 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Schulze, Daniel T1 - Josephine Machon. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave, 2013, xix + 324 pp., € 22,30. JF - Journal of Contemporary Drama in English N2 - No abstract available. KW - Rezension Y1 - 2014 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-194050 SN - 2195-0164 SN - 2195-0156 VL - 2 IS - 2 ER - TY - JOUR A1 - Schulze, Daniel T1 - The Passive Gaze and Hyper-Immunised Spectators: The Politics of Theatrical Live-Broadcasting JF - Journal of Contemporary Drama in English N2 - No abstract available. KW - theatre Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-195091 SN - 2195-0164 SN - 2195-0156 N1 - This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively. VL - 3 IS - 2 ER - TY - JOUR A1 - Schulz, Ninja T1 - Auxiliary DO in Asian Englishes JF - World Englishes N2 - To indicate emphasis, auxiliary do is used in affirmative contexts (do+) when no other auxiliary is present. It is thus rooted in the grammatical system of do‐support; however, do+ does not always bear stress and can fulfil various discourse‐marking functions (Nevalainen & Rissanen, 1986). Positioned at the intersection of grammar and discourse, do+ constitutes an interesting study for its use in ‘non‐native’ varieties of English since it can be assumed that the more salient grammatical functions are easier to master for learners. Focusing on Asian Englishes in contrast to Inner Circle varieties, this exploratory paper assesses the frequency and distribution of do+ in the spoken and written parts of eight ICE components. KW - auxiliary DO KW - Asian Englishes KW - grammar Y1 - 2021 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-262630 VL - 40 IS - 4 SP - 502 EP - 518 ER - TY - JOUR A1 - Scholz, Janek T1 - Sérgio Zimbas Covid-19-Karikaturen im Kontext öffentlicher Gesundheitsfürsorge in Mosambik JF - promptus - Würzburger Beiträge zur Romanistik N2 - The article deals with the educational comics of the Mozambican artist Sérgio Zimba, especially in the context of the current pandemic situation caused by Covid-19. First, comics from and comic research on Africa will be presented, especially in their repercussion within the German-language comics landscape. This will be followed by a discussion of the special situation in lusophone Africa, exemplified and illustrated by the works of the Mozambican cartoonist Sérgio Zimba. The article closes with a brief comparison of Zimba’s work with the cartoons of Sérgio Piçarra from Angola, to better classify the artist's work. KW - Lusitanistik KW - Luso-Afrika KW - Mosambik KW - Comic Studies KW - Covid-19 KW - Sérgio Zimba Y1 - 2021 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-305692 SN - 2364-6705 VL - 7 ER - TY - JOUR A1 - Scholz, Janek T1 - Eine Künstlerkooperation ‘além das fronteiras’ – Banda desenhada de língua portuguesa JF - promptus - Würzburger Beiträge zur Romanistik N2 - Economic, academic or artistic cooperation among actors of different countries or disciplines offers numerous new perspectives, but it also confronts the ones profiting from it with several challenges. First, identity has to be firmly established, which requires intercultural skills, such as role-distance, empathy and tolerance for ambiguities. Secondly, a third space is required in which meaning can be newly negotiated to make the partnership succeed. This paper proposes that even within one and the same language-group, one can speak of intercultural communication. A particular collaboration between Portuguese-speaking comic artists will be introduced, raising questions of the conditions necessary to make such a cooperation work. Answers will be provided according to the decisions the artists made in their publications. KW - Banda desenhada de língua portuguesa KW - BDLP KW - Künstlerkooperation KW - Kooperation KW - Künstler Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161662 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Schneider, Melanie T1 - « [C]’est absurde d’être bloqué sur une autoroute » – Das Motiv des Staus in der zeitgenössischen romanischen Literatur JF - promptus - Würzburger Beiträge zur Romanistik N2 - Due to an ever-increasing number of automobiles on the roads, automobility fails more and more to fulfil its promise of free individual mobility, leading to traffic density and congestions of unprecedented proportions. However, those conditions seem to possess an aesthetic potential which we seek to analyze in terms of literature. Therefore, we are going to look on three novels from Romance-language areas: Julio Cortázar’s short story La autopista del sur (1966), Carlo Lucarelli’s novel Autosole (1998) and Grégoire Gauchet’s novel Les robinsons de l’autoroute (2018). First, we will analyze the nature of deceleration/congestion by referring to human geographer Tim Cresswell’s concept of friction. Second, we will examine recurring motifs linked to the deceleration/congestion in all novels before taking a closer look at Gauchet’s novel where the friction not only applies to traffic but also to human relationships. The aim is to look at different literary representations of an everyday experience like traffic congestion and to see how literature deals with such an occurrence. KW - traffic congestion KW - friction KW - motorway KW - immobility KW - car culture Y1 - 2022 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-329807 SN - 2364-6705 VL - 8 ER - TY - THES A1 - Schaub, Kerstin T1 - As Written in the Flesh. The Human Body as Medium of Cultural Identity and Memory in Fiction from New Zealand T1 - As Written in the Flesh. Der menschliche Körper als Mittler kultureller Identität und Erinnerung in Fiktionstexten aus Neuseeland N2 - This dissertation focuses on selected novels written by contemporary indigenous authors from Aotearoa/New Zealand and examines the fictional imagination of the human body as a medium of cultural identity and memory. The novels discussed are Keri Hulme’s »The Bone People« (1984), »Nights in the Gardens of Spain« (1995) and »The Uncle’s Story« (2000) by Witi Ihimaera as well as James George’s »Hummingbird« (2003). In order to further decolonisation processes and to come to terms with the colonial past and the complexity of present realities, the fictional works position the human body as an active entity in the negotiation of specific cultural epistemologies. This project explores the narrative translation of corporeality that is used to locate alternative concepts of identity and cultural memory. Taking into account indigenous perspectives, this thesis makes use of the current theoretical approaches presented by pragmatism and affect theory in order to analyse the investment of the novels in feeling and the reciprocal relationship between text and corporeality depicted by the narratives. On the one hand, the novels aim to undermine oppressive and marginalising categories by placing particular emphasis on »sensuous gaps« in the text. On the other hand, the narratives intend to construct alternative identities and evoke specific aspects of indigenous histories and knowledge by imagining the human body in terms of »sensuous inscription«. The novels portray individuals who act from a place in-between different cultures, and articulate a desire to dissolve polarities and emphasise individual and cultural transformation as a formative element in the creation of complex identities and new perspectives. N2 - Diese Dissertation stellt einige ausgewählte Romane, die von zeitgenössischen neuseeländischen Autoren mit Wurzeln in der Maori-Kultur stammen, im Hinblick auf deren Darstellung des menschlichen Körpers als Mittler kultureller Identität und Erinnerung in den Fokus. Betrachtet werden Keri Hulmes »The Bone People« (1984), die beiden Romane »Nights in the Gardens of Spain« (1995) und »The Uncle’s Story« (2000) von Witi Ihimaera sowie James Georges »Hummingbird« (2003). Im Zuge von Dekolonialisierungsprozessen, der Vergangenheitsbewältigung und Komplexität gegenwärtiger Realitäten positionieren die Fiktionstexte den menschlichen Körper als vermittelnde Instanz kulturspezifischer Epistemologien. Besondere Aufmerksamkeit richtet diese Arbeit auf die im fiktionalen Rahmen angestrebte Translation von Leiblichkeit, die zur Verortung alternativer Identitätskonzepte und kultureller Erinnerungsmuster sinnstiftend genutzt wird. Unter Berücksichtigung indigener Konzepte werden neuere Ansätze des Pragmatismus und der Affekttheorie für die literaturwissenschaftliche Analyse herangezogen, um die sinnlich-emotional gefasste Investition der Romane und die Wechselbeziehung zwischen Text und Körperlichkeit, die in den Fiktionstexten zum Tragen kommt, zu untersuchen. Dabei rücken die Narrationen zum einen eine Unterhöhlung einschränkender und marginalisierender Lebensmodelle durch eine Betonung »sinnlicher Risse« im Textfluss in den Vordergrund; zum anderen beabsichtigen sie durch eine »sinnliche Gravur« des imaginierten menschlichen Körpers eine Konstruktion alternativer Identitäten und kulturspezifischer indigener Erinnerungsstiftung. Die Romane zeichnen Individuen, die zwischen mehreren kulturellen Horizonten agieren, und artikulieren dabei ein Bestreben, Polaritäten aufzulösen und durch die Betonung individueller und kultureller Transformation komplexe Identitäten und neue Perspektiven zu verhandeln. KW - Postkoloniale Literatur KW - Neuseeland KW - Kulturelle Identität KW - Körper KW - Postcolonial literature KW - New Zealand KW - cultural identity KW - body Y1 - 2012 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-78336 ER -