TY  - JOUR
A1  - Richter, Verena
T1  - Das Mittelmeer als pluraler Erinnerungsraum im französischen Essayfilm: zu Jean-Daniel Pollets Méditerranée (1963)
JF  - promptus - Würzburger Beiträge zur Romanistik
N2  - The present article aims to examine images of the Mediterranean Sea in Jean-Daniel Pollet’s essay film Méditerranée (1963), with a particular focus on its representation as a multifaceted space of cultural memory. After some preliminary observations on the relation between the essay film as a genre and images of the Mediterranean, I shall, on the one hand, have a look at the semantic  processes through which the film builds up a recognizable  image of the Great Sea. On the other hand, however, I will argue that, at the same time, Méditerranée calls this signifying process into question by representing the sea as a space of cultural memory understood as a space of becoming and of deferral of meaning.
KW  - the Mediterranean Sea
KW  - Jean-Daniel Pollet
KW  - Philippe Sollers
KW  - cultural memory
KW  - essay film
Y1  - 2020
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244292
VL  - 6
ER  - 
TY  - JOUR
A1  - von Roeder, Alena
T1  - Salvador als Opfer seiner eigenen Triebe im Film Los girasoles ciegos. Die filmische Darstellung der Fokalisierung unter psychoanalytischer Betrachtung
JF  - promptus - Würzburger Beiträge zur Romanistik
N2  - This paper analyzes the mental development of the main character Salvador in the Spanish movie Los girasoles ciegos (2008) by José Luis Cuerda, based on the camera perspective and focalization, as well as the three-instance model according to Sigmund Freud. For this purpose, screen captures from the movie are examined to see how Salvador’s loss of control is pictured. This is applied to Freud’s three-instance model to prove the takeover of the Id. Throughout the whole movie, the inner conflict between his Ego and Id, i.e. his life as a deacon versus his life as a soldier, is present. The whole process of the breakdown of his mental state is revealed through the camera perspective and visual focalization.
KW  - Freud
KW  - Los girasoles ciegos
KW  - camera perspective
KW  - focalization
Y1  - 2020
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244303
VL  - 6
ER  -