TY - BOOK A1 - Ackermann, Zeno A1 - Karremann, Isabel A1 - Malhotra, Simi A1 - Zaidi, Nishat T1 - Terrains of Consciousness: Multilogical Perspectives on Globalization N2 - TERRAINS OF CONSCIOUSNESS emerges from an Indian-German-Swiss research collaboration. The book makes a case for a phenomenology of globalization that pays attention to locally situated socioeconomic terrains, everyday practices, and cultures of knowledge. This is exemplified in relation to three topics: - the tension between ‘terrain’ and ‘territory’ in Defoe’s ‘Robinson Crusoe’ as a pioneering work of the globalist mentality (chapter 1) - the relationship between established conceptions of feminism and the concrete struggles of women in India since the 19th century (chapter 2) - the exploration of urban space and urban life in writings on India’s capital – from Ahmed Ali to Arundhati Roy (chapter 3). N2 - TERRAINS OF CONSCIOUSNESS emerges from a transnational research project in which scholars from Jamia Millia Islamia (New Delhi), the JMU Würzburg, and the University of Zurich collaborated to evolve new multilogical perspectives on what is usually referred to as globalization. The book makes a case for a PHENOMENOLOGY OF GLOBALIZATION that pays particular attention to the transformation of locally situated and individually experienced socioeconomic terrains, everyday practices, and cultures of knowledge. This perspective is exemplified in relation to three concrete research topics: - the tension between the concepts of ‘TERRAIN’ and ‘TERRITORY’ in parts one and two of Daniel Defoe’s "Robinson Crusoe as" a pioneering work of the globalist mentality (chapter 1) - the relationship between established abstract conceptions of FEMINISM and the concrete emancipatory struggles and life practices of women in India since the early 19th century (chapter 2) - the exploration of URBAN SPACE and URBAN LIFE as a socio-sensorial terrain in fictional and non-fictional writings on or of Delhi – from Ahmed Ali’s "Twilight in Delhi" (1940) to Arundhati Roy’s "The Ministry of Utmost Happiness" (2017). Throughout, the approach of Terrains of Consciousness is informed by the uncomfortable question of how the ‘liberating’ effects of globalization relate to its limiting and disrupting consequences. In these respects, it is vital to ask how globalization affects the dispossessed inhabitants of the world and its various societies. KW - Globalisierung KW - Sinne KW - Kulturtheorie KW - Literaturwissenschaft KW - Stadtforschung KW - Globalization KW - Sensory Studies KW - Phenomenology KW - Mondialization KW - Articulation Y1 - 2021 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-243936 SN - 978-3-95826-168-6 SN - 978-3-95826-169-3 N1 - Parallel erschienen als Druckausgabe in Würzburg University Press, 978-3-95826-168-6, 24,90 Euro. PB - Würzburg University Press CY - Würzburg ET - 1. Auflage ER - TY - JOUR A1 - Winter, Ursula T1 - Literarisierung von Musik als Intermedialitätsphänomen. Exemplarische Betrachtung der oratorischen Rezeption Dantes und Goethes bei Wolf-Ferrari und Berlioz JF - promptus - Würzburger Beiträge zur Romanistik N2 - This article deals with the reception of Dante and Goethe in Ermanno Wolf-Ferrari’s and Hector Berlioz’s compositions La Vita Nuova and La Damnation de Faust. Although Dante Alighieri’s Vita Nova and Johann Wolfgang von Goethe’s Faust belong to completely different genres and epochs, the texts provide the basis for the oratorio-style works from the Romantic era, which justifies a comparative analysis of the latter. The examined reductions, extensions, modifications and rearrangements of the texts in the libretti – which were compiled almost entirely by the composers themselves – as well as the instrumental parts and the use and functions of the orchestra, the choir and the soloists, portray the intermedia relations between literature and music in the selected compositions. The chosen examples will show that the common idea of setting literature to music and the translation studies concept of intersemiotic translation are not appropriate for all literature-based pieces of music, as the analysis of both works demonstrates that with regard to vocal music a distinction should be made between the musicalization of literature and the literarization of music. KW - Dante, Alighieri KW - Goethe, Johann Wolfgang von KW - Wolf-Ferrari, Ermanno KW - Berlioz, Hector KW - Musik KW - Literarisierung KW - Intermedialität Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161690 SN - 2510-2613 VL - 2 ER -