TY - JOUR A1 - Hesselbach, Robert T1 - <> – A Corpus-based Approach of Official French, Italian, and Spanish Social Media Discourse in the Light of the Coronavirus Crisis JF - promptus - Würzburger Beiträge zur Romanistik N2 - France, Italy, and Spain are three Romance-speaking countries which – at least in Europe – have been affected to a very high degree by the consequences of the Corona pandemic. This paper examines discursive strategies on social media (Twitter and Facebook) by the three heads of government/state of the aforementioned countries – namely Emmanuel Macron (France), Giuseppe Conte (Italy), and Pedro Sánchez (Spain)- from a corpuslinguistic point of view. For this purpose, a corpus was created which contains all Twitter and Facebook messages posted by these heads of government/state from the beginning of February until the end of April 2020. By applying corpus-linguistic methods we find that all three politicians consciously use social media to sensitize, inform, and – in view of a dramatic pandemic situation – unite their respective populations behind them. KW - corpus linguistics KW - coronavirus KW - Covid-19 KW - political discourse KW - social media KW - lexical co-occurrences Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244251 VL - 6 ER - TY - JOUR A1 - Köhler, Britta T1 - A Room of One’s Own : Weiblichkeit, Schreiben und kollektive Erfahrung in Elena Ferrantes Tetralogie L’amica geniale (2011-2014) und Annie Ernaux’ Les Années (2008) JF - promptus - Würzburger Beiträge zur Romanistik N2 - With her famous suggestion to «give her [the woman] a room of her own and five hundred a year, let her speak her mind» from 1929, Virginia Woolf verbalized a core issue of female writing by hinting at the socioeconomic circumstances and domestic obligations of most women – valid at her times, but still today. Both Elena Ferrante and Annie Ernaux discuss, in their respective novels, the topics of being women in the particular sociocultural landscape (in Italy and, respectively, in France) after World War II and up to these days, the themes of marriage and motherhood, employment and especially (female) authorship. This article aims to show in a close reading of both Ferrante and Ernaux that the two writers play with the literary form of the (auto-)biography on a diegetic, but also extradiegetic level, while formulating at the same time a collective work that embraces the experience of womanhood but circumvents the hazard of a merely subjective and sensitive writing, as female writing has sometimes been claimed to be. KW - weibliche Autoren KW - Ernaux, Annie KW - female authorship KW - autobiography KW - Woolf, Viriginia KW - Ferrante, Elena Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244246 VL - 6 ER - TY - JOUR A1 - Richter, Verena T1 - Das Mittelmeer als pluraler Erinnerungsraum im französischen Essayfilm: zu Jean-Daniel Pollets Méditerranée (1963) JF - promptus - Würzburger Beiträge zur Romanistik N2 - The present article aims to examine images of the Mediterranean Sea in Jean-Daniel Pollet’s essay film Méditerranée (1963), with a particular focus on its representation as a multifaceted space of cultural memory. After some preliminary observations on the relation between the essay film as a genre and images of the Mediterranean, I shall, on the one hand, have a look at the semantic processes through which the film builds up a recognizable image of the Great Sea. On the other hand, however, I will argue that, at the same time, Méditerranée calls this signifying process into question by representing the sea as a space of cultural memory understood as a space of becoming and of deferral of meaning. KW - the Mediterranean Sea KW - Jean-Daniel Pollet KW - Philippe Sollers KW - cultural memory KW - essay film Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244292 VL - 6 ER - TY - RPRT A1 - Samb, Aminata T1 - De la biofiction à l’exofiction dans «Allah n’est pas obligé» d’Ahmadou Kourouma et «Les soldats de Salamine» de Javier Cercas T1 - From biofiction to exofiction in Ahmadou Kourouma's "Allah n’est pas obligé" and Javier Cercas' "Les soldats de Salamine" N2 - Ce présent mémoire se donne pour objectif d’analyser le champ d’application et d’étude des concepts de biofiction et d’exofiction qui, à travers le brouillage entre la réalité la fiction, passeraient pour des récits de vie dans le roman postmoderne. Pour cela, nous avons étudié les relations entre la fiction et l’(auto)biographie, la fiction et la réalité axée sur les apports des stratégies linguistiques et conceptuelles, entre autres. Grâce à une méthode qualitative se fondant sur une approche hypothético-déductive pour montrer comment l’(auto)biographie a été retravaillée dans les deux textes, mais aussi de montrer le potentiel fictionnel, dont regorge notre sujet, à travers le récit de vie. Outre l’intérêt que nous avons porté aux travaux de Lejeune, Vincent Colonna et François Dosse dans leurs textes respectifs Le pacte autobiographique, L’autofiction : essai sur la fictionnalisation de soi en littérature et Le pari biographique pour souligner la connexion avec notre sujet, nous avons également fait appel au concept clefs du domaine, tels que théorisés par Alexandre Gefen et Alain Buisine (1991). N2 - The aim of this dissertation is to analyze the field of application and study of the concepts of biofiction and exofiction which, through the blurring between reality and fiction, would pass for life stories in the postmodern novel. For this purpose, we have studied the relations between fiction and (auto)biography, fiction and reality, focusing on the contributions of linguistic and conceptual strategies, among others. Using a qualitative method based on a hypothetico-deductive approach to show how the (auto)biography has been reworked in both texts, but also to show the fictional potential, of which our subject abounds, through the life story. In addition to our interest in the work of Lejeune, Vincent Colonna and François Dosse in their respective texts Le pacte autobiographique, L'autofiction : essai sur la fictionnalisation de soi en littérature and Le pari biographique to underline the connection with our subject, we have also drawn on the key concepts of the field, as theorised by Alexandre Gefen and Alain Buisine (1991). T3 - Schriftenreihe Junges Afrikazentrum (JAZ) - 8 KW - Postmoderne KW - Literatur KW - Biofiction KW - Exofiction KW - Allah n'est pas obligé KW - Narrative KW - Postmodernism KW - Fiction Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-203013 SN - 2199-4315 ER - TY - JOUR A1 - Hertrampf, Marina Ortrud M. T1 - De la Mère Patrie à «l’amère-patrie». Désiré Razafinjatos literarisches Bild der französischen 'Kolonialheimat' vor und nach der Unabhängigkeit Madagaskars JF - promptus - Würzburger Beiträge zur Romanistik N2 - French-Madagascan colonial history is full of dark chapters. After Madagascar’s independence the French general public forgot the country very quickly. In Malagasies collective memory, the wounds of colonial injustice are still open even if they are generally considered as fady (‘tabooʼ). Désiré Razafinjato is the first Malagasy author writing in French who dares to approach the difficult relations between Malagasy-French and indigenous Malagasy as well as between indigenous Francophiles and indigenous anti-French nationalists. In his tale «Tahiry. From Madagascar to the Algerian djebel, the bitter-fatherland», the narrator speaks about the painful loss of any fatherland for all those Malagasy who during the War of Algeria got involved as French soldiers. Indeed, it is the sad history of the despoliation of an ideal Motherland on the French side and of the refusal of membership in an ancestral fatherland on the Malagasy side. What remains for those ancient French-Malagasy combatants is the feeling of a ‘bitter-fatherlandʼ and the feeling of living in ‘between everywhereʼ in some kind of ‘non-fatherlandʼ. KW - Désiré Razafinjato Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139461 SN - 2510-2613 VL - 1 ER - TY - JOUR A1 - Kloster, Kerstin T1 - Der Körper als Einschreibungsfläche des weiblichen Gedächtnisses. Eine Analyse der mündlichen Überlieferung in Le livre d’Emma von Marie-Célie Agnant JF - promptus - Würzburger Beiträge zur Romanistik N2 - Women in Caribbean culture traditionally occupy the role of guardians of collective memory, as tellers of stories, legends and myths. Through oral tradition, they transfer the cultural and family knowledge from one generation of women to the next. We will offer an analysis of oral transmission as a way of preserving a memory of women in Le livre d’Emma (2001) by the Québec author of Haitian origin, Marie-Célie Agnant. We will primarily analyze the transformation of communicative memory into cultural memory, following the distinction by Jan Assmann. We will interpret the oral transfer as a possibility to stabilize, to legitimize female memory and to inscribe it into the female body. KW - Agnant, Marie-Célie : Le livre d'Emma KW - Agnant, Marie-Célie : Le livre d'Emma KW - Mündliche Überlieferung Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161645 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Dürner, Benedikt T1 - Der lyrische Triebtäter André Pieyre de Mandiargues Gewalt und Erotik im Gedichtband L’Âge de craie JF - promptus - Würzburger Beiträge zur Romanistik N2 - The surrealists are not the only influence on the literary efforts of André Pieyre de Mandiargues – but it’s this influence that makes his oeuvre capable for an analysis based on Freudian theories. This way of an analysis is even more appropriate knowing that two of Mandiargues’ main and favourite themes – the eroticism and the violence – coincide with the Freudian life and destruction drive. Analysing the two poems Les filles des gobes and Les ruines de l’amour from the volume of poems L’Âge de craie, it’s these two paradigms that are clearly recognizable: Mandiargues’ symbolism reveals the duality of the domination by desires. KW - Gewalt KW - Bataille KW - Trieb KW - Freud KW - Erotik Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172876 SN - 2510-2613 VL - 3 ER - TY - CHAP A1 - Burrichter, Brigitte ED - Hornung, Christoph ED - Lambrecht, Gabriella-Maria ED - Sendner, Annika T1 - Die Frage der Ehre. Ehre und Schande in den Romanen Chrétiens de Troyes T2 - Kommunikation und Repräsentation in den romanischen Kulturen. Festschrift für Gerhard Penzkofer N2 - No abstract available. KW - Ehre KW - Schande KW - Ehre KW - Schande KW - Chrétien, de Troyes KW - Troyes, Kristian von KW - Roman Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-152061 UR - https://www.avm-verlag.de/detailview?no=5477-055 SN - 9783954770557 PB - AVM.edition CY - München ER - TY - CHAP A1 - Kleinhans, Martha T1 - Die Schöpfung des Ich: Rachid Boudjedras Romane L'Escargot entêté und La pluie N2 - No abstract available KW - Romanistik Y1 - 1993 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-54229 ER - TY - CHAP A1 - Ruhe, Ernstpeter T1 - Die Versetzung des Mythos in den Roman: Assia Djebar und die Musen des Jenseits N2 - No abstract available KW - Djebar KW - Assia KW - Roman KW - Mythos Y1 - 2005 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-70795 ER -