TY - JOUR A1 - Buch, Marina-Rafaela T1 - Madame Chrysanthème (1887) et Japoneries d’automne (1889) de Pierre Loti entre japonisme et exotisme désenchanté JF - promptus - Würzburger Beiträge zur Romanistik N2 - The novel Madame Chrysanthème (1887) and the essays collected in Japoneries d’automne (1889) written by French travel author Pierre Loti offer a paradoxical view of Japan during the Meiji period. In both travel writings, the author is torn between aesthetic japonism – which spread all over Europe at the end of the 19th century – and exotic expectations, i.e. the picturesque fascination of the Other. The latter, however, remains unsatisfied throughout his stay. In both writings, Pierre Loti provides an insight into Japan that entirely reflects the spirit of his time. Thereby, he contributes to an image of Japan, which will long remain vivid in the Occident. Contemporaries perceive Loti’s representation of Japan as a realistic testimony, tinged with both sensory impressions and his highly ambiguous feelings towards the distant country, which in the end remained incomprehensible to him. KW - Madame Chrysanthème KW - Japoneries d’automne KW - Pierre Loti KW - Loti, Pierre KW - Japan KW - Meiji-Periode Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161603 SN - 2510-2613 VL - 2 ER - TY - CHAP A1 - Burrichter, Brigitte ED - Hornung, Christoph ED - Lambrecht, Gabriella-Maria ED - Sendner, Annika T1 - Die Frage der Ehre. Ehre und Schande in den Romanen Chrétiens de Troyes T2 - Kommunikation und Repräsentation in den romanischen Kulturen. Festschrift für Gerhard Penzkofer N2 - No abstract available. KW - Ehre KW - Schande KW - Ehre KW - Schande KW - Chrétien, de Troyes KW - Troyes, Kristian von KW - Roman Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-152061 UR - https://www.avm-verlag.de/detailview?no=5477-055 SN - 9783954770557 PB - AVM.edition CY - München ER - TY - JOUR A1 - Cristalli, Marco Antonio T1 - Ein Mann ohne Ehrgeiz, Konturen und Tatendrang – Parodierung von Männlichkeitsnormen in Jean-Philippe Toussaints Monsieur (1986) JF - promptus - Würzburger Beiträge zur Romanistik N2 - The nameless protagonist of the postmodern novel Monsieur, written by Belgian author Jean-Philippe Toussaint, can be described as a rather strange man. He lacks ambition, a drive for action and seems to be unfit for daily life. He constantly fails to accomplish his predestined role as a real man, as for instance to pay the bill for dinner when dating a woman. The scope of the present paper is to analyse, on the one hand, how this novel deconstructs hegemonial concepts of masculinity but, on the other hand, is in itself also a parody of the latter. KW - Cultural Anthropology KW - literary minimalism KW - Masculinity Studies KW - Postmodernism Y1 - 2022 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-329747 SN - 2364-6705 VL - 8 ER - TY - JOUR A1 - Dürner, Benedikt T1 - Der lyrische Triebtäter André Pieyre de Mandiargues Gewalt und Erotik im Gedichtband L’Âge de craie JF - promptus - Würzburger Beiträge zur Romanistik N2 - The surrealists are not the only influence on the literary efforts of André Pieyre de Mandiargues – but it’s this influence that makes his oeuvre capable for an analysis based on Freudian theories. This way of an analysis is even more appropriate knowing that two of Mandiargues’ main and favourite themes – the eroticism and the violence – coincide with the Freudian life and destruction drive. Analysing the two poems Les filles des gobes and Les ruines de l’amour from the volume of poems L’Âge de craie, it’s these two paradigms that are clearly recognizable: Mandiargues’ symbolism reveals the duality of the domination by desires. KW - Gewalt KW - Bataille KW - Trieb KW - Freud KW - Erotik Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172876 SN - 2510-2613 VL - 3 ER - TY - CHAP A1 - Fajen, Robert ED - Hornung, Christoph ED - Lambrecht, Gabriella-Maria ED - Sendner, Annika T1 - Ein Salon im Untergrund. Caylus’ \(Mémoires\) \(de\) \(l’Académie\) \(des\) \(Colporteurs\) und die Erkundung der literarischen Peripherie im Zeitalter der Aufklärung T2 - Kommunikation und Repräsentation in den romanischen Kulturen. Festschrift für Gerhard Penzkofer N2 - No abstract available. KW - Caylus KW - Mémoires de l’Académie des Colporteurs Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-152210 UR - https://www.avm-verlag.de/detailview?no=5477-055 SN - 9783954770557 PB - AVM.edition CY - München ER - TY - JOUR A1 - Fliege, Daniel T1 - Le dégoût du cadavre. Une comparaison entre la représentation du corps mort dans le De Miseria Condicionis Humane d’Innocent III et dans son adaptation française Double lay de fragilité humaine d’Eustache Deschamps JF - promptus - Würzburger Beiträge zur Romanistik N2 - The study uses the category of disgust in order to analyse the representation of the human body and the corpse in one of the most influential medieval treatises, the De Miseria Condicionis Humanae (1195) written by Pope Innocent III, and its little known old French adaptation Double lay de fragilité humaine (1383) by Eustache Deschamps. Analysing how both use disgust as an aesthetic means, which appeals to emotions and turns off reason, helps to point out the pedagogical and moral function of the texts. The comparison between them shows that Deschamps stays faithful to his Latin model, but that he nevertheless has to make certain modifications in order to adapt the prose text into a lyrical form. Furthermore, this approach clearly elucidates what differences there are between the conceptions of the human body and death in the two texts, revealing at the same time divergent theological points of view. KW - De Miseria Condicionis Humanae KW - Double lay de fragilité humaine KW - Deschamps, Eustache KW - Innocent III KW - Ekel KW - Leiche KW - Körper KW - Mittelalter KW - Literatur Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161616 SN - 2510-2613 VL - 2 ER - TY - CHAP A1 - Folger, Robert ED - Hornung, Christoph ED - Lambrecht, Gabriella-Maria ED - Sendner, Annika T1 - «Maistrece de tous ses sens»: Christine de Pizans \(Livre\) \(de\) \(la\) \(cité\) \(des\) \(dames\) als mentale Maschine T2 - Kommunikation und Repräsentation in den romanischen Kulturen. Festschrift für Gerhard Penzkofer N2 - No abstract available. KW - Christine de Pizans KW - Christine, de Pisan : Le livre de la cité des dames KW - Livre de la cité des dames Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-152104 UR - https://www.avm-verlag.de/detailview?no=5477-055 SN - 9783954770557 PB - AVM.edition CY - München ER - TY - CHAP A1 - Greiner, Thorsten ED - Hornung, Christoph ED - Lambrecht, Gabriella-Maria ED - Sendner, Annika T1 - „Trouver une langue“. Rimbauds Kritik an Baudelaire und das Problem der Repräsentation des Absoluten in \(Une\) \(Saison\) \(en\) \(enfer\) und den \(Illuminations\) T2 - Kommunikation und Repräsentation in den romanischen Kulturen. Festschrift für Gerhard Penzkofer N2 - No abstract available. KW - Rimbaud, Arthur : Une saison en enfer KW - Rimbaud, Arthur : Les illuminations KW - Kritik KW - Baudelaire, Charles Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-152247 UR - https://www.avm-verlag.de/detailview?no=5477-055 SN - 9783954770557 PB - AVM.edition CY - München ER - TY - RPRT A1 - Hammer, Selina T1 - Kolonialismus und Postkolonialismus im Französischunterricht an deutschen Schulen BT - Die Aufarbeitung kolonialistisch geprägter Sichtweisen auf die Bevölkerung in Subsahara-Afrika N2 - Trotz der offiziell erlangten Unabhängigkeit der ehemaligen französischen Kolonien im subsaharischen Afrika prägen verallgemeinernde und abwertende Sichtweisen auf dortige Bevölkerungsgruppen den französischsprachigen Diskurs. Im Rahmen dieses Beitrages sollen Texte von Victor Hugo, Georges Remi und der Partei En Marche!, welche während und nach der Kolonialisierung entstanden sind, anhand der Theorien von Michel Foucault, Valentin-Yves Mudimbe und Edward Said analysiert werden. Hierbei werden bis dato vorherrschende binäre Denkstrukturen offengelegt, die „den/die Europäer*in“ und „den/die Afrikaner*in" in kontrastierende Kategorien einteilen und somit (neo)koloniale Machtgefüge implizit und explizit befürworten. Der zweite Teil des Beitrags beschäftigt sich mit der Aufgabe, den subtilen Einfluss des Kolonialismus auf Sichtweisen der Schüler*innen im Rahmen einer Unterrichtsreihe aufzuarbeiten und mögliche Vorurteile und Stereotypen über die subsaharisch-afrikanische Bevölkerung zu überwinden. Die Dimensionen des interkulturellen Lernens nach Michael Byram, die nach wie vor fester Bestandteil europäischer Curricula sind, sollen mit denen des Postkolonialismus vereint werden, um den zunehmenden Spaltungen in multiethnischen Gesellschaften aktiv und jugendgerecht entgegenzuwirken. N2 - Despite the officially attained independence of the former French colonies in sub-Saharan Africa, generalizing and demeaning views of local groups of the population still characterize the discussion in the French-speaking world. This paper analyses texts by Victor Hugo, Georges Remi and the En Marche! party, which were written during and after colonization, using the theories of Michel Foucault, Valentin-Yves Mudimbe and Edward Said. In the process, previously prevailing binary thought structures are revealed, which divide "the European" and "the African" into contrasting categories and thus implicitly and explicitly advocate (neo)colonial power structures. The second part of this paper deals with the task of working through the subtle influence of colonialism on students' views in the context of a series of lessons and overcoming possible prejudices and stereotypes about the sub-Saharan African population. The dimensions of intercultural learning according to Michael Byram, which continue to be an integral part of European curricula, should be combined with the dimensions of post-colonialism in order to actively counteract the increasing divide in multi-ethnic societies in a way that is youth appropriate. T3 - Schriftenreihe Junges Afrikazentrum (JAZ) - 10 KW - Kolonialismus KW - Diskursanalyse KW - Afrika KW - Interkulturelles Lernen KW - Unterrichtsreihe KW - Valentin-Yves Mudimbe Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-216782 SN - 2199-4315 ER - TY - JOUR A1 - Henk, Lars Thorben T1 - Édouard Louis’ «J’accuse». Ein spätmoderner Adept Zolas? JF - promptus - Würzburger Beiträge zur Romanistik N2 - French history of literature is undoubtedly characterized by a tradition of social criticism portraying the working class’ misery that can be traced back at least to the 19th century. Among these depictions, Zola’s novels have a prominent position. This is, among other aspects, due to their pretended scientific foundation and their pretentious claims to be scientific studies. The contemporary author Édouard Louis situates himself in this tradition of Zola’s naturalism. This invites us to examine the interrelation between Zola and Louis more closely. Based on the common ground of scientific foundation, scientific ambition and social commitment pursued in their novels, it will be demonstrated that Louis is a late-modern Zola whose milieu and character descriptions follow in detail Zola’s constructions. KW - Zola KW - misery KW - literature KW - scientific novel KW - Louis Y1 - 2022 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-329777 SN - 2364-6705 VL - 8 ER - TY - JOUR A1 - Hertrampf, Marina Ortrud M. T1 - De la Mère Patrie à «l’amère-patrie». Désiré Razafinjatos literarisches Bild der französischen 'Kolonialheimat' vor und nach der Unabhängigkeit Madagaskars JF - promptus - Würzburger Beiträge zur Romanistik N2 - French-Madagascan colonial history is full of dark chapters. After Madagascar’s independence the French general public forgot the country very quickly. In Malagasies collective memory, the wounds of colonial injustice are still open even if they are generally considered as fady (‘tabooʼ). Désiré Razafinjato is the first Malagasy author writing in French who dares to approach the difficult relations between Malagasy-French and indigenous Malagasy as well as between indigenous Francophiles and indigenous anti-French nationalists. In his tale «Tahiry. From Madagascar to the Algerian djebel, the bitter-fatherland», the narrator speaks about the painful loss of any fatherland for all those Malagasy who during the War of Algeria got involved as French soldiers. Indeed, it is the sad history of the despoliation of an ideal Motherland on the French side and of the refusal of membership in an ancestral fatherland on the Malagasy side. What remains for those ancient French-Malagasy combatants is the feeling of a ‘bitter-fatherlandʼ and the feeling of living in ‘between everywhereʼ in some kind of ‘non-fatherlandʼ. KW - Désiré Razafinjato Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-139461 SN - 2510-2613 VL - 1 ER - TY - JOUR A1 - Hesselbach, Robert T1 - <> – A Corpus-based Approach of Official French, Italian, and Spanish Social Media Discourse in the Light of the Coronavirus Crisis JF - promptus - Würzburger Beiträge zur Romanistik N2 - France, Italy, and Spain are three Romance-speaking countries which – at least in Europe – have been affected to a very high degree by the consequences of the Corona pandemic. This paper examines discursive strategies on social media (Twitter and Facebook) by the three heads of government/state of the aforementioned countries – namely Emmanuel Macron (France), Giuseppe Conte (Italy), and Pedro Sánchez (Spain)- from a corpuslinguistic point of view. For this purpose, a corpus was created which contains all Twitter and Facebook messages posted by these heads of government/state from the beginning of February until the end of April 2020. By applying corpus-linguistic methods we find that all three politicians consciously use social media to sensitize, inform, and – in view of a dramatic pandemic situation – unite their respective populations behind them. KW - corpus linguistics KW - coronavirus KW - Covid-19 KW - political discourse KW - social media KW - lexical co-occurrences Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244251 VL - 6 ER - TY - CHAP A1 - Hornung, Christoph A1 - Goldschmitt, Stefanie ED - Hornung, Christoph ED - Lambrecht, Gabriella-Maria ED - Sendner, Annika T1 - Stadtbeschreibung und Weltlosigkeit der Sprache in Raymond Queneaus \(Zazie\) \(dans\) \(le\) \(métro\) T2 - Kommunikation und Repräsentation in den romanischen Kulturen. Festschrift für Gerhard Penzkofer N2 - No abstract available. KW - Queneau, Raymond : Zazie dans le métro Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-152265 UR - https://www.avm-verlag.de/detailview?no=5477-055 SN - 9783954770557 PB - AVM.edition CY - München ER - TY - JOUR A1 - Ibrahim, Amira T1 - L’orientalisme français : définition et histoire JF - promptus - Würzburger Beiträge zur Romanistik N2 - The history of intellectual and cultural contact between West and East is very complicated and contradictory. A long time ago, eastern culture attracted the attention of many writers, orientalists and researchers, who headed east not only to study and describe the fascinating eastern civilizations, but also to analyze their different literary, historical and scientific aspects. The new mysterious but exciting environment inspired the orientalists to record and describe what they experienced regarding the architecture, the nature and the people. The attractive eastern natural views which are distinguishable from the monotonous western environment – especially after the industrial revolution – helped them to find new prospects. The East has been coming into focus since the middle ages, when the church campaigns started to study Islam as the prevalent religion in this area. The orientalist motivations were not only religious, but also followed economic, colonial and scientific agenda, which lead to a plethora of specialized research, stories, novels and analytical studies. A close look at the orientalists’ works will provide us with an overview of eastern civilization. Therefore, their works are considered as a mirror reflecting their point of view to the east and the north of Africa, especially to pharaonic Egypt. The orientalists who travelled to the east and expressed their passion to this old civilization in their writings influenced the literary movement deeply. But what do we mean by the term orientalism? Edward Saïd has defined this term in different ways. Saïd presented and interpreted it as a way of thinking, a historical phenomenon. Defining orientalism has become a problem indeed, and now it is carrying a number of meanings which do not match. Therefore, the aim of the study is to bring into focus the most important definitions of the term orientalism from the late 17th to the mid-20th century. KW - orientalisme KW - les Turqueries KW - la campagne d’Égypte KW - Edward Saïd Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172899 SN - 2510-2613 VL - 3 ER - TY - CHAP A1 - Kleinhans, Martha T1 - Die Schöpfung des Ich: Rachid Boudjedras Romane L'Escargot entêté und La pluie N2 - No abstract available KW - Romanistik Y1 - 1993 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-54229 ER - TY - JOUR A1 - Kloster, Kerstin T1 - Der Körper als Einschreibungsfläche des weiblichen Gedächtnisses. Eine Analyse der mündlichen Überlieferung in Le livre d’Emma von Marie-Célie Agnant JF - promptus - Würzburger Beiträge zur Romanistik N2 - Women in Caribbean culture traditionally occupy the role of guardians of collective memory, as tellers of stories, legends and myths. Through oral tradition, they transfer the cultural and family knowledge from one generation of women to the next. We will offer an analysis of oral transmission as a way of preserving a memory of women in Le livre d’Emma (2001) by the Québec author of Haitian origin, Marie-Célie Agnant. We will primarily analyze the transformation of communicative memory into cultural memory, following the distinction by Jan Assmann. We will interpret the oral transfer as a possibility to stabilize, to legitimize female memory and to inscribe it into the female body. KW - Agnant, Marie-Célie : Le livre d'Emma KW - Agnant, Marie-Célie : Le livre d'Emma KW - Mündliche Überlieferung Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-161645 SN - 2510-2613 VL - 2 ER - TY - JOUR A1 - Koch-Fröhlich, Melanie T1 - S’inventer à partir de l’autre : Les Origines d’Amin Maalouf JF - promptus - Würzburger Beiträge zur Romanistik N2 - The present article examines the narrative modes in which Lebanese author Amin Maalouf investigates his roots in Origines a hybrid work which stands in contrast with his previous essays and fictions as to its (auto)biographical dimension. Resembling what Dominique Viart and Bruno Vercier in their analysis of predominant themes and narrative strategies in contemporary French literature name «récit de filiation», Maalouf’s quest for his familial past explores the concept of intergenerational transmission of memory. However, despite this individual postmemorial approach, Maalouf’s intimate writing is intrinsically linked with the complex history of the Ottoman Empire and therefore with collective narratives of war, diasporic identities, and migration relating to the present time or the recent past. KW - (auto)biographical writing KW - migration KW - nomadic identities KW - Ottoman Empire KW - memory Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244268 VL - 6 ER - TY - JOUR A1 - Köhler, Britta T1 - A Room of One’s Own : Weiblichkeit, Schreiben und kollektive Erfahrung in Elena Ferrantes Tetralogie L’amica geniale (2011-2014) und Annie Ernaux’ Les Années (2008) JF - promptus - Würzburger Beiträge zur Romanistik N2 - With her famous suggestion to «give her [the woman] a room of her own and five hundred a year, let her speak her mind» from 1929, Virginia Woolf verbalized a core issue of female writing by hinting at the socioeconomic circumstances and domestic obligations of most women – valid at her times, but still today. Both Elena Ferrante and Annie Ernaux discuss, in their respective novels, the topics of being women in the particular sociocultural landscape (in Italy and, respectively, in France) after World War II and up to these days, the themes of marriage and motherhood, employment and especially (female) authorship. This article aims to show in a close reading of both Ferrante and Ernaux that the two writers play with the literary form of the (auto-)biography on a diegetic, but also extradiegetic level, while formulating at the same time a collective work that embraces the experience of womanhood but circumvents the hazard of a merely subjective and sensitive writing, as female writing has sometimes been claimed to be. KW - weibliche Autoren KW - Ernaux, Annie KW - female authorship KW - autobiography KW - Woolf, Viriginia KW - Ferrante, Elena Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-244246 VL - 6 ER - TY - JOUR A1 - Mounga, Bauvarie T1 - Stratégies narratives et violence dans le roman post-colonial africain : le cas de la technique du fragmentaire dans Le Pleurer-rire d’Henri Lopès JF - promptus - Würzburger Beiträge zur Romanistik N2 - After independence, in the sixties, sub-Saharan Africa including Francophone, saw moving to the head of his governments, dictatorial powers. Henri Lopès translated this in his work by a formal violence. We will study in this paper, the violence employed by the Congolese novelist in Le Pleurer-rire (1982): the technique of fragmentary. Our work is structured in three parts: the presentation of formal violence in Le Pleurer-rire, manifestations of postcolonial political system in this novel and the operation of the technique of fragmentary. KW - postcolonial novel KW - narration KW - technique of fragmentary KW - dictatorship KW - violence Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-172916 SN - 2510-2613 VL - 3 ER - TY - JOUR A1 - Nabi, Haifaa T1 - La Nausée : Salut par l’art ou par les autres ? JF - promptus - Würzburger Beiträge zur Romanistik N2 - In this article dedicated to Jean-Paul Sartre’s first novel La Nausée, we analyze how the idea of conversion to art grows in the imagination of the hero, Antoine Roquentin. Furthermore we show that all the narrative actions in the novel are based on the hero’s communicational interaction with the other characters. This lonely person who complains in his diary about social exclusion, yet he converts to art not through his reflections, but through communica-ting with the other characters. Also, many critical studies on La Nausée have considered jazz music that the hero listens to in a café as the critical moment of his conversion. In our opinion this reflects juste one phase of a connected sequence of events through which the hero passes from a state of relational negativity and existential alienation to a state of openness, achieved again mainly by the virtue of other characters. KW - conversion to art KW - others KW - communication KW - writing KW - loneliness Y1 - 2022 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:20-opus-329799 SN - 2364-6705 VL - 8 ER -