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Literary autozoographies: contextualizing species life in german animal autobiography

Zitieren Sie bitte immer diese URN: urn:nbn:de:bvb:20-opus-198052
  • What does it mean to take animal autobiography seriously and how can we account for the representation of life-narrating animals? The article investigates animal autobiographies as ‘literary autozoographies’, drawing attention to both the generic contexts and the epistemological premises of these texts. Adopting a double-bind approach stemming from autobiographical research as well as cultural animal studies, the article focuses on early nineteenth-century equine autozoographies from the German-speaking tradition. These texts are discussedWhat does it mean to take animal autobiography seriously and how can we account for the representation of life-narrating animals? The article investigates animal autobiographies as ‘literary autozoographies’, drawing attention to both the generic contexts and the epistemological premises of these texts. Adopting a double-bind approach stemming from autobiographical research as well as cultural animal studies, the article focuses on early nineteenth-century equine autozoographies from the German-speaking tradition. These texts are discussed exemplarily in relation to the parameters of fictional autobiographies, before they are contextualized with historical discourses regarding horses in natural history and so-called ‘horse-science’. Due to the fact that the poetics and aesthetics of the genre are modeled on the templates of factual autobiographies, the article argues that literary autozoographies can be read as fictional autobiographies as well as meta-auto/biographical discourse undermining autobiographical conventions. Furthermore, it shows that literary autozoography and zoology share a common historical and ideological epistemology accounting for the representation of animals in both fields. Literary autozoographies thus participate in the negotiation and production of species-specific knowledge. Reading Life of the Mecklenburg Mare Amante (1804), Life of a Job Horse (1807) and Life of a Worn-Out Hack (1819) alongside equine-centric discourses around 1800, the article demonstrates in what ways these texts can be regarded as part of a regime of knowledge attributing emotions and cognitive capacities to horses, while simultaneously arguing for humane treatment on the basis of interspecies homologies.zeige mehrzeige weniger

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Metadaten
Autor(en): Frederike Middelhoff
URN:urn:nbn:de:bvb:20-opus-198052
Dokumentart:Artikel / Aufsatz in einer Zeitschrift
Institute der Universität:Graduate Schools / Graduate School of the Humanities
Sprache der Veröffentlichung:Englisch
Titel des übergeordneten Werkes / der Zeitschrift (Englisch):Humanities
ISSN:2076-0787
Erscheinungsjahr:2017
Verlag:MDPI
Band / Jahrgang:6
Heft / Ausgabe:2
Seitenangabe:23
Originalveröffentlichung / Quelle:Humanities 2017, 6(2), 23; https://doi.org/10.3390/h6020023
DOI:https://doi.org/10.3390/h6020023
Allgemeine fachliche Zuordnung (DDC-Klassifikation):8 Literatur / 80 Literatur, Rhetorik, Literaturwissenschaft / 800 Literatur und Rhetorik
Freie Schlagwort(e):animal autobiography; contextualist narratology; cultural and literary animal studies; equine autozoography; fictional autobiography; horse-science; life writing; meta-autobiography; natural history; poetics of knowledge; zoology
Datum der Freischaltung:02.04.2020
Datum der Erstveröffentlichung:13.04.2017
Lizenz (Deutsch):License LogoCC BY: Creative-Commons-Lizenz: Namensnennung 4.0 International