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La semiótica escenográfica en Todo lo demás (2016), de Natalia Almada

Please always quote using this URN: urn:nbn:de:bvb:20-opus-187979
  • In the wake of the general tendency towards slow cinema which has been evolving in Mexican cinema, cinematographic devices have gained importance not only with regard to the construction of a persuasive narrative but also in terms of the aesthetic constitution of the movie itself. Not only is this observation evident in the absence of camera movements but also in the semiotic depth of mise en scène resulting from this circumstance. Natalia Almada’s movie Todo lo demás (2016) provides an impressive example of both the repercussions of thisIn the wake of the general tendency towards slow cinema which has been evolving in Mexican cinema, cinematographic devices have gained importance not only with regard to the construction of a persuasive narrative but also in terms of the aesthetic constitution of the movie itself. Not only is this observation evident in the absence of camera movements but also in the semiotic depth of mise en scène resulting from this circumstance. Natalia Almada’s movie Todo lo demás (2016) provides an impressive example of both the repercussions of this technique in the representation of loneliness as well as the suggestive power of the scenographical composition. Hence, the ensuing analysis of those scenes referring to water is to elucidate the semiotics of mise en scène and its influence on the representation of the main character and the repetitive routine constricting her freedom.show moreshow less

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Metadaten
Author: Sarah Kurth
URN:urn:nbn:de:bvb:20-opus-187979
Document Type:Journal article
Faculties:Philosophische Fakultät (Histor., philolog., Kultur- und geograph. Wissensch.) / Neuphilologisches Institut - Moderne Fremdsprachen
Language:Spanish
Parent Title (German):promptus - Würzburger Beiträge zur Romanistik
ISSN:2364-6705
Year of Completion:2018
Volume:4
Pagenumber:71-91
Source:promptus 4 (2018), S. 71-91
Dewey Decimal Classification:8 Literatur / 86 Spanische, portugiesische Literaturen / 862 Spanische Dramen
Tag:Mexican cinema; semiotics
Natalia Almada; Todo lo demás; mise en scène
Release Date:2019/10/08
Collections:Zeitschriften (Journals) / promptus - Würzburger Beiträge zur Romanistik / Band 4 / Artikel / articles
Licence (German):License LogoCC BY: Creative-Commons-Lizenz: Namensnennung 4.0 International