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La obra en español (con prólogo e introducción bilingües), está basada en una serie de eventos académicos realizados en Bogotá que comprenden dos pilares temáticos. En la primera parte, se reúnen contribuciones sobre cuestiones generales del derecho administrativo y de responsabilidad estatal colombiano, que también incluye una perspectiva jurídica comparativa con el sistema jurídico alemán. La segunda parte está dedicada a diferentes facetas del debate sobre la sostenibilidad y sumarco normativo en el derecho colombiano y ecuatoriano.
Investigations focusing on the social criticism in La Regenta (1884-1885) by Leopoldo Alas «Clarín» have constantly referred to the unmasking of society’s hypocrisy and provincialism through the implementation of satire and irony in the novel. This observation, though, has to be defined more clearly. Vetustan society, specifically the bourgeoisie, is characterized primarily by the incessant exhibition of supposed wisdom and intelligentsia in public to generate social prestige and power. By analyzing the narrative strategies which are related to the composition of the secondary characters, the role of two specific public venues (Casino and Theatre of Vetusta) and the (de)construction of P. Ronzal, P. Guimarán and S. Bermúdez in the novel, this article illustrates how false wisdom and pseudo-intelligentsia become central motifs regarding social criticism in La Regenta.