Refine
Has Fulltext
- yes (290) (remove)
Is part of the Bibliography
- no (290) (remove)
Year of publication
Document Type
- Book article / Book chapter (145)
- Journal article (81)
- Working Paper (26)
- Book (21)
- Conference Proceeding (5)
- Doctoral Thesis (5)
- Review (5)
- Habilitation (1)
- Other (1)
Keywords
- Human-Animal Studies (23)
- Animal Studies (22)
- Cultural Animal Studies (22)
- Cultural Studies (22)
- Ecocriticism (22)
- Environmental Humanities (22)
- Literary Studies (22)
- Einzelhandel (17)
- Datennetz (10)
- Kulturwissenschaften (6)
Institute
- Neuphilologisches Institut - Moderne Fremdsprachen (105)
- Institut für deutsche Philologie (81)
- Institut für Informatik (30)
- Institut für Altertumswissenschaften (26)
- Institut für Geographie und Geologie (20)
- Institut für Internationales Recht, Europarecht und Europäisches Privatrecht (18)
- Institut für Anatomie und Zellbiologie (10)
- Institut für Systematische Theologie (9)
- Institut für Altertumswissenschaften (bis Sept. 2007) (1)
- Institut für Geographie (1)
Schriftenreihe
- Cultural Animal Studies, Band 3 (22)
- Aesthetische Eigenzeiten, 17 (1)
- Akten des ... Symposiums des Mediävistenverbandes; 13,2 (1)
- Aventiuren; 13 (1)
- Epistemata. Reihe Literaturwissenschaft ; 483 (1)
- GenderCodes - Transkriptionen zwischen Wissen und Geschlecht; 17 (1)
- Image ; 185 (1)
- Jahrbuch der Oswald-von-Wolkenstein-Gesellschaft; 17 (1)
- Kaleidogramme ; 183 (1)
- Macht und Herrschaft; 15 (1)
Sonstige beteiligte Institutionen
- VolkswagenStiftung (22)
- Cologne Game Lab (2)
- Open University of the Netherlands (2)
- Albert-Ludwigs-Universität Freiburg im Breisgau (1)
- Birmingham City University (1)
- Geographisches Institut (Humboldt Universität zu Berlin) (1)
- Geographisches Institut (Universität zu Köln) (1)
- Geographisches Institut der Universität zu Köln (1)
- Geographisches Institut, Johannes Gutenberg-Universität Mainz (1)
- Mediävistenverband (1)
„Kannibalisierung“ oder „Revitalisierung“? Die Diskussion um die Auswirkungen innenstadtnaher Einkaufzentren könnte kaum kontroverser sein. Während die einen Gruppe von Experten gerade in der Nähe der Einkaufszentren zur Innenstadt eine Gefährdung für den dortigen Einzelhandel sieht, geht die andere Gruppe davon aus, dass Synergieeffekte entstehen, von denen die traditionellen Innenstadtstandorte ebenso profitieren wie die neue hinzugekommen Einkaufszentren. Empirisch belegt ist weder die eine noch die andere Meinung. Eines steht allerdings fest: Der Trend der Einkaufszentren „zurück in die Innenstädte“ ist unübersehbar. Allein in den letzten Jahren wurden in Deutschland rund 50 neue Einkaufszentren in Innenstadt(rand)lage eröffnet.
Diese Studie untersucht die Auswirkungen innenstadtnaher Einkaufszentren empirisch. Am Beispiel fünf citynaher Einkaufszentren in Städten unterschiedlicher Größe werden besonders die Veränderungen im Besucherverhalten beleuchtet. Dieser Fokus wurde gewählt, weil alle etwaigen Veränderungen in den Innenstädten letztlich auf ein verändertes Besucherverhalten zurückzuführen sind. Ein besonderes Augenmerkt gilt bei der Analyse den Kopplungsbeziehungen zwischen Einkaufszentren und Innenstädten sowie dem Verhalten der Koppler. Auf der Grundlage umfangreichen empirischen Materials wird eine differenzierte Bewertung von Chancen und Risiken innenstadtnaher Einkaufszentren vorgenommen.
Der Einzelhandel ist ein äußerst konfliktträchtiges Feld der Stadtplanung und Kommunalpolitik. Standortentscheidungen – insbesondere im großflächigen Handel - sind für die betroffenen Kommunen und die jeweiligen Investoren vpn großer Bedeutung und sollten deshalb sorgfältig vorbereitet werden. Dazu braucht man in der Regel externe Gutachter, deren Sachverstand man in der Überzeugung einkauft, er sei größer als der eigene. Aber ist er es wirklich?
Manchmal sind Zweifel angebracht: Welcher Bürgermeister kennt es nicht, das Gefühl, für viel Geld nur wenig Substanz bekommen zu haben oder das Gefühl in die Hände von „industriell“ arbeitenden Gutachtern gefallen zu sein, die schematisch Textbausteine aneinander reihen und stets nur den Ortsnamen austauschen? Selten können die Auftraggeber von Gutachten solchen Zweifeln auf den Grund gehen, weil sie erstens nicht aus der Branche sind und Ihnen zweitens keine allgemeinen Standards zur Verfügung stehen, an denen man die Qualität von Gutachten messen könnte.
Mit diesem Sammelband sollen solche Standards etabliert und den potenziellen Auftraggebern von Gutachten zur Kenntnis gebracht werden. Gleichzeitig geht es jedoch auch um die Mitverantwortung der Auftraggeber für die Qualität von Gutachten, denn nur bei klar formulierten Fragen und einem angemessenen Budget können Gutachter nutzbringende Antworten geben.
Das Buch wendet sich vor allem an Stadt- und Regionalplaner, Kommunalpolitiker, Führungskräfte aus dem Einzelhandel und der Immobilienbranche sowie – nicht zuletzt - an die, deren Verstand gekauft wird: die Gutachter.
The present study focuses on Marion Maréchal-Le Pen’s self-representation on social media. Despite her youth, the niece of the party’s chairwoman and granddaughter of its founder is a distinguished member of the French radical right-wing populist and nationalist party Front National. The corpus-based analysis of her digital presence on Twitter, Instagram and Facebook on which this paper is based shows a specific use of linguistic and multimodal resources as a means of strategic framing of political content. In particular, an analysis of Maréchal-Le Pen’s use of searchable hashtags and @mentions referring to different political and non-political actors reveals it as a strategy of polarization between a constructed us and a negatively connoted them.
Multilingualism is part of our everyday lives and has recently entered the medium of film. Based on the linguistic diversity of Spanish-speaking countries, the present paper explores multilingualism as a key competence of foreign language learning. Since film provides students with audiovisual access to multilingual situations, a selection of educational videos that form parts of German textbooks will be critically explored concerning the presentation of multilingual phenomena. The results will be discussed in order to contribute to the systematic acquisition of multilingual skills in the sense of language and cultural awareness during classroom learning.
Peau d’Âme has often been regarded as an enigmatic and mysterious text which prevented a broad attention and interpretation since its posthumous publication in 1935. But putting the perspective on Pozzi’s Journal, particularly during the years 1920 and 1921, allows us to discover a significant intertextuality between both of them. Catherine Pozzi’s perception of space in her every day writing does not differ from her philosophical work, since for her the concepts of center and periphery do not form a strict dichotomy. It becomes superfluous in a world without limits. The perception and philosophy of Catherine Pozzi tends to go beyond the boundaries of space which allows us, as readers of these two forms of writing, to comprehend her vision of a spatial and temporal eternity.
After independence, in the sixties, sub-Saharan Africa including Francophone, saw moving to the head of his governments, dictatorial powers. Henri Lopès translated this in his work by a formal violence. We will study in this paper, the violence employed by the Congolese novelist in Le Pleurer-rire (1982): the technique of fragmentary. Our work is structured in three parts: the presentation of formal violence in Le Pleurer-rire, manifestations of postcolonial political system in this novel and the operation of the technique of fragmentary.
The history of intellectual and cultural contact between West and East is very complicated and contradictory. A long time ago, eastern culture attracted the attention of many writers, orientalists and researchers, who headed east not only to study and describe the fascinating eastern civilizations, but also to analyze their different literary, historical and scientific aspects.
The new mysterious but exciting environment inspired the orientalists to record and describe what they experienced regarding the architecture, the nature and the people. The attractive eastern natural views which are distinguishable from the monotonous western environment – especially after the industrial revolution – helped them to find new prospects.
The East has been coming into focus since the middle ages, when the church campaigns started to study Islam as the prevalent religion in this area. The orientalist motivations were not only religious, but also followed economic, colonial and scientific agenda, which lead to a plethora of specialized research, stories, novels and analytical studies. A close look at the orientalists’ works will provide us with an overview of eastern civilization. Therefore, their works are considered as a mirror reflecting their point of view to the east and the north of Africa, especially to pharaonic Egypt.
The orientalists who travelled to the east and expressed their passion to this old civilization in their writings influenced the literary movement deeply. But what do we mean by the term orientalism? Edward Saïd has defined this term in different ways. Saïd presented and interpreted it as a way of thinking, a historical phenomenon. Defining orientalism has become a problem indeed, and now it is carrying a number of meanings which do not match. Therefore, the aim of the study is to bring into focus the most important definitions of the term orientalism from the late 17th to the mid-20th century.
The present paper is concerned with the use of English cognitive verbs like think, mean and guess as well as with fixed expressions that contain these verbs like guess what (?) or think about it in Portuguese online discourses. In the qualitative analysis of examples retrieved from the Corpus do Português (Web/Dialects) I mainly focus on the syntactic behavior of the expressions under survey, also comparing their use and function in the English language. In the final part of the paper I reflect about possible reasons of the employment of English elements in Portuguese conversation.
This paper discusses complementation strategies in Spanish, focusing on a specific construction most speakers are not aware of: the complementation clause preceded by the verb conocer. Not being a typical complement-taking verb, conocer surprises with a stable and persistent presence throughout the centuries, from Old Spanish to Modern Spanish. After giving an introduction into the field of complementation clauses and one of its main focus of study, grammatical mood, this study uses empirical data from the corpus programs CORDE, CREA and CORPES XXI to show the usage and prevalence of the construction in question. In doing so, this analysis gives a quantitative insight, exemplifying the results with several examples from all ages.
This article seeks to analyse urban representation in José Cardoso Pires’s Lisboa – Livro de Bordo (1997), a book dedicated to the author’s home city Lisbon, by focusing on its prevailing nautical and maritime imagery. This imagery as well as its tendency to design Lisbon as a city-ship shall be examined with regard to spatial construction in the Livro de Bordo. Urban sailing as well as the recurrent representations of the Portuguese capital’s spaces as heterotopias will be interpreted as approaches to subvert institutional and homogenic discourses on Lisbon.
The two articles of «Langage» and «Langue», published in 1765 in the 9th volume of the great French Encyclopédie by Diderot and D’Alembert, treat some essential philosophical questions on the human ability of communication with linguistic signs. Nevertheless, as the two authors Jaucourt and Beauzée did not share completely identic points of view, the comparative lecture of both articles reveals a complementary perspective, particularly relating to the origin of language as a divine gift or humans’ creation for communicative needs. A further aspect of divergence concerns the textual composition of the article « Langage » as a structured informative text, and the article « Langue » as a long and freely composed writing including personal remarks by the author. The following article deals with the potential of approaches to the Encyclopédie in modern linguistics, concretely demonstrated in the comparative analysis of these two articles.
Sie sind wahrhaftig vernachlässigt, die Stadtteilzentren, Ladenzeilen, Ausfallstraßen; die Viertelzentren und Dorfkerne – eben all jene Geschäftslagen, die wir in unseren großen Städten irgendwo zwischen den Fußgängerbereichen der Cities und den Fachmarkagglomerationen entlang der Autobahnen finden. Nicht nur den Konsumenten, den Einzelhandelsunternehmen und der Stadtplanung fehlt es manchmal an Aufmerksamkeit für diese Geschäftslagen – nein, auch und vor allem der geographischen Handelsforschung: Man kann schwerlich übersehen, dass die Diskussion um den Konflikt zwischen „Innenstadt“ einerseits und „grüner Wiese“ andererseits, die seit mehr als zwanzig Jahren geführt wird, wenig Raum gelassen hat für eine wissenschaftliche Auseinandersetzung mit jenem Einzelhandel, der weder in der „Innenstadt“ noch auf der „grünen Wiese“ betrieben wird. Dieser Band versammelt deshalb zum ersten Mal Studien, die sich ausschließlich und engagiert mit den verschiedenen Typen vernachlässigter Geschäftslagen beschäftigen. Neben reichen empirischen Befunden aus Städten unterschiedlicher Größe (von Bonn bis Wien) findet der Leser in diesem Band theoretische und methodische Konzepte, die zur Erforschung der speziellen Probleme vernachlässigter Geschäftslagen geeignet sind. So entsteht eine wichtige Grundlage für den dringend notwendigen Ausbau dieser Forschungsrichtung und eine nützliche Arbeitshilfe für Stadtplaner und Standortgutachter.
Drei Dinge sind es, die den Erfolg eines Einzelhandelsbetriebes bestimmen: 1. Der Standort, 2. Der Standort und 3. Der Standort – dieses Bonmot kennt jeder, der beruflich mit dem Einzelhandel zu tun hat. Was aber einen guten Standort ausmacht, wie man ihn findet und ihn bei Kräften hält - das ist nicht so klar. Das Buch möchte hier ein wenig Licht ins Dunkel bringen und diskutiert deshalb in vier Beiträgen die theoretischen Grundlagen und praktischen Probleme von klassischen und modernen Methoden der Standortplanung, Standortbewertung und Einzugsbereichsmessung. Der Band richtig sich nicht nur an Standortplaner von Einzelhandelsunternehmen, die hier ein nützliches Kompendium für die tägliche Arbeit erhalten, sondern auch an Planer und Politiker, die über die Ansiedlung von Einzelhandels(-groß)betrieben zu entscheiden haben, und für die es oft von entscheidender Bedeutung ist zu wissen, wie ein neuer Standort in
bestehenden Strukturen eingreift.
Alle Autoren verfügen über langjährigen Erfahrung mit den im Buch behandelten Methoden – sowohl aus der Perspektive der akademischen Grundlangeforschung als auch aus der Perspektive der Auftragsforschung für Unternehmen und Kommunen. Dies bürgt für eine kenntnisreiche Verbindung von Wissenschaft und Praxis und macht das Buch auch für Studierende der Geographie und der Betriebswirtschaft interessant, die sich während des Studiums mit dem Einzelhandel beschäftigen oder eine berufliche Laufbahn in diesem Sektor anstreben.
Der Einzelhandel in Ostmitteleuropa entwickelt sich seit dem Zusammenbruch des Sozialismus außerordentlich dynamisch. Er ist zugleich durch extreme Gegensätze gekennzeichnet: Das Spektrum der Betriebsformen reicht vom ambulanten Handel „aus der Hand“, der für viele Menschen existentielle Bedeutung einnimmt, bis zu Luxusgeschäften und SB-Warenhäusern westeuropäischer Ketten. Die Einzelhandelsstruktur wird so zum Spiegelbild der zunehmenden gesellschaftlichen Polarisierung in den Transformationsstaaten. Der Strukturwandel im Einzelhandel vollzieht sich dabei zwischen unternehmerischer Anpassung sowie administrativer Regulierung auf der lokalen Ebene und wachsender Internationalisierung. Dieses Spannungsfeld kann als maßgeblicher Erklärungsrahmen für die Transformation in Ostmitteleuropa gelten.
This article deals with the reception of Dante and Goethe in Ermanno Wolf-Ferrari’s and Hector Berlioz’s compositions La Vita Nuova and La Damnation de Faust. Although Dante Alighieri’s Vita Nova and Johann Wolfgang von Goethe’s Faust belong to completely different genres and epochs, the texts provide the basis for the oratorio-style works from the Romantic era, which justifies a comparative analysis of the latter. The examined reductions, extensions, modifications and rearrangements of the texts in the libretti – which were compiled almost entirely by the composers themselves – as well as the instrumental parts and the use and functions of the orchestra, the choir and the soloists, portray the intermedia relations between literature and music in the selected compositions. The chosen examples will show that the common idea of setting literature to music and the translation studies concept of intersemiotic translation are not appropriate for all literature-based pieces of music, as the analysis of both works demonstrates that with regard to vocal music a distinction should be made between the musicalization of literature and the literarization of music.
The present study is concerned with a critical discourse analysis of the speeches of the Italian politicians Silvio Berlusconi and Matteo Renzi in different situations. The aim of the study was to find out how historical and speech contexts influence discourse structures and argumentations, and if any similar speech patterns or speech strategies were used. The results show that both politicians in many cases tend to utilize similar speech patterns to achieve different aims; each of them shows a preference for particular words, structures and strategies. It is noteworthy that one of the important differences between speeches of Berlusconi and Renzi is the use of various speech strategies. While Renzi uses these strategies to create an image of himself as a young and honest politician, Berlusconi makes use of them to defend himself or attack his opponents.
Unaufhörliches Suchen – Gaddas Roman Quer pasticciaccio brutto de via Merulana als carmen perpetuum
(2016)
Gadda’s novel Quer Pasticciaccio brutto de Via Merulana tells the tale of two crimes committed in Rome in the 1920s. The search for the perpetrators turns into a pasticciaccio brutto (an awful mess), challenging the reader with its linguistic complexity and a myriad of references to history and culture; the large number of allusions to antiquity is particularly striking. References to Virgil’s Aeneid and to Rome’s mythical past do not constitute a mere transfer, but document a creative approach of transformational nature. Deformation and inversion are part of this process, changing the μορφή not only in formal terms, but also within the plot itself. These transformations of both form and content are read as Metamorphoses and analysed in comparison to Ovid’s homonymous work. The perpetual, never-ending quest for truth in Gadda’s novel necessitates a perpetual, never-ending narrative, which is conceptually related to Ovid’s carmen perpetuum.
Economic, academic or artistic cooperation among actors of different countries or disciplines offers numerous new perspectives, but it also confronts the ones profiting from it with several challenges. First, identity has to be firmly established, which requires intercultural skills, such as role-distance, empathy and tolerance for ambiguities. Secondly, a third space is required in which meaning can be newly negotiated to make the partnership succeed. This paper proposes that even within one and the same language-group, one can speak of intercultural communication. A particular collaboration between Portuguese-speaking comic artists will be introduced, raising questions of the conditions necessary to make such a cooperation work. Answers will be provided according to the decisions the artists made in their publications.
This article deals with the outstanding linguistic character of Salvatore in Umberto Eco’s novel Il nome della rosa. The first section is a critical review on problems and potentials of linguistic analyses of fictional texts, especially of those which have been written in uncommon or inexistent languages. The text-based analysis of Salvatore’s polyglot idiolect shows that this is more than a simple and confused mixture of Latin, German, and some Romance dialects and languages. Based on the linguistic concepts of intertextuality, frame-dependent text styles, and diaphasic variety several language choices in Salvatore may be explained in a new way. The analysis of four concrete text fragments also envisions the possibilities of a deeper comprehension of Salvatore’s utterances through attentive context reading.
Women in Caribbean culture traditionally occupy the role of guardians of collective memory, as tellers of stories, legends and myths. Through oral tradition, they transfer the cultural and family knowledge from one generation of women to the next. We will offer an analysis of oral transmission as a way of preserving a memory of women in Le livre d’Emma (2001) by the Québec author of Haitian origin, Marie-Célie Agnant. We will primarily analyze the transformation of communicative memory into cultural memory, following the distinction by Jan Assmann. We will interpret the oral transfer as a possibility to stabilize, to legitimize female memory and to inscribe it into the female body.
After the terrorist attacks on November 13th, the French public, the whole of Europe and many parts of the world were waiting for president François Hollande to address his fellow “citoyens”. Being the most important political figure – both by constitution and by influence on public discourse – the president’s words bear great importance for the subsequent debate and interpretation of the events. Therefore, the question arises: How did the president shape the debate in the hours and days after the attacks? To answer this question, we have identified typical structures in Hollande’s rhetorical reaction to the attacks, performing a topos as well as a keyword analysis of the speeches the president held within two weeks after November 13th. In a contrastive analysis we have compared Hollande’s speeches to the Europarl Corpus. Using the software programme sketch engine, we have filtered out the 100 most frequent keywords and classified them into semantic fields (data-driven approach). All in all, terrorism, action and nation/identity are the three predominant semantic fields, whereas references to victimhood barely appear. These findings are congruent with the results of our topos analysis that reveals a predominance of argumentative structures that form a strong main topos of resilience, emphasising the greatness of France and its people and culture, calling to action and avoiding any tendencies of resignation.
In this paper, the different uses and functions of (yo) pienso (que) are analysed. The examples demonstrate that (yo) pienso (que) fulfils various functions. It is used as a marker of cognitive attitude concerning the proposition (that is, the speaker expresses his validative attitude or an inference), as a pragmatic marker or as a cognitive particle. In this study, we introduce the term ‘cognitive particle’ in order to describe the use of (yo) pienso (que) when its use serves to gain time in processing the enunciation or to structure the speaker’s thoughts. The empirical data are on the one hand retrieved from the corpus programme CREA, of debates and interviews focusing on peninsular Spanish, and on the other hand from GlossaNet, more precisely from the newspapers El País and El Mundo. This analysis is a qualitative one because we do not focus on the frequency of the different functions. Instead, we want to illustrate the various functions (yo) pienso (que) fulfils.
The study uses the category of disgust in order to analyse the representation of the human body and the corpse in one of the most influential medieval treatises, the De Miseria Condicionis Humanae (1195) written by Pope Innocent III, and its little known old French adaptation Double lay de fragilité humaine (1383) by Eustache Deschamps. Analysing how both use disgust as an aesthetic means, which appeals to emotions and turns off reason, helps to point out the pedagogical and moral function of the texts. The comparison between them shows that Deschamps stays faithful to his Latin model, but that he nevertheless has to make certain modifications in order to adapt the prose text into a lyrical form. Furthermore, this approach clearly elucidates what differences there are between the conceptions of the human body and death in the two texts, revealing at the same time divergent theological points of view.
The novel Madame Chrysanthème (1887) and the essays collected in Japoneries d’automne (1889) written by French travel author Pierre Loti offer a paradoxical view of Japan during the Meiji period. In both travel writings, the author is torn between aesthetic japonism – which spread all over Europe at the end of the 19th century – and exotic expectations, i.e. the picturesque fascination of the Other. The latter, however, remains unsatisfied throughout his stay. In both writings, Pierre Loti provides an insight into Japan that entirely reflects the spirit of his time. Thereby, he contributes to an image of Japan, which will long remain vivid in the Occident. Contemporaries perceive Loti’s representation of Japan as a realistic testimony, tinged with both sensory impressions and his highly ambiguous feelings towards the distant country, which in the end remained incomprehensible to him.
This article concentrates on the Argentine author Esteban Echeverría who is known as the founding father of Romanticism in the River Plate region. The author of this article intends to show that the importance of Echeverría for the development of Argentine national literature goes beyond the spreading of Romanticist aesthetics. Especially his poem La cautiva (1837) has been regarded as the national epic poem of Argentina because it represents national landscape and the early days of national history. However, as the classification of this narrative poem as the national epic poem already indicates, Echeverría also contributed to the presence of this prestigious genre at the River Plate region. By investigating Echeverría‘s less known verse texts – namely the texts which were read by all Romantics but which have been neglected by literary studies so far – this article illustrates that Echeverría gave decisive impulses for the presence of the epic poem at the River Plate.
No abstract available.
No abstract available.
No abstract available.
No abstract available.
No abstract available.
No abstract available.
No abstract available.
No abstract available.
No abstract available.
In this work, Emilio de’ Cavalieri’s musical sources will serve as a platform in an attempt to overcome the lack of explicit original guidance and guidelines of performance practice of early basso continuo. It will offer a methodology that will allow the unraveling of implicit theory and practice hidden in the music sources themselves. The methodology of this work is based on the fact that Cavalieri’s Rappresentatione di Anima e di Corpo (Rome, 1600) is printed using a unique continuo notation, which is detailed, precise, and coherent—more so than any other contemporaneous printed source. Through thorough investigation of this continuo notation, it will be possible to enrich our practical as well as theoretical knowledge of the early basso continuo. A wide range of evidences will emerge, covering a wide spectrum, from general questions of instrumentation up to the very notes that should be played. Using a special notation for illustration, I will demonstrate how Cavalieri’s basso continuo figuration, when combined with the known rules of counterpoint, is at times equivalent to written-out realizations.
As part of this study, different models of contrapuntal phenomena will be analyzed, mainly in the context of cadences but also in the context of other progressions that deserve to be recognized as formulas. Their theoretical structure will be uncovered as well as their actual application in music and their manner of execution. The prevalence of each phenomenon will be examined in order to distinguish common and recurrent phenomena from rarely-used formulas. In order to do this, and due to problematic historical terminology, it will be necessary to create a set of new terms inspired by Cavalieri’s notation. Those terms will not be solely relevant to Cavalieri’s music; the models were made flexible so that they may prove useful for future discussions or studies of early continuo in general.
Out of the known early basso continuo sources, a “mini-compendium” of practical implications will be extracted in order to exhaust the practical knowledge implicit in them. This endeavor will be concluded with a list of rules and general advice drawn from the sources, but it will also reveal some problematic aspects of these sources.
This endeavor will make it possible to compare the “new” implicit practical information deduced in this study with the explicit known continuo sources, and assess to what extant Cavalieri’s continuo practices illuminate and complement the known knowledge from previously-studied yet opaque sources of basso continuo.
The focus of this dissertation is on Cavalieri’s music, but the findings proposed here will be traced so as to illuminate the broader realm of the early Baroque and the 17th century musical style at large. Finally, this new research about Cavalieri’s music and continuo, along reevaluating of its place among the common continuo sources, calls for redistribution of source materials on the traditional “shelf” of early basso continuo sources.
While French Enlightenment seems philosophically dominated by a pejorative idea of the medieval past as the ‘Dark Ages’, this is only one conception among others. This article focuses on a different, a positive, representation of the Middle Ages in eighteenth-century literature, analyzing the chivalric novella Bliombéris (1784) by Jean-Pierre Claris de Florian. On the one hand, the eponymous hero is considered a ‘noble savage’ who develops into an ideal knight by education and successful learning – two central ideas of the Enlightenment period. On the other hand, the study shows how the medieval topic of the Matière de Bretagne, exclusively required by English literature for a long time, is finally regained by the French and is reintegrated into their national memory.
In Enrique Gaspar y Rimbau’s 1887 science fiction novel El anacronópete, comedy presents itself in a variety of guises. One of the central comic elements of the book is the playful way in which the lower class characters, namely the maid Juana and the soldier Pendencia, engage with language. This article will compare Gaspar’s El anacronópete with two of its official translations, Leyla Rouhi’s The Anacronópete and Yolanda Molina-Gavilán and Andrea Bell’s The Time Ship: A Chrononautical Journey, in order to ascertain to what extent the Spanish author’s comic touch is preserved in the English translations of Juana’s and Pendencia’s speech. The maid’s and the soldier’s use of double meaning, the mondegreen, and code-switching will be the specific focus of our analysis. We will see that, as Salman Rushdie claims, although «[i]t is normally supposed that something always gets lost in translation […] something can also be gained» (1991: 17).
This article seeks to analyse the volume of poems Vapor de foto (2006) written by the young contemporary poet Luciana Romano from Buenos Aires. Romano is also an activist of the politically engaged artist collective Etcétera… founded in the late nineties. Her poetry reveals a certain correlation with the aesthetics of the actions and interventions developed by Etcétera… in the streets and public spaces not only of Argentina but also of Europe. Furthermore, the creation of Vapor de foto is based on the collective’s experiences and practices. Using a methodological approach that combines close reading and a cultural and socio-critical focus, several poems will be exemplarily analysed in order to examine the interrelation between Romano’s style of writing and her activism. Assuming that her poetry, as well as the work of Etcétera…, belongs to a postdictatorial contemporary aesthetics characterized by the complex interplay between dadaistic and surrealistic dis/continuities, this article will focus on the analysis of different forms of relations between text and image.
French-Madagascan colonial history is full of dark chapters. After Madagascar’s independence the French general public forgot the country very quickly. In Malagasies collective memory, the wounds of colonial injustice are still open even if they are generally considered as fady (‘tabooʼ). Désiré Razafinjato is the first Malagasy author writing in French who dares to approach the difficult relations between Malagasy-French and indigenous Malagasy as well as between indigenous Francophiles and indigenous anti-French nationalists. In his tale «Tahiry. From Madagascar to the Algerian djebel, the bitter-fatherland», the narrator speaks about the painful loss of any fatherland for all those Malagasy who during the War of Algeria got involved as French soldiers. Indeed, it is the sad history of the despoliation of an ideal Motherland on the French side and of the refusal of membership in an ancestral fatherland on the Malagasy side. What remains for those ancient French-Malagasy combatants is the feeling of a ‘bitter-fatherlandʼ and the feeling of living in ‘between everywhereʼ in some kind of ‘non-fatherlandʼ.