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The tendency towards the exploitation of the resources of creation is the result of a long historical and cultural process. The modern African Communities have witnessed man’s growing capacity for environmental transformative intervention. The aspect of the conquest and exploitation of resources in rural communities such as in the Niger Delta of Nigeria has become predominant and invasive, and has even reached the point of threatening the environment’s hospitable function: the environment only as resource risks threatening the environment as home. In this respect, the ethical judgement of the social realities on ground is very decisive. And this is the very important aspect where the Catholic Social Ethics has a role to play. Because of the environmental crisis in this region through technological advancement, there is urgent need for a balance through the introduction of the model of a sustainable development.
The socio-ethical model of sustainability in this work is a framework so constructed that women, men, families and communities in the Niger Delta are to be the agents which determine what their developmental strategies are. Although their developmental opportunities and decisions are sometimes constrained by various factors, it remains the fact that they alone bear responsibility for their environment and must live with the consequences.
So if sustainable development in the Niger Delta region of Nigeria is to extend beyond narrow technical understanding, it must one that generally seek to embrace the cultural and social systems of the people. This will go a long way in reducing dependency and increase self-empowerment and will place more value on what the people understand and practice.
Bede Chinedum Nwadinobi, a native of Alike Obowo in Imo State (Nigeria), is a Catholic Priest of Okigwe Diocese (Nigeria). He studied Philosophy and Theology at St. Joseph Major Seminary Ikot-Ekpene. He also worked as a Vice-Principal of Queen of Apostles College Okigwe (Nigeria). At the University of Würzburg (Germany), he earned his doctorate in Catholic Theology specializing in Catholic Social Science.
This dissertation presents a comprehensive exploration of the bamboo branch song (zhuzhici 竹枝詞), a classical Chinese poetry genre. One of the defining features of the bamboo branch song genre is its emphasis on all aspects of local culture. As a result, these poems typically have a specific focus on a particular place. This dissertation takes the bamboo branch songs of Shandong Province as its primary subject. The dissertation is divided into two parts. The first section focuses on a cultural study of the bamboo branch song genre. By examining the genre, this dissertation concludes that the bamboo branch song is a genre of vernacular poetry in imperial China. The language has a vernacular style, and the content has a clear focus on local affairs. The subsequent section delves into the Bamboo Branch Songs of Shandong Province, with almost 2,000 poems collected from different sources. From everyday routines to customs, travel culture, and historical episodes, the poems cover a wide range of topics, offering a detailed glimpse into the various facets of the region's society. Women play a significant role in the poems about social life in Bamboo Branch Songs of Shandong Province. They were often the central figures in the ceremonies of festivals, and their behaviour was given special attention. The bamboo branch song genre has an internal character as a form of travel writing. The poems were usually written by authors who had made observations on their journeys. This dissertation delves into the travel culture of the capital Ji'nan, through the lens of bamboo branch songs, providing valuable insights into the region. Another common motif of bamboo branch songs is history. Some nostalgic poems deal with local historical sites, events, legends and personalities. This dissertation finds that these poems contain unique historical information with a microcosmic and individual perspective.