Refine
Has Fulltext
- yes (105) (remove)
Is part of the Bibliography
- no (105) (remove)
Year of publication
Document Type
- Journal article (59)
- Book article / Book chapter (46)
Keywords
- Human-Animal Studies (22)
- Animal Studies (21)
- Cultural Animal Studies (21)
- Cultural Studies (21)
- Ecocriticism (21)
- Environmental Humanities (21)
- Literary Studies (21)
- Kulturwissenschaften (6)
- cultural studies (6)
- India (5)
- Indien (5)
- Interview (3)
- political discourse (3)
- Covid-19 (2)
- Hall, Stuart (2)
- Literatur (2)
- Mehrsprachigkeit (2)
- Portugiesisch (2)
- Spanisch (2)
- Williams, Raymond (2)
- autobiography (2)
- communication (2)
- cultural memory (2)
- heterotopia (2)
- language (2)
- loanwords (2)
- social media (2)
- (auto)biographical writing (1)
- (nonce) borrowing (1)
- (yo) pienso (que) (1)
- 1680 (1)
- Agnant, Marie-Célie : Le livre d'Emma (1)
- Alltagskultur (1)
- Andalucismo (1)
- Andalusian varieties (1)
- Antiandalucismo (1)
- Argentinian Spanish (1)
- Attentat (1)
- BDLP (1)
- Banda desenhada de língua portuguesa (1)
- Bataclan (Paris) (1)
- Beauzée (1)
- Berlioz, Hector (1)
- Berlusconi, Silvio (1)
- Bildung (1)
- Bliombéris (1)
- COVID-19 (1)
- Cartas desde mi celda (1)
- Catalan identity (1)
- Catalan volunteers (1)
- Catherine Pozzi (1)
- Caylus (1)
- Christine de Pizans (1)
- Christine, de Pisan : Le livre de la cité des dames (1)
- Code-switching (1)
- Comic Studies (1)
- Coronavirus (1)
- Cultural Anthropology (1)
- Dante, Alighieri (1)
- De Miseria Condicionis Humanae (1)
- Deschamps, Eustache (1)
- Diskursanalyse (1)
- Diskursmarker (1)
- Double lay de fragilité humaine (1)
- Désiré Razafinjato (1)
- Echeverría, Esteban (1)
- Eco, Umberto : Il nome della rosa (1)
- Edward Saïd (1)
- Ekel (1)
- Encyclopédie (1)
- Englisch (1)
- English youth slang (1)
- Enrique Gaspar y Rimbau (1)
- Entstehungsgeschichte (1)
- Ernaux, Annie (1)
- European Spanish (1)
- Exzerpt (1)
- Facebook (1)
- Falklands War (1)
- False wisdom (1)
- Fantasy (1)
- Federico García Lorca (1)
- Feminismus (1)
- Ferrante, Elena (1)
- Figur (1)
- Film (1)
- Freud (1)
- Front National (1)
- Frühe Neuzeit (1)
- Funktion (1)
- Gadda, Carlo Emilio : Quer pasticciaccio brutto de Via Merulana (1)
- Gedicht (1)
- General Prim (1)
- German (1)
- German/French/Italian (1)
- Geschichte 1680 (1)
- Geschichte 1700- (1)
- Geschlecht (1)
- Gesellschaftsordnung (1)
- Gewalt / Frau (1)
- Gilroy, Paul: The Black Atlantic (1)
- Globalisierung (1)
- Goethe, Johann Wolfgang von (1)
- Grotte (1)
- Gustavo Adolfo Bécquer (1)
- Herr und Hund (1)
- Hexe (1)
- Hispanoamerika (1)
- Hollande, François (1)
- Höhle (1)
- Höhle <Motiv> (1)
- Hör-Seh-Verstehen (1)
- Identitätsbildung (1)
- Identitätsentwicklung (1)
- Innocent III (1)
- Innovation (1)
- Instagram (1)
- Intermedialität (1)
- Jair Bolsonaro (1)
- Jameson, Frederic (1)
- Japan (1)
- Japoneries d’automne (1)
- Jaucourt (1)
- Jean-Daniel Pollet (1)
- José Cardoso Pires, Lisbon (1)
- Karriere (1)
- Kaste (1)
- Komplementsatz (1)
- Komödie (1)
- Kooperation (1)
- Korpus (1)
- Königlich Spanische Akademie (1)
- Körper (1)
- Künstler (1)
- Künstlerkooperation (1)
- La Regenta (1)
- Las Chicas del Cable (1)
- Lateinamerika (1)
- Latin America (1)
- Lehrwerkanalyse (1)
- Leiche (1)
- Leopoldo Alas «Clarín» (1)
- Lernvideo (1)
- Lexik (1)
- Literarisierung (1)
- Literary representation of the human body (1)
- Livre de la cité des dames (1)
- Lope de Vegas (1)
- Los girasoles ciegos (1)
- Loti, Pierre (1)
- Louis (1)
- Luciana Romano (1)
- Lumières (1)
- Lusitanistik (1)
- Luso-Afrika (1)
- Lügner (1)
- Madame Chrysanthème (1)
- Malvinas (1)
- Marion Maréchal-Le Pen (1)
- Marxismus (1)
- Marxist theory (1)
- Masculinity Studies (1)
- Mehta, Deepa (1)
- Meiji-Periode (1)
- Meinungsbildung (1)
- Mexican cinema (1)
- Mexiko (1)
- Mittelalter (1)
- Montpellier (1)
- Mosambik (1)
- Musik (1)
- Mémoires de l’Académie des Colporteurs (1)
- Mündliche Überlieferung (1)
- Nahrung (1)
- Natalia Almada (1)
- Nationale Minderheiten (1)
- Neue Welt (1)
- Nonstandard (1)
- Norm (1)
- Old Portuguese (1)
- Ottoman Empire (1)
- Paris (1)
- Patricia de Souza (1)
- Peau d’Âme (1)
- Philippe Sollers (1)
- Pierre Loti (1)
- Platero y yo (1)
- Plosivsequenzen (1)
- Politische Rede (1)
- Portuguese future tense (1)
- Postmarxismus (1)
- Postmodernism (1)
- Praxis (1)
- Rassismus (1)
- Raumwahrnehmung (1)
- Real Academia Española (1)
- Religion (1)
- Renzi, Matteo (1)
- Repräsentation (1)
- Roman (1)
- Salvatore (1)
- Sartre, Jean-Paul (1)
- Selbstmordgefährdung (1)
- Simon Stone (1)
- Spanisch als Fremdsprache (1)
- Spanish (1)
- Spanish-Moroccan War of 1859/60 (1)
- Spanish-Zapotec translations (1)
- Sprache (1)
- Sprachliche Unsicherheit (1)
- Sprachwissenschaft (1)
- Suizidalität (1)
- Syntax (1)
- Sérgio Zimba (1)
- Tempus- und Aspekterwerb (1)
- Theater <Motiv> (1)
- Theorie (1)
- Todo lo demás (1)
- Tradition (1)
- Twitter (1)
- Vega Carpio, Lope Félix de : El villano en su rincón (1)
- Vergangenheitstempora (1)
- Vergangenheitstempus (1)
- Villano en su rincón (1)
- Vokalschwächung (1)
- Wandel (1)
- Web 2.0 (1)
- Welttheater (1)
- Willams, Raymond (1)
- Wolf-Ferrari, Ermanno (1)
- Woolf, Viriginia (1)
- Zambian English (1)
- Zola (1)
- aggression (1)
- animal-human relations (1)
- anti-science (1)
- aphorism (1)
- background (1)
- basic learners (1)
- bilingualism (1)
- blended learning (1)
- camera perspective (1)
- car culture (1)
- caste system (1)
- catechisms (1)
- colonial Mexico (1)
- common human values and national values (1)
- component (1)
- confixes (1)
- connection (1)
- conocer (1)
- contextual clues (1)
- contrastive linguistics (1)
- conversion to art (1)
- coronavirus (1)
- corpus linguistics (1)
- critical discourse analysis (1)
- culture (1)
- curriculum (1)
- cyber aggression (1)
- debate (1)
- development (1)
- dictatorship (1)
- discursive strategy (1)
- documentary film (1)
- education (1)
- episches Gedicht (1)
- eroticism (1)
- essay film (1)
- expression (1)
- female authorship (1)
- feminism (1)
- feminist rap (1)
- film analysis (1)
- focalization (1)
- food cultures (1)
- football chants (1)
- foreign (1)
- framing (1)
- friction (1)
- functiones (1)
- gender (1)
- gender assignment (1)
- gesprochenes Französisch (1)
- globalization (1)
- historical linguistics (1)
- illness (1)
- imitatio (1)
- immobility (1)
- influence (1)
- information structure (1)
- innovatio (1)
- intelligentsia (1)
- interaction (1)
- interspecies encounters (1)
- la campagne d’Égypte (1)
- language in media (1)
- language variation (1)
- learner (1)
- les Turqueries (1)
- lexical co-occurrences (1)
- linguistic character (1)
- linguistic discourse analysis (1)
- linguistic politics (1)
- literary minimalism (1)
- literature (1)
- loneliness (1)
- majority (1)
- marcador (1)
- masculinity (1)
- memoria (1)
- memory (1)
- migration (1)
- minorities (1)
- mise en scène (1)
- misery (1)
- missionary texts (1)
- modality (1)
- morphology (1)
- motorway (1)
- multimodality (1)
- narration (1)
- neologism (1)
- new normal (1)
- nomadic identities (1)
- online-Kommunikation (1)
- ordinary culture (1)
- orientalisme (1)
- others (1)
- pain (1)
- perceptions (1)
- perfecto compuesto (1)
- performance (1)
- performativity (1)
- perpetual, never-ending narrative (1)
- philosophie du langage (1)
- politischer Diskurs (1)
- post Marxism (1)
- postcolonial novel (1)
- power (1)
- presidential rhetoric (1)
- produktive Rezeption (1)
- quantitativ (1)
- racism (1)
- reactions (1)
- religion (1)
- romantisches Gedicht (1)
- scientific novel (1)
- second language acquisition (1)
- semiotics (1)
- social (1)
- social criticism (1)
- sociophonetics (1)
- space (1)
- speech community (1)
- speeches (1)
- street (1)
- suicidality (1)
- superclásico (1)
- suppression of women (1)
- technique of fragmentary (1)
- technomots (1)
- terrorist attack, Paris, 13th November 2015 (1)
- the Mediterranean Sea (1)
- theoretical and contrastive linguistics (1)
- tierras altas (1)
- tierras bajas (1)
- topoi (1)
- traffic congestion (1)
- trauma (1)
- undergraduates of EFL and teachers (1)
- urban discourse (1)
- urban semiotics (1)
- utopia (1)
- violence (1)
- vocabulary (1)
- vocabulary knowledge (1)
- vocabulary retention (1)
- weibliche Autoren (1)
- wissenschaftlicher Nachwuchs (1)
- word-formation (1)
- writing (1)
- xenophobia (1)
Institute
- Neuphilologisches Institut - Moderne Fremdsprachen (105) (remove)
Schriftenreihe
Sonstige beteiligte Institutionen
- VolkswagenStiftung (21)
While French Enlightenment seems philosophically dominated by a pejorative idea of the medieval past as the ‘Dark Ages’, this is only one conception among others. This article focuses on a different, a positive, representation of the Middle Ages in eighteenth-century literature, analyzing the chivalric novella Bliombéris (1784) by Jean-Pierre Claris de Florian. On the one hand, the eponymous hero is considered a ‘noble savage’ who develops into an ideal knight by education and successful learning – two central ideas of the Enlightenment period. On the other hand, the study shows how the medieval topic of the Matière de Bretagne, exclusively required by English literature for a long time, is finally regained by the French and is reintegrated into their national memory.
This article exemplifies Gunter Grimm’s concept of productive reception by analyzing César Fernández García’s young adult novel La última bruja de Trasmoz (2009) and the episode Tiempo de hechizos (2017) of the TV series El ministerio del tiempo as two modern works which artistically and creatively deal with Gustavo Adolfo Bécquer’s Cartas desde mi celda (1864). The study is based on the core assumption that the choice of genre greatly influences the treatment of motives such as the perception of nature and the idea of dreams, as well as the image of the witch. While Bécquer’s letters, which focus on the rural people’s superstition, present the witch of Aragonese folklore, the modern examples portray two of her fantastic counterparts: the novel depicts its magical protagonist as an evil supernatural being, whereas the TV episode of the science fiction series shows the witch as a time traveller and a victim.
No abstract available.
This article deals with the reception of Dante and Goethe in Ermanno Wolf-Ferrari’s and Hector Berlioz’s compositions La Vita Nuova and La Damnation de Faust. Although Dante Alighieri’s Vita Nova and Johann Wolfgang von Goethe’s Faust belong to completely different genres and epochs, the texts provide the basis for the oratorio-style works from the Romantic era, which justifies a comparative analysis of the latter. The examined reductions, extensions, modifications and rearrangements of the texts in the libretti – which were compiled almost entirely by the composers themselves – as well as the instrumental parts and the use and functions of the orchestra, the choir and the soloists, portray the intermedia relations between literature and music in the selected compositions. The chosen examples will show that the common idea of setting literature to music and the translation studies concept of intersemiotic translation are not appropriate for all literature-based pieces of music, as the analysis of both works demonstrates that with regard to vocal music a distinction should be made between the musicalization of literature and the literarization of music.
This paper analyzes the mental development of the main character Salvador in the Spanish movie Los girasoles ciegos (2008) by José Luis Cuerda, based on the camera perspective and focalization, as well as the three-instance model according to Sigmund Freud. For this purpose, screen captures from the movie are examined to see how Salvador’s loss of control is pictured. This is applied to Freud’s three-instance model to prove the takeover of the Id. Throughout the whole movie, the inner conflict between his Ego and Id, i.e. his life as a deacon versus his life as a soldier, is present. The whole process of the breakdown of his mental state is revealed through the camera perspective and visual focalization.
The present study is concerned with a critical discourse analysis of the speeches of the Italian politicians Silvio Berlusconi and Matteo Renzi in different situations. The aim of the study was to find out how historical and speech contexts influence discourse structures and argumentations, and if any similar speech patterns or speech strategies were used. The results show that both politicians in many cases tend to utilize similar speech patterns to achieve different aims; each of them shows a preference for particular words, structures and strategies. It is noteworthy that one of the important differences between speeches of Berlusconi and Renzi is the use of various speech strategies. While Renzi uses these strategies to create an image of himself as a young and honest politician, Berlusconi makes use of them to defend himself or attack his opponents.
No abstract available.
Unaufhörliches Suchen – Gaddas Roman Quer pasticciaccio brutto de via Merulana als carmen perpetuum
(2016)
Gadda’s novel Quer Pasticciaccio brutto de Via Merulana tells the tale of two crimes committed in Rome in the 1920s. The search for the perpetrators turns into a pasticciaccio brutto (an awful mess), challenging the reader with its linguistic complexity and a myriad of references to history and culture; the large number of allusions to antiquity is particularly striking. References to Virgil’s Aeneid and to Rome’s mythical past do not constitute a mere transfer, but document a creative approach of transformational nature. Deformation and inversion are part of this process, changing the μορφή not only in formal terms, but also within the plot itself. These transformations of both form and content are read as Metamorphoses and analysed in comparison to Ovid’s homonymous work. The perpetual, never-ending quest for truth in Gadda’s novel necessitates a perpetual, never-ending narrative, which is conceptually related to Ovid’s carmen perpetuum.
Multilingualism is part of our everyday lives and has recently entered the medium of film. Based on the linguistic diversity of Spanish-speaking countries, the present paper explores multilingualism as a key competence of foreign language learning. Since film provides students with audiovisual access to multilingual situations, a selection of educational videos that form parts of German textbooks will be critically explored concerning the presentation of multilingual phenomena. The results will be discussed in order to contribute to the systematic acquisition of multilingual skills in the sense of language and cultural awareness during classroom learning.
The article deals with the educational comics of the Mozambican artist Sérgio Zimba, especially in the context of the current pandemic situation caused by Covid-19. First, comics from and comic research on Africa will be presented, especially in their repercussion within the German-language comics landscape. This will be followed by a discussion of the special situation in lusophone Africa, exemplified and illustrated by the works of the Mozambican cartoonist Sérgio Zimba. The article closes with a brief comparison of Zimba’s work with the cartoons of Sérgio Piçarra from Angola, to better classify the artist's work.
Economic, academic or artistic cooperation among actors of different countries or disciplines offers numerous new perspectives, but it also confronts the ones profiting from it with several challenges. First, identity has to be firmly established, which requires intercultural skills, such as role-distance, empathy and tolerance for ambiguities. Secondly, a third space is required in which meaning can be newly negotiated to make the partnership succeed. This paper proposes that even within one and the same language-group, one can speak of intercultural communication. A particular collaboration between Portuguese-speaking comic artists will be introduced, raising questions of the conditions necessary to make such a cooperation work. Answers will be provided according to the decisions the artists made in their publications.
Due to an ever-increasing number of automobiles on the roads, automobility fails more and more to fulfil its promise of free individual mobility, leading to traffic density and congestions of unprecedented proportions. However, those conditions seem to possess an aesthetic potential which we seek to analyze in terms of literature. Therefore, we are going to look on three novels from Romance-language areas: Julio Cortázar’s short story La autopista del sur (1966), Carlo Lucarelli’s novel Autosole (1998) and Grégoire Gauchet’s novel Les robinsons de l’autoroute (2018). First, we will analyze the nature of deceleration/congestion by referring to human geographer Tim Cresswell’s concept of friction. Second, we will examine recurring motifs linked to the deceleration/congestion in all novels before taking a closer look at Gauchet’s novel where the friction not only applies to traffic but also to human relationships. The aim is to look at different literary representations of an everyday experience like traffic congestion and to see how literature deals with such an occurrence.
No abstract available.